Tarzan goes to New York to rescue the chimp Cheetah who has been captured by an evil animal experimenter. There he teams up with Jane a cab driver and daughter of an ex-cop private eye who help Tarzan free Cheetah and his friends.
An estimated one out of every three women will be sexually assaulted at some time in their life with ninety percent of these victims choosing not to report the assaults to the police. This powerful and disturbing film deals with 'Forcible Rape Amongst Friends' one of the most prevelant crimes facing young women today. Annabeth Gish (Mystic Pizza) portrays the shocked and violated victim Lynn McKenna who is lured into a sense of false security and raped by her bestfriend's boyfriend John Telersky (Deathstalker 2). Confused and ashamed and faced with the knowledge of almost certain defeat Lynn must decide whether or not to press criminal charges against her attacker and bring about necessary justice.
With a pounding, synthesised sound track, big-haired babes in bikinis and succession of increasingly incredible fight scenes and returns from the dead, Midnight Crossing takes some beating as an eminently watchable slab of 1980s schlock. Honesty is a premium in this torrid tale of a buried fortune, hot sex, deceit on the high seas and much extended suspense. Jeff Shub (John Laughlin), a six-packed hunk in tight shorts, lives for his yacht, inherited from his father. When his wife's boss Morley (married to a blind woman and played by Daniel J Travanti) charters the yacht for a birthday celebration, the two couples head off for the Bahamas. Then, Morley reveals his real agenda--the recovery of treasure he buried on a Cuban island in the pre-Castro years--and it soon becomes clear that nothing and nobody are what they seem. Kim Cattrall, years before her emergence as a stylish television star in Sex and the City, pops up in a in a wet t-shirt. And at the film's centre is a knockout, beyond self-parody performance from Faye Dunaway. Here she plays Joan Crawford playing a blind woman who might not, in fact, be blind at all. Dunaway confirms the suspicion that she was an actress born 30 years too late for the kind of scripts that would have best served her unique brand of throbbing melodrama. The rest of the cast, particularly the usually reliable Travanti, soon follow her over the top. The result is a compulsive 90 minutes of hammy and thoroughly enjoyable action. On the DVD: Presented in letterbox widescreen (1.85:1) format for maximum effect Midnight Crossing surfaces pretty much as it did in the cinema. Picture quality is fine. The daylight scenes on board the yacht certainly benefit but the interminable night-time struggles are less convincing. Were they shot in a tank? Probably, if the dull stereo sound quality at this point is anything to go by. Extras are limited to the original cinema trailer and filmographies of the leading players.--Piers Ford
To deal or not to deal: that is the question. Pusher is the story of Frank a small time drug pusher playing with the big boys. He loves the job the life and most of all the money. When a deal goes wrong Frank has 18 hours to come up with the cash or go on the run in fear of his life.
A collection of WWE wrestling matches featuring the World Heavyweight Championship Match between Chris Benoit and Kane the Women's Championship Match between Trish Stratus Lita Gail Kim and Victoria the Intercontinental Championship Match between Shelton Benjamin and Randy Orton and more.
In Red Planet the only thing thicker than the Martian atmosphere (which is breathable, by the way) is the layer of clichés that nearly smothers a formulaic beat-the-clock plot. Science fiction fans are sure to be forgiving, however, because the film is reasonably intelligent, boasts a few dazzling sequences, and presents fascinating technology in the year 2057. We don't know how the Mars-1 spaceship gets to Mars in only six months (newfangled propulsion, no doubt), but we do get some cool diagnostic read-outs on tinfoil scrolls, an abundance of well-designed hardware, and a service-robot-turned-villain that's a high-tech hybrid of RoboCop, Bruce Lee, and a slinky panther with plenty of lethal attitude. A perfectly suitable companion to another Year 2000 sci-fi thriller, Pitch Black, Red Planet is a fine way to kill a couple of hours. --Jeff Shannon, Amazon.comWhen Battlefield Earth was released theatrically, this inept sci-fi epic qualified as an instant camp classic, prompting Daily Variety to call it "the Showgirls of sci-fi shoot-'em-ups". Other reviews were united in their derision, and toy stores were left with truckloads of Battlefield Earth action figures that nobody wanted. Recklessly adapted from the novel by sci-fi author and Scientology founder L Ron Hubbard and set in the year 3000, the film is no worse than many cheesy sci-fi flicks, but the sight of Travolta as a burly, dreadlocked alien from the planet Psychlo provokes unintentional laughter from first frame to final credits. The best that Battlefield Earth can hope for is a Dune-like fate: it might improve in a longer director's cut--but that's wishful thinking. --Jeff Shannon, Amazon.comKurt Russell hits new heights in laconic action heroes with his portrayal of Sergeant Todd, born and bred to be a Soldier in a futuristic army. Raised to kill mercilessly, living only for battle, he finds himself at the twilight of his career (and so-called life) when a regiment of genetically enhanced warriors threatens to make his brand of soldiering obsolete. Soldier is one of those rare sci-fi movies that relies more on plot and action than special effects (though the trash planet is effectively wrought). The pace of action in the last half of the film is relentless and exciting, and Russell's portrayal of the old warrior as he warms to human emotions relies more on expression than words-in fact, he barely utters half-dozen lines. --Tod Nelson, Amazon.com
John McNamara (Michael Rooker) is a reporter working for the notorious tabloid The Metro Examiner. His arrogant and reckless reporting has recently landed him in deep trouble with his editor and his job is on the line. After a fellow reporter goes missing John stumbles into a web of deceit corruption and murder. With the help of rival reporter Linda Callaway (Kelly Miller) they begin to dig the dirt on senior politicians who are involved in serious corruption with organised crime. Can they get the story into tomorrow's headlines or will they live to see tomorrow themselves?
After a young boy witnesses his parents' murder on the streets of Gotham City he grows up to become Batman a mysterious figure in the eyes of Gotham's citizens who takes crime-fighting into his own hands. He first emerges out of the shadows when the Joker appears - a horribly disfigured individual who is out for revenge on his former employer and generally likes to have a good time but the identity of the ""bat"" is unknown. Perhaps millionaire Bruce Wayne and photographer Vicki Vale have a good chance of finding out?
FX: The Series is loosely based on the two FX feature films which starred Bryan Brown and Brian Dennehy. Special effects wizard Rollie Tyler (Cameron Daddo) and his friend and co-worker Angie Ramirez (Christina Cox) are considered the best in their field. Alongside Leo McCarthy (Kevin Dobson) a detective in the NYPD and Rollie's long-time friend they use special effects and canny police work to bring down criminals who might otherwise have escaped justice. Featuring all
Heather wakens to find herself strapped to a hospital bed in an asylum for the criminally insane. She is the prime suspect for a vicious massacre in which she claims to be the only survivor. However the actual killers are determined to finish the job. The asylum staff dismiss her cries for help as the rantings of a paranoid psychotic fuelled by an unusual disorder diagnosed as ""Hunting Craze Syndrome"". Heather must now use all of her survival instincts just to stay alive!
A Streetcar Named Desire is the 1951 Elia Kazan/Tennessee Williams triumph that earned 12 Academy Award nominations, including Best Picture, while also courting controversy with some last-minute edits undertaken to appease the censorship board. Marlon Brando made his first indelible mark on audiences in this powerful adaptation of Tennessee Williams' Pulitzer Prize-winning play. Gone With the Wind's Vivien Leigh is the neurotic belle Blanche du Bois who struggles to hold on to her fading Southern gentility against the brutish badgering of her brother-in-law, Stanley Kowalski (Brando). Leigh, Kim Hunter, Karl Malden and the rich black-and-white cinematography were all awarded Oscars for this cinematic classic. While Brando was the only one of the film's four Oscar-nominated actors not to secure a win, his passionate cries of Stella! Stella! Stella! remain etched forever in Hollywood history. Special Features: Commentary by Karl Malden, Rudy Behlmer and Jeff Young Elia Kazan: A Director's Journey (1995 First Run documentary) A Streetcar on Broadway A Streetcar in Hollywood Censorship and Desire North and the Music of the South An Actor Named Brando Marlon Brando Screen Test Outtakes Audio Outtakes Warner Bros. (1951) 20th Century Fox (1958 Reissue) United Artists (1970 Reissue)
JACK NICHOLSON IS THE JOKER, who emerged from a horrible accident as a maniacal criminal. Michael Keaton is the Caped Crusader, who emerged from a childhood trauma to become a masked crime-fighter. Kim Basinger is Vicki Vale, the talented photojournalist desired by both men, set to songs by Prince and a music score by Danny Elfman.Commentary by Director Tim Burton BD: On the Set with Bob Kane Legends of the Dark Knight: The History of Batman Shadows of the Bat: The Cinematic Saga of the Dark Knight Parts 1-3 Beyond Batman Documentary Gallery 3 Prince Music Videos The Heroes and The Villains Profile Galleries Batman: The Commplete Robin Storyboard Sequence Theatrical Trailer
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