A selfish young would-be inventor and a boorish young would-be actress come together to set their decidedly amateur criminal minds on saving the world...
It's goodbye to Capeside, hello to Boston in Dawson's Creek's fifth season (a.k.a.: Dawson's Creek: The College Years). While the end of the fourth season sent the five friends their separate ways--Dawson (James Van Der Beek) to USC Film School, Joey (Katie Holmes) to Wilmington College, Jen (Michelle Williams) and Jack (Kerr Smith) to Boston Bay College; and Pacey (Joshua Jackson) to the high seas--it doesn't take them long to find themselves together again. That's a good thing, especially when tragedy strikes a family member and threatens to tear the survivors apart. More than anything, the fifth season seems to be about falling into bad relationships. Jen dates a cute but sleazy musician (Chad Michael Murray), Pacey gets a job in a restaurant where he pursues a woman (Lourdes Benedicto) already having an affair with a married man, then fends off a vampish new boss (Sherilyn Fenn, Twin Peaks). Joey is drawn to her handsome English professor (Ken Marino). And Jack joins a frat, becomes a jerk, and starts a devoted relationship with his beer bottle. Dawson meets an eccentric young filmmaker (Jordan Bridges) which in turn leads to a meeting with his favorite Boston film critic (Meredith Salenger). And Joey's new roommate, the annoyance-with-a-heart-of-gold Audrey (Busy Phillipps), becomes the newest major addition to the cast. The irritation factor is high this season, a couple of "Joey is threatened" interludes don't have the punch that they could have, and in the season finale, the inevitable resolution of the show's central relationship doesn't really resolve anything at all. But viewers who have followed the Capeside crew for four seasons will still want to see what happens in the fifth. The fifth season is the first to have no DVD extras at all, and it continues the music-replacement strategy (which, since the second season has replaced much of the music, and since the third season has replaced Paula Cole's theme song, all due to licensing expenses). In addition to the usual background-music switches, some scenes have been edited (for example, the episode "Highway to Hell" has cut two of the performances on-stage at the Drunk & Dead). Also, the opening credits of "The Long Goodbye" and "Downtown Crossing" had originally used instrumental versions of "I Don't Want to Wait," which had underscored the emotion of those episodes. In the DVD set, those have been replaced by the standard version and an instrumental version, respectively, of "Run Like Mad." --David Horiuchi, Amazon.com
A politician's campaign manager (Speakman) discovers that the candidate (Shatner) is a front for a military organization plotting a political overthrow of the government. In trying to expose the candidate's right-wing activities he puts himself and his family in danger of being killed.
Forever embroiled in controversy, Midnight Express divides viewers into opposing camps: those who think it's one of the most intense real-life dramas ever made, and those who abhor its manipulative tactics and alteration of facts for the exploitative purpose of achieving a desired effect. That effect is powerfully achieved, regardless of how you may feel about director Alan Parker and Oscar-winning screenwriter Oliver Stone's interpretation of the story of Billy Hayes. It was the American Hayes--played by the late Brad Davis in an unforgettable performance--who was caught smuggling 2kg of hashish while attempting to board a flight from Istanbul in 1970. He was sentenced to four years in a hellish Turkish prison on a drug possession charge, but his sentence was later extended (though not by 30 years, as the film suggests), and Hayes endured unthinkable brutality and torture before his escape in 1975. Unquestionably, this is a superbly crafted film, provoking a visceral response that's powerful enough to boil your blood. By the time Hayes erupts in an explosion of self-defensive violence, Parker and Stone have proven the power--and danger--of their skill. Their film is deeply manipulative, extremely xenophobic, and embellishes reality to heighten its calculated impact. Is that a crime? Not necessarily, and there's no doubt that Midnight Express is expertly directed and blessed with exceptional supporting performances (especially from John Hurt as a long-term prisoner). Still, it's obvious that strings are being pulled, and Parker, while applying his talent to a nefarious purpose, is a masterful puppeteer. --Jeff Shannon, Amazon.com
How far would you go to win back the love of your life? Perhaps send flowers, write poetry or even serenade that man of your dreams until he can take it no more? Paul, our hot but self-centered hero has other, more extreme ideas when sensitive hunk Brad drops him and begins dating another man. Not used to losing and determined to regain his love, Paul decides to pretend to have a life-threatening illness in what he sees as a foolproof method in ensuring Brad's return. But will it work or will the tangled web he weaves get him in hot water rather than in to the arms of his hot man? Populated by outrageous characters, this fun romantic comedy is a truly off the wall take on what one man would really do for love.
Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War...
A Hollywood remake of French hit Les Visiteurs featuring the same male leads and director. Thibault (Jean Reno) is a brave medieval knight who likes riding horses rescuing damsels in distress and ordering his servant Andre (Christian Clavier) around. Now he is about to marry the most beautiful princess in the kingdom (Christina Applegate). But on the eve of his wedding a horrible tragedy occurs and a wizard's terrible mistake means that suddenly Thibault and Andre find themselves sp
Richard Brooks's In Cold Blood is a faithful 1967 screen adaptation of Truman Capote's extraordinary non-fiction book about the course of two killers in this world--their lives, their senseless slaughter of an entire family, and their executions. Robert Blake and Scott Wilson are remarkable as the murderers, but what has kept this film special over the decades is Brooks's blunt, clearheaded, and non-sensational approach to the story. (The term "semi-documentary" has been applied to Brooks's style on this film, and it's an entirely fair description.) The experience of watching In Cold Blood is naturally unsettling, but the director--as with Capote--leaves final judgments about justice to the beholder. --Tom Keogh
This 1976 adventure story set in World War II concerns a Nazi plot to kidnap Churchill from his retreat--or murder him if need be. The Eagle Has Landed has a large, great cast and a director, John Sturges, who's been down this road of ensemble action before (The Magnificent Seven, The Great Escape) make this project exciting if not as memorable as Sturges's more famous works. The weak ending doesn't help. -- Tom Keogh
The Jungle Book tells the story of the little boy Mowgli. Lost as a baby he was raised by wolves and became a good friend to all animals. When he returns to his old village he learns that there is greed under the humans and Mowgli has to protect the jungle and his animal friends because deep in the woods there is an ancient town with a hidden treasure.
Over the hills and far away lies the land where the Teletubbies live. Tinky Winky Dipsy Laa Laa and Po just love to dance. When the wind blows a magic windmill brings pictures from far away joining the Teletubbies to the world of the real children who also love to dance!
The flaws are easily forgiven in this beautiful version of Louisa May Alcott's novel. A stirring look at life in New England during the Civil War, Little Women is a triumph for all involved. We follow one family as they split into the world, ending up with the most independent, the outspoken Jo (Winona Ryder). This time around, the dramatics and conclusions fall into place a little too well, instead of finding life's little accidents along the way. Everyone now looks a bit too cute and oh, so nice. As the matron, Marmee, Susan Sarandon kicks the film into a modern tone, creating a movie alive with a great feminine sprit. Kirsten Dunst (Interview with the Vampire) has another showy role. The young ensemble cast cannot be faulted, with Ryder beginning the movie in a role akin to light comedy and crescendos to a triumphant end worthy of an Oscar. --Doug Thomas
2016 was a whirlwind year for WWE. New faces emerged, legends returned, and the future of the WWE roster changed forever with The Brand Extension. Experience The New Era of WWE and recall every shocking development, every major match, and every key moment that made 2016 an incredible year for WWE.
Ice Cube and Kevin Hart Lead the lineup in Ride Along. When a fast-talking guy joins his girlfriend's brother - a hot-tempered cop - to patrol the streets of Atlanta he gets entangled in the officer's latest case. Now in order to prove that he deserves his future bride he must survive the most insane 24 hours of his life.
The phenomenon of Dynasty reaches its crowning conclusion in the astonishing ninth and final season. A lifelong, deadly secret stuns everyone, marriages, fortunes and lives are shattered forever, and the war between the Carrington and Colby empires rages on to the very end. The glittering cast, the spectacular glamour, the jaw-dropping twists--they're all here with a shocking series climax that is quintessential Dynasty. The monumental hit drama from legendary producer Aaron Spelling and cre...
A hilarious animated film following the sexual and other wild adventures of a ""long haired"" drop-out cat. A milestone in the world of cartoons - a huge critical and popular success.
The complete second series of the cult classic comedy show.
Johnny Smith's life is interrupted by a near fatal car crash that leaves him in a deep coma for six years. When he regains consciousness he discovers that he now possesses amazing psychic powers; powers that allow him to see into the life of anyone he touches... Based on the characters and story from the best-selling book by Stephen King 'The Dead Zone' is a unique psychological thriller that combines a rich mix of action the paranormal and a continuing quest for peace. Episodes
This restored, animated valentine to the Beatles offers viewers the rare chance to see a work that's been substantially improved by its technical facelift, not just super-sized with extra footage. Recognising that its song-studded soundtrack alone makes Yellow Submarine a video annuity, United Artists has lavished a frame-by-frame refurbishment of the original feature, while replacing its original monaural audio tracks with a meticulously reconstructed stereo mix that actually refines legendary original album versions. What emerges is a vivid time capsule of the late 1960s and a minor milestone in animation. The music represents the quartet's zenith--Rubber Soul, Revolver and Sgt. Pepper's Lonely Hearts Club Band. The story line, cobbled together by producer Al Brodax and a committee of writers, is a broad, feather-light allegory set in idyllic Pepperland, where the gentle citizens are threatened by the nasty, music-hating Blue Meanies and their surreal arsenal of henchmen, with the Beatles enlisted to thwart the bad guys. Visually, designer Heinz Edelmann mixes the biomorphic squiggles, day-glo palette and Beardsley-esque portraits of Peter Max with rotoscoped still photographs and film; Edelmann's animated collages also nod to Andy Warhol and Magritte in properly psychedelic fashion, which works wonderfully with such terrific songs. High-orthodox Beatlemaniacs can still grouse that the animated Fab Four are (literally) flat archetypes, but that's missing the sheer bloom of the music or the giddy, campy fun of the visuals. Making sense of the story is second to submerging blissfully in the sights and sounds of this video treat. --Sam Sutherland
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