Halle Berry stars as a successful criminal psychologist who wakes up to find herself a patient in her own mental institution with no memory of the murder she's apparently committed.
M Night Shyamalan's breakout third feature, The Sixth Sense sets itself up as a thriller poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. --Mark Englehart M Night Shyamalan reunites with Bruce Willis in Unbreakable for another story of everyday folk baffled by the supernatural (or at least unknown-to-science). This time around, Willis has paranormal, possibly superhuman abilities, and a superbly un-typecast Samuel L Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. Throughout, the film refers to comic-book imagery, while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers may find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness off-putting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman After tackling ghosts and superheroes, M Night Shyamalan brings his distinctive, oblique approach to aliens in Signs. With Mel Gibson replacing Bruce Willis as the traditional Shyamalan hero--a family man traumatised by loss--and leaving urban Philadelphia for the Pennsylvania sticks, the film starts with crop circles showing up on the property Gibson shares with his ex-ballplayer brother (Joaquin Phoenix) and his two troubled pre-teen kids. Though the world outside is undergoing a crisis of Independence Day-sized proportions, Shyamalan limits the focus to this family, who retreat into their cellar when "intruders" arrive from lights in the sky and set out to "harvest" them. The tone is less certain than the earlier films--some of the laughs seem unintentional and Gibson's performance isn't quite on a level with Willis's commitment--but Shyamalan still directs the suspense and shock dramas better than anyone else. --Kim Newman
Jennifer Aniston stars as a young married woman whose mundane life takes a turn for the worse when she strikes up a passionate and illicit affair.
All five feature-length spinoffs from the classic 1960s spy series 'The Man from U.N.C.L.E'. With weapons in hand - and tongues in cheek - agents Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) carry out the bidding of U.N.C.L.E. chief Alexander Waverly (Leo G. Carroll). Guest stars include Joan Crawford, Rip Torn, Herbert Lom, Telly Savalas, Terry-Thomas, John Carradine and Leslie Nielson. Films are: 'The Spy With No Face', 'One Spy Too Many', 'Karate Killers', 'Helicopter ...
FINDING JACK CHARLTON is the definitive portrait of an extraordinary man; an English World Cup winning legend, who became an Irish hero. Directed by Gabriel Clarke (Bobby Robson: More Than A Manager; Steve McQueen: The Man & Le Mans) and Pete Thomas (Take His Legs), and shot on location in Ireland and England, the film also details Jack's previously undocumented life with dementia. The documentary features key characters from throughout Jack's career, including major figures in football, music, film, politics, and, for the first time, Jack's family. These personal perspectives, along with previously unseen archive, are an intimate window into Jack's charismatic personality, his managerial philosophy and offer a new level of understanding into FINDING JACK CHARLTON. Powerful & uplifting - Paul Doyle, The Guardian Gripping, heartbreaking, inspirational - Henry Winter, The Times Alzheimer's Society and The Alzheimer's Society of Ireland are proud official charity partners of Finding Jack Charlton. 5% of Producer s Net profit made from each product sold will be donated to Alzheimer's Society & The Alzheimer's Society of Ireland.
A recent widow invites her husband's troubled best friend to live with her and her two children. As he gradually turns his life around, he helps the family cope and confront their loss.
If the idea of an Oprah Winfrey-produced film detailing the last days of a dying man and his inspirational effect on those left behind sounds a little cloying, Tuesdays with Morrie will be a rather pleasant surprise. While the presentation of this true story is certainly very American in tone, and it was obviously made for television (the points where it faded to commercial breaks are clear), it's still a surprisingly satisfying piece of work. The credit for that can firmly be laid at the door of Jack Lemmon, appearing in what was to be his last film. He excels as the terminally ill college professor Morrie Schwartz, determined to use his passing as a medium for teaching others about life. Still showing signs of the spark that made the movies of his heyday so memorable, Lemmon is also capable of bringing a magnificent pathos to the role. Co-star Hank Azaria is a more-than-equal foil, instilling his character with a growing awareness of self that blossoms before the viewer. Yes, at times it is a little too schmaltzy for its own good, but Tuesdays with Morrie is a film capable of visiting emotional extremes with ease. On the DVD: A very scanty package, with the usual scene access and Dolby Digital stereo accompanied by a text-only resume of the movie and the briefest of biographies of its cast--in Lemmon's case a massively ineffectual effort.--Phil Udell
EATEN BY LIONS tells the heart-warming story of half-brothers Omar (Antonio Aakeel) and Pete (Jack Carroll), who were raised by their Grandma after their parents were tragically killed by lions in a bizarre accident. When their beloved Gran passes away, they embark on a life-changing journey to find Omar's birth father. What follows is a funny and touching journey of self-discovery for both boys...in Blackpool. The Choudray family represent a truly contemporary example of modern multicultural Britain, but what will the brothers make of their eccentric newfound family?
An unmissable compendium of 8 classic musicals in one bumper DVD box set! Includes: 1. On The Avenue (Dir. Roy Del Ruth 1937) 2. Sun Valley Serenade (Dir. H. Bruce Humberstone 1941) 3. Daddy Long Legs (Dir. Jean Negulesco 1955) 4. The Gang's All Here (Dir. Busby Berkeley 1943) 5. Second Fiddle (Dir. Sidney Lanfield 1939) 6. Orchestra Wives (Dir. Archie Mayo 1952) 7. Dolly Sisters (Dir. Irvin Cummings 1945) 8. Pin Up Girl (Dir. H. Bruce Humberstone 1944)
Jim Gordon commands a unit of the famed Flying Tigers the American Volunteer Group which fought the Japanese in China before America's entry into World War II. Gordon must send his outnumbered band of fighter pilots out against overwhelming odds while juggling the disparate personalities and problems of his fellow flyers. In particular he must handle the difficulties created by a reckless hot-shot pilot named Woody Jason who not only wants to fight a one-man war but to waltz off with Gordon's girlfriend too.
FINDING JACK CHARLTON is the compelling, emotional and definitive portrait of a football life like no other. It is the story of an extraordinary man: an English World Cup winning legend, who became an Irish hero. Contemporary filming and interviews combine with unseen audio, visual and personal archive material to reveal the untold story of Jack's life and career.
In Unbreakable, writer-director M. Night Shyamalan reunites with Sixth Sense star Bruce Willis, comes up with another story of everyday folk baffled by the supernatural (or at least unknown-to-science) and returns to his home town, presenting Philadelphia as a wintry haunt of the bizarre yet transcendent. This time around, Willis (in earnest, agonised, frankly bald Twelve Monkeys mode) has the paranormal abilities, and a superbly un-typecast Samuel L. Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. David Dunn (Willis), an ex-jock security guard with a failing marriage (to Robin Wright Penn), is the stunned sole survivor of a train derailment. Approached by Elijah Price (Jackson), a dealer in comic book art who suffers from a rare brittle bone syndrome, Dunn comes to wonder whether Price's theory that he has superhuman abilities might not hold water. Dunn's young son Joseph (Spencer Treat Clark) encourages him to test his powers and the primal scene of Superman bouncing a bullet off his chest is rewritten as an amazing kitchen confrontation when Joseph pulls the family gun on Dad in a desperate attempt to convince him that he really is unbreakable (surely, "Invulnerable" would have been a more apt title). Half-convinced he is the real-world equivalent of a superhero, Dunn commences a never-ending battle against crime but learns a hard lesson about balancing forces in the universe. Throughout, the film refers to comic-book imagery--with Dunn's security guard slicker coming to look like a cape, and Price's gallery taking on elements of a Batcave-like lair--while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers might find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness offputting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman
Kindly Dr. Reemer (Leo G. Carroll) has big plans for his new radioactive serum. It makes animals grow at a fantastic rate and this could solve the world's food shortage but when an accident at his Arizona laboratory leads to a tarantula injected with the serum escaping havoc results. The eerily silent desert is soon a lot scarier as cattle and humans start disappearing at an alarming rate. Local doctor Matt Hastings (John Agar) and Reemer's shapely assistant (Mara Corday) finally
Laurel (Kazan) has always been the odd wallflower choosing to live at home with her father while her glamorous identical twin Audrey (Kazan) possesses the confidence and appeal to succeed in the big city. When tragedy strikes and Laurel is mistaken for her twin sister she makes the impulsive decision to assume her sister's identity and become The Pretty One. As she eases into her new independent existence Laurel discovers that she's capable of accomplishments she had never before had dreamed of: excelling in a career maintaining friendships and even finding love. Zoe Kazan (Ruby Sparks) Jake Johnson (TV's 'New Girl') and Ron Livingston (Drinking Buddies) star in this quirky comedic drama about family ties and second chances.
Classic comedy films from the Marx brothers including 'A Night At The Opera' 'A Day At The Races' 'A Night In Casablanca' 'The Big Store' 'At The Circus' and 'Go West'. A Night At The Opera (1935) The Marx Brothers turn Mrs. Claypool's opera into chaos in their efforts to help two young hopefuls get a break. It contains the famous scene where Groucho Chico and Harpo cram a ship's stateroom with wall-to-wall people gags one-liners musical riffs and two hard-boiled egg
JACKIE is a searing and intimate portrait of one of the most important and tragic moments in American history, seen through the eyes of the iconic First Lady, then Jacqueline Bouvier Kennedy (Natalie Portman). JACKIE places us in her world during the days immediately following her husband's assassination. Known for her extraordinary dignity and poise, here we see a psychological portrait of the First Lady as she struggles to maintain her husband's legacy and the world of Camelot that they created and loved so well.
The third collaboration between star Randolph Scott and director Budd Boetticher is a tense and morally ambiguous psychological western about a man consumed by hate and craving revenge. Scott's Bart Allison, vows to kill town boss Tate Kimbrough (John Carroll) on the day of Tate's wedding. As events escalate Allison finds himself trapped in a violent stand-off with time running out and blood on his hands. Extras: High Definition remaster Original mono audio Budd Boetticher on the Ranown Cycle (1999, 38 mins): excerpts from Eckhart Schmidt's unreleased documentary Visiting... Budd Boetticher A Man Alone: Edward Buscombe on Randolph Scott (2018, 17 mins): the acclaimed author and editor of The BFI Companion to the Western discusses his admiration for the iconic star Taylor Hackford on ˜Decision at Sundown' (2009, 6 mins): the distinguished filmmaker examines Boetticher's film Isolated music and effects track Original theatrical trailer Image gallery: promotional stills and publicity material New and improved English subtitles for the deaf and hard-of-hearing
Best friends. Bitter rivals. Sisters. Based on the Pulitzer Prize-winning best-selling novel A Thousand Acres (penned by Jane Smiley) follows the saga of the Cook family headed by the indomitable patriarch Larry Cook (Jason Robards). Cook's kingdom is a fertile farm that spans 1 000 acres but the seeds of its destruction are sown when he impulsively decides to distribute it among his three daughters Ginny (Jessica Lange) Rose (Michelle Pfeiffer) and Caroline (Jenn
Available for the first time on DVD! Thrilling As Love Born Amid A Thousand Fabulous Adventures! A tale of adventure and excitement directed by Howard Hawks. The story focuses on a pilot who delivers mail to remote locations by plane. But when a showgirl sets her sights on him he discovers that some women can be more dangerous than flying solo over the Andes...
Originally created in 1919 Zorro has become one of the endearing characters of the West with a mission to avenge the helpless to punish cruel politicians and aid the oppressed. This collection features the first three film series made of the Zorro legend-Zorro Rides Again with John Carroll Zorro's Fighting Legion with Reed Hadley and Zorro's Black whip in which Linda Sterling plays an 1880's female descendent The Black Whip.
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