Sometimes revenge is the only option! Shannon Tweed stars as the loving but deranged wife who sets out to destroy the family she wrongly blames for the suicide of her failed businessman husband. Ingenious and deadly she innocently poses as a tutor to the family's teenage son to ease her wicked way into their unsuspecting home. Cunning and slippery she gradually becomes a voluptuous cuckoo in their cosy lovenest using her wild sexuality to torture them for her own terrible revenge. And as the fear and torment mount so her list of conquests grows longer. No evil is too great no sin beyond her imagination...
Ultimate Collector's Edition includes: 4K Ultra HD and Blu-ray Collectible Steelbook case Premium packaging with unique artwork 16-page booklet 5 Lobby Cards 5 Art Cards Poster (2-Sided) Tim Burton directs; Michael Keaton stars as Batman; and Jack Nicholson stars as his arch foe, The Joker, in the first of the blockbuster Batman series of features. As the Dark Knight, defender of law and order in Gotham City, Batman treads the shadow zone between right and wrong, fighting with only his skill in martial arts and his keenly honed mind to defend the innocent and to purge the memory of his parents' brutal murder-always keeping his true identity as millionaire philanthropist Bruce Wayne a closely guarded secret. Based upon Batman characters created by Bob Kane and published by DC Comics. Product Features Commentary by Director Tim Burton On the Set with Bob Kane Legends of the Dark Knight: The History of Batman Shadows of the Bat: The Cinematic Saga of the Dark Knight Parts 13 Beyond Batman Documentary Gallery 3 Prince Music Videos The Heroes and The Villains Profile Galleries Batman: The Complete Robin Storyboard Sequence Theatrical Trailer
Robert Louis Stevenson's classic tale of dastardly pirates swashbuckling heroes buried treasure and a young boy's courage during the adventure of a lifetime!
In the 30th Century, when Battlefield Earth is uncovered in a mass grave for bad films by revisionist cineastes, it is more than likely that it will still be the worst science fiction film ever made. John Travolta's $73m pet sci-fi project--an adaptation of Scientology guru L Ron Hubbard's rambling pulp novel --is like the long lost sequel to Ed Wood's Plan Nine from Outer Space. Incompetent, incomprehensible and, at nearly two hours running time, way over long, Battlefield Earth is nothing more than a rehash of hackneyed post-Star Wars sci-fi clichés. It has the production values of Buck Rogers in the 21st Century and a sprawling plot that merges Planet of the Apes and the TV mini-series V.It is the year 3000 and the Psychlos, a race of dreadlocked aliens, are busy raping the Earth of its natural resources to revive their own dead planet. Peppy young turk Jonnie Goodboy Tyler decides to fight back: he speed-learns the Psychlo language, masters their alien technology and then rallies the beleaguered human race to victory. The Psychlos are at a distinct disadvantage since they persist in wearing ludicrously-stacked heels that make it hard to do anything but totter like stilt-walkers. Therefore, out of necessity, most of the action sequences in Battlefield Earth are shot in slow motion. John Travolta plays Terl, the blustering Psychlo chief of security on Earth, like a pantomime villain delivering leaden dialogue that elicits unintentional pathos. Forest Whitaker in the role of his oafish, double-crossing sidekick Ker erases all traces of screen credibility gained through his role in Jim Jarmusch's Ghost Dog. And as Tyler, pretty boy Barry Pepper has the charisma of a plastic action figure. Even the tagline for this film--"A saga for the year 3000"--is startlingly banal.On the DVD: At first glance, this DVD looks to be packed with extras. A director's commentary, two TV spots, trailer and three "making of" feaurettes--but once you've seen one of the featurettes, you've literally seen them all, as the other two simply recut the same footage. After watching this travesty of a film, it is unlikely you'll want to hear British director Roger Christian gushing over his own work on the audio commentary with production designer Patrick Tatopolous. One can only guess that the creative team got stranded on Planet Psychlo and lost all their critical faculties. The main feature is of good enough picture quality to accentuate the ghastly blue and orange hues that colour almost every scene. The film is presented in 2.35:1 anamorphic format with optional 5.1 Dolby Digital sound. --Chris Campion
As his fragile newborn baby Emily remains in intensive care and with his wife Ellen (Katey Sagal) seriously ill Brian (Tom Irwin) is suddenly faced with the possibility of losing both of them. Emily's primary nurse Claire (Annabeth Gish) a young divorced mother with two girls of her own ends up taking care of the parents as well as the child. However Ellen continues to feel poorly until the heartbreaking moment when she is diagnosed as having an untreatable malignancy in her lungs and ribs. Devastated but with Claire's growing help and involvement Brian and Ellen begin to prepare for the worst. Seeing the warm way in which Brian and Claire comfort each other amazingly Ellen plans for little Emily to still have a mother and father.
A woman bravely battles schizophrenia in this thought-provoking drama starring Heather Locklear.
The Grissom Gang is director Robert Aldrich's take on British author James Hadley Chase's once-notorious novel No Orchids for Miss Blandish, which was itself a synthesis of the plot of William Faulkner's Sanctuary with the lurid exposes of the criminal rampage of Arizona Clark "Ma" Barker and her alleged criminal brood. Aldrich sticks surprisingly close to Chase's plot, although he considerably deepens all the characterisations and cuts through the prurient sex sensation to create a surprisingly moving and complicated relationship between kidnapped heiress Barbara Blandish (Kim Darby) and the homicidally psychopathic but also childish Slim Grissom (Scott Wilson), the most feared member of the gang headed by the grotesquely horrible Ma (Irene Dailey). Barbara is abducted after a jewel heist gone wrong by a trio of inept small-timers, who are swiftly rubbed out by the more organised Grissom mob, and though Ma insists that after the girl's father has come across with the million-dollar ransom she will be mercilessly put down, Slim becomes enchanted with the girl, who eventually becomes his lover. In the book, the girl was drugged and raped, but here we get a delicate, creepy shifting of power to the point when Miss Blandish can browbeat her fearsome captor into mixing her a perfect martini, and the new attachment between crook and captive creates a rift with the rest of the gang that inevitably pays off in various hails of machine gunfire as the plan falls apart and the authorities close in. Aldrich manages the kind of claustrophobic black comedy games of terror and flirtation he perfected in What Ever Happened to Baby Jane?, but attacks the rat-tat-tat tommy gun scenes with action skills honed on The Dirty Dozen. Most of these films trusted costumes, cars and music to evoke the 1920s, but screenwriter Leon Griffiths takes care with period slang and the supporting cast have a real Depression era Warner Brothers feel, with Connie Stevens as a dumb but ferocious blonde showgirl, Tony Musante as the slick-haired official ladykiller in the gang and Robert Lansing as an impeccably down-at-heel but compassionate private detective. On the DVD: The advertised extras--notes, trivia and photo gallery--are disappointingly thin, but the 16:9 letterboxed print is almost flawless, with lovely pastels for the clothes and sets and bright scarlet for the many bursts of blood. --Kim Newman
As Lt. Horatio Caine (David Caruso) notes in episode 4 ("Just One Kiss"), "The evidence, as always, will speak for itself." In other words, CSI: Miami follows the same super-successful formula as CSI: Crime Scene Investigation. Fortunately, this instantly popular spin-off established its own unique identity from the start. Like CSI, the Dade County criminalists of CSI: Miami solve murders using forensic science. Unlike the Vegas crew, however, they're cops with the power to arrest, their coroner (Alexx Woods) talks to dead people, and almost everybody speaks Spanish. Sometimes their crime scene is a swamp, sometimes a resort hotel. Either way, the skies are always sunny, the 'gators always biting. Real-life Florida resident Caruso is joined by Khandi Alexander (NewsRadio) as Woods, Emily Procter (The West Wing) as ballistics expert Calleigh Duquesne, Adam Rodriguez (Roswell) as underwater recovery expert Eric Delko, and featured player Rory Cochrane as Tim "Speed" Speedle. Cochrane (Dazed and Confused) wouldn't become a full-fledged cast member until the 12th episode ("Entrance Wound"). Meanwhile, Kim Delaney (Caruso's former NYPD Blue cast mate) wouldn't join until the first ("Golden Parachute"), but left after the 10th ("A Horrible Mind"), reportedly due to a lack of chemistry with Caruso. Just as CSI has made the most of its location with stories about showgirls and casino owners, so has CSI: Miami exploited its surroundings for all they're worth. Pilot episode "Cross-Jurisdictions" (a crossover with CSI), for instance, was loosely based on the murder of Miami-based designer Gianni Versace. Other notable episodes include "Camp Fear" with Joan of Arcadia's Amber Tamblyn as a detention camp cadet and "Dead Woman Walking" with Karen Sillas (Under Suspicion) as a victim of radiation poisoning. --Kathleen C. Fennessy
After witnessing his parents' brutal murder as a child millionaire-philanthropist Bruce Wayne pledges his life to fighting crime disguised as Batman. His long-time nemesis the Joker has sinister plans for the citizens of Gotham City. His greed is matched by his obsession with photojournalist Vicki Vale. But Batman is there to counter the Joker's every move. With the fate of Gotham and Vicki in the balance will good or evil prevail?
By the second half of the second series of Lost, the debates are really hotting up. Is it the most cleverly plotted, densely packed television programme of recent times, cunningly working on many levels and lacing lots of hidden clues as it moves along? Or is it pretentious, slow-moving tosh, that's desperately trying to stretch out a simple concept to fill as many seasons as possible?
Giacomo Puccini's 'La Fanciulla del West' a stage production by The Metropolitan Opera 1992.
Jack Deebs is a cartoonist who is due to be released from jail. His comic book ""Cool World"" describes a zany world populated by ""doodles"" (cartoon characters) and ""noids"" (humanoids). What Jack didn't realize is that Cool World really does exist and a ""doodle"" scientist has just perfected a machine which links Cool World with our World. Intrigued at seeing his creation come to life Jack is nonetheless wary as he knows that not everything in Cool World is exactly friendly...
Raven the ruthless leader of an elite commando unit is sent to retrieve a secret satellite decoder from war-torn Bosnia. His mission soon uncovers treachery and double-cross.
Astoundingly silly but incredibly popular, Police Academy is the first film in a seemingly endless franchise that takes aim at the men in blue. After a police academy drops all of its entrance requirements, all manner of misfits flood in, hoping to make it onto the force. One of these misfits, a lazy, aimless cadet played by Steve Guttenberg (Cocoon, Three Men and a Baby), was forced to enlist and tries whatever he can to get kicked out. But once he decides to stay, he tries anything and everything to finish his training, even as his drill instructor tries to shove him out. Featuring a wild bunch of strange supporting characters, from a female trainee who speaks below a whisper to a dominatrix instructor to a human sound-effects machine, Police Academy is mindless but fun. --Robert Lane, Amazon.com
A family living around a naval research station experience shark attacks against their boat. When they investigate further they discover a half-man half-shark like creature... Based on the novel by Peter Benchley (Jaws).
Continuing to gorge with an appetite for destruction Lothor and his alien minions mount an all-out attack led by Madtropolis to drain the Wind and Thunder Rangers of their power! It's all jammin' and no slammin' even in Megazord mode when Cam must travel in time to snag the ultimate power source -- a Samurai amulet that unlocks the mystery of the 'ancient warrior of evil.' Meanwhile with things frozen in time Lothor unleashes Operation Alien Outreach to take advantage of a d
Hellraiser: Inferno (Dir. Scott Derrickson 2000): A shady L.A. detective (Sheffer) finds himself lost in a darkly nightmarish world of evil when he solves the mysterious puzzle box that releases the diabolical demon Pinhead! As those around him begin to meet tragic fates he sets out to conquer the horrifying Pinhead and escape eternal hell! Hellraiser: Bloodline (Dir. Kevin Yagher 1996): Spanning three generations this horrifying story chronicles the struggle of one
Few 1950s creature features deliver in the way Fiend Without a Face does. The first hour is all build-up as tension grows between an Air Force research base and a small Canadian town (this is one of those British B films that pretends to be set overseas) as a series of mystery deaths are blamed by the superstitious on weird military experiments. It's not a spoiler to give away the big revelation, since every item of publicity material, including the DVD cover, blows the surprise: the initially invisible culprits turn out to be a killer swarm of disembodied brains with eyes on stalks and inchworm-like spinal cord tails. These creatures have a nasty habit of latching onto victims and sucking out their grey matter. The finale is a siege of a house by the fiends, which swarm en masse making unsettling brain-sucking sounds, and are bloodily done away with by the heroes. Using excellent stop-motion animation, this climax goes beyond silliness and manages to be genuinely nightmarish. The orgy of splattering brains stands proud among the cinema's first attempts at genuine horror-comic glee, setting a precedent for everything from The Evil Dead to Peter Jackson's Braindead. Marshall Thompson is a bland, stolid uniformed hero and most of the rest of the cast struggle with "anadian" accents, but Kynaston Reeves is fun as the decrepit lone researcher whose fault it all is. On the DVD: Fiend Without a Face on disc comes with a montage of scenes from other films in this batch of releases (The Day of the Triffids, The Stars Look Down) that plays automatically when the disc is inserted, but otherwise not even a trailer, much less the commentary track and other material found on the pricey but luxurious US Region 1 Criterion release. The print has nice contrasts but is pretty grainy. --Kim Newman
Rangers can always smell a rat - even from space - and just as Cam busts out a wild cyber version of himself to handle his double duties the Fragra monster is turning everyone into perfume! Things get more brutal when Lothor and Mr. Ratwell unleash a love potion to chill Lothor's bad boy image. Meanwhile Lothor's nasty nieces accidentally trade away his P.A.M. (personal alien manager) wreaking unearthly havoc when it falls into the wrong hands. But it's Marah and Queen Beevil who d
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