Hailed as "genre-breaking stuff" on its release in 1992, this is the tale of a London estate agent who find he's the son of a Yorkshire pig farmer.
Sort of comedy, sort of not, Mo' Money--cowritten, coproduced and costarring Damon Wayans--concerns a loser who takes an entry-level job at a credit company to impress a girl and soon gets caught up in fraud and blackmail. Marlon Wayans, Damon's brother, costars as a confederate in the chicanery. The film is meant to be both a jokefest and an edgy drama--the criminal activity is treated as a dark and serious matter--but the end result is that Mo' Money succeeds on neither level. --Tom Keogh
Based on John Lahr's biography of the same name and co-written by Alan Bennett, Prick Up Your Ears charts the 16-year relationship between the monstrously talented but deeply selfish playwright Joe Orton (Gary Oldman), author of West End farces such as Loot and What the Butler Saw, and his neurotic but nevertheless wronged lover and collaborator Kenneth Halliwell (Alfred Molina). Halliwell introduced Orton to art, literature and gay sex only to see his protégeacute; outstrip his mentor with innate and rampant talent for sexual conquest. By turns hilarious and excoriatingly painful, it's as much a tribute to an anti-hero of our times-Orton's ruthless frankness and anarchic mindset helped form the basis of what's called the "queer" sensibility today--as it is a portrait of the Swinging 60s just after the reform of anti-homosexuality laws irrevocably changed society. The modern-day framing device has Lahr (Wallace Shawn) researching his book through interviews with Peggy Ramsay (Vanessa Redgrave), Orton's agent and the diary he wrote, a nimble device which ends up drawing a provocative parallel between Orton and Halliwell's relationship and that of Lahr and his wife (Lindsay Duncan). Director Stephen Frears, fresh off the back of the also-gay-themed My Beautiful Laundrette, nimbly balances our sympathies for both the protagonists while the leads give what may in retrospect look like the standout performances of their careers: Oldman was never more feral and charming, while Molina, foppishingly fretting over his wig and decrying that his lover "even sleeps better than I do" is simply heartbreaking. --Leslie Felperin
Romance, action, betrayal, suspensethis timeless BBC adaptation of The Three Musketeers has it all. In 1620s France, the young, poor and unfailingly ambitious d'Artagnan (BAFTA-nominee Joss Ackland) leaves his humble village and treks to Paris on a quest to join the Musketeers of the Guard. At first, he's ridiculed, abused, and scornedbut after he impresses the three high-estesteemed musketeers in the land, they take him under their wing. With Porthos (Brian Blessed, Z Cars), Athos (Jeremy Young), and Aramis (John Woodvine) at his side, d'Artagnan sharpens his skills as a swordsman and, more often than not, is forced to put them to the test. The gang becomes entangled in a web of lies, love, violence and deceit among the French royalty, treacherous territory where even one wrong move could land them in prisonor worse. Over the course of ten thrilling, masterfully-crafted episodes, this series from the heyday of the BBC's classic Sunday serial (Telegraph) traces through Alexander Dumas' masterwork with stylebringing 17th century France to life in all its swashbuckling, chivalric, captivating glory.
John Thaw, Anthony Valentine and Edward Woodward take leading roles in this chilling, original and brilliantly compelling trio of thrillers based around the themes of retribution, jealousy, lust and sexual obsession. KILLER WAITING A voice on the telephone announces the start of a deadly game that will engulf an ex-Army man in a nightmare of appalling memories and horrifying reality Starring John Thaw and Diane Keen KILLER EXPOSED A charming, wealthy dentist becomes fascinated by one of his patients an attractive female detective whose appearance re-ignites a deadly fixation Starring Anthony Valentine and John Foregham KILLER CONTRACT An ambitious, self-made tycoon is forced to make a choice between launching an important new business, and risking the life of the daughter he adores Starring Edward Woodward and Wanda Ventham
The Lucky Ones Die First... The Carter family taken a wrong turn when crossing the desert for California and are attacked by a savage group of cannibals. For the Carters who have to revert to their own primitive instincts it is a battle for survival: the lucky ones died first...
The sunny streets of Brooklyn, just after World War II. A young would-be writer named Stingo (Peter MacNicol) shares a boarding house with beautiful Polish immigrant Sophie (Meryl Streep) and her tempestuous lover, Nathan (Kevin Kline); their friendship changes his life. This adaptation of the bestselling novel by William Styron is faithful to the point of being reverential, which is not always the right way to make a film come to life. But director Alan J. Pakula (All the President's Men) provides a steady, intelligent path into the harrowing story of Sophie, whose flashback memories of the horrors of a Nazi concentration camp form the backbone of the movie. Streep's exceptional performance--flawless Polish accent and all--won her an Oscar, and effectively raised the standard for American actresses of her generation. No less impressive is Kevin Kline, in his movie debut, capturing the mercurial moods of the dangerously attractive Nathan. The two worlds of Sophie's Choice, nostalgic Brooklyn and monstrous Europe, are beautifully captured by the gifted cinematographer Néstor Almendros, whose work was Oscar-nominated but didn't win. It should have. --Robert Horton, Amazon.com
Inspector Morse provides all the period cosiness of an Agatha Christie costume drama but in an apparently modern setting. Morse is a contemporary detective with all the nostalgic appeal of Poirot or Sherlock Holmes, an anachronistic throwback who drives a classic car, listens to Wagner on LP, quaffs real ale in country pubs or single malt at home and quotes poetry whenever occasion arises (at least once or twice an episode). His much put-upon sidekick Segeant Lewis (Kevin Whateley) is the bemused ordinary copper who acts as a foil for his artistic and academic passions, and not incidentally allows the writers to explain any possibly obscure or learned references to the TV audience. With plots of crossword puzzle-like intricacy, top-drawer thespian guest stars, loving views of quintessentially English Tourist Board Oxfordshire countryside and literate screenplays from such luminaries as Malcom Bradbury, the show was a sure-fire hit across middle England.In 1994, after four successful series, John Thaw moved on to other projects (initially, the disastrous A Year In Provence) but always left the door open for more Morse. "The Remorseful Day" is, however, positively his final appearance. The story opens dramatically with a montage of kinky sex and murder, before settling down into a leisurely exploration of leads that might or might not be red herrings. More murders follow, naturally, as the story adds yet more twists. But this time things are different: Morse, on the very eve of retirement, is gravely ill. Convalescing at home he consoles himself with bird watching and a newly acquired CD player, but he is more than usually irritable and relations with Lewis, who is impatiently awaiting his own promotion to Inspector, are strained. Could Morse himself be the murderer? Certainly Chief Superintendent Strange (James Grout) is worried. The ultimate resolution of the case takes second place to the show's finale, which will be no surprise to anyone who has read Colin Dexter's novel. A poignant and dignified end to the casebook of a much-loved detective.On the DVD: This disc also includes a 96-minute appreciation of the Morse phenomenon, "Rest in Peace", presented by James Grout who plays Chief Superintendent Strange in the series, plus a music video of the Morse theme tune, "Yesterday is Here". --Mark Walker
Prince Alexei heir to the last Tsar is a hemophiliac. The Tsarina is persuaded to allow a mysterious monk Rasputin to use his powers of healing on the Prince. Against the wishes of the Tsar Rasputin tends to the young Prince - with frighteningly successful results. So begins a relationship which ended in Rasputin's murder and the eventual downfall of Imperial Russia...
Heather Sears and Patrick Troughton star in this gothic, British chiller! Sir Richard (John Turner) returns to his manor with a new bride - only to discover that a man matching his description has been slaying beautiful young women in the area; and his fi rst wife's ghost appears on the lawn and accuses Sir Richard of her murder.
This box set features the entire fifth series of the classic British Television drama Inspector Morse. Episodes comprise: 1. Second Time Around: Morse becomes concerned when an ex-Deputy Police Commissioner is murdered. He also discovers that there exists a connection between a missing chapter from the murdered man's memoirs and himself... 2. Fat Chance: A woman deacon dies in suspicious circumstances and Morse is called in... 3. Who Killed Harry Field?:
Adapted by celebrated screenwriter Jack Rosenthal (Coronation Street) from C. F. Taylor's acclaimed play of the same name, And a Nightingale Sang struck a chord with audiences when it first aired for its bittersweet, sharply observant and humorous portrait of working-class family life on the British Home Front during World War Two. Despite air raid sirens, gas masks, ration books and whistling bombs punctuating their everyday lives, the Stott family remain stoic as they focus on keeping life as normal as possible. Helen Stott is the family's sensible 30-year-old daughter: a kindly yet self-deprecating girl who walks with a limp, whose life so far has not been very kind to her. Surprised to find love during the chaos of war, she falls for gentle soldier Norman. However, the course of true love runs less than smoothly Starring Phyllis Logan (Downton Abbey) as the pitiful Helen Stott, and Tom Watt (Eastenders) as the soldier who steals her heart. Helen's flirty younger sister Joyce is played by Pippa Hinchley (Coronation Street), who is attracted to every solider apart from her own husband (Stephen Tompkinson DCI Banks). John Woodvine (The Crown) also features as the Stott family's father, preferring to escape awkward family situations by banging out popular tunes on the piano than face conflict, and Oscar-nominee Joan Plowright (Enchanted April) as the devoutly Catholic family matriarch, who finds herself drawn to her priest. The DVD will also feature fascinating extras in the form of three real wartime public information films, giving insight into the unrivalled efforts on the British Home Front, from the Imperial War Museum: They Keep the Wheels Turning (1942), Britannia is a Woman (1940) and The New Britain (1940).
John Stride (The Wilde Alliance) is David Main - a dynamic, highly capable, occasionally impetuous young solicitor who has built up a successful practice in his native Leeds. Although driven by a thirst for success, Main is a man with a conscience who often represents society's most vulnerable and underprivileged - sometimes to the disapproval of his more reserved and cautious partner, Henry Castleton.This fourth series begins with Main at the top of his professional world. A successful future - despite hard economic times - seems assured. Somewhere, however, there is a lorry driver drinking just one pint too many... and in one terrible instant, David Main's life is changed forever, his entire future put at stake.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Hell's Angels on Wheels takes you back to an era of drug and gasoline fuelled rebellion. Photographed by Lazlo Kovacs (Paper Moon Close Encounters of the Third Kind) and starring Jack Nicholson in one of his finest roles this movie goes hog wild! The director Richard Rush worked alongside the notorious Sonny Barger and the Oakland Hells Angels as a major background source. Adam Rourke plays Buddy the head of the Angels and Nicholson plays Poet a gas jockey who joins the brotherhood. Nicholson soon comes to realise that there are a lot of slaves in Buddy's hell and he doesn't want to be one of them. Until that realisation however he delights in the violence and the orgies - which allows Nicholson to give his baby-faced killer grin a thorough work-out.
Baby's Day out The Cotwell family arrange a family portrait only to discover that the photographers are kidnappers! Dunston Checks In An orangutan called Dunston checks into a hotel which he proceeds to turn upside down. The manager's son Kyle is determined to help Dunston escape to a new life...
Based on Ludovic Kennedy's investigative book '10 Rillington Place' is the true and horrifying story of English mass murderer John Christie (chillingly played by Richard Attenborough). When Timothy Evans (John Hurt) his wife Beryl (Judy Geeson) and their young daughter move into Christie's house they unknowingly sign their death warrants. Christie offers to help Beryl have an abortion and uses this opportunity as he has already done with previous victims to strangle and rape her. Believing himself to be an accomplice to a fatal abortion Evans panics and flees with the hope that his child will be looked after; in fact Christie kills her too. Evans is arrested charged with double murder found guilty and hanged. But Christie continues to kill... Attenborough and Hurt give unforgettable performances in this thought-provoking frightening and atmospheric true crime classic directed by Richard Fleischer.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Police Assassins combines a mismatched detective buddy movie with Three Stooges-style buffoonery. Making the mixture more unusual still, both detectives are female, Michelle Yeoh (Magnificent Warriors), in only her second film, joining forces with American martial arts legend Cynthia Rothrock (China O'Brien), in her then debut, to track down some missing microfilm. After introducing Yeoh in a direct steal from Dirty Harry the plot stagnates as the microfilm falls into the hands of small-time crooks, Asprin (Hoi Mang), Strepsil (John Sham) and Panadol (action movie producer Hark Tsui). Though their physical comedy is ingeniously choreographed the routine rapidly becomes tiresome, far too little space being given to Yeoh and Rothrock. The latter's 1980s' fashions date the movie and the dubbing is dreadful, though entertainment is to be had from a supporting villain who looks strangely like Groucho Marx on a very bad hair day. For martial arts fans the film nevertheless delivers several excellent fight scenes and an inventive and exciting finale. Collectors should know Police Assassins has also been released as In the Line of Duty 2, Super Cops and Yes, Madam, the last of which is actually the English title on this print. --Gary S Dalkin
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