All 26 episodes from the fourteenth series of the Yorkshire Television police drama. Set in rural North Yorkshire during the 1960s, Heartbeat's combination of crime and medical storylines, charismatic regular characters and wonderfully nostalgic soundtrack made it staple Sunday-night viewing for two decades, with the series' many prestigious awards including Best Performing Peak-Time Drama and several ITV Programme of the Year awards. Attracting a peak audience of 14 million, Heartbeat has ga...
Eddie Murphy takes on a plethora of roles in this hit comedy, as Professor Sherman Klump finds his life once again being taken over by his suave alter ego Buddy Love.
Set in rural North Yorkshire during the 1960s, Heartbeat's combination of crime and medical storylines, charismatic regular characters and wonderfully nostalgic soundtrack made it staple Sunday-night viewing for two decades, with the series' many prestigious awards including Best Performing Peak-Time Drama and several ITV Programme of the Year awards. Attracting a peak audience of 14 million, Heartbeat has garnered a devoted following and remains prime-time viewing world-wide. This series s...
A TAUT, TWISTING AND DEEPLY SATISFYING EIGHT-PART DRAMA University lecturer Jonah Mulray's world is turned upside down when his wife Megan, a high-ranking international development worker, is killed in a car accident on a mountain road outside Hong Kong. Overcoming his fear of flying, Jonah jets out from London to identify the body. Alone in an unsettling alien environment, given the run-around by overworked and underpaid local cops and haphazardly assisted by the British Consulate, Jonah discovers that the accident is not all it seems. Megan had been living a dangerous double life that left her exposed to sinister business interests. A web of conspiracy deepens as the evidence points to murder. A taut, twisting and deeply satisfying eight-part drama from Two Brothers Pictures, the rising indie established by award-winning writers and producers Harry and Jack Williams (The Missing, Fleabag, One of Us). Strangers is a character-driven emotional thriller - there are elements of Lost In Translation coupled with The Descendants, underpinned by a propulsive hook-laden serial narrative. Our setting is the neon-suffused hyper-modern island of Hong Kong, a place in constant motion, and the perfect metaphor for the series. Includes subtitles for the Hard Of Hearing
Director William Wellman (The Big Heat) offered up this 1949 treatment of the Battle of the Bulge, which won Oscars for best screenplay and best cinematography. The film concentrates on the camaraderie and the divisions between the troops as they prepare for the big offensive. Told in a taut narrative, the men of the 101st, led by Van Johnson, wait out the winter in the Ardennes forest to confront the German army in what would be the last major offensive of World War II. The men are demoralised and trapped, with no hope of support from the Allies as they are forced to band together and defend their position. A classically assembled war drama that nevertheless manages to be both engrossing and entertaining, Battleground is a mainstay of the genre. --Robert Lane
Who Dares Wins starring Lewis Collins Edward Woodward and Richard Widmark is an uncompromising and exciting action thriller which dramatises the activities of the SAS. When a British government undercover agent is assassinated a radical anti-nuclear group is held responsible. SAS agent Skellen is called upon to infiltrate the group and put an end to their terrorist activities. However the group raids the American embassy and Skellen from within the residence must use his skill and courage to support and guide his SAS colleagues. It will require the full force of the world's most lethal fighting unit to save the lives of several high-ranking hostages...
Available for the first time on DVD! A New York limo driver wins a competition to become coach of the New York Knicks...
Francis Ford Coppola's 1974 seminal neo-noir thriller THE CONVERSATION symbolises the uneasy line between technology and privacy a topic more relevant than ever today. Nominated for 3 Academy Awards® and winner of the prestigious 1974 Cannes Film Festival Palme D'or THE CONVERSATION is a tense, paranoid thriller, regarded as one of Coppola's greatest films. Harry Caul (Gene Hackman) is an expert surveillance expert in San Francisco. His routine wiretapping job turns into a nightmare when he hears something disturbing in his recording of a couple; he may have captured something a lot more important than adulterous goings-on. His investigation of the tape and how it might be used sends Harry spiralling into a web of secrecy, murder and paranoia. THE CONVERSATION is a harrowing psychological thriller that co-stars Cindy Williams, Frederic Forrest and Harrison Ford.
A box set of classic film gems from Ealing studios Includes: 1. The Ladykillers (Dir. Alexander Mackendrick 1955) 2. The Man in The White Suit (Dir. Alexander Mackendrick 1951) 3. The Magnet (Dir. Charles Frend 1950) 4. Scott of The Antarctic (Dir. Charles Frend 1948)
In Cold Blood is Richard Brooks' stylish and powerful 1967 drama adapted from Truman Capote's novel about a shocking real-life murder case. This daring cinematic portrait employs flashbacks to fully examine what drives an individual to commit thoughtless and brutal crimes while using a highly innovative jazz score by Quincy Jones to capture the moody atmosphere. A prosperous and respected Kansas farmer his wife and his two teenage children are wantonly and brutally slaughtered. The murderers are two mindless ex-convict drifters. Neither man is sane enough to regret their crime. The story penetrates the inner workings of the criminals' minds as it follows their purposeless meandering through Mexico and the United States in evasion of the law...
Strife-torn America wanted a meat-and-potatoes romance in the late 1960s, and the country embraced Erich Segal's slim, generic-sounding novel in a big way. It did so again for the film adaptation of Love Story in 1970, starring Ryan O'Neal as a law student who defies his rich and powerful father (Ray Milland) on every issue, including the former's love for a music student (Ali MacGraw). The two marry, start life together ... and then the Grim Reaper turns up at the door. Directed by Arthur Hiller (The In-Laws), the film ends up lacking the kind of stylistic boost that might have made it a must-see for the ages. But its faithfulness to the book's uncomplicated and, yes, moving intentions is pretty solid. O'Neal is convincing as a nice guy who's as bullheaded in his own way as his steely father (a nice job by Milland), and MacGraw has a way of getting under one's skin. A viewer just has to try not laughing at the refrain, "Love means never having to say you're sorry". --Tom Keogh
When Terms of Endearment was released in 1983, director and writer James L Brooks was lauded for his depiction of a complex mother/daughter relationship. For his leading ladies he chose actresses with two of the strongest personalities in Hollywood, but armed with an exceptionally witty script and endless patience he eventually drew magnificent performances from Shirley Maclaine as Aurora and Debra Winger as her daugher Emma, assisted considerably by Jack Nicholson's considerate professionalism. As the philandering retired astronaut who beds Maclaine and then provides her with surprising support in the film's dark later moments, Nicholson shines with comic brilliance which earned him an Oscar. It was no secret that Maclaine and Winger could barely contain a mutual antipathy on set. Yet they strike sparks off each other on screen. When comedy turns to tragedy with the development of Emma's cancer, the laughs continue even while the tear ducts are being given a good work out. In the glory days of Hollywood, this would have been acknowledged a great "women's picture" and its weepy credentials are impeccable. It stands out as a warm, accessible work that admirably rejects sugary sentiment in favour of the realistic rough edges that characterise most human relationships. On the DVD: Presented in 1.78:1 anamorphic widescreen with a Dolby Digital 5.1 soundtrack, this DVD is ideal for home cinema viewing. The picture and sound quality are fine, benefiting Michael Gore's gentle, memorable music and bringing the best out of Andrzej Bartkowiak's luminous photography. In addition to the original theatrical trailer, the major extra is the director's commentary in which James L Brooks reminisces with coproducer Penney Finkelman and production designer Polly Platt. They look back at their impressive work with a touching degree of wonder and apprentice directors should take note when Brooks recalls his steep learning curve in managing his leading ladies. --Piers Ford
One of Alfred Hitchcock's finest pre-Hollywood films, the 1936 Secret Agent stars a young John Gielgud as a British spy whose death is faked by his intelligence superiors. Reinvented with a new identity and outfitted with a wife (Madeleine Carroll), Gielgud's character is sent on assignment with a cold-blooded accomplice (Peter Lorre) to assassinate a German agent. En route, the counterfeit couple keeps company with an affable American (Robert Young), who turns out to be more than he seems after the wrong man is murdered by Gielgud and Lorre. Dense with interwoven ideas about false names and real identities, about appearances as lies and the brutality of the hidden, and about the complicity of those who watch the anarchy that others do, Secret Agent declared that Alfred Hitchcock was well along the road to mastery as a filmmaker and, more importantly, knew what it was he wanted to say for the rest of his career. --Tom Keogh
Join Stewie Lois Peter Meg Chris and Brian in their most subversive shocking and hysterically funny adventure yet with this full-length adaptation of the cult TV Show. When Stewie everybody's favourite maniacal baby genius has a near-death experience at his first swimming lesson he is temporarily distracted from his plans for world domination. Determined to make the most of his time on the planet Stewie decides to turn his back on his evil ways forever and start anew! With
Alone and outnumbered they had one thing in their favor... the American dream. Blazing action and spectacle are on the menu as battle-toughened sergeant John M Stryker (John Wayne) prepares a group of soldiers for action in the Pacific. The men have got their biggest test ahead on Iwo Jima where they have to inch their way up Mt. Suribachi under constant Japanese fire.
Computer operator Terry Dolittle (Goldberg) becomes involved in international espionage when a desperate message from a British Intelligence officer appears on her computer terminal...
IN WHITEWOOD, TIME STANDS STILL Christopher Lee was already a horror icon when he started filming The City of the Dead in 1959. Having played Frankenstein's Monster, Count Dracula and The Mummy for Hammer, this new picture would allow him to extend his range to the American Gothic and witchcraft in a small New England village Lee plays Professor Driscoll, an authority on the occult who persuades one of his students (Venetia Stevenson) to research his hometown, Whitewood, once the site of witch burnings in the 17th century. Booking herself into the Raven's Inn, she soon learns that devil worship among the locals hasn't been consigned to the past. Produced by future Amicus founders Milton Subotsky and Max Rosenberg, and beautifully shot by Desmond Dickinson (whose credits ranged from Laurence Olivier's Hamlet to Horrors of the Black Museum), The City of the Dead is a wonderfully atmospheric and still shocking slice of horror that stands firmly alongside with its Hammer contemporaries. SPECIAL EDITION CONTENTS: New 4K digital restoration by the Cohen Film Collection and the BFI High Definition Blu-ray (1080p) and Standard Definition DVD presentations of two versions of the film: The City of the Dead and the alternative US cut, Horror Hotel Uncompressed Mono 1.0 PCM Audio Optional English subtitles for the deaf and hard of hearing Audio commentary by film critic Jonathan Rigby, author of English Gothic: Classic Horror Cinema 1897-2015 and Christopher Lee: An Authorised Screen History, recorded exclusively for this release Trailer Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys MORE TO BE ANNOUNCED! FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing by Vic Pratt
Al Pacino cuts a noble figure in this very enjoyable drama by director Brian De Palma (Scarface), based on a pair of books by Edwin Torres. Pacino plays a Puerto Rican ex-con trying hard to go straight, but his loyalty to his lowlife attorney (a virtually unrecognisable Sean Penn) and enemies on the street make that choice difficult. Penelope Ann Miller plays, somewhat unlikely, a stripper who has a romance with Pacino's character. The film finds De Palma tempering his more outlandish moves (think of Body Double or Snake Eyes) just as he did with the popular Untouchables and Mission: Impossible. But while Carlito's Way was not as commercially successful as those two movies, it is a genuinely compelling work graced with a fine performance by Pacino and a surprising one from Penn. --Tom Keogh
After becoming enchanted by a young exotic dancer, Christine Keeler (Joanne Whalley), an English doctor (John Hurt) invites her to live with him. Through his contacts and parties she and her friend (Bridget Fonda) meet and begin to date various members of the ruling Conservative Party. When Christine's affair with the Secretary of State for War John Profumo (Ian McKellan) goes public, scandal tears through the government and threatens the lifestyles and freedom of those involved. From producer Stephen Woolley and director Michael Caton-Jones (Rob Roy) this 30th Anniversary Edition is newly restored from original film materials. Special Features: Presented in High Definition and Standard Definition Worldwide Blu-ray debut Original theatrical trailer **FIRST PRESSING ONLY** Fully illustrated booklet with new writing on the film and full film credits Other extras TBC
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