It's No Picnic! Brace yourself for mutant mayhem and pestilent payback in this scary (Los Angeles Times) and repulsively convincing (The Hollywood Reporter) creature feature about good bugs gone BAD! Starring queen of mean Joan Collins this incredible insect extravaganza is swarming with flesh-crawling chills hair-raising thrills and spine-tingling terror...with a venge-ANTS! A heavenly paradise becomes a hellish nightmare when a toxic spill turns harmless ants into rampaging radioactive reprobates! Stumbling into their creepy lair a sleazy land developer (Collins) and her clients are horrified to realize that the ants are having a picnic...and humans are on the menu! Fleeing for their lives - only to be squashed underfoot - they soon discover that these bad-boy bugs are hell-bent on exterminating mankind and building an evil empire where humans check in...but they can't check out!
Tom Dowd And The Language Of Music profiles the extraordinary life and legendary work of music producer/recording engineer Tom Dowd. Historical footage vintage photographs and interviews with a who's who list of musical giants from the worlds of jazz soul and classic rock shine a spotlight on the brilliance of Tom Dowd whose creative spirit and passion for innovative technology helped shape the course of modern music.Tom Dowd's credits include recording sessions with Aretha Franklin Ray Charles Eric Clapton Otis Redding John Coltrane The Allman Brothers Band Tito Puente Dizzy Gillespie Thelonious Monk Cream Rod Stewart Lynyrd Skynyrd Booker T & the MG's and countless other musical luminaries.
Isaac's Return is the sixth and newest bone-chilling chapteriin the thrilling 'Children Of The Corn' series! On a trip to find her birth mother Hannah Martin picks up a dark stranger who kicks off a mysterious chain of events. Little does Hannah know that her journey may help fulfill a sinister prophecy made 19 years earlier by Isaac the cult's original evil leader! It's a hair-raising movie event you don't want to miss as Isaac makes his terrifying return and the frightening child
Magical adventure story of Avik and Albertine - and a love that survived decades of time impossible distances and the ravages of war.
Set ten years after the original movie, adventurer Rick O'Connell's son is kidnapped by the followers of his old nemesis The Mummy, in the belief that the boy can lead them to the tomb of the ancient and evil warrior The Scorpion King.
The original and hippest version of Shaft cruised onto cinema screens in 1971. John Shaft (Richard Roundtree) is an African-American private eye who has a rocky relationship with cops, an even rockier one with Harlem gangsters, and a healthy sex life. The script finds Shaft tracking down the kidnapped daughter of a black mobster, but the pleasure of the film is the sum of its attitude, Roundtree's uncompromising performance, and the thrilling, Oscar-winning score by Isaac Hayes. Director Gordon Parks (The Learning Tree) seems fond of certain detective genre clichés (e.g., the hero walking into his low-rent office and finding a hood waiting to talk with him), but he and Roundtree make those moments their own. Shaft produced a couple of sequels, a follow-up television series, and a remake starring Samuel L. Jackson, but none had the impact this movie did. --Tom Keogh, Amazon.com Shaft's Big Score is the first sequel to the super-hip 1971 original. When a pal of detective John Shaft is murdered in a bombing, New York's coolest private eye finds himself caught in the middle of a power struggle between black and white gangsters over the numbers racket in Queens. Directed by Gordon Parks (who does a brief cameo as a croupier in an illegal casino) and written by Ernest Tidyman (both of whom made the original Shaft), this film lacks the pacing of its progenitor. Roundtree is at his best when he's questioning a woman he's just met about a suspect while at the same time beguiling her into the sack (ah, those lazy, crazy days of the sexual revolution). The finale--a shootout in a cemetery, followed by a car-boat-helicopter chase through Queens and up the Harlem River--is preposterously drawn-out: Shaft, impervious to machine-gun fire, winds up tripping, spraining his ankle, and limping while running from the chopper; two shots later, he's sprinting like a halfback. Look for late Muhammad Ali trainer Drew Bundini Brown as a wise-cracking mobster. --Marshall Fine, Amazon.comShaft in Africa, the second sequel to the original hit, foreshadows itself early on when Shaft, asked to go undercover in Africa to halt a modern-day slave trade, claims that he's not James Bond but strictly Sam Spade. Bond, however, is the operative model here, with John Shaft masquerading as an Ethiopian to infiltrate the slave business and bring it down. Yet everyone he encounters seems to know who he is and wants to kill him--but the string of dead bodies he leaves in his wake across two continents proves that no one is able to stop everyone's favourite hip private eye. Written by Stirling Silliphant, the film is long on action set pieces that are filmed with more energy than the previous movie, Shaft's Big Score. Given contemporary practices involving smugglers of illegal Chinese and Mexican immigrants, the plot isn't all that far-fetched. Roundtree, as usual, is the picture of unflappable cool--but don't get him mad. --Marshall Fine, Amazon.com
A World War II double-bill comes to DVD with the pairing of The Young Lions (1958) and D-Day the Sixth of June (1956). Edward Dmytryk's The Young Lions is one of the most thoughtful films about the War. Based on a novel by Irwin Shaw, it tells parallel stories of two American soldiers (Montgomery Clift and Dean Martin) and one German officer (Marlon Brando), whose war experiences we follow until they intersect outside a concentration camp. Martin plays what he calls "a likable coward", Clift is intense as a Jewish GI, and Brando experiments with the limits of his part as a Nazi re-evaluating his beliefs. Legend has it that Clift accused Brando of bleeding-heart excessiveness. Interestingly, the two Method actors share no scenes together. --Tom Keogh D-Day the Sixth of June is a misleading title for a very tame wartime romance with barely 10 minutes of combat in the last reel. What we mostly get is a year's worth of flashbacks depicting the reluctant, London-based affair of a married US staff officer (Robert Taylor) and a British Red Cross worker (Dana Wynter) whose commando suitor (Richard Todd) is fighting in Africa. To be sure, the emotional desperation and embattled decency of good people in time of war is as worthy of film treatment as any military campaign, and the script works pre-invasion Anglo-American tensions into the story. But the CinemaScope production is utterly formulaic, with leaden direction by Henry Koster. Wynter's porcelain beauty apparently didn't permit changes of expression, and Taylor looks about 15 years past his prime. --Richard T Jameson
Barnaby and Scott are called in when Nick Turner a local solicitor falls from the roof of a house. Nick had money problems and rival lawyer Otto Benham was spreading rumours that he was stealing from clients. One night Otto is drugged and made into a human target in the middle of his croquet lawn then fired on with bottles of vintage wine using his replica Roman catapult. The elaborate murder looks like revenge - but what for?
Actor Kiefer Sutherland makes his directorial debut with Truth or Consequences NM, a ho-hum film about a threadbare subject: a drug heist that goes badly, resulting in the bad guys having to kidnap two people and the ensuing complications. A fine cast assures good performances all around, but it's hard to go down this narrative road for the umpteenth time in the 90s. One bonus is the presence of Kim Dickens, an interesting actress who started becoming more visible in films in 1997 and 1998 (Zero Effect, Great Expectations). The DVD release has optional full-screen and widescreen presentations, optional French and Spanish soundtracks and subtitles, and theatrical trailer. --Tom Keogh, Amazon.com
The hit video game roars to life with amazing special effects and spectacular action sequences. In 2007 New Angeles is ravaged by earthquakes tidal waves and vicious gang wars. The evil tycoon Koga Shuko (Terminator 2's Robert Patrick) is obsessed with finding both halves of the Double Dragon a talisman which will give him awesome mystical powers. Teenaged brothers Jimmy and Billy (Mark Dacascos Scott Wolf) wind up with the missing half thrusting them into the adventure of their lives. Marian (Alyssa Milano) and her vigilante Power Corps help them summon all of their courage resourcefulness and martial-arts skills to stop the villain's evil plan. This high octane action spectacular crackles with the energy and humour of its heroes: buckle your seatbelt and enjoy the ride!
A band of commandos led by a murderous officer seize an international airport. Their aim is to rescue a drug baron (Franco Nero) from justice. Detective McClane (Bruce Willis) finds himself having to battle tough anti-terrorists squads and a deadly snowstorm to break the grip of the terrorists who have control of the plane that is carrying his wife...
The year is 1962. Aristocrat and all round spoilt brat Lawrence Bourne III (Tom Hanks) seems to have it all. But things are about to change drastically for him. After his parents refuse to bail him out of his gambling debts Lawrence takes drastic measures and jumps aboard a Peace Corps flight to Southeast Asia. Suddenly Lawrence finds himself on a remote tropical island with the ultimate American Patriot Tom Tuttle (John Candy) and the smart resourceful Beth Wexler (played by Tom Hanks'' future wife Rita Wilson). Their mission is to help build a bridge for local villagers a challenging task that unwittingly brings them into conflict with lunatic communists psychotic drug barons a socially inept U.S Army and brainwashing. A worthy entry into Tom Hanks output of eighties comedies (that included Bachelor Party Splash and The Money Pit) Volunteers once again cast him opposite his Splash co-star and comedy legend John Candy (Uncle Buck Trains Planes and Automobiles) and other cult performers Rita Wilson (Teen Witch Runaway Bride) Tim Thomerson (Trancers Iron Eagle Zone Troopers) and Gedde Watanabe (Sixteen Candles UHF EDtv).
A small coastal village is the setting for smuggling and ship wrecking. Only the Squire's son is prepared to speak out against the man responsible...
By the end of the 1960s, British television had done adventurers and sleuths to death. If Randall and Hopkirk (Deceased) was the supernatural spin on the mystery format, The Champions was the science-fiction version, mixing comic-book superheroics into the globe-trotting do-gooders formula. In the pilot, square-jawed Craig Sterling (Stuart Damon), model-gorgeous Sharron Macready (Alexandra Bastedo) and ironic Brit Richard Barrett (William Gaunt)--agents of an international good-guy organisation called Nemesis--find themselves in a Shangri-La-style forgotten Tibetan civilisation, where they undergo training in extrasensory perception and superhuman strength. Back home, they use their powers to tackle a mixture of ordinary crime and more complicated nefarious plans that have a semi-science fiction feel. The good-looking Damon and Bastedo seem to have had their personalities erased in the mountains, leaving Gaunt to shoulder all the acting weight. Nevertheless, it has a kind of creaky, straight-faced charm, like some lost British take on Marvel Comics' superhero teams. Volume One covers: "The Beginning", the pilot story, with Felix Aylmer as a Tibetan lama; and "The Invisible Man", which features cranial implants and bank robbery, with Peter Wyngarde (who played the title role in Jason King) as the baddie. --Kim Newman
Dear God No! is a tribute to a lost regional drive-in film from 1976 that doesn't rely heavily on computer gimmicks, and cuts to the core of what made these low-budget films shockingly fun. Shot entirely on super 16mm Fuji film and using equipment from the era, Dear God No! is a drive-in and grindhouse lover's dream. No pretty actors - just a rocking original soundtrack, bikers, babes and blood, and as many naked breasts as the script would allow. Outlaw motorcycle gang The Impalers' tri-state rape and murder spree ended in a bloody massacre with rival club Satan's Own. The surviving members sought refuge in a secluded cabin deep in the North Georgia mountains. What first must have seemed like easy prey for a home invasion, became a living nightmare of depravity and violence. A young innocent girl being held captive may hold the key to the twisted secrets locked in the basement and the killing machine feasting on human flesh in the forest outside. Special Features: Exclusive full colour booklet featuring the words of Director James Bickert and Graphic Illustrator Tom Hodge, production stills and more Audio Commentary with Writer/Director James Bickert and Composer Richard Davis Audio Commentary with Actors Jett Bryant, Madeline Brumby and Shane Morton Original Theatrical Trailer Redband Trailer Behind the Scenes Gag Reel Poster and Still Slideshow Zombie Parody Canadian Theatrical Promo Torture Porn Parody Festival Promo Vlog the Magnificent at the Dear God No! World Premiere
The Duke Family - cousins Bo and Luke assisted by their cousin Daisy and their uncle Jesse - fight the system and root out the corrupt practices of Hazzard County Commissioner Boss Hogg and his bumbling brother-in-law-Sheriff Rosco P. Coltrane. The down home antics continue in the seventh and final season of this good ol boy TV series! Episodes Comprise: 1. Happy Birthday General Lee 2. Welcome Waylon Jennings 3. Dr. Jekyll and Mr. Duke 4. Robot P. Coltrane 5. No More Mr. Nice Guy 6. The Dukes in Hollywood 7. Cool Hands Luke & Bo 8. Go West Young Dukes 9. Cale Yarborough Comes to Hazzard
'Taggart' is the longest running police drama on TV. Thanks to its explosive storylines and tough-talking Glasgow detective Jim Taggart (Mark McManus) it has become a national institution with these next six feature length editions averaging nearly thirteen million viewers. Set Comprises: Evil Eye: A gypsy is found murdered in her caravan and Taggart and Jardine suspect a connection with a London jewel raid in which a young policeman was murdered. Rogues' Gallery: A body is found in a car that has just been put through a car crusher: Taggart and Jardine investigate a case that seems to link the world of drug pushers with the world of art and artists. Violent Delights: A sixth former Philip Dempster has a crush on his French Teacher the beautiful Francoise Campbell. When spying on her through his telescope he sees what looks like a murder take place in her bedroom. Taggart investigates the death of a young undertaker in a blazing car. Fatal Inheritance: When the verdict of ""Not Proven"" is returned in a murder trial Taggart decides to stay at the scene of the crime - a fashionable health farm. When another murder occurs there Taggart gets involved though officially he is not on the case. Death Benefits: Julia Fraser wife of a police sergeant is brutally murdered whilst he is on duty. During a search of their house a list of names is found. It appears that the people on the list are rapidly meeting with a series of accidents - and yet there is no connection between them except that they are on the list. Taggart is facing a race against time to find the connection. Gingerbread: The murder of his father sets Simon Barrow on a journey which moves from fairy-tale to nightmare. Taggart Jardine and Reid discover the bitter behind the sweet.
From the director of RFK Must Die Killing Oswald explores the mystery of how and why John F. Kennedy and Lee Harvey Oswald were assassinated in 1963 tracing Oswald's strange transformation from US Marine radar operator in Japan monitoring U2 spy planes over Russia; to 20-year-old Marxist defector decamping to Moscow threatening to share military secrets with the KGB; to pro-Castro activist in New Orleans and self-proclaimed patsy in Dallas. The film features interviews with authors John Newman Dick Russell David Kaiser and Joan Mellen Cuban exile Antonio Veciana and Watergate burglar Eugenio Martinez; alongside rare archive film and audiotapes of Oswald and his alleged CIA handlers George De Mohrenschildt and David Atlee Phillips. Special Features: Extra features with Doug Horne on the Zapruder Film and the medical evidence Extended interview with Antonio Veciana President Kennedy's remastered American University address
In a totally unexpected piece of casting, Blue Valley Songbird stars Dolly Parton as a country singer/songwriter with big hair, large breasts and lots of lippy. The comparison ends there, though, because here she plays Leana Taylor, a talented performer hampered by her provincial background (and unpleasant manager/boyfriend) who realises she must escape her small-town roots in order to achieve her true potential. This isn't the most taxing of narratives, but it's the music that counts here. This movie is of the "musical drama" genre--take a star musical performer, give them the lead role in a movie, then furnish them with every excuse to perform therein so long as it can be done as a realistic element within the overall story--and as such it's highly agreeable. Parton not only has buckets of musical talent but also has plausible acting skills, even if the viewer is bound to think that these are mainly to do with being Dolly Parton. In any event, the songs are excellent, so this is well worth watching even if you find yourself fast-forwarding until you see someone picking a guitar up.--Roger Thomas
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