A young woman in New Orleans finds herself caught in the middle of strange Hoodoo practitioners.
Roundly dismissed as one of Steven Spielberg's least successful efforts, this very underrated film poignantly follows the World War II adventures of young Jim (a brilliant Christian Bale), caught in the throes of the fall of China. What if you once had everything and lost it all in an afternoon? What if you were only 12 years old at the time? Bale's transformation, from pampered British ruling-class child to an imprisoned, desperate, nearly feral boy, is nothing short of stunning. Also stunning are exceptional sets, cinematography and music (the last courtesy of John Williams) that enhance author J.G. Ballard's and screenwriter Tom Stoppard's depiction of another, less familiar casualty of war. In a time when competitors were releasing "comedic", derivative coming-of-age films, Empire of the Sun stands out as an epic in the classic David Lean sense--despite confusion or perceived competition with the equally excellent The Last Emperor (also released in 1987, and also a coming-of-age in a similar setting). It is also a remarkable testament to, yes, the human spirit. And despite its disappointing box-office returns, Empire of the Sun helped to further establish Spielberg as more than a commercial director and set the standard, tone and look for future efforts Schindler's List and Saving Private Ryan. --N.F. Mendoza
In October 1913 a group of aristocratic men and women gather for a shooting party at an estate in the heart of the British countryside. Assured and opulent they move through the elaborate rituals of an Edwardian England country house-party. They dine they shoot gossip flirt and are discreetly adulterous. As members of the privileged elite they practice an etiquette largely imposed by the late King Edward VII - anything goes just as long as it does not threaten the established order or offend accepted morality. But times are changing. The values that have ordered their glittering world will no longer have any meaning in the new age about to dawn.
Over the years, many film directors have attempted to tell the story of legendary 15th-century heroine Joan of Arc, a simple country girl who claimed she was inspired by God to lead the French troops in a victorious assault on the mighty English army. Luc Besson's 1999 epic might not be the best version of her life, but it's certainly the biggest. The movie cost a reported $60 million. Even if you are terminally unimpressed by the scale of such recent blockbusters as Gladiator, your eyes will pop out at the sheer number of bodies (living and dead) that Besson has assembled for the dynamic battle scenes. The lavish sets and costumes are almost equally gobsmacking, though neither will show to maximum advantage on the small screen. That's a pity because size is the only thing Joan of Arc really has going for it--as a human drama, it falls completely flat.The historical Joan was eventually made a saint by the Catholic Church, and earlier biopics tended to treat her celestial visions as literal fact. It was probably a mistake for Besson and his co-screenwriter Andrew Birkin to take a more psychological approach and present them as figments of her hysterical imagination. It makes it hard to work up the necessary empathy when the spectacle revolves around a confused and neurotic babe who couldn't organise a Tupperware party, let alone a vast military campaign. Milla Jovovich (the star of Besson's previous The Fifth Element and formerly his wife) doesn't help matters with her shrill and amateurish performance. But a couple of the supporting players are passably amusing--John Malkovich camps it up energetically as Charles, the dispossessed French king whom Joan reinstates, while Faye Dunaway wears outlandish headgear and carries on like a science-fiction creation in the role of his scheming mother-in-law. (The less said the better about Dustin Hoffman's pompous turn as Joan's personified conscience.) Besson keeps to the same glossy visual style even when the Maid is burning at the stake, but it isn't enough to prevent this empty shell of a movie from being a colossal yawn. --Peter Matthews
'The Edge Of The Of The World' tells the moving story of a remote island and its inhabitants whose traditions and way of life are threatened by a rapidly industrialising world. To settle an argument over whether the islanders should give up their livelihood and move to the mainland two childhood friends follow an ancient tradition and climb the islands highest cliff face. The outcome shatters the islands peace.
Telly Savalas assumes the role of the leader of the Dirty Dozen from Lee Marvin as he and the twelve are charged to destroy a nerve gas manufacturing plant before the Germans can make enough to use against the Allied invasion...
Between Heaven and Hell There's Always Hollywood! John Turturro shines in the lead role in Barton Fink the Coen Brothers' (Miller's Crossing Fargo) hilarious satire set in the 1940s Hollywood. Fink is a New York playwright who reluctantly relocates to Hollywood to write screenplays. Ordered to write a low budget screenplay about wrestling Fink manages to type one sentence and then...nothing! Although his chatty insurance salesman neighbour Charlie (John Goodman) helps out by teaching Fink about wrestling the clock ticks the temperature rises and Fink's life spins more and more out of control. Barton Fink received three 1991 Oscar nominations-(Best Supporting Actor-Michael Lerner Best Art Direction/Set Direction and Best Costume Design) and also won Best Actor (Turturro) and Best Director (Joel Coen) as well as the coveted Palme d'Or at Cannes.
The young son of a war hero is branded a coward by his friends and fiance when he resigns his military commission shortly before his regiment is due to leave for action in the Sudan. He then disguises himself as an Arab and aids his former colleagues in an attampt to redeem himself of cowardice.
In this 12th-century version of Who's Afraid of Virginia Woolf?, Henry II of England (Peter O'Toole) and his wife, Eleanor of Aquitaine (Katharine Hepburn), meet on Christmas Eve to discuss the future of the throne. These two are having slight marital problems, as she is kept in captivity most of the year for raising a rebellion against him, and he flaunts his young mistress. Then there are the problems raised by their three treacherous and traitorous sons. James Goldman won an Oscar for the brilliant screenplay, based on his Broadway play. It is a tad wordy, as the action is kept to a minimum, but those words are sharp as daggers. The humour is wicked and black and delivered with very dry, dead-on precision. Sparks fly and the screen sizzles whenever Hepburn and O'Toole tango, which is often. Both were nominated for Academy Awards for their vigorous performances. (She won, he didn't.) There is also an infamous homoerotic exchange between Philip of France (Timothy Dalton) and Richard the Lionhearted (Anthony Hopkins). Both actors were making their feature film debuts. --Rochelle O'Gorman, Amazon.com
Sherlock Holmes gets the Gothic treatment in Hammer's Hound of the Baskervilles, a typical mix of mystery and supernatural horror from the famous studio. Peter Cushing is perfectly cast as the great detective, the very embodiment of science and reason (which also made him a great Van Helsing in the Dracula series) in a case wound around a legacy of aristocratic cruelty and a devilish dog wandering the swampy moors. Christopher Lee is a less satisfying fit as the last of the Baskervilles, as he waffles between fear and apathetic disregard, but Andre Morell is a fine Dr Watson and a far cry from Nigel Bruce's sweet bumbler from the Hollywood incarnation of the 1940s. Director Terence Fisher was Hammer's top stylist and the film drips with the mood of the moors, mist hanging in the air, the dying vegetation itself threatening to come to life and trap the next unwary traveller. --Sean Axmaker
Based on the novel by Agatha Christie a posh 1937 tour of the holy land turns murderous when a malicious malevolent matriarch (Piper Laurie) is mysteriously poisoned. Each of her fellow tourists had the means and the motive to kill her and any of them would have enjoyed plunging the lethal hypodermic syringe into Mrs. Boynton's fleshy arm. It's up to nimble-witted Belgian detective Poirot (Peter Ustinov) to discover whodunit.
Betrayed by his country. Beaten into slavery. Reborn as a warrior. Spartacus: Blood and Sand is a graphic and visceral account of Rome's most famous gladiator. When he's separated from the love of his life Spartacus is forced into the gruesome and bloodthirsty arena where a grisly death is primetime entertainment. Spartacus must fight for survival befriend his enemies and play politics in this new world of corruption violence sex and fame. He'll be seduced by power and tormented by vengeance. But his passion will give him the strength to prevail over every obstacle in this modern and uninhibited tale of death honour and endurance.
Influenced by Dario Argento's horror classic Suspiria, director Norman J Warren and screenwriter David McGillivray reteaming two years after the success of Satan's Slave created an offbeat blend of satire and the supernatural, sending up the British exploitation film industry while delivering ever more outlandish set-pieces. An eclectic cast list includes John Nolan (Doomwatch), Carolyn Courage (Space: 1999), Glynis Barber (Dempsey and Makepeace) and Peter Mayhew, best known for playing Chewbacca in the Star Wars movies. Special Features 2K restoration, supervised and approved by director Norman J Warren Original mono audio Audio commentary with Warren and screenwriter David McGillivray (2004) The Early Years (2019, 17 mins): Warren recalls his first films as director Bloody Good Fun (2004, 41 mins): archival documentary on the making of Terror featuring interviews with Warren, McGillivray, actors Carolyn Courage, Mary Maude, James Aubrey and Elaine Ives-Cameron, and others Tales of Terror (2019, 13 mins): actor John Nolan reflects on Terror's production Norman J Warren: A Sort of Autobiography (2004, 28 mins): archival interview with the director Four extended scenes, with introductions by Warren Norman J Warren Presents Horrorshow (2008, 33 mins): anthology film of five horror tales, hosted by Warren Daddy Cross (2011, 2 mins): trailer for a 1978 lost film', with voice-over by Warren Original theatrical trailer French theatrical trailer TV spot Radio spot Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard-of-hearing
Made in 1983, the US TV mini-series Kennedy has Martin Sheen playing a president well before his stint on The West Wing. All of the momentous events of JFK's remarkable term are covered (with actual news footage used to excellent effect), but it is the portrayal of the entire Kennedy family as real, flawed people that gives Kennedy its power. The Kennedys gossip, snipe, joke and bother each other like a real family rather than rigid historical figures or threadbare caricatures. Sheen plays JFK as a man with lofty ideals who is more than willing to dirty his hands to serve his greater purpose. Blair Brown plays Jacqueline Kennedy with a shrewd understanding of politics, but also a whiff of vanity. In addition to the strong performances by both leads, Vincent Gardenia gives a brilliant performance as J Edgar Hoover: stiff, quirky and strange, prurient and moralistic at the same time and boiling with hatred. --Ali Davis
Jeff Colby accepts and offer from his Uncle Jason Colby to work for the family business (ColbyCo). He unknowingly bumps into his ex-wife Fallon Carrington who now has amnesia and has married Miles Colby, Jeff's cousin. Sabella Sable Colby made her mark as the scheming vixen to keep her husband Jason close and to stay super rich.
At the time of his death in 1992 Frankie Howerd was firmly established as a national comedy treasure his risque jokes double entendres and meandering anecdotes having enlivened television schedules over nearly four decades. Some of his most successful shows were produced for ITV and this set presents six shows transmitted on the network between 1973 and 1991 which reflect an ever-broadening appreciation of his comic genius - from the hugely popular variety shows of the seventies to the enthusiastically received routines on Britain's university campuses during the early nineties confirming Frankie Howerd's status not only as a comedy icon but a cult hero embraced by a generation of young student aficionados. Featuring guests John Le Mesurier Sheila Steafel Kenny Lynch and Norwegian Bond girl Julie Ege with writing from Johnny Speight Barry Cryer and Vince Powell this marvellous collection presents Frankie at his finest.
No one is a better soldier than Pvt. Raymond Endore (John Saxon) at least in his own mind. Stationed in Korea as the conflict between the United States and the divided peninsula is coming to an end Endore sleeps while his platoon works to gear up for his nightly patrols of the area. These patrols used to bring vital information but now they have become a nightly ritual for Endore to slash the throats of suspected enemies tolerated by a Captain (Charles Aidman) who fears Endore's unstable nature. A Korean war orphan (Tommy Matsuda) befriends Endore as well as an idealistic soldier (Robert Redford) and these two soldiers must decide the fate of the child as the ceasefire is announced.... Madness in men during their tour of duty a subject also at the heart of Hell Is For Heroes and Attack! is the focus of this brutal 1961 war drama. Redford in his film debut offers a strong counterpart to the criminally underrated John Saxon (who would go on to a career of character work) who gives a stunning performance as a killer who only seems at peace after taking the life of another victim.
This classic movie directed by John Guillerman has been beautifully restored as part of the Vintage Classics Collection. It is based on the true story of one of the best intelligence operations of World War II. An actor, trained by Major Harvey (John Mills), is seconded to impersonate General Montgomery on a tour of North Africa. The plan is to divert the Germans' attentions away from the real Monty and his plans for D-Day. Starring the real life actor and lookalike M.E. Clifton James and a formidable supporting cast including Cecil Parker, Leslie Phillips, Bryan Forbes and John Le Mesurier, this is a gripping retelling of those fateful few weeks before the Normandy campaign. The Vintage Classics collection from Studiocanal celebrate the most iconic and beloved films in British cinematic history by giving these masterpieces of yesteryear stunning restorations fit for the 21st Century. Extras: New interview with author/historian Terry Crowdy John Mills Home Movie footage Monty's Double (1947) Behind the Scenes stills gallery
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