Harmony Jones (Kim Basinger) saw Elvis in concert when she was a child and the event had such a profound impact on her that she now communicates regularly with the youthful spirit of the King Of Rock `n' Roll. However her desire to `stay in touch' has a downside for Elvis impersonators because they have a habit of suddenly dropping dead if she's around! After being involved in a bizarre accident which leaves a car load of Elvis tribute performers dead Harmony abandons her job as a d
THE TEAM is called to the hospital where an enraged Dr Mellor claims he has been attacked with a lethal syringe full of drugs by one of his colleagues, Dr Finn. Finn has a cast iron alibi, so it's back to square one. At The hospital where Mellor and Finn worked, DS Reid discovers that the pair were arch rivals. Finn had been conducting a drugs trial, which resulted in a woman's death. Mellor took action and had him struck off. Meanwhile, acting on a hunch, Burke follows Mellor's soon to be ex-wife to a meeting with a known hit man, Ian Redman. When Mellor discharges himself from hospital, Burke and Reid go to his house and find him dead. The team steps up the investigation with Redman the prime suspect. But their skills are pushed to the limit when a macabre discovery sends them in a completely different direction. The city of Glasgow backdrop with its characteristic dry wit, combined with the menacing nature of the cases make Taggart unique in style, and it is now the longest running detective drama on UK television.
Two women are thrown together in this black comedy when one accidentally kills the boyfriend of the other to protect her.
A man in his thirties who believes that his luck has finally changed when he gets a job as a chef in a sleazy cockroach infested rock 'n' roll club stumbles into trouble when he falls in love with the 19 year old who is betrothed to the clubs owner.
Aliens In this action-packed sequel to 'Alien' Sigourney Weaver returns as Ripley the only survivor from mankind's first encounter with the monstrous extra-terrestrial. Her account of the alien and the fate of her crew are received with skepticism until the mysterious disappearance of colonists on LV-426 lead her to join a team of high-tech colonial marines sent in to investigate... Resident Evil Something rotten is brewing beneath the industrial mecca known as Raccoon City. Unknown to its millions of residents a huge underground bioengineering facility known as The Hive has accidentally unleashed the deadly and mutating T-virus killing all of its employees. To contain the leak the governing supercomputer Red Queen has sealed all entrances and exits. Now a team of highly-trained super commandos including Rain Alice and Matt must race to penetrate The Hive in order to isolate the T-virus before it overwhelms humanity. To do so they must get past the Red Queen's deadly defenses face the flesh-eating undead employees fight killer mutant dogs and battle The Licker a genetically mutated savage beast whose strength increases with each of its slain victims... The Fly David Cronenberg's 'The Fly' is a remake of the 1958 horror classic about a brilliant scientist (Goldblum) who develops a machine that molecularly transports objects in seconds but inadvertently turns him into a fly; incredibly agile super-strong and driven to insanity by appetites he cannot control...
In the mid-70s, at the suggestion of John Lennon, the celebrated journalist and film director Tony Palmer decided to document the 'Story of Popular Music' and set about interviewing and filming all the major players in the industry at that time, past and present. Even in the mid-70s this was seen as a monumental task, but despite the scale of the undertaking, Tony Palmer made a series of films that set the standard to which all subsequent biographers and documentary makers aspired to.
John Malkovich is among the actors to star in this tale of two youngsters growing up in a remote area of Siberia with its own rules and values. The film is based on the memoirs of Nicolai Lilin, who was part of the Urka community in Transnistria, a tiny independent state on the boundary of Russia. Kolima (Arnas Fedaravicius) and Gagarin (Vilius Tumalavicius) grow up in this unique environment, where many of the values and beliefs are influenced by the area's history as a place where criminals...
King Henry II has brought together his imprisoned wife Eleanor of Acquitaine and their three sons to announce the successor to his throne. What ensues over the course of Christmas 1183 is nothing less than a private and merciless family war.
This zany sequel stars George Clooney in one of his earlier roles and is brought to you by the team that gave us 'Attack of the Killer Tomatoes'. It is 20 years on from the Great Tomato Wars and red skins are still banned. But Professor Gangrene has made a fiendish discovery - how to turn tomatoes into perfect replicas of men and women. These tomatoes are really stewed and dangerous! Just when you thought it was safe to go back into the greenhouse the vegetable of doom returns!
Kids will enjoy the dinosaurs, gaudy prehistoric decor, and cartoon humour of The Flintstones in Viva Rock Vegas; but adults will find fewer morsels of entertainment, although the sly performance of Alan Cumming (Eyes Wide Shut) as the Great Gazoo, an alien sent to Earth to observe human mating behaviour is a highlight. The movie begins before Fred (Mark Addy from The Full Monty) and Wilma (Kirsten Johnston from Third Rock from the Sun) Flintstone ever met, back when Wilma was an unhappy rich girl seeking happiness in a less snobby environment. Running away from her smothering mother (Joan Collins!) and an oily suitor, Chip Rockefeller (Thomas Gibson from Dharma and Greg), she winds up at a drive-in restaurant where she meets Betty (Jane Krakowski from Ally McBeal), a waitress who thinks Wilma is actually homeless and invites the runaway to live with her. Our blue-collar heroes, Fred and Barney Rubble (Stephen Baldwin from The Usual Suspects), ask the girls out on a double date, and before long Fred and Wilma bond over bowling. But it turns out that Chip is in debt to a ruthless loan shark and needs Wilma's money, so he invites the couples to his new casino in Rock Vegas, where he plots nefariously to ruin their blossoming love. The plot holds no surprises and the dialogue is clumsy, but there's a blithe dimwittedness to the whole affair that makes it curiously inoffensive. --Bret Fetzer, Amazon.com
There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow between science and superstition and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area we call...The Twilight Zone! Episodes comprise: 1. King Nine Will Not Return 2. The Man In The Bottle 3. Nervous Man In
A "Light Universe" and a "Dark Zone" keep good and bad apart for the characters of Lexx, even though it's often hard to tell the difference between the two in this offbeat and unique sci-fi show that delights in its own nastiness. The show's Canadian creators, "Supreme Beans" Paul Donovan, Lex Gigeroff, and Jeffrey Hirschfield--partnered with German money and studio facilities--intended every episode to be, in their words, "a nasty adventure". With flashes of nudity and surgical gore, and a collection of extreme hairstyles and accents, the overall look is often akin to a sci-fi Eurotrash. Aboard the stolen 10-kilometre-long spaceship Lexx (designed to look like a dragonfly) are the "Dirty Three-and-a-Half": insufferable coward Stanley H Tweedle (Brian Downey), the Edward Scissorhands clone and 2000 years-dead Kai (Michael McManus), decapitated and lovestruck robot head 790 (voiced by writer Hirschfield), and the skimpily wardrobed Zev (19-year-old Eva Habermann). It's with the last of these characters that the show generated its main audience and proved itself totally indifferent to regular boundaries of TV formatting. A disregard both for genre conventions and good taste makes the show a constant series of surprises. --Paul Tonks On the DVD: The jam-packed pilot "I Worship His Shadow" is full of startlingly graphic imagery, skimpily clad women, and literally wall-to-wall computer graphics. TV sci-fi has never been introduced so explosively. "Super Nova" has the crew of the Lexx hunting for Kai's homeworld, and drawn to a planet by a holographic message from Poetman (Tim Curry). Essentially, the story has little to do with the overall arc, but is an experiment in format and testing boundaries (the most obvious example being Zev's naked shower scene). There's also a nutty song and dance moment for Kai and Zev, a cameo of the director floating in space, and Curry chewing scenery with gusto. The first movie's disc features a Sci-fi Channel trailer of interviews for the series, a behind-the-scenes documentary introducing the show's creators and their irreverent sense of humour, plus DVD-ROM Screen Saver and Weblinks. The second movie's disc features a gallery of 12 stills, cast biographies, and another documentary which this time looks at the enormous CGI work put into the first season. This is where the digital transfer really pays off, and the FX-heavy show looks gorgeous in crisp definition as opposed to the general murkiness of TV broadcast or the VHS releases. --Paul Tonks
Set amid the magnificent scenery of the Kenyan bush, this safari adventure from 1954 depicts the many dangers faced by a group of British settlers in East Africa during the last decade of the nineteenth century.Released in the United States as Outlaw Safari and later given an exploitation slant by AIP with the title The White Huntress, Golden Ivory was among the series of films made in Kenya by French-American expatriate George Breakston; most starred former Paul Temple and future Crossroads regular John Bentley, whom Breakston would later cast in the lead role of his Kenya-set police series African Patrol. Golden Ivory is featured here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio.SPECIAL FEATURESImage Gallery Original Promotional Material PDF
A century old double murder haunts Jean a photographer who travels to the scene of the crime to investigate. The sole survivor of the slaughter was a woman whose unhappy marriage mirrors Jean's. Past and present collide when a cataclysmic storm burgeons into jealousy and suddenly it becomes clear to Jean who the real killer is...
An out of work actor (Richard Lewis) and a just-jilted woman (Sean Young) find they are competing to return a lost dachshund to it's owner and collect the $5,000 reward. They go from Rome to Monte Carlo together but when they find the owner, he has been murdered and they are the prime suspects, along with a compulsive gambler (John Candy) and a hideous American (James Belushi).
In this 1920 silent version of Dr Jekyll and Mr Hyde, John Barrymore is dignified and virtuous as Dr Henry Jekyll, and transforms into Id incarnate as the lascivious Mr. Hyde with almost no make-up beyond his gnarled, knobby fingers and greasy hair, relying almost solely on a bug-eyed grimace, a spidery body language and pure theatrical flourish. He tends to be hammy as the leering beast of a thug but brings a tortured struggle to the repressed doctor, horrified at the demon he's unleashed, guilty that he enjoys Hyde's unrestrained life of drinking and whoring and terrified that he can no longer control the transformations. Martha Mansfield co-stars as his pure and innocent sweetheart, and Nita Naldi (the vamp of Blood and Sand) has a small but memorable role as the world-weary dance-hall darling who first "wakens" Jekyll's "baser nature". --Sean Axmaker, Amazon.com
Nicholas Monsarrat's novel is an unflinching, realistic and emotionally involving account of naval life during the Second World War in which the "heroes" are the men, the "heroines" the ships and the "villain" is not so much the German U-Boats lurking below as "the cruel sea" itself. This 1953 film has become a classic of British cinema largely because it is a straightforward, no-frills adaptation of the book and retain's much of the original's compelling yet almost understated dramatic focus. On convoy duty in the North Atlantic, the crew of HMS Compass Rose face as a matter of routine the threat of destruction from U-Boats as well as a constant struggle against the elements. The convoys themselves are Britain's only lifeline and their loss would lead to certain defeat, but in the early years of the war the ships sent to protect them can do almost nothing to prevent the U-Boat attacks. Jack Hawkins gives one of his finest performances as Captain Ericson, the commander who has to balance destroying the enemy against saving the lives of the men under his care. In one unforgettable scene--a crucial turning point for all the characters--he must decide whether to depth charge a suspected submarine despite the presence of British sailors in the water. As with the book, the individual officers and their lives are carefully delineated, helped by the strength of a cast of (then) young actors (notably Donald Sinden and Denholm Elliot). Ultimately what makes The Cruel Sea such an undeniable classic is that it has neither the flag-waving jingoism nor the war-is-hell melodrama so common to most war movies: instead it relates in an almost matter-of-fact way the bitterness of the conflict at sea fought by ordinary men placed in the most extraordinary of circumstances. --Mark Walker
For the boys of St. Basil growing up in Brooklyn in 1965 was one crazy time. It's Brooklyn 1965 and young Michael Dunn (Andrew McCarthy) finds himself forced to attend St. Basil's in pursuit of the priesthood. Once there against his better judgment he gets caught up with a wild crowd led by the raucous Rooney (Kevin Dillon) and together they work towards their higher education - the kind you don't get in school! From hiding out in the local diner to making out in Rooney's dad's car from the good-when-they're-bad girls of the convent school to the shy beauty Michael falls for (Mary Stuart Masterson) from a confession that's good for the soul to what sends you there in the first place finding your way in the world isn't easy. But the boys of St. Basil's are out to have the time of their lives - for as long as they're young as long as they're free and as long as they can get away with it.
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