This vigorously entertaining film, sharply directed by Robert Redford fr om Paul Attanasio's brilliant screenplay, is based on the game-show scandals of the 1950s, when TV quiz shows were rigged to attract higher ratings and lucrative sponsorships. The fact-based story focuses on the quiz show Twenty-One and popular contestant Charles Van Doren (Ralph Fiennes), a charming, well-bred intellectual who agreed to win the game by using answers supplied by the show's producers. This unfair advantage turned Van Doren into a prototypical media darling at the expense of reigning Twenty-One champion Herbie Stempel (John Turturro, in a bravura performance), a working-class Jewish contestant who, according to the show's sponsors, had worn out his welcome in the public eye. When a congressional investigator (Rob Morrow) catches on to the scam and Stempel blows the whistle on this backstage manipulation, Quiz Show becomes a smart, political exposè about the first generation of television, the corrupting effect of celebrity and success, and the ongoing loss of innocence in American society. Bristling with superior dialogue and energized by an excellent cast including Paul Scofield as Van Doren's morally upstanding father, Quiz Show succeeds as history lesson, intelligent thriller, and morality tale, setting the stage for the countless scandals that would follow in a nation addicted to television. --Jeff Shannon, Amazon.com
The Victim is a thriller told through the eyes of the plaintiff and the accused. Set within Scotland's unique legal system, the show asks: who is really 'the victim'? Kelly MacDonald plays Anna Dean, whose son was murdered fifteen years ago. She is accused of revealing his killer's new identity online and conspiring to have him murdered. Has the anger of a grieving mother turned her into a criminal? What is she capable of doing in her son's name? Hard working family man Craig Myers is viciously attacked, after being identified online as a notorious child murderer. Should Craig keep his head down or try to prove his innocence? Is he a convicted murderer, or simply the tragic victim of mistaken identity? The Victim follows the progress of a trial in Edinburgh's High Court, while also covering the events leading up to the legal proceedings and the criminal investigation, led by D.I. Steven Grover, who has his own reasons for wanting to crack the case. Craig and Anna are pitted against each other, but our sympathies will be divided. New potential suspects will be revealed and long buried secrets unearthed as the story builds to a final, devastating climax. Starring: Kelly MacDonald (Puzzle, Boardwalk Empire, The Child in Time), John Hannah (Four Weddings and a Funeral, Agents of S.H.I.E.L.D.), James Harkness (Rogue One, Darkest Hour). Writer/Creator/Executive Producer: Rob Williams (The Man in the High Castle, Killing Eve, Chasing Shadows); Executive Producer: Sarah Brown (Oliver Twist, The Interceptor, Lark Rise to Candleford); Director: Niall MacCormick (The Long Walk to Finchley, Wallander, Complicit); Producer: Jenny Frayn (The A Word, Case Histories) Includes subtitles for the Hard Of Hearing
A recent widow invites her husband's troubled best friend to live with her and her two children. As he gradually turns his life around, he helps the family cope and confront their loss.
The first BBC television adaptation of the Charles Dickens classic, Constance Cox's adaptation of Oliver Twist (1962) is now available for the first time to own on DVD. Starring Bruce Prochnik and BAFTA nominees Max Adrian and Peter Vaughan. Constance Cox s uncompromising 1962 adaptation of Dickens tale of a gang of orphan boys turned to crime changed the face of British Sunday teatime viewing. Her unvarnished depiction of despair and depravity in the back alleys of 19th-century London, and the cruel divide between rich and poor, shattered expectations of cosy family drama. But this is Oliver as Dickens intended, without the enforced jollity of the blockbuster Lionel Bart/Carol Reed musical. Max Adrian stars as villainous Fagin, Peter Vaughan an indelibly brutal Bill Sikes, Bruce Prochnik a gentle Oliver, Melvyn Hayes a spry Artful Dodger, and Carmel McSharry the trapped and powerless Nancy. In support are Willoughby Goddard as bullying beadle Bumble, Gay Cameron as kindly aunt Rose Maylie, John Carson s cowardly Monks and Donald Eccles bitter undertaker Sowerberry. This landmark BBC production, released for the first time on DVD, was a gritty game-changer that raised the bar and stretched the boundaries of TV adaptation and serial drama.
Science fiction took a grim turn in the 1970s--the heyday of Agent Orange, nuclear peril and Watergate. Suddenly, most of our possible futures took on a "last man on Earth" flavour, with The Omega Man topping the doom-struck heap. Charlton Heston plays the government researcher behind the ultimate biological weapon, a deadly plague that has ravaged humanity. There are two groups of survivors: a dwindling band of immune humans and an infected, psychopathic mob of light-hating quasi-vampires. The infected are led by Mathias, a clever, charismatic man set on destroying the last remnants of the civilisation that produced the plague. Heston has a vaccine--but he and the few remaining normals are outnumbered and outgunned. By day, he builds a makeshift version of the nuclear family (with Rosalind Cash as his afro-wearing, gun-toting little lady). They plan for the future while roaming freely through an empty urban landscape, taking what few pleasures life has left. By night, they defend themselves against the growing horde of plague victims. Both a bittersweet romance and a gothic cautionary tale, The Omega Man paints a convincing portrait of hope and despair. It ain't pretty, but it's a great movie. --Grant Balfour
Since the summer of 1955, the ITV network has entertained the nation with some of the most memorable programming ever created for British television. This collection celebrates those six decades with an outstanding, specially selected collection of superb dramas, hilarious comedies and thought-provoking documentaries some of which haven't been seen since their original transmission. With each disc themed to provide an evening's entertainment , this dip into the archives provides a trip down Memory Lane as well as a timely reminder of some of the best television of the last sixty years. A mixture of both classics and rarities (including some programmes thought lost forever), this set contains previously unreleased episodes of Crossroads, Rainbow, Tiswas, Coronation Street, World in Action, The Bill and Whicker's World together with some exceptionally rare items from the Associated Rediffusion archive: No Hiding Place, Mystery Bag, Crane and Our Man at St. Mark's. So spoil yourself settle down for a great night in and join us for a journey through the decades! DISC ONE ITV Opening Night Preview | Thunderbirds: Trapped in the Sky | The Army Game: April Fool | Man About the House: While the Cat's Away | Robin of Sherwood: The Greatest Enemy | The Prisoner: Checkmate DISC TWO Pathfinders in Space: Convoy to the Moon | The Larkins: Frightful Nightful | Sunday Night at the London Palladium: 28/11/1965 | The World at War: It's a Lovely Day Tomorrow | Callan: Let's Kill Everybody DISC THREE Catweazle: The Sun in a Bottle | The Arthur Haynes Show: 08/12/1962 | The Avengers: The Winged Avenger | Public Eye: My Life's My Own | An Audience with Dame Edna DISC FOUR Crossroads: 26/10/1983 | On the Buses: The Strain | The Saint: The Contract | The Tommy Cooper Hour: 21/04/1974 | Auf Wiedershen Pet: The Alien DISC FIVE Rainbow: 26/12/1975 | Pipkins: Cowboys | Doctor in the House: What Seems To Be The Trouble? | The Power Game: The New Boy | 21 DISC SIX Magpie: 26/11/1976 | Shut That Door! | Space 1999: Breakaway | No Hiding Place: A Bird to Watch the Marbles | The Sweeney: Tomorrow Man DISC SEVEN Tiswas: 30/08/1975 | Four Feather Falls: Horse Thieves | The Stanley Baxter Moving Picture Show | Gideon's Way: The Wall | Tales of the Unexpected: Royal Jelly DISC EIGHT The Adventures of Robin Hood: The Coming of Robin Hood | Nearest and Dearest: What Seems to be the Trouble? | Rising Damp: Black Magic | Mystery Bag: Lockhart Finds a Note | Upstairs Downstairs: Miss Forrest | Year Zero: The Silent Death of Cambodia DISC NINE Ace of Wands: Peacock Pie 1 | Coronation Street: 18/05/1964 | Randall and Hopkirk (Deceased): Could You Recognise the Man Again? | Crane: A Cargo of Cornflour | Soldier Soldier: Stormy Weather DISC TEN A Fine Romance: Series 2 episode 6 | World in Action: The Chart Busters | The Professionals: Blind Run | Inspector Morse: Driven to Distraction DISC ELEVEN George and Mildred: Moving On | Jason King: To Russia With... Panache | The Main Chance: The Best Legal System in the World | Justice: A Nice Straight-forward Treason | Strange World of Gurney Slade: Episode 1 DISC TWELVE Our Man at St Mark's: The Facts of Life | The Bill: The Short Straw | Man at the Top: I'll Do the Dirty Work | Whicker's World Aboard The Orient Express | Armchair Theatre: Afternoon of a Nymph - See more at: http://networkonair.com/shop/2287-itv-60-502762644674.html#sthash.pPmpBenG.dpuf
Written by the late, great Jimmy Sangster (The Revenge of Frankenstein, Taste of Fear), this supernatural riff on Agatha Christie's And Then There Were None is a gruesome, hugely entertaining chiller. Two American architects (real-life couple Katharine Ross and Sam Elliott, who met on the set of this film) are holidaying in England and find themselves trapped at a country mansion where the various guests become victims in a series of unexplained and increasingly violent deaths. Director Richard Marquand (Return of the Jedi, Jagged Edge), making his feature-film directing debut, deftly balances horror and grisly black humour. The film also boasts sumptuous photography by the great Dick Bush and Alan Hume, a wonderfully eccentric score by Michael J Lewis and a superb supporting cast which includes Charles Gray, Margaret Tyzack, Ian Hogg, John Standing and The Who's Roger Daltrey. Extras: Two presentations of the film: the US theatrical cut, presented in widescreen from a High Definition master (100 mins); the UK theatrical cut, presented open matte from a Standard Definition master (102 mins) Original stereo audio New and exclusive audio commentary with Kevin Lyons, editor of The Encyclopedia of Fantastic Film and Television An Editing Legacy (2015, 14 mins): award-winning editor and second unit director Anne V Coates recalls her work on the film The Make-up Effects of The Legacy' (2015, 11 mins): Robin Grantham discusses his specialist make-up creations for the film Ashes and Crashes (2019, 4 mins): interview with second unit director Joe Marks An Extended Legacy (2019, 11 mins): an analysis of the differences between the US and UK cuts Between the Anvil and the Hammer (1973, 27 mins): The Legacy director Richard Marquand's acclaimed documentary short film, made for the Central Office of Information, about the Liverpool police force Original theatrical trailer Image gallery: promotional and publicity material
Enrol at the wacky College of Lifemanship where a senior host of great British comedians teach a completely uproarious course on how to come out tops in any social situation! Study with Alistair Sim and learn his valuable hints on the art of comic One-upmanship. Follow his expert advice to victimised Ian Carmichael about romance fully equipped to cope with life's hilarious humiliations without really cheating. Based on the books by Stephen Potter.
A Fish Called Wanda (Dir. Charles Crichton 1988): Barrister Archie (John Cleese) falls in love and tosses off more than his wig for sexy thief Wanda (Jamie Lee Curtis) - who can charm the pants off anyone! To make things worse Wanda is already using her charms on fellow partner-in-crime Otto (Kevin Kline in an Oscar-winning performance) a dim-witted intellectual psychopath who thinks the London Underground is a political movement! Meanwhile Otto is making eyes at henchman Ken (Michael Palin) an animal loving multiple dog-killer who is infatuated with a fish called Wanda. Get the Picture? A British comedy gem A Fish Called Wanda 'takes a spot' as one of the funniest romantic comedies of the decade (Box Office). Dirty Rotten Scoudrels (Dir. Frank Oz 1988): One's got a sophisticated suave and debonair con act. The other's got... well an act. Together Steve Martin and Michael Caine are Dirty Rotten Scoundrels and they're absolutely ruining the Riviera in this wonderfully crafted absolutely charming classy and consistently amusing comedy. Martin is Freddy Benson a small-time con man sleazing his way through Europe on whatever handouts he can scam. Caine is Lawrence Jamieson an impeccably dressed and high-minded artiste who thinks Freddy's giving him and all con men a bad name. At first Lawrence agrees to help Freddy spruce up his stunts and his wardrobe. But when it becomes apparent that the Riviera isn't big enough for the both of them they make a winner-takes-all wager over the fortune of a nave American soap heiress (Glenne Headly): the first one to 'clean her out' can make the other clear out - and keep the Riviera and its unsuspecting tourists to himself!
First ever DVD release of this classic British comedy which has never been seen since its 1950's cinema run. The final film showcase for music hall comedian Frank Randle as an accident-prone Private who cannot even make a cup of tea without making a disaster. However he does succeed in rescuing corporal Diana Dors from the lecherous clutches of his Sergeant Major. This fast moving film features stars of the music hall days such as champion wrestler Jack Pye and introduces the BBC Radio and TV star Winifred Atwell.
Ryan Gosling (The Notebook, Half Nelson) and Michelle Williams (Shutter Island, Brokeback Mountain) star in Blue Valentine, a honest portrait of a relationship on the rocks.
Ireland, 1209. A group of monks including a young novice (Tom Holland, Spider-Man: Homecoming, The Lost City of Z) and a mute lay-brother (Jon Bernthal, The Punisher, The Wolf of Wall Street) are tasked with transporting an ancient relic across the wilderness. As the true significance of the relic becomes apparent; their path becomes increasingly fraught with danger. The monks quickly realise that in this wild land of ancient superstitions, the faith that binds them together may ultimately lead to their destruction.
In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! "A blood-dripping brain transplant turns a maniac into a monster!". Brain of Blood does exactly what it says on the tin. It was made in Hollywood when a Filippino blood movie fell through and the distributor needed a substitute. --Kim Newman
Italian director Franco Zeffirelli stunned the world when he cast two young unknowns to portray the star crossed lovers in 'Romeo and Juliet' but it was a gamble that resulted in one of the most popular motion pictures of the time winning international acclaim and two Academy Awards. Shakespeare's classic romance comes to stunning visual life in a modern young person's interpretation bringing new vitality and a fresh insight to the most durable love story ever written.
A hot and steamy thriller in more ways than one! To Lieutenant Remy McSwain life in New Orleans is all about the 'Big Easy' until a series of gang killings spiral out of control. When a beautiful investigator Ann Osborne arrives from the D.A.'s police corruption task force Remy realises he is caught between truth and lies honour and corruption. Soon he finds himself jailed for attempting bribes and life is far from 'The Big Easy'.
Ask a true horror fan to name the greatest zombie films of all time and City of the Living Dead is usually there but never before in the UK have fans been able to enjoy a properly presented quality uncut release. After the triumph of their Dawn of the Dead Blu Ray Arrow Video are proud to bring their unique presentation of this zombie classic to the hordes of UK horror fans that are every bit as rabid for this release as the zombies in the film! Directed by horror maestro Lucio Fulci (New York Ripper Don't Torture A Duckling).
Starring a phenomenal ensemble cast led by Matt Damon and George Clooney and based on a true and untold story of World War II The Monuments Men is suspenseful ticking-clock adventure-thriller about a ragtag team of unlikely but charismatic heroes embarking on the greatest treasure hunt in history taking on the seemingly impossible high-stakes mission to rescue the world's greatest works of art which the Nazi's are hell-bent on destroying.
Bicentennial Man was stung at the 1999 box office, due no doubt in part to poor timing during a backlash against Robin Williams and his treacly performances in two other, then-recent, releases, Jakob the Liar and Patch Adams. But this near-approximation of a science-fiction epic, based on works by Isaac Asimov and directed, with uncharacteristic seriousness of purpose, by Chris Columbus (Mrs Doubtfire), is much better than one would have known from the knee-jerk negativity and box-office indifference. Williams plays Andrew, a robot programmed for domestic chores and sold to an upper-middle-class family, the Martins, in the year 2005. The family patriarch (Sam Neill) recognizes and encourages Andrew's uncommon characteristics, particularly his artistic streak, sensitivity to beauty, humour and independence of spirit. In so doing, he sets Williams's tin man on a two-century journey to become more human than most human beings. As adapted by screenwriter Nicholas Kazan, the movie's scale is novelistic, though Columbus isn't the man to embrace with Spielbergian confidence its sweeping possibilities. Instead, the Home Alone director shakes off his familiar tendencies to pander and matures, finally, as a captivating storyteller. But what really makes this film matter is its undercurrent of deep yearning, the passion of Andrew as a convert to the human race and his willingness to sacrifice all to give and take love. Williams rises to an atypical challenge here as a futuristic Everyman, relying, perhaps for the first time, on his considerable iconic value to make the point that becoming human means becoming more like Robin Williams. Nothing wrong with that. -- Tom Keogh, Amazon.com
Based on true events, "Wolf Creek" tells the chilling story of three backpackers travelling in remote Outback Australia.
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