A gay man (Alan Davies) and a straight woman (Lesley Sharp) meet and do the unthinkable - they fall in love. Rose is down to earth straighforward and funny. Then she meets Bob a teacher who's certainly not expecting to meet someone like Rose. In their hearts they know they're doing the right thing but everyone around them thinks they're crazy. Are they hurtling towards the biggest heartache ever? Bob And Rose is an irresistable comedy drama from the pen of Russell T. Davis creator
Golden Globe winner John Travolta (Pulp Fiction) stars in this tense action thriller, where a team of Texas linemen race to install miles of cable before a deadly lightning storm destroys the power grid. These unsung heroes work hundreds of feet in the air, on wires carrying as much as 500,000 volts of electricity, with death often inches away. Beau Ginner (Travolta) is haunted by the electrocution death of his younger brother, which left Beau raising his niece, Bailey (Kate Bosworth, Heist) on his own. Beau is determined to see her go to college and away from the life of linemen, but Bailey has other plans, including staying in touch with her ex-boyfriend Duncan (Devon Sawa, Final Destination) whom Beau despises. As a major storm descends on the county, events come to a head, leaving both Bailey and Beau's lives on the line.
Based on James Herriot's autobiographical best sellers 'If Only They Could Talk' and 'It Shouldn't Happen to a Vet' the long running TV series 'All Creatures Great and Small' continued to satisfy the Herriot hysteria of the British public.
Bernardo Bertolucci does the nearly impossible with this sweeping, grand epic that tells a very personal tale. The story is a dramatic history of Pu Yi, the last of the emperors of China. It follows his life from its elite beginnings in the Forbidden City, where he was crowned at age three and worshipped by half a billion people. He was later forced to abdicate and, unable to fend for himself in the outside world, became a dissolute and exploited shell of a man. He died in obscurity, living as a peasant in the People's Republic. We never really warm up to John Lone in the title role, but The Last Emperor focuses more on visuals than characterisation anyway. Filmed in the Forbidden City, it is spectacularly beautiful, filling the screen with saturated colours and exquisite detail. It won nine Academy Awards, including Best Picture and Best Director. --Rochelle O'Gorman
Big budget sci-fi action based on the original film series of the late 1960s and early 1970s. James Franco stars as Will Rodman, a genetic engineer working in present-day San Francisco who is performing scientific tests on apes in his attempt to find a cure for Alzheimer's. His first test subject is Caesar (Andy Serkis), the prototype of a new breed of apes with human-like intelligence. But when Caesar breaks free, a revolution is triggered and an epic war for supremacy breaks out between humankind and the primates of the world.
1. Jobs For The BoysChrissie assembles an unofficial building gang but their moonlighting is being watched by the Department of Employment's investigators. A raid by the fraud squad leads to tragedy2. MoonlighterDixie father of four and once the proud foreman is working illicitly on the docks when he discovers happenings that he'd rather not see. Meanwhile after threats from the Department of Employment his wife Freda is too scared to open the door.3. Shop Thy NeighbourChrissie's dole money has been stopped pending the enquiry into the 'moonlighting' affair. With no food in the cupboard the scene is set for a showdown with his wife Angie - this after all was going to be her time4. Yosser's StoryOnce Yosser dreamt of making it big. Now his manic search for work alternates with fruitless efforts to avoid eviction and keep his three children from being taken into care.5. George's Last RideA lifetime of adversity has left George's beliefs unbroken. When the end comes Chrissie discovers a legacy and finds that something must be said.
In his first effort at directing a feature-length film William (Ted) Kotcheff best-known for movies like The Apprenticeship of Duddy Kravitz does an excellent job in making this drama effective. He is helped in no small part by James Mason as Brett Aimsley a sophisticated at-ease former junior partner in a brokerage firm and John Mills as Lt. Col. Clifford Southey a former clerk in that same company. During the war the lieutenant carries his sense of inferiority from his peacetime job as a clerk with him. So when he has a chance to nail Brett (a junior officer now) for trying to bring some censored goods back into London he takes the chance and Brett is drummed out of service. Brett heads for Tahiti and a pretty good life in the sun until Clifford shows up on the island with big plans to build a hotel -- bringing with him the same defensive attitude.
Gene Bradley is a debonair international film star and multi-millionaire businessman secretly working as a U.S. intelligence agent uncovering extortion and theft and rescuing defectors from behind the Iron Curtain. This release features every episode ever made of the 70's crime thriller. Episodes Comprise: 1.Miss Me Once Miss Me Twice And Miss Me Once Again 2.Poor Little Rich Girl 3.Thrust and Counter-Thrust 4.The Bradley Way 5.Return To Sender 6.Counterstrike 7.Love Alwa
In the year 2018, violence and crime have been totally eliminated from society and given outlet in the brutal blood sport of rollerball, a high-velocity blend of football, hockey, and motor-cross racing sponsored by the multinational corporations that now control the world following the collapse of traditional politics. James Caan plays Jonathan ., the reigning superstar of rollerball, whose corporate controllers fear that Jonathan's popularity has endowed him with too much power. They begin to pressure him according to their own ruthless set of rules, but Jonathan has rules of his own--ones for a man determined to retain his soul in a world gone mad. As directed by Norman Jewison (who was enjoying a peak of success during the early and mid-1970s), Rollerball creates a believable society that's been rendered passive and compliant by the homogenisation of corporate dictatorships, where the control and flow of information is the only currency of any importance. It's a world in which natural human aggressions have been sublimated and vented through the religious fervour toward rollerball and its players. Rollerball now looks like one of those 1970s science fiction films (another example being Logan's Run) that seems a bit dated and quaint, but its ideas are still provocative and fascinating, and the production is visually impressive. --Jeff Shannon, Amazon.com
They only stop to reload! A close-knit trio of dashing art thieves (Chow Yun-Fat Leslie Cheung and Cherie Chung) undertake one last lucrative job before their planned retirement only to be torn apart when the heist goes awry as the result of a double-cross from their criminal mentor. Once reunited the team resolves to get revenge.
This somewhat unpleasant 1992 sequel to the blockbuster Home Alone revisits the first film's gimmick by stranding Macaulay Culkin's character in New York City while his family ends up somewhere else. Again, the little guy meets up with colourful people on the margins of society (including a pigeon woman played by Brenda Fricker) and again he gets into a prop-heavy battle with Joe Pesci and Daniel Stern. The latter sequence is even worse than the first film in terms of violence inflicted on the two villains (director Chris Columbus, who also made the first film, can't seem to emphasise the slapstick over the graphic effects of the fight). The best running joke finds a concierge (Tim Curry) at the swank hotel where Culkin is staying trying and failing to prove that the boy is on his own. --Tom Keogh
Earning a nomination at the Academy Awards for Best Animated Short Film in 1998 this collection of nine animated tales is cleverly and faithfully adapted from one of the most audacious and astonishing works in English literature. Via cel animation clay animation and impressionistic drawings the viewer is transported on a vivid journey to medieval times taking in chivalry love lust the Black Death rape deception and chickens. Introducing a group of men and women from various st
The definition of comfort television is this: you want to go where you know everybody's name. And you're always glad you came. Cheers is open for business once again in this set that contains all 22 episodes of the first, and best, season of the show that inherited Taxi's mantle as television's best ensemble-driven workplace comedy. It can be instructive to return to a long-running series' more humble beginnings. While Cheers got drunk on farce in its later years, it began life as a much more grounded human comedy. In these inaugural episodes, the action does not stray from the Boston bar owned by Sam Malone, a washed-up baseball player three years sober. The straws that stir the drink are the supporting players: Nick Colasanto as addled Coach; Rhea Perlman, the Thelma Ritter of her generation, as surly and fertile waitress Carla; George Wendt as quintessential barfly Norm; and John Ratzenberger as Cliff, the bar know-it-all ready with "little-known facts" (and blessedly far from the pathetic blowhard his character would evolve into). Spiking this concoction is the palpable chemistry between Ted Danson's Sam and Shelley Long's Diane Chambers, fledgling waitress and self-described "student of life". The battle lines are drawn in the episode "Sam's Women": He's the "dim ex-baseball player" and she, "the post graduate". But, as Carla so indelicately puts it, they can't "put their glands on hold". In the first blush of lust, they were primetime's most potent mismatched couple until Moonlighting's David and Maddie bantered double entendres. Here are little remembered facts: Sam was initially "an astute judge of human character"; guest stars Fred Dryer ("Sam at Eleven") and Julia Duffy ("Any Friend of Diane's") were among those considered for the roles of Sam and Diane; and a pre-"Night Court" Harry Anderson stole his scenes in his recurring role as flim-flam man Harry ("Pick a Con...Any Con"). --Donald Liebenson
Arnold Schwarzenegger stars as a man who takes the law into his own hands and sets out to track down the international terrorists who killed his family.
A favourite film of some of the world's greatest filmmakers, including Martin Scorsese and Steven Spielberg, John Ford's The Searchers has earned its place in the legacy of great American films for a variety of reasons. Perhaps most notably, it's the definitive role for John Wayne as an icon of the classic Western--the hero (or antihero) who must stand alone according to the unwritten code of The West. The story takes place in Texas in 1868; Wayne plays Ethan Edwards, a Confederate veteran who visits his brother and sister-in-law at their ranch and is horrified when they are killed by marauding Comanches. Ethan's search for a surviving niece (played by young Natalie Wood) becomes an all-consuming obsession. With the help of a family friend (Jeffrey Hunter) who is himself part-Cherokee, Ethan hits the trail on a five-year quest for revenge. At the peak of his masterful talent, director Ford crafts this classic tale as an embittered examination of racism and blind hatred, provoking Wayne to give one of the best performances of his career. As with many of Ford's classic Westerns, The Searchers must contend with revisionism in its stereotypical treatment of "savage" Native Americans, and the film's visual beauty (the final shot is one of the great images in all of Western culture) is compromised by some uneven performances and stilted dialogue. Still, this is undeniably one of the greatest Westerns ever made. --Jeff Shannon, Amazon.com
'Coot Club' and 'The Big Six' by the celebrated novelist Arthur Ransome are 2 companion stories from his series of children's books set on the lakes and waterways of England and called 'Swallows and Amazons'. The Ransome stories are a special mix of realism and romance. Indeed they were all inspired by treasured memories of his own childhood holidays in the Lake District and Norfolk Broads. The intricate detail in which he describes the boats and wildlife of the English countrysid
Based on the best-selling novel, this adaptation about an Australian who has a baby with her aristocratic cad of a boyfriend is written and directed by newcomer Sara Suggarman, who has injected her own particular style into the film.
Killer sharks and human jellyfish and living mummies, oh my! Arrow Video is proud to present the first ever collection of works by William Wild Bill Grefé, the maverick filmmaker who braved the deep, dark depths of the Florida everglades to deliver some of the most outrageous exploitation fare ever to go-go dance its way across drive-in screens. Bringing together seven of Grefé's most outlandish features, all new to Blu-ray, He Came from the Swamp: The William Grefé Collection packs in a macabre menagerie of demented jellyfish men (Sting of Death), zombified witch doctors (Death Curse of Tartu), homicidal hippies (The Hooked Generation) and seductive matrons (The Naked Zoo) not to mention the ubiquitous go-go dancing college kids to create one of the most wildly entertaining box-sets of all time! LIMITED EDITION CONTENTS Seven William Grefé films, all newly restored from the best surviving film elements: Sting of Death (1966), Death Curse of Tartu (1966), The Hooked Generation (1968), The Psychedelic Priest (1971), The Naked Zoo (1971), Mako: Jaws of Death (1976) and Whiskey Mountain (1977) Brand new, extended version of Ballyhoo Motion Pictures' definitive documentary They Came from the Swamp: The Films of William Grefé High Definition Blu-ray (1080p) presentations on 4 Blu-ray discs Original uncompressed mono audio for all films Optional English subtitles for the deaf and hard of hearing Fully illustrated collector's booklet featuring an extensive, never-before-published interview with William Grefé and a new foreword by the filmmaker Reversible poster featuring newly commissioned artwork by The Twins of Evil Reversible sleeves featuring newly commissioned artwork for each of the films by The Twins of Evil STING OF DEATH (1966) + DEATH CURSE OF TARTU (1966) Brand new introductions to the films by director William Grefé Archival audio commentaries for both films with William Grefé and filmmaker Frank Henenlotter Sting of Death: Beyond the Movie Monsters a-Go Go! a look into the history of rock 'n' roll monster movies with author/historian C. Courtney Joyner The Curious Case of Dr. Traboh: Spook Show Extraordinaire a ghoulish look into the early spook show days with monster maker Doug Hobart Original Trailers Still and Promotion Gallery THE HOOKED GENERATION (1968) + THE PSYCHEDELIC PRIEST (1971) Archival audio commentaries for both films with director William Grefé and filmmaker Frank Henenlotter Hooked Generation behind-the-scenes footage Hooked Generation Original Trailer Still and Promotion Gallery THE NAKED ZOO (1971) + MAKO: JAWS OF DEATH (1976) William Grefé's original Director's Cut of Naked Zoo Alternate Barry Mahon re-release cut of Naked Zoo Original Mako: Jaws of Death Trailer and Promo Still and Promotion Gallery WHISKEY MOUNTAIN (1977) + THEY CAME FROM THE SWAMP: EXTENDED CUT (2020) Whiskey Mountain Original Trailer Still and Promotion Gallery They Came from the Swamp: The Films of William Grefé the definitive documentary presented for the first in High-Definition and in a brand new, extended cut Extras subject to change
Sean Connery made his final - officially-speaking - appearance as 007 in this riveting adventure, which would lay the groundwork for Mr Moore's incarnation as the suave super-spy.While investigating mysterious activities in the world diamond market, 007 (Sean Connery) discovers that his evil nemesis Blofeld (Charles Gray) is stock-piling the gems to use in his deadly laser satellite. With the help of beautiful smuggler Tiffany Case (Jill St. John), Bond sets out to stop the madman - as the fate of the world hangs in the balance!
Set in Shanghai in the late 1930s, this is the story of the relationship between a disillusioned former US diplomat and a refugee White Russian countess.
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