This British anthology series produced by England's leading exporters of horror films told tales of haunted houses demons ghosts and other supernatural wonders... Includes all 13 episodes across 4 discs: The House That Bled To Death The Silent Scream The Two Faces of Evil The Mark of Satan Witching Time Visitor From The Grave Rude Awakening Charlie Boy Children of the Full Moon The Thirteenth Reunion The Carpathian Eagle Guardian of the Abyss Growing Pains.
From the 'Master of Suspense' this box set features many of his very best films. Titles comprise: 1. Vertigo 2. The Birds 3. Rear Window 4. Marnie 5. Frenzy 6. Topaz 7. The Trouble With Harry 8. Torn Curtain 9. Psycho: Special Edition (includes the Bonus disc the Hitchcock legacy) 10. Family Plot 11. Saboteur 12. Shadow Of A Doubt 13. The Man Who Knew Too Much 14. Rope For individual synopses please refer to the individual products.
At times brilliant and insightful, at times repellent and false, Happiness is director Todd Solondz's multi-story tale of sex, perversion and loneliness. Plumbing depths of Crumb-like angst and rejection, Solondz won the Cannes International Critics Prize in 1998 and the film was a staple of nearly every critic's Top 10 list. Admirable, shocking, and hilarious for its sarcastic yet strangely empathetic look at consenting adults' confusion between lust and love, the film stares unflinchingly until the audience blinks. But it doesn't stop there. A word of strong caution to parents: One of the main characters, a suburban super dad (played by Dylan Baker), is really a predatory paedophile and there is more than an attempt to paint him as a sympathetic character. Children are used in this film as running gags or, worse, the means to an end. Whether that end is a humorous scene for Solondz or sexual gratification for the rapist becomes largely irrelevant. Happiness is an intelligent, sad film, revelatory and exact at moments. It's also abuse in the guise of art. That's nothing to celebrate. --Keith Simanton
By the time Alfred Hitchcock's second-to-last picture came out in 1972, the censorship restrictions under which he had laboured during his long career had eased up. Now he could give full sway to his lurid fantasies, and that may explain why Frenzy is the director's most violent movie by far--outstripping even Psycho for sheer brutality. Adapted by playwright Anthony Shaffer, the story concerns a series of rape-murders committed by suave fruit-merchant Bob Rusk (Barry Foster), who gets his kicks from throttling women with a necktie. This being a Hitchcock thriller, suspicion naturally falls on the wrong man--ill-tempered publican Richard Blaney (Jon Finch). Enter Inspector Oxford from New Scotland Yard (Alex McCowan), who thrashes out the finer points of the case with his wife (Vivian Merchant), whose tireless enthusiasm for indigestible delicacies like quail with grapes supplies a classic running gag.Frenzy was the first film Hitchcock had shot entirely in his native Britain since Jamaica Inn (1939), and many contemporary critics used that fact to account for what seemed to them a glorious return to form after a string of Hollywood duds (Marnie, Torn Curtain, Topaz). Hitchcock specialists are often less wild about it, judging the detective plot mechanical and the oh-so-English tone insufferable. But at least three sequences rank among the most skin-crawling the maestro ever put on celluloid. There is an astonishing moment when the camera backs away from a room in which a murder is occurring, down the stairs, through the front door and then across the street to join the crowd milling indifferently on the pavement. There is also the killer's nerve-wracking attempt to retrieve his tiepin from a corpse stuffed into a sack of potatoes. Finally, there is one act of strangulation so prolonged and gruesome it verges on the pornographic. Was the veteran film-maker a rampant misogynist as feminist observers have frequently charged? Sit through this appalling scene if you dare and decide for yourself. --Peter Matthews
You can't beat their meat. Maurice (Ray Romano) and Dave (Kevin James) are meat salesmen roving the San Fernando Valley armpit of America on the lookout for clients to buy their line of prime-cut steaks. Once they get a hold of the hottest leads in town Maurice and Dave embark on a comedic adventure spiked with danger and sexual innuendo involving transvestites gangsters and the macho beef lover (Burt Reynolds) hosting his son's Bar Mitzvah...
From the New York Times bestseller comes an inspirational true story. Successful art dealer Ron Hall (Oscar® nominee GREG KINNEAR) and his wife Debbie (Oscar® winner RENÃE ZELLWEGER) seemingly have the perfect life. But when their faith and family are tested, an unlikely bond with a homeless drifter (Oscar® nominee DJIMON HOUNSOU) leads them on a remarkable journey that forges an everlasting friendship. Same Kind of Different As Me shows how a simple act of kindness can change everything. Special Features Commentary by Director Michael Carney and Writers Ron Hall and Alexander Foard Love is Patient, Love is Kind The Making of Same Kind of Different As Me
Filmed in glorious Technicolor and nominated for four Academy Awards Arabian Nights is an action-packed adventure classic. Starring Jon Hall and Maria Montez Arabian Nights is a grand tale of intrigue and romance. Haroun-Al-Raschid the Caliph of Bagdad and his half-brother Kamar are in an epic battle competing for the throne and for the affections of a beautiful dancer Scheherazade. Lavish sets beautiful costumes and the first-ever pairing of the romantic adventure team of Hall and Montez Arabian Nights is a film not to be missed!
A drug baron's former girlfriend is locked in a maximum security prison where she becomes highly desired for her secrets or her body...
Universally recognised as the Master of Suspense, the legendary Alfred Hitchcock directed some of cinema's most thrilling and unforgettable classics. The House of Hitchcock features 18 iconic films from the acclaimed director's illustrious career including Psycho, The Birds, Rear Window, Vertigo and North by Northwest, plus a range of limited edition extras including blueprints of the infamous Psycho House, original storyboards from some of his finest movies, movie poster artcards for all the films, and a booklet about the man himself. Includes: SABOTEUR SHADOW OF A DOUBT ROPE STRANGERS ON A TRAIN DIAL M FOR MURDER REAR WINDOW TO CATCH A THIEF THE TROUBLE WITH HARRY THE MAN WHO KNEW TOO MUCH VERTIGO NORTH BY NORTHWEST PSYCHO (1960) THE BIRDS MARNIE TORN CURTAIN TOPAZ FRENZY FAMILY PLOT Bonus features: DOCUMENTARIES EXPERT COMMENTARIES INTERVIEWS SCREEN TESTS STORYBOARDS AND MUCH MORE! Plus: ORIGINAL LETTERS, STORYBOARDS, BLUEPRINTS AND MORE...
In modern-day London a sex criminal known as the Necktie Murderer has the police on alert and in typical Hitchcock fashion the trail is leading to an innocent man who must now elude the law and prove his innocence by ?nding the real murderer. Jon Finch Alec McGowen and Barry Foster head this British cast in the thriller that alternates suspense scenes with moments of Hitchcock's distinctive black humour. Screenplay by Anthony Shaffer. Special Features: The Story of Frenzy Production Photographs Theatrical Trailer
American born Ajita Wilson was one of the most exotic of all European 1970's sex starlets. In this, one of her earliest and best films, Ajita plays an African diplomat who travels to Milan to head a trade delegation. In a series of psychedlic sequences her sensual past is revealed.
He's got an axe to grind with you... Claudia Wagner is a typical college coed by day and a sexy stripper by night. Her dream to become a lawyer seems almost in reach when her girlfriends start turning up dead victims of a brutal serial killer. As she and her friends try to stay one step ahead of the killer will they live long enough to uncover his identity?
The middle of nowhere is a funny place to find yourself in.... John Person is a thirty something struggling actor living alone and facing eviction from his one room apartment in Hollywood. Behind on his rent and heavily in debt he goes against his better judgement - and that of his pretty neighbour Grace - and accepts an unsolicited offer from his strange neighbour Neely to courier a blue suitcase up to the desert truck stop of Baker California. There in the mddle of nowh
North Vietnam 1965. Navy pilot Jim Stockdale suffers the repeated tortures given by his captors but he vows to himself that he will never confess what he knows. Meanwhile his wife Sybil struggles to hold her life together with little or no news of her husbands captivity.
In The Postman Always Rings Twice, Jack Nicholson teamed up again with his Five Easy Pieces and King of Marvin Gardens director Bob Rafelson for this 1981 version of James M. Cain's hardboiled novel of lust and murder. This version takes a much grittier (and sexually explicit) approach to the material than the slick 1946 MGM version starring John Garfield and Lana Turner. Nicholson plays Frank Chambers, a drifter who happens upon a roadside diner run by Cora Papadakis (Jessica Lange) and her swarthy Greek husband, Nick (John Colicos). Sparks fly, and before you can say l'amour fou, Frank and Cora are making the beast with two backs on the kitchen table. One thing leads to another and they conspire to murder Nick. The movie is still a little too cold and distant to fully convey a hot-blooded passion that leads to murder, but it is a strangely haunting and disturbing film nevertheless. The screenplay is by David Mamet, the photography is by the great Sven Nykvist (Ingmar Bergman's cinematographer), and watch for Anjelica Huston in a supporting role. --Jim Emerson
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