Series four cranks up the craziness with an uproarious riff on classic horror The Shining, while Satan himself makes an appearance at a dubstep club. Certain favourites of Clement and Waititi's outlandish characters, such as Rhys Darby's hilarious ˜Swearwolf', also return.
Matt Smith returns for his third and final series as the Eleventh Doctor. Fourteen big, blockbuster-episodes - each a brand new epic adventure featuring new monsters and some familiar foes as you've never seen them before. In series 7 we see the Ponds return for their final voyage with The Doctor. They save a spaceship full of dinosaurs, don Stetsons in the Wild Wild West and are even kidnapped by the Doctor's oldest foe. But when they arrive in Manhattan the Weeping Angels are waiting for ...
The original 1960 version of Village of the Damned is regarded as a classic of science fiction and horror, and it remains one of the creepiest movies of its kind. Directed with occasional flair by John Carpenter, this 1995 remake trades subtlety for more explicit chills and violence, but the basic premise remains effectively eerie. In the tiny, idyllic town of Midwich, a strange mist causes the entire population to fall asleep, and when everyone awakes the town physician (Christopher Reeve) discovers that 10 women--including his wife and a local teenage virgin--have mysteriously become pregnant. Their children are all born on the same day, with matching white hair and strange, glowing eyes, grow at an accelerated rate and thus raise Reeve's suspicion that they are not of earthly origin. These demonic brats can control minds and wreak havoc with the power of their thoughts, so of course they must be destroyed. Only Reeve knows how to get the job done, and his performance (the actor's last big-screen role before his paralysing accident in 1995) grounds this otherwise superfluous remake with enough credibility to hold the viewer's attention. But for the real chills, definitely check out the original version--it's 20 minutes shorter but twice as spooky. --Jeff Shannon
Indiana Jones and the Kingdom of the Crystal Skull finds Indy (Harrison Ford) trying to outrace a brilliant and beautiful agent (Cate Blanchett) for the mystical, all-powerful crystal skull of Akator. Teaming up with a rebellious young biker (Shia LaBeouf) and his spirited original love Marion (Karen Allen), Indy takes you on an action-packed adventure in the exciting tradition of the classic Indiana Jones movies!
Alfred Hitchcock's final film Family Plot is understated comic fun that mixes suspense with deft humour, thanks to a solid cast. The plot centres on the kidnapping of an heir and a diamond theft by a pair of bad guys led by Karen Black and William Devane. The cops seem befuddled, but that doesn't stop a questionable psychic (Barbara Harris) and her not overly bright boyfriend (Bruce Dern, in a rare good-guy role) from picking up the trail and actually solving the crime. Did she do it with actual psychic powers? That's part of the fun of Harris's enjoyably ditsy performance. --Marshall Fine
Set around a London bus depot, On the Buses starred Reg Varney as Stan, an ageing bachelor and driver of the No.11 bus who still lives with his Mum (Cicely Courtneidge), his plain sister Olive (Anna Karen) and disgruntled brother-in-law Arthur (Michael Robbins). At work, he fraternises with the laddish and lecherous Jack (Bob Grant), with whom he pursues innumerable (and improbable) giggly, mini-skirted "clippies" (conductors) and cheeks the beady-eyed and punctilious bus inspector, Blakey (Steven Lewis) This first series was broadcast in black and white in 1969. Much of the comedy derives from gender role reversal--Stan and Arthur forced to do the household chores when Olive and Mum fall ill ("Family Flu"); "The Canteen", in which the busmen decide to run the canteen themselves; or "The Darts Match", in which Stan and Jack are bested at darts by--imagine--a pair of dollybird clippies. Despite its immense popularity, On the Buses hasn't dated well. Like the buses themselves, the jokes don't arrive very often and when they do, they're visible a long way off. The studio audience whoops cathartically at anything remotely alluding to sex, making you wonder at the repressed nature of British society in 1969. In later decades it would come to be treasured as somewhat creaky kitsch by audiences nostalgic for an age of politically incorrect innocence. On the DVD: On the Buses has no extra features here. The original black and white versions have scrubbed up reasonably well, although defects such as fading sound and poor dubbing have proven beyond amendment.--David Stubbs
Set around a London bus depot, On the Buses starred Reg Varney as Stan, an ageing bachelor and driver of the No.11 bus who still lives with his Mum (Doris Hare), his plain sister Olive (Anna Karen) and disgruntled brother-in-law Arthur (Michael Robbins). At work, he fraternises with the laddish and lecherous Jack (Bob Grant), with whom he pursues innumerable (and improbable) giggly, mini-skirted "clippies" (conductors) and cheeks the beady-eyed and punctilious bus inspector, Blakey (Steven Lewis) Despite its immense popularity, On the Buses hasn't dated well. Like the buses themselves, the jokes don't arrive very often and when they do, they're visible a long way off. The studio audience whoops cathartically at anything remotely alluding to sex--even a bared male nipple--making you wonder at the repressed nature of British society in 1969. In later decades it would come to be treasured as somewhat creaky kitsch by audiences nostalgic for an age of politically incorrect innocence. On the DVD: On the Buses has no extra features here. The original black and white versions have scrubbed up reasonably well, although defects such as fading sound and poor dubbing have proven beyond amendment. --David Stubbs
Adapted from the critically acclaimed off-Broadway rock theatre hit, Hedwig and The Angry Inch tells the story of an "internationally ignored" rock singer, Hedwig, and her search for stardom and love.
Bob Williams is a survivor. He supplements his dole by becoming embroiled in whatever scam is on offer from rustling sheep to rotting drains. But now life has dealt him a bitter blow. His van has been stolen and his daughter Colleen is approaching her first communion. She needs the traditional white dress shoes veil and gloves. Where on earth is the money going to come from? Raining Stones is a funny and essentially human story of survival in the nineties and people's aspirations for a better way of life.
Includes: 'Chewin' The Fat - Series 1' 'Chewin' The Fat - Series 2' Chewin' The Fat - Series 3' and 'Chewin' The Fat - Series 4'.
TV chef Jackie Chan is involuntarily involved in a gang war between stereotypical Italians and punks right out of A Clockwork Orange. Most of the cast is in a coma, and the plot is stupid, stupid, stupid. The reason to watch this is for Chan's gravity-defying stunts as he is chased through the streets of Melbourne by Aussie thugs trying to relocate missing cocaine. Chan is so innovative with his tricks that it is a shame he doesn't work with more intelligent material. Still, his fans should enjoy this slight adventure, as Chan's carefully choreographed martial art moves are as awesome as ever. Watch for a stunt involving a horse-drawn carriage, as it almost compensates for the lacklustre story line. --Rochelle O'Gorman, Amazon.com
In 1979 The China Syndrome was the movie everyone was talking about thanks to the enormous publicity generated by the real-life Three Mile Island accident that not only mirrored the events depicted in the film but occurred just twelve days after the movie's release. Nominated for four Academy Awards - Best Actor (Lemmon) Best Actress (Fonda) Best Original Screenplay Best Art Direction The CHina Syndrome remains ""as explosive as the metaphor of its title"" (Los Angeles Herald Exa
Aided by 'The Bear' and various rubber-masked celebrities obsessive fan Avid Merrion hosts the third series of Bo' Selecta! as well as the Christmas Special episode!
An overworked air traffic controller takes a well-earned seaside holiday. He soon discovers that with his wife three kids a dog and the inflated ego of a devious tycoon to cope with relaxation is the last thing he's likely to get!
Titles Comprise: Saw: With a dead body 'resting' between them two men (Whannell and Elwes) wake up in the secure lair of a serial killer who's been nicknamed Jigsaw by the police because of his unusual calling card. Given six hours a hacksaw and a bullet the two men try to figure out a way to freedom. Hot on the 'Jigsaw's trail is Detective David Tapp (Glover) an equally insane cop who was once the victim of the Jigsaw's evil scheme Saw II: Jigsaw (Tobin Bell) the master of mind games returns to toy with a new set of victims once again chosen for their perceived lack of respect for life. His traps are crueller and even more mind bending than before. And this time the policeman (Donnie Wahlberg) on the case has more than his professional integrity at stake... Saw III: Jigsaw has disappeared. Now aided by his new apprentice Amanda (Shawnee Smith) the puppet-master behind the cruel intricate games that have terrified a community and baffled police has once again eluded capture and vanished. While city detectives scramble to locate him Dr. Lynn Denlon (Bahar Soomekh) is unaware that she is about to become the latest pawn on his vicious chessboard. One night after finishing a shift at her hospital Lynn is kidnapped by the deranged Amanda and taken to an abandoned warehouse where she meets Jigsaw aka: John Kramer (Tobin Bell) who's now bedridden and on the verge of death. Saw IV: Now upon the news of Detective Kerry's murder two seasoned FBI profilers Agent Strahm and Agent Perez arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw's latest grizzly remains and piecing together the puzzle. However when SWAT Commander Rigg is abducted and thrust into a game the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend or face the deadly consequences... Saw V: SAW V concerns itself with detailing who will carry on with his bloody work. The film opens with a man strapped to a table above a pendulum. As the sharp blade begins swinging over his stomach he has only a minute to stop it by inserting his hands into a device that will crush them. Saw VI: The deathly traps and cunning plotting return for this sixth entry in the hugely popular SAW film series. The editor for all of the previous films Kevin Greutert makes his directorial debut with this picture once again written by FEAST writers Marcus Dunstan and Patrick Melton. With Special Agent Stahm (Scott Patterson) dead the sinister Detective Hoffman (Costas Mandylor) has emerged to carry on Jigsaw's murderous work. Saw 7: The Final Chapter: The most twisted gruesome and successful horror franchise in the world comes to a close in Saw: The Final Chapter. A deadly battle rages over Jigsaw's brutal legacy as a group of Jigsaw (Tobin Bell) survivors gather to seek the support of self-help guru and fellow survivor Bobby Dagen (Sean Patrick Flanery). Soon though the survivors really must help themselves as Dagen's dark secrets unleash a new wave of terror...
Harry (Daniels) and Lloyd (Carrey) are too lame to live (and too dense to die) as a pair of deliriously dim-witted pals on a cross-country road trip to return a briefcase full of cash to it's rightful owner. Along the way they'll confound cops kidnappers and anyone and everyone who has the misfortune of crossing their paths in this comic caper for every idiot in the family!
A sequence of dramatic events befalls the residents of Eaton Place. Elizabeth becomes involved with the Suffragettes which has disastrous consequences upon Rose a financial crisis threatens to force the Bellamys from their home and James returns from India with a fiancee in tow who threatens to shatter the peace. The formidable Thomas and Sarah receive a rousing send-off from the other servants as they set off to begin their new life together in north London. Is this really the last time they will be seen at Eaton Place?
Originally produced as a three-part miniseries for New Zealand television, this extraordinary film is based on the life of Janet Frame, an introverted, sensitive girl who was later misdiagnosed as schizophrenic and spent eight years in a psychiatric hospital. She would later become one of New Zealand's most celebrated poets and novelists, publishing her first books while she was still confined to a mental ward. She had endured over 200 electroshock treatments and had almost been lobotomized by careless physicians who took no time to understand that she was merely awkward and shy and suffered from little more than routine depression. From a solid screenplayby Laura Jones, director Jane Campion (The Piano) tells this story without soapy melodrama but rather as anexploration of a challenged creative spirit--a journey into a writer's mind, exploring the power of imagination as a mechanism of survival and self-defense. Three talented actors play Janet Frame at different ages throughout the film, with Kerry Fox giving a powerful performance as the young-adult Janet, whose own skill and creative tenacity would prove to be her salvation. Frightening, harrowing and ultimately a source of humanistic enlightenment, An Angel at My Table (titled after Frame's autobiography) is a film you won't soon forget.--Jeff Shannon
John Travolta gives a sensual and intelligent performance as the troubled Tony Manero - Brooklyn paint store clerk by day and undisputed king of the dance floor by night. Every Saturday Tony puts on his wide collared shirt flared trousers and platform shoes and heads out to the only place where he's seen as a god rather than some young punk. But in the darkness away from from the strobe lights and glitter ball is a tragic story of disillusionment violence and heartbreak. Without a doubt Travolta's performance made him a Hollywood legend but 'Saturday Night Fever' is more than just a movie that defined the music and fashion of a generation. It's a powerful and provocative urban tragedy that carries as much significance today as it did in 1977.
The Doctor, Amy and Rory are back for the first five blockbuster episodes of series seven.The trio encounter the Daleks, Weeping Angels and even Dinosaurs on a Spaceship as the series builds to the departure of The Ponds in one of the most heartbreaking episodes in the history of Doctor Who.
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