On June 6 1944 the Allied Invasion of France marked the beginning of the end of Nazi domination over Europe. The attack involved 3 000 000 men 11 000 planes and 4 000 ships comprising the largest armada the world has ever seen. Presented in its original black & white version The Longest Day is a vivid hour-by-hour re-creation of this historic event. Featuring a stellar international cast and told from the perspectives of both sides it is a fascinating look at the massive preparations mistakes and random events that determined the outcome of one of the biggest battles in history. Winner of two Oscars (Special Effects and Cinematography) The Longest Day ranks as one of Hollywood's truly great war films.
From Roland Emmerich, director of THE DAY AFTER TOMORROW and INDEPENDENCE DAY, comes the ultimate action-adventure movie, exploding with groundbreaking special effects. As the world faces a catastrophe of apocalyptic proportions, cities collapse and continents crumble. 2012 brings an end to the world and tells of the heroic struggle of the survivors. Starring John Cusack, Chiwetel Ejiofor, Amanda Peet, Danny Glover and Woody Harrelson. Extras: Discovery Channel's 2012 Apocalypse Theatrical Trailers Picture-in-Picture: Roland's Vision Commentary with Writer/Director Roland Emmerich and Co-Writer Harald Kloser Alternate Ending
The 1953 fast paced comedy finally makes it to DVD in a Special Collectors' edition.
Jossy Blair (Jim Barclay) was a former professional footballer for Newcastle United, until his career was cut short after he injured himself. Instead, he decides to manage the local youth football club, the Glipton Grasshoppers, who are in definite need of expert help. Jossy takes on the seemingly mammoth task of training the cheeky and boisterous boys in the team. But with some organisation, a change of attitude, and a lot of humour along the way, he transforms them into a respectable team, the Glipton Giants. First shown on BBC One in 1986, Jossy's Giants has since become an iconic TV series fondly remembered by a generation who grew up in the eighties. Features: Directed by Byker Grove producer and Grange Hill director Edward Pugh Written by much-loved TV personality and famous darts commentator Sid Waddell (Sloggers) Starring Jim Barclay (My Family) as Jossy Featured guest star appearances from footballers Bobby Charlton and the then-England captain Bryan Robson 8.3 IMDB Rating
Volume One of Not the Nine O'Clock News comprises 98 minutes of early material from the sketch show that ran between 1979 and 1982. Starring Rowan Atkinson, Griff Rhys-Jones, Mel Smith and Pamela Stephenson and coscripted by Richard (Blackadder) Curtis among others, it wasn't especially ground-breaking by the standards of Monty Python or contemporary series such as The Young Ones, but it did provide some pretty blunt belly-laughs at the major social and political concerns of the era: Thatcher, Reagan, police brutality, the prospect of nuclear war. The latter makes for an excellent Question Time spoof, in which, with the four-minute warning having sounded, a panel of politicians continue bleating on their own agenda ("Three million people are going to die unemployed!"). Atkinson's stuff is among the best here, be it as a hideous young Tory, or as Gerald the Gorilla, now civilised to a fault by the captor who caught him in the wild. ("Wild? I was livid!") The much-repeated bit of him walking into a tree, however, doesn't work as he clearly anticipates the collision. While the musical elements look inevitably dated and a lengthy sketch on darts players boozing reaches the "Yeah, we get the point" mark long before it reaches its end, it's surprising how topical much of this material remains decades on--a sketch involving an agonising gay vicar springs to mind--while time hasn't eroded the quality of much of the writing. On the DVD: Not the Nine O'Clock News on disc comes with no extra features. --David Stubbs
Cattle king John Chisum is determined to protect his empire against a land-grabbing developerin New Mexico's 1878 Lincoln County War...
Featuring all three series of Operation Good Guys. Series 1: A new fly-on-the-wall documentary series about an elite police unit's bid to snare one of Britain's most powerful crime lords. But things are not quite what they seem... Operation Good Guys is in fact an innovative and irreverent comedy. Blurring the line between fact and fiction it witnesses on camera the total breakdown professionally and personally of the Operation Good Guys team. Throughout the operation Th
This "To Ma'am with Love" is much more an escapist popcorn movie than the inner-city document its marketing suggested. Michelle Pfeiffer plays real-life former Marine Louanne Johnson, a high school English teacher who meets resistance from kids and administration alike at a tough urban school in Northern California. Pfeiffer is good and her character's overall development even survives various post-production story cuts. (A romance with Andy Garcia's character was completely eliminated before release; Garcia is nowhere in sight.) The actors who play Johnson's students are also fine and the whole film becomes the latest in a long tradition of sentimental movies about teachers who change the lives of kids. --Tom Keogh
Stanley Kubrick's singular war saga packs a more visceral punch in 4K. Matthew Modine, Vincent D'Onofrio and R.Lee Ermey- as a drill instructor from hell- shine in this gripping chronicle of U.S. Marine recruits during the Vietnam War. Shifting from the raw brutality of basic training to the dehumanising effects of combat, Full Metal Jacket deftly combines nonstop action with scathing dark humour.
It's the story of Jason (Todd Armstrong) a fearless sailor and explorer who returns to the kingdom of Thessaly after a 20-year voyage to make his rightful claim to the throne. But to do so Jason must first find the magical Golden Fleece. He selects a crew and with the help of Hera Queen of the Gods sets sail in search of the Fleece. Jason and his crew must overcome incredible obstacles including a 100-foot bronze giant the venomous Hydra a huge creature with the heads of seven
On June 6 1944 the Allied Invasion of France marked the beginning of the end of Nazi domination over Europe. The attack involved 3 000 000 men 11 000 planes and 4 000 ships comprising the largest armada the world has ever seen. Presented in its original black & white version 'The Longest Day' is a vivid hour-by-hour re-creation of this historic event. Featuring a stellar international cast and told from the perspectives of both sides it is a fascinating look at the massive
Alf Garnett, Johnny Speight's legendary comic creation, both amused and scandalised viewers and critics through the sixties and seventies in the classic sitcom Till Death Us Do Part and everyone's favourite bigot enjoyed a new lease of life in this early-eighties ATV spin-off, also penned by Speight and reuniting many of the series' original cast. This time around, former docker Alf has relocated from Wapping to Eastbourne, where he and long-suffering spouse Else have decided to spend their retirement. Alf's mate and former neighbour Bert has gone to a better place, and his widow Min now lodges at the Garnetts' bungalow; daughter Rita pops by occasionally, too, with Alf's grandson. But why pick on Eastbourne? Well, says Alf, I could've gone to Southend, but it's too near the Silly Moo's sister...
In the year 3000, man is no match for the Psychlos, a manipulative race of aliens on a quest for global domination. Led by the seductive and powerful Terl (Travolta), the Psychlos have taken all natural resources for themselves and left mankind behind to
Coming to America: Join EDDIE MURPHY (Norbit, Dreamgirls) on an unforgettable comic quest to the New World. As an African prince, it's time for him to find a princess... and the mission leads him and his most loyal friend (ARSENIO HALL) to Queens, New York. In disguise as an impoverished immigrant, the pampered prince relishes the chance to test his mettle in the urban wilderness. Keep an eye out for both Murphy and Hall in some unforgettable cameo roles! Coming 2 America: Akeem and Semmi are back! Set in the lush and royal country of Zamunda, newly crowned King Akeem (Eddie Murphy) and his trusted confidante Semmi (Arsenio Hall) embark on an all-new hilarious adventure that has them traversing the globe from their great African nation to the borough of Queens, New York where it all began. Returning to their original roles in this long-awaited sequel are James Earl Jones, John Amos, Louie Anderson, and Shari Headley, alongside new characters from Wesley Snipes, Tracy Morgan, and Leslie Jones.
In 1981, Absence of Malice was a prescient drama set in the world of journalism just before its power exploded out of control. The title refers to a verbal loophole effectively allowing invasion of privacy. After months of fruitlessly investigating the disappearance of a prominent figure, the Justice Division contrive to leak a story that'll flush out information. Unfortunately they pick on the one news gal with a moral backbone lurking behind the all-business façade. Sally Field is superb at controlling the contradictions within Megan, and is perfect next to the resolutely calm Gallagher (an Oscar-nominated Paul Newman). His bogus investigation is sure to backfire, and once the two get together it does so in the most satisfying of ways. Shot in gloriously sunny Miami locations, the film has a constant atmosphere of realism. When it's time to point the finger of blame, the film is given over to the starriest of cameos from Wilfred Brimley as the straight-talking Assistant Attorney General. His differentiation between truth and accuracy ought to be required learning for all journalists. On the DVD: The sound may be mono, but the picture is crisp enough. A minute-long deleted scene expanding Gallagher's business crisis is in poor condition however and doesn't add much. Neither does the theatrical trailer or three mini Filmographies of director Sidney Pollack, Newman and Field. The real extra treat is a 30-minute documentary, which features new interviews with Pollack, writer Kurt Luedtke, Newman and Field. Everyone has fond memories of making the film, even Field despite her bruises after the rough-and-tumble scene with the usually genteel Newman. --Paul Tonks
The year is 2089. An alien race stalks the land in towering machines known as Tripods. They have taken over the earth and enslaved mankind with a mind-controlling device ceremoniously implanted at the age of fourteen. Will Parker anxiously awaits this ritual but hears of a place where a group of people is organising a resistance movement. Together with his cousin they leave their village hoping to join them. They have not left unnoticed however and the giant alien machines are in pursuit. Based on the novels by John Christopher The Tripods was one of the most expensive productions ever undertaken by the BBC using a huge cast and many new special effects. Originally aired in the Saturday afternoon slot previously occupied by Doctor Who The Tripods is another classic sci-fi serial from the BBC. Includes the whole of series 1 and 2.
Blood Simple made it clear that the cinematically precocious Coen brothers (writer-director Joel and writer-producer Ethan) were gifted filmmakers to watch out for. But it was the outrageously farcical Raising Arizona that announced the Coens' darkly comedic audacity to the world. It wasn't widely seen when released in 1987, but its modest audience was vocally supportive, and this hyperactive comedy has since developed a large and loyal following. It's the story of "Ed" (for Edwina, played by Holly Hunter), a policewoman who falls in love with "Hi" (for H.I. McDonnough, played by Nicolas Cage) while she's taking his mug shots. She's infertile and he's a habitual robber of convenience stores, and their folksy marital bliss depends on settling down with a rug rat. Unable to conceive, they kidnap one of the newsworthy quintuplets born to an unpainted-furniture huckster named Nathan Arizona (Trey Wilson), who quickly hires a Harley-riding mercenary (Randall "Tex" Cobb) to track the baby's whereabouts. What follows is a full-throttle comedy that defies description, fuelled by the Coens' lyrical, redneck dialogue, the manic camerawork of future director Barry Sonnenfeld and some of the most inventively comedic chase scenes ever filmed. Some will dismiss the comedy for being recklessly over-the-top; others will love it for its clever mix of slapstick action, surreal fantasy and homespun family values. One thing's for sure--this is a Coen movie from start to finish, and that makes it undeniably unique. --Jeff Shannon
The first BBC television adaptation of the Charles Dickens classic, Dombey and Son (1969) is now available for the first time to own on DVD. Starring John Carson, Kara Wilson, William Moore and Clive Swift. Hugh Leonard s third Dickens adaptation for the BBC, first broadcast in 1969, is an absorbing portrayal of proud logic undone by staunch affection. The timeless story of a father s blinkered pride, public downfall and emotional rescue. Paul Dombey (John Carson) is the wealthy owner of a shipping company whose sole desire is to have a son to inherit the family firm. But when a son arrives, his wife dies soon after, and the sickly boy s own days are numbered. Dombey finds no solace in the affections of his elder child Florence (Kara Wilson). He sees little use in daughters in the business world. Encouraged by the sinister Major Bagstock (Clive Swift), Dombey enters into a second, loveless marriage with Edith Grainger (Sally Home), who eventually flees to France with Dombey s double-dealing business manager James Carker (Gary Raymond). Dombey s livelihood is further undermined by a burgeoning railway network. All seems lost unless his pride will allow him to salvage a relationship with Florence. The colourful characters also include put-upon clerk Walter Gay (Derek Seaton), retired sea-captain Cuttle (William Moore), scatterbrained Mr Toots (Christopher Sandford), Florence s faithful maid Susan Nipper (Helen Fraser), Dombey s fusspot sister Louisa Chick (Hilda Braid) and the spurned but loyal Lucretia Tox (Pat Coombs).
Coming to America: Join EDDIE MURPHY (Norbit, Dreamgirls) on an unforgettable comic quest to the New World. As an African prince, it's time for him to find a princess... and the mission leads him and his most loyal friend (ARSENIO HALL) to Queens, New York. In disguise as an impoverished immigrant, the pampered prince relishes the chance to test his mettle in the urban wilderness. Keep an eye out for both Murphy and Hall in some unforgettable cameo roles! Coming 2 America: Akeem and Semmi are back! Set in the lush and royal country of Zamunda, newly crowned King Akeem (Eddie Murphy) and his trusted confidante Semmi (Arsenio Hall) embark on an all-new hilarious adventure that has them traversing the globe from their great African nation to the borough of Queens, New York where it all began. Returning to their original roles in this long-awaited sequel are James Earl Jones, John Amos, Louie Anderson, and Shari Headley, alongside new characters from Wesley Snipes, Tracy Morgan, and Leslie Jones. Product Features Commentary By Director Craig Brewer From Queens To Zamunda Trailer Gallery
Friday is the rarest specimen of African American cinema: a hood movie refreshingly free of the semi-seriousness and moralism of shoot-'em-up soaps such as Boyz N the Hood, yet still true to the inner-city experience. Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on his day off. Then unknown Chris Tucker plays Smokey, a marijuana-worshipping homeboy whose love for the green stuff lands him in predicament after predicament. Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends and neighbourhood bullies--all of whom, it should be noted, come off as sympathetic even as they are being caricatured, a true achievement in the crass, "booty call" environment of 1990s African American comedy. --Ethan Brown, Amazon.com
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