Only Joel and Ethan Coen, masters of quirky and ultra-stylish genre subversion, would dare nick the plotline of Homer's Odyssey for O Brother, Where Art Thou?, their comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing for hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) to light out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field dialogue and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges' classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American 30s folk-styles: blues, gospel, bluegrass, jazz and more. And just to prove that the brothers haven't lost their knack for bad-taste humour, we get a Ku Klux Klan rally choreographed like something between a Nuremberg rally and a Busby Berkeley musical. --Philip KempOn the DVD: This two-disc set duplicates the original single-disc release of the film which included a handful of cast and crew interviews, and adds an additional disc with more interviews, two brief behind-the-scenes featurettes about the production design and the post-production digital colouring of the film, a couple of storyboard-to-scene comparisons and a music video of "Man of Constant Sorrow". There's also a 16-minute documentary to promote the companion Down from the Mountain concert. Frankly there's not a lot here to justify spreading it across two discs: a more pleasing not to say generous offering would have been to cram all these extras onto Disc 1 and give us Down from the Mountain as the second disc. --Mark Walker
Inspired by director Cameron Crowe's own experiences and set in the 1970s, the film follows a fifteen year old wannabe journalist who gets the opportunity to interview and go on the road with a hard living rock band.
Based on a novel by Susan Isaacs, Shining Through is uncomfortably close to Alfred Hitchcock's Notorious. This World War II drama concerns a love affair between a spy (Michael Douglas) and a secretary (Melanie Griffith) that goes south when duty turns him cold and pushes her into dangerous, behind-the-lines intelligence work. Liam Neeson plays the gentleman Nazi unwittingly providing Griffith with cover as domestic help. The best parts of the film are the twists and turns in the romance (Douglas is very good at playing a character who can turn off all feeling at will) at the beginning; the German scenes are less compelling despite such high stakes for the heroine. The climax--taking us back to Notorious whether it wants to or not--is quite gripping, largely due to Douglas's performance.--Tom Keogh
Wyatt Earp has long fascinated filmmakers. Actors from Burt Lancaster and James Stewart to Kurt Russell and Kevin Costner have played the legendary gunfighter, but no portrayal is more definitive that Henry Fonda's in My Darling Clementine. John Ford's first Western since his seminal Stagecoach, My Darling Clementine ranks among the director's finest. Telling the story of the Gunfight at the O.K. Corral, and the friendship between Earp and Doc Holliday, Ford renders this famous tale into a lyrical masterpiece, filmed in his beloved Monument Valley and full of iconic moments. SPECIAL EDITION CONTENTS: High Definition (1080p) Blu-ray presentation of the 4K digital film restoration Original uncompressed PCM mono 1.0 sound Optional English subtitles for the deaf and hard of hearing Commentary on the theatrical version by author Scott Eyman and Earp's grandson, Wyatt Earp III John Ford and Monument Valley a 2013 documentary on the director's lifelong association with Utah's Monument Valley containing interviews with Peter Cowie (author of John Ford and the American West), John Ford, John Wayne, Henry Fonda, James Stewart and Martin Scorsese Movie Masterclass a 1988 episode of the Channel 4 series, devoted to My Darling Clementine and presented by Lindsay Anderson Lost and Gone Forever a visual essay by Tag Gallagher on the themes that run through My Darling Clementine and the film's relationship with John Ford's other works Stills gallery Theatrical Trailer Reversible sleeve featuring original and newly commissioned artwork by Jay Shaw
After her father dies, young Dale takes his place in a trans-African auto race, but ends up being abducted by a desert sheik.
The BBC's lavish, glowingly designed adapation of Mervyn Peake's eccentrically brilliant novels Titus Groan and Gormenghast is a triumph of casting. Ian Richardson's Lear-like depiction of the mad earl of a remote, vast, ritual-obsessed building is matched by the brutal pragmatism of Celia Imrie as his wife, the synchronised madness of Zoe Wanamaker and Lynsey Baxter as his twin sisters and the duplicitous charm of Jonathan Rhys-Meyer as Steerpike, the kitchen-boy determined to take over no matter how many deaths it costs. John Sessions is surprisingly touching as Prunesquallor, the family doctor who realises almost too late what Steerpike intends. It is always tricky to film a book dear to the hearts of its admirers: Wilson and his design team achieve a look rather more pre-Raphaelite than Peake's own illustrations, shabby velvets, garish sunlight and dank stone passages. The score by Richard Rodney Bennett is full of attractive surprises--fanfares and waltzes and apotheoses--and John Tavener's choral additions are plausibly parts of the immemorial ritual of Gormenghast. On the DVD: The double DVD comes with scene selection, an informative half-hour documentary on the making of the serial and a slide gallery of costume designs, characters and their dooms. --Roz Kaveney
When a Swiss bank discovers that the confidentiality of some of its account holders has been comprised it calls in an American investigator. The action soon heats up with two of the account holders being blackmailed and then killed...
Academy Award Winners Joel and Ethan Coen have been writing directing editing and producing some of the most original films to come out of Hollywood. This box set contains six of their most unique and imaginative classics including their most recent hit A Serious Man. Titles Comprise: A Serious Man: Larry Nidus is a good man. He is a loving husband a committed father and a dedicated professor who always does the fair and just thing in the face of daily temptations. But one day everything starts to go wrong. His wife leaves him for reasons she can't explain and her smug new lover manages to convince Larry that he should be the one to move out of the house and into a cheap motel - all for the children's benefit of course. Burn After Reading: An outrageous spy comedy about murder blackmail sex addiction and physical fitness! When a disc filled with some of the CIA's most irrelevant secrets gets in the hands of two determined but dim-witted gym employees the duo are intent on exploiting their find. But since blackmail is a trade better left for the experts events soon spiral out of everyone's and anyone's control resulting in a non-stop series of hilarious encounters! The Big Lebowski: It takes guys as simple as the Dude and Walter to make a story this complicated... and they'd really rather be bowling. 'The Dude' Jeff Lebowski (Jeff Bridges) is unemployed and laid-back. That is until he becomes a victim of mistaken identity two thugs breaking into his apartment in the errant belief that they are accosting Jeff Lebowski the Pasadena millionaire. In hope of getting a replacement for his soiled carpet 'the Dude' visits his wealthy namesake and with buddy ex `Nam' vet. Walter Sobchak he is swept into a labyrinthine comedy/thriller of extortion embezzlement sex dope German Nihilists White Russians mysterious cowboys Shomer Shabbos bowling and sever The Hudsucker Proxy: Hudsucker Industries is flourishing. Profits are stupendous and stock is at an all-time high. So when their founder Waring Hudsucker leaps to his death from the 44th floor his board of directors is thrown into panic. Hudsucker has not left a will and his majority shareholding in the company must therefore soon be offered for sale to the public. But scheming Vice President Sidney J. Mussburger has a plan. He'll install a complete imbecile as Chairman and devalue the stock to a level where the rest of the board can acquire controlling interests for themselves. Barton Fink: Between Heaven and Hell There's Always Hollywood! John Turturro shines in the lead role in Barton Fink the Coen Brothers' hilarious satire set in the 1940s Hollywood. Fink is a New York playwright who reluctantly relocates to Hollywood to write screenplays. Ordered to write a low budget screenplay about wrestling Fink manages to type one sentence and then...nothing! Although his chatty insurance salesman neighbour Charlie helps out by teaching Fink about wrestling the clock ticks the temperature rises and Fink's life spins more and more out of control. Intolerable Cruelty: From the Coen brothers comes this witty sharp comedy about a man who wins in court and courts to win! Divorce attorney Miles Massey has got it all. Serial gold-digger Marilyn Rexroth wants it all. A hilarious battle of deceit and cunning ensues when Miles falls for Marilyn with each one trying to outsmart the other. Underhand tactics deceptions and an undeniable attraction escalate as Marilyn and Miles square off in this classic battle of the sexes...
Eddie Murphy takes on a plethora of roles in this hit comedy, as Professor Sherman Klump finds his life once again being taken over by his suave alter ego Buddy Love.
This pleasant, lightweight live-action version of the popular cartoon is about as good as you might expect. The kids should love the broad humour and the Henson Studios creatures but like The Addams Family movies, the look and the cast are the best things going for it. Considering that the nature of the material is so sparse, the thinly plotted story works better than other TV-to-movie fare. Our fabulous Stone Age man is promoted per a calculated move by a scheming exec (Kyle MacLachlan, whose casting ensured at least one cute guy). As a comedy, the humour is one-note and flat for anyone older than 12. The special-effects creatures look wondrous, though not as seamless as in other movies, such as in Roger Rabbit. The most joyous moments come during the full-scale re-creations of the famous credits. The Flintstones provided a major launching pad for Halle Berry as a vamping secretary. --Doug Thomas
Celebrate 70 years of TO CATCH A THIEF, restored and remastered in stunning 4K Ultra HD, with this limited edition SteelBook®. This essential Alfred Hitchcock hybrid of romance and thrills features Cary Grant as John Robie, a reformed jewel thief once known as The Cat. When he is suspected of new gem thefts in the luxury hotels of the French Riviera, Robie sees a plot to clear himself after meeting pampered heiress Frances (Grace Kelly). Romantic sparks fly as the suspense builds in this essential VistaVision classic, which nabbed an Oscar® for Best Cinematography, Colour (1955).Special Features:Commentary by Dr. Drew Casper, Hitchcock Film HistorianFilmmaker Focus: Leonard Maltin on To Catch a ThiefA Night with the HitchcocksUnacceptable Under the Code: Censorship in HollywoodWriting and Casting To Catch A Thief The Making of To Catch A ThiefBehind the Gates: Cary Grant and Grace KellyAlfred Hitchcock and To Catch A Thief: An AppreciationEdith Head: The Paramount YearsOriginal Theatrical Trailer
John Cussack and Kate Beckinsale star in this romantic comedy about Jonathan and Sara, who first met ten years ago when he fell in love at first site. However Sara believes in destiny, and its only now that she's prepared to see if he is hers!
Directed by Charles Crichton, who would much later direct John Cleese in A Fish Called Wanda (1988), 1951's The Lavender Hill Mob is the most ruefully thrilling of the Ealing Comedies. Alec Guinness plays a bowler-hatted escort of bullion to the refineries. His seeming timidity, weak 'r's and punctiliousness mask a typically Guinness-like patient cunning. "I was aware I was widiculed but that was pwecisely the effect I was stwiving to achieve". He's actually plotting a heist. With more conventionally cockney villains Sid James and Alfie Bass in tow, as well as the respectable but ruined Stanley Holloway, Guinness' perfect criminal plan works in exquisite detail, then unravels just as exquisitely, culminating in a nail-biting police car chase in which you can't help rooting for the villains. The Lavender Hill Mob depicts a London still up to its knees in rubble from World War II, a world of new hope but continued austerity, a budding new order in which everything seems up for grabs; as such it could be regarded as a lighter hearted cinematic cousin to Carol Reed's 1949 masterpiece The Third Man. The Lavender Hill Mob also sees the first, fleeting on-screen appearance of Audrey Hepburn in the opening sequence. --David Stubbs
Mission Impossible y'know for kids! This Hollywood remake of the Danish blockbuster 'Klatretosen' sees 12 year old Maddy (Kristen Stewart) and her friends using all their skills to raise money (by 'appropriating' money from a bank's vault protected by hi-tech security!) for an operation that may help Maddy's father walk again...
One of TV's more interesting tough-girl action shows, Dark Angel is a distinctive blend of the personal, the adventurous and the politically aware. Cocreators James Cameron (yes, that James Cameron) and Charles Eglee present a complex scenario of biological super-science and social collapse in which their gene-manipulated heroine and hacker/journalist hero can genuinely make a difference. In this first series they also provide an adversary who is a lot more than just a conventional villain. Jessica Alba is impressive as Max, bred and trained as a super-soldier but reclaiming her individual humanity; Michael Weatherly is scruffily attractive as Eyes Only, who sits semi-paralysed in his eyrie above Seattle uncovering crime, corruption and other skulduggeries and sending the woman whom he hopelessly loves out on deadly errands. Jon Savage has real authority as Lydeker, a man who has stretched his conscience to breaking point, but is not personally corrupt. Some of the best episodes here--"Prodigy" for example--are ones in which Lydeker and Max are forced into temporary alliance. Early on the relationship between Max and the other workers at Jam Pony--the courier firm that provides her with a cover identity--is a little forced, but later on the two parts of Max's life are more successfully integrated: "Shorties in Love", for example, is a genuinely touching tale about Diamond, the doomed criminal ex-lover of Max's lesbian roommate. Dark Angel was never a perfect show, but at its occasional best it manages to be simultaneously funny and dramatic. On the DVD: Dark Angel, Series 1's Region 2 DVD is ungenerous with special features, providing only short interviews with James Cameron and Charles Eglee and with the stars, and giving us a preview of the Dark Angel computer game. The episodes are presented in widescreen and have excellent Dolby Digital sound which gives vivid presence to both the dialogue and the hard-driving contemporary rock score that is part of the show's style. --Roz Kaveney
Keanu Reeves stars as an aimless young man who scalps tickets, gambles and drinks, and agrees to coach a Little League team from a Chicago housing project.
Set in rural North Yorkshire during the 1960s, Heartbeat's combination of crime and medical storylines, charismatic regular characters and wonderfully nostalgic soundtrack made it staple Sunday-night viewing for two decades, with the series' many prestigious awards including Best Performing Peak-Time Drama and several ITV Programme of the Year awards. Attracting a peak audience of 14 million, Heartbeat has garnered a devoted following and remains prime-time viewing world-wide. This series s...
BRAND NEW 4K RESTORATION She was an experienced climber, she trusted him to rescue her, but something went wrong high above the valley ï¬oor and Gabe Walker (Sylvester Stallone) has been blaming himself for her death ever since. Unable to deal with the tragedy, Gabe quit his job with the Rocky Mountain Rescue team and ï¬ed from his cherished mountains, leaving behind his self-esteem, his friends and the woman he loves. Now he must return to those dreaded peaks, where he ï¬nds himself trapped in a desperate battle against ruthless criminals, unforgiving nature and himself in Cliffhanger. Features: Commentary with Director Renny Harlin and Sylvester Stallone Technical Crew Commentary Personal Introduction from Renny Harlin Deleted Scenes Stallone on the Edge: The Making of Cliffhanger Special Effects: Sarah's Fall & The Helicopter Explosion Storyboard Comparisons Trailer Introduction from Renny Harlin
Celebrating 40 years, the quirky coming-of-age comedy BETTER OFF DEAD comes to 4K ULTRA HD for the first time ever! Lane Meyer (John Cusack, THE GRIFTERS) thought he found the perfect girlfriend in Beth (Amanda Wyss, A NIGHTMARE ON ELM STREET ), but when she dumps him for the school's arrogant ski team captain, Lane's dark imagination runs overtime. In addition, he's dealing with his quirky family, dodging a paperboy hell-bent on a two dollar payment, and training for a downhill ski competition. But when he meets a charming French exchange student, she may be the unexpected key to his happiness...and his heart.
If it weren't for the fact that John Boorman's Point Blank was already a definitive take on Richard Stark's novel The Hunter (reissued under the title Payback), Payback would be a well-above-average 90s action movie. The original toughness is diluted: Mel Gibson's Porter, replacing Lee Marvin's Walker and Stark's Parker, comes on like a hardnut but turns into a softie when he hooks up with call-girl Maria Bello (and he even likes dogs). Double-crossed and wounded after shifty Gregg Henry dupes Porter's wife (Deborah Kara Unger) into betraying him, Porter sets out to get back the $70,000 share of a heist that he feels he is owed. Because Henry has used the money to buy his way into "the Outfit", he has to deal not only with the squirming scumbag but a hierarchy of corporate mobsters (William Devane, James Coburn, Kris Kristofferson) for whom it would be bad business practice to hand over even the trivial sum. Director-writer Brian Helgeland gives it a steely-blue look and gets good performances all round (with room for Lucy Liu as an amusing dominatrix) while constructing a story in which everything fits. But it's just a good thriller, since the masterpiece potential has already been staked out. --Kim Newman
Please wait. Loading...
This site uses cookies.
More details in our privacy policy