More from the classic BBC drama set on Tyneside at the end of the first world war starring James Bolam as the loveable rogue Jack Ford....
A bumper box set of classic films featuring 'The Queen' Barbara Stanwyck! Double Indemnity (Dir. Billy Wilder 1944): Director Billy Wilder and writer Raymond Chandler ('The Big Sleep') adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray) who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But of cou
The Sign of Four is a 1987 feature-length version of Conan Doyle's second Sherlock Holmes novel, and is faithful to the original story except in one important detail: Dr Watson (Edward Hardwicke) does not get the girl. Otherwise, the familiar tale of the death of Bartholomew Sholto and the theft of the Agra treasure is all here, featuring a snappy performance by Jeremy Brett as Holmes doing some of the finest investigative work of his career. The famous climax, a chase on the Thames in which Holmes is almost struck dead by an exotic weapon, is handled very well. Sherlockians may have a hard time not seeing Watson's romantic pursuit of Mary Morstan (Lila Kaye), his first wife according to Doyle's book, but it would hardly have been practical in the context of the long-running Granada Television series. The rest is to be enjoyed, however. --Tom Keogh
John Duttine stars as David Powlett-Jones who has been invalided out of the First World War and sent to work in a large public school in Devon. Utterly unconvinced of his teaching abilities he is persuaded to stay and so begins his long relationship with Bamfylde school...
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Hell's Angels on Wheels takes you back to an era of drug and gasoline fuelled rebellion. Photographed by Lazlo Kovacs (Paper Moon Close Encounters of the Third Kind) and starring Jack Nicholson in one of his finest roles this movie goes hog wild! The director Richard Rush worked alongside the notorious Sonny Barger and the Oakland Hells Angels as a major background source. Adam Rourke plays Buddy the head of the Angels and Nicholson plays Poet a gas jockey who joins the brotherhood. Nicholson soon comes to realise that there are a lot of slaves in Buddy's hell and he doesn't want to be one of them. Until that realisation however he delights in the violence and the orgies - which allows Nicholson to give his baby-faced killer grin a thorough work-out.
Blarney and bliss, mixed in equal proportions. John Wayne plays an American boxer who returns to the Emerald Isle, his native land. What he finds there is a fiery prospective spouse (Maureen O'Hara) and a country greener than any Ireland seen before or since--it's no surprise The Quiet Man won an Oscar for cinematography. It also won an Oscar for John Ford's direction, his fourth such award. The film was a deeply personal project for Ford (whose birth name was Sean Aloysius O'Fearna), and he lavished all of his affection for the Irish landscape and Irish people on this film. He also stages perhaps the greatest donnybrook in the history of movies, an epic fistfight between Wayne and the truculent Victor McLaglen--that's Ford's brother, Francis, as the elderly man on his deathbed who miraculously revives when he hears word of the dustup. Barry Fitzgerald, the original Irish elf, gets the movie's biggest laugh when he walks into the newlyweds' bedroom the morning after their wedding, and spots a broken bed. The look on his face says everything. The Quiet Man isn't the real Ireland, but as a delicious never-never land of Ford's imagination, it will do very nicely. --Robert Horton
Ten years ago, after a heated pursuit, psycho killer Charles
Frasier's fourth season was mostly about relationships. Niles (David Hyde Pierce), now separated from Maris, is back on the market like his bachelor brother, Frasier (Kelsey Grammer). That's great when the pair goes to a cabin with a pair of fetching women (Megan Mullaly, later of Will and Grace, and Lisa Darr), but Niles is never able to completely dispel his attachment to his suffocating wife... or to Daphne (Jane Leeves). His obsession with the latter gets an immediate burst in the season's first episode, in which he has to masquerade as Daphne's husband, then later comes to a head when she appears at his apartment door asking to stay the night. The boys have the usual disputes with their father (John Mahoney), including their disdain for the former cop's new girlfriend, Sherry (Marsha Mason), the boisterous, banjo-twangin', "gotcha"-playing bartender who would remain a regular cast member through the end of the series. Ex-wife Lilith (Bebe Neuwirth) makes her annual appearance, this time when she and Frasier try to get Frederick into an exclusive prep school. And the title character? As much as Frasier teases his producer Roz (Peri Gilpin) about her dating habits, he himself is lonely, leading him to a memorable airport encounter with guest star Linda Hamilton and a season finale that proves a kind of a harbinger to the series' final episode. This season made Frasier a perfect four-for-four at the Emmys, winning its fourth consecutive award for Outstanding Comedy Series. Unlike previous seasons, this DVD set has no bonus features. --David Horiuchi
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Police Assassins combines a mismatched detective buddy movie with Three Stooges-style buffoonery. Making the mixture more unusual still, both detectives are female, Michelle Yeoh (Magnificent Warriors), in only her second film, joining forces with American martial arts legend Cynthia Rothrock (China O'Brien), in her then debut, to track down some missing microfilm. After introducing Yeoh in a direct steal from Dirty Harry the plot stagnates as the microfilm falls into the hands of small-time crooks, Asprin (Hoi Mang), Strepsil (John Sham) and Panadol (action movie producer Hark Tsui). Though their physical comedy is ingeniously choreographed the routine rapidly becomes tiresome, far too little space being given to Yeoh and Rothrock. The latter's 1980s' fashions date the movie and the dubbing is dreadful, though entertainment is to be had from a supporting villain who looks strangely like Groucho Marx on a very bad hair day. For martial arts fans the film nevertheless delivers several excellent fight scenes and an inventive and exciting finale. Collectors should know Police Assassins has also been released as In the Line of Duty 2, Super Cops and Yes, Madam, the last of which is actually the English title on this print. --Gary S Dalkin
A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive
John Travolta stars as a country boy trying to make the best of his new life and new marriage in a big city...
Floodtide is a romantic drama from 1949 directed by Frederick Wilson about the son of a Scottish farmer who dreams of a life in the city. Against his father's wishes David Shields obtains a job in the shipyards where his flair for design moves him swiftly up the ladder. This is resented by many of his colleagues as is his impatience and dislike for performing menial tasks. However David designs a revolutionary ship which impresses his boss whose daughter he is deeply in love with. Will he succeed in all he wishes to achieve? This DVD edition features a restored version of the film.
A lush historical drama from Marlene Gorris director of the Oscar-winning 'Antonia's Line'. The year is 1929 and in the beautiful Italian lakeside town of Como Alexander Luzhin a talented Russian chess player arrives for the World Chess Championship. The beautiful socialite Natalia is also visiting Como to meet her mother at an affluent lakeside hotel. Vera wants Natalia to marry a wealthy French count. However Natalia instead sets her sights on Luzhin who returns her affecti
The Painted Desert: Filmed at the Petrified Forest National Park in Arizona The Painted Desert follows the lives of two feuding cowboys J. Farrell MacDonald and William Farnum who clash over who will raise an orphaned boy they find at a deserted waterhole. Farnum takes the boy whom he names Bill but several years later the feud continues this time over water their adjacent ranches share. Tension escalates until the grown Bill played by William Boyd must choose between h
Written and directed by actor Tim Robbins (who also plays the title role), this 1992 mock documentary about an upstart candidate for the U.S. Senate is smart, funny, and scarily prescient in its foreshadowing of the Republican revolution of 1994. Bob Roberts is a folksinger with a difference: He offers tunes that protest welfare chiselers, liberal whining, and the like. As the filmmakers follow his campaign, Robbins gives needle-sharp insight into the way candidates manipulate the media. While the film follows Roberts's campaign, it also covers a fringe journalist (Giancarlo Esposito), who may have dug up the kind of dirt to push Roberts's campaign off the rails. Robbins captures the chilly insincerity of this right-wing populist and fills his cast with terrific supporting players, including Alan Rickman as the campaign's shadowy financier and Susan Sarandon and Peter Gallagher as a pair of airhead TV news anchors. --Marshall Fine
Be Cool (2005): Everyone is looking for the next big hit... Disenchanted with the movie industry Chili Palmer (Travolta) decides to try his hand in the music industry he romances the sultry widow (Thurman) of a recently whacked music exec poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune! Get Shorty (1995): Drug Smuggling. Racketeering. Loan Sharking. Welcome to Hollywood!
Message In A Bottle: Grieving widower Garret Blake builds boats for a living. Rebuilding his life - that's another matter. But that's before Theresa Osborne comes to his North Carolina village. Theresa a lonely divorcee and researcher for the Chicago Tribune knows Garret is the author of the message she found inside a bottle on Cape Cod beach. And she knows the message spoke to her in a way that profoundly touched her heart. Kevin Costner as Garret and Robin Wright Penn as T
Nighthawks: After the end of his workday staid schoolteacher Jim explores the disco's and secret meeting places of London's gay underground unable to reconcile his sexual identity with the rest of his life - until the strain of living a lie threatens to take its toll at last. Nighthawks 2: British director Ron Peck's look back at at the production of his groundbreaking Nighthawks which candidly explored a closeted gay schoolteacher's inner conflicts. The director tells very poignantly his own story of self-discovery and coming out. Most striking is the story of how much effort and determination it took to get Nighthawks made and why there are hundreds of names in the closing credits that the producers would like to give thanks to - they are people who sent in small amounts of money after reading in a London gay paper that the filmmakers needed funds to continue the project.
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