A missing teenage girl. A brutal and tormented enforcer on a rescue mission. Corrupt power and vengeance unleash a storm of violence that may lead to his awakening.
There are only a few days left before the Mother's Day, as several families have to come to terms with how they'll be spending the big day. Whether it's dealing with a new love, a lost love, or no love at all, this Mother's Day will prove to be one for the romantic comedy ages and one to be remembered by audiences for decades to come. Sweet, complex, funny and moving just like moms across the world.
A missing teenage girl. A brutal and tormented enforcer on a rescue mission. Corrupt power and vengeance unleash a storm of violence that may lead to his awakening.
Following a mysterious absence of several years, the Man of Steel comes back to Earth in the epic action-adventure.
Hal, Tom and Alex are three housemates with some serious issues on their hands, and they're not all about the washing up rota. Hal (Damien Molony) is a 500 year-old vampire, Tom (Michael Socha) is a hardened werewolf and Alex (Kate Bracken) has recently had the misfortune of becoming a ghost. But threat lurks around every corner. There is the volatile and deluded Crumb (Colin Hoult) - a newly recruited vampire, and the sinister Mr Rook (Steven Robertson) - head of a secret government department. With bills to be paid, our heroes take jobs in Barry's kitschest hotel, but alongside the flock wallpaper and the cocktail umbrellas dwells an evil greater than anything faced before. On the face of it, Captain Hatch (Phil Davis) is just another foul-mouthed decrepit old man but he hides a dark secret that threatens not only our heroes' friendships but the entire world.
This is the true story of Molly Craig, a young black Australian girl who leads her younger sister and cousin in an escape from a camp set up as part of an official government policy to train them as domestic workers and integrate them into white society.
There are only a few days left before the Mother's Day, as several families have to come to terms with how they'll be spending the big day. Whether it's dealing with a new love, a lost love, or no love at all, this Mother's Day will prove to be one for the romantic comedy ages and one to be remembered by audiences for decades to come. Sweet, complex, funny and moving just like moms across the world.
The Vampire Lovers was Hammer's first and only co-production with Hollywood's leading horror specialists American International. This film tapped a new source of classic horror literature the work of J. Sheridan Le Fanu and injected an audacious dose of sex into the proceedings. Ingrid Pitt is beautiful female vampire Mircalla Karnstein alias Carmilla. Carmilla rises from the grave to avenge the deaths of her relatives claiming not only the odd male as victim but also several attractive young girls. Moving on to the family of Roger Morton (George Cole) Carmilla continues her revenge afresh on his impressionable daughter Emma (Madeleine Smith).
James Nesbitt plays Detective Sergeant Tommy Murphy a maverick cop with a dark past. After failing a psychiatric assessment he is given one last chance by his boss and given a dangerous undercover assignment. Murphy is a loner with little to lose and deals with everything on his own terms... Episodes Comprise: 1. The Goodbye Look 2. Disorganised Crime 3. Strongbox 4. Extra Mile 5. Boys Night Out 6. Hard Boiled Eggs And Nuts
Amanda Lemon (Mary-Kate Olsen) is a streetwise orphan who has only one person who really cares for her; Diane (Kirsty Alley) her case worker at the orphanage. Alyssa Callaway (Ashley Olsen) lives with her Father Roger (Steve Guttenberg) a fabulously successful businessman who has buried himself in his work since his wife died several years ago. So Amanda and Alyssa are two girls from totally different backgrounds but who look as identical twins. When they meet by chance they rea
Hal, Tom and Alex are three housemates with some serious issues on their hands, and they're not all about the washing up rota. Hal (Damien Molony) is a 500 year-old vampire, Tom (Michael Socha) is a hardened werewolf and Alex (Kate Bracken) has recently had the misfortune of becoming a ghost. But threat lurks around every corner. There is the volatile and deluded Crumb (Colin Hoult) - a newly recruited vampire, and the sinister Mr Rook (Steven Robertson) - head of a secret government department. With bills to be paid, our heroes take jobs in Barry's kitschest hotel, but alongside the flock wallpaper and the cocktail umbrellas dwells an evil greater than anything faced before. On the face of it, Captain Hatch (Phil Davis) is just another foul-mouthed decrepit old man but he hides a dark secret that threatens not only our heroes' friendships but the entire world.
As his fragile newborn baby Emily remains in intensive care and with his wife Ellen (Katey Sagal) seriously ill Brian (Tom Irwin) is suddenly faced with the possibility of losing both of them. Emily's primary nurse Claire (Annabeth Gish) a young divorced mother with two girls of her own ends up taking care of the parents as well as the child. However Ellen continues to feel poorly until the heartbreaking moment when she is diagnosed as having an untreatable malignancy in her lungs and ribs. Devastated but with Claire's growing help and involvement Brian and Ellen begin to prepare for the worst. Seeing the warm way in which Brian and Claire comfort each other amazingly Ellen plans for little Emily to still have a mother and father.
Back in the late 1970s Charlie's Angels was wildly popular television at its most self-consciously banal. The jiggly, joggly jolly first series' three (and best-remembered) belles--lioness Farrah Fawcett (then Farrah Fawcett-Majors), pin-up babe Jaclyn Smith and thinking man's beauty Kate Jackson--were something like primetime Spice Girls, gracing countless magazine covers and bestselling posters. The idea (even if a fan of the show didn't happen to be a straight male) was that one was compelled to choose a favourite angel as a kind of ink-blot window into one's subconscious life. While the 2000 Angels feature film kept faith with the original show's self-mockingly sloppy storytelling, there's nothing like seeing the old episodes for a lesson in narrative hubris. Basically, the three leading characters were bored policewomen wooed away to a private firm owned and operated by the unseen sybarite, Charlie (voiced--over speakerphone--by an uncredited John Forsythe). After a long set-up each week, the girls' investigations typically saw them going undercover as fashion models--no great stretch--in "Night of the Strangler", nurses in "Terror on Ward One", roller-derby stars in "Angels on Wheels" and vulnerable convicts (of course) in "Angels in Chains". The exploitation factor is not as bad as it might have been. The cast was so glamorous, their chemistry so perfect, that Charlie's Angels never became a mere meat market. Despite such nods to modernity as Fawcett's no-bra look, the episodes were old-fashioned in their heroine-in-peril appeal, yet there was a difference: the Angels looked out for themselves and each other. --Tom Keogh
A beautiful woman goes backpacking in India in search of adventure but finds a guru with more than enlightenment on his mind.
Once upon a time...there were three girls who went to the Police Academy...and they were each assigned very hazardous duties...but I took them away from all that...and now they work for me. My name is Charlie. To Kill An Angel: A trip to the carnival leads to a tunnel of horrors when Kelly gets caught in the crossfire between two paid killers and an autistic child. Night Of The Strangler: The Angels bare all - almost - as undercover fashion models while investigating a kinky case of multiple murders.
Holy Smoke: An Australian family try to rescue their daughter Ruth who has embraced the teachings of an Indian guru called Baba. They enlist the help of an American Counsellor who specialises in reconditioning the minds of members of religious cults. Hideous Kinky In the early 70's Julia escapes grey London and a failed relationship with her two daughters aged six and eight and heading to Morocco in search of adventure. The two girls enjoy the colour and life of Marrakech but the city has less to offer a pennilesss mum. It's only when Julia meets the charming Bilal that her life is transformed.
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