The complete sixth season of the multi award winning series. Episodes Comprise: Bodies In Motion Room Service Bite Me Shooting Stars Gum Drops Secrets & Flies A Bullet Runs Through It 1 & 2 Dog Eat Dog Still Life Werewolves Daddy's Little Girl Kiss Kiss Bye Bye Killer Pirates of the Third Reich Up In Smoke I Like To Watch The Unusual Suspect Spellbound Poppin' Tags Rashomama Time Of Your Death Bang-Bang Way To Go
Theres little doubt that much of what we now take for granted about cinema owes much to the vision of director D W Griffith. Monumental Epics collects five of his most influential silent masterpieces. The Birth of a Nation (1915) is also the birth of the epic film. Made to commemorate the 50th anniversary of the end of the American Civil War this provocative film unflinchingly shows the humiliation of Southern culture, the "heroism" of the Ku Klux Klan, and links the Union and Confederacy by a common Aryan birthright. All of which has to be viewed in its period context if it is to be viewed at all. Intolerance (1916) is film-making of epic complexity. Human intolerance is related through a modern tale of wrongful conviction, intercut by three stories from Babylonian, Judean, and French history to point up the issue through the ages. The intricacy of the intercutting is breathtaking even now, but those as confused as the first audiences evidently were can opt to see each story separately. Sensitively tinted, this is Griffith's finest three hours. Broken Blossoms (1919) has Griffith venturing into domestic melodrama. Although there's a clear moral to be drawn from this tale of compassion in the face of ignorance and brutality, neither the over-acting of Lillian Gish and Donald Crisp, nor the vein of sentimentality that creeps into their characters' relationship allow the viewer to forget the period-piece nature of the film. Here an appropriately expressive musical score helps keep viewing at an attentive level. Way Down East (1920) shows Griffith moving from the epic to the personal, though still on a large scale. The combining of old-style melodrama with latter-day female emancipation is tellingly brought off, and Lillian Gish excels as the country girl used and abused by male society, until "rescued" by a farmer of true moral scruples. Unconvinced? Then go straight to the climactic snowstorm and ice floe sequences--Eisenstein et al are inconceivable without this as trailblazer. Abraham Lincoln (1930) marked Griffith's entry into the talkie era. Tautly directed, it offers a historically accurate account of the 16th US President's rise to power and his visionary outlook on American society. Civil War scenes are implied rather than enacted, and its Walter Huston's robust yet understated acting that carries the day, with sterling support from Una Merkel as Ann Rutledge and Hobart Bosworth as General Lee. On the DVD: Stylishly packaged, restoration and digital remastering has been carried out to Eureka's usual high standard, and the 4:3 aspect ratio has commendable clarity. Birth of a Nation has Joseph Carl Breil's original orchestral score and a pithy "making of" film by Russell Merritt. Intolerance contains a useful rolling commentary and a great wurlitzer soundtrack too. Way Down East includes a commentary. Abraham Lincoln also has a commentary, though Hugo Riesenfeld's score often verges on the mawkish. Overall this set is a must for anyone remotely interested in film as a living medium.--Richard Whitehouse
The Net (Dir. Irwin Winkler 1995): Angela Bennett (Sandra Bullock) is a freelance computer analyst who spends her days tracking down computer viruses and her nights at home 'chatting' to other Internet users. She is content with her reclusive existence until her life is turned upside down when she is sent a top-secret disc. Caught up in a murderous web of corruption and conspiracy and pursued by a force that will stop at nothing including deleting all traces of her existenc
Mother Fitch and her girls have an insatiable taste for men; their flesh that is. The Delta Delta Pi sorority girls are not only the most popular and wealthy on campus but also the most deadly. Now as they prepare for the 20th Anniversary Homecoming a meddlesome student Tobias has enlisted the help of DPP Charter Member Rhonda Cooper. Together they attempt to end the soroity's reign of terror that grips this California campus.
Lawrence Hunningford (Julian Sands) becomes insane when as a child he witnesses the tragic drowning of his twin brother in the sands. He becomes gradually schizophrenic and is committed to the clinic. His elder brother Peter (John Hurt) accepts an invitation to teach at the University near the clinic. After Lawrence attempts to end his life Peter discharges his brother from the clinic and moves with him into a huge run down apartment and commits to take care of his brother. But the
Herman Wallace Albert Woodfox and Robert King spent almost a century between them in solitary confinement in Angola the Louisiana State Penitentiary. They have become known as the Angola Three. In 1972 prison officials charged Wallace and Woodfox with the murder of a prison guard Brent Miller. King 150 miles from the scene of the crime was identified as a 'conspirator'; in 1972 he was accused of the murder of a fellow inmate. With no physical evidence or credible witness testimony the three men were convicted by all-white juries sentenced to life imprisonment and placed in solitary confinement. Their cells measured 9ft by 6ft. It is widely believed they were targeted not only to silence their protests but also because of their involvement with the Black Panthers. After judicial reviews Robert King was freed in 2001; in March 2008 Herman and Albert were moved to a maximum security dormitory where they remain incarcerated despite having had their convictions overturned. In the Land of the Free tells the shocking and ongoing story of these extraordinary men. Directed by Vadim Jean and narrated by Samuel L. Jackson this documentary features interviews with Robert King Albert Woodfox and Herman Wallace and talks to attorneys and others involved with the cases - including the widow of Brent Miller who believes the men are innocent of her husband's murder.
The CSI team begin to start to come to terms with Sarah's departure with Grissom particularly feeling the pain of her loss. Sara is not the only CSI who's future is in doubt as Warwick accused of murdering a famous Vegas gangster must prove his innicence to stay on the team.
In 'Children Of the Corn' a young couple uncovered the horrors that lay hidden in the small community of Gatlin Nebraska. Three years earlier all the adults suffered a terrible fate at the hands of their own sons and daughters - victims of a bloody cult of human sacrifice. Now the bodies have been discovered and the neighbouring townsfolk of Hemingford agree to shelter the traumatised children unaware that they are opening their doors to an awesome force that will threaten their
Released to box-office indifference in 1986, Manhunter introduced Hannibal Lecter and established the rules of the modern race-to-find-the-serial-killer thriller five years before The Silence of the Lambs packed cinemas everywhere. This was Michael Mann's third feature, reuniting William L Petersen and Dennis Farina from his debut Thief (1981) as FBI agents hunting the killer dubbed "The Tooth Fairy". Petersen's Will Graham is the man who put "Lecktor" (as it is spelt here) behind bars, and, as in Silence of the Lambs, he is forced to consult the Doctor, played here with understated malevolence by Brian Cox. Manhunter is an exceptionally well-photographed film: Mann's regular cinematographer Dante Spinotti creates sparse, elegantly framed, often monochromatically lit compositions essential to the shifting psychological moods. The performances are very good, and the typically 1980s, Vangelis-esque electronic score effectively sustains tension. Once the killer is introduced the scenes with Joan Allen have a genuinely unsettling, almost surreal quality, although there is at least one serious plot flaw--how does "The Red Dragon" get his letter to Lecter? Manhunter never packs the sheer excitement of Silence of the Lambs, nevertheless, it is a powerful and compelling thriller that remains far superior to the Anthony Hopkins-starring Hannibal (2001) and Red Dragon (2002). On the DVD: Manhunter on disc has a revealing 10-minute conversation with Dante Spinotti in which he explains how he created the film's distinctive look. Also included is a more general 17-minute making-of documentary. The anamorphically enhanced 2.35:1 image is generally very good, being just a little soft in one or two early scenes. The sound is listed as Dolby Digital 5.1, but appears to replicate the main stereo signal in the rear channels. Audio is nonetheless powerful and clear, though lacks the sheer edge and atmospherics of some more recent thrillers. --Gary S Dalkin
It's hard to think of a couple better suited to play the romantic leads in Donizetti's comedy L'Elisir d'amore than husband-and-wife team Roberto Alagna and Angela Gheorghiu. Both are charming on stage, and both have voices to die for: Gheorghiu's dark liquid tones are particularly spine-tingling, and her coloratura abilities awe-inspiring, and though Alagna has mainly concentrated on the more spinto (powerful) roles of the tenor repertoire, in 1996 when this live production was recorded his voice was just a little fresher and lighter and thus perfect for the bel canto gracefulness of Donizetti's writing. His performance of "Una furtiva lagrima", for example, is meltingly sung and free from all temptation to overplay the high notes. Frank Dunlop's 1920s-set production doesn't quite produce the belly laughs some stagings manage (in Dulcamara's patter song, for example), but has a certain small-town wistful charm nonetheless. The orchestral accompaniment under Donizetti expert Evelino Pidò is spot on, and never falls into the banal "oom-pah" trap that such simple writing can often lead to. Overall, it's a production of great charm. On the DVD: L'Elisir d'amore comes to disc with a 52-minute film on the history of the opera and its recording, with contributions from Alagna and Gheorghiu, and subtitles in English, French, German, Spanish and Chinese. The Lyon opera house is particularly well set up for video recording, and Brian Large does a sophisticated job of capturing a live performance: it's hard to believe at some points that the cameras aren't actually on stage in the middle of the action. Just occasionally this leads to the singers not knowing where to look and seeming a trifle lost, but generally the performances work superbly well on the small screen. --Warwick Thomson
ChronicleIf you should come upon a glowing, possibly extraterrestrial object buried in a hole, go ahead and touch the thing--you might just get superpowers. Or so it goes for the three high-school buds in Chronicle, an inventive excursion into the teenage sci-fi world. Once affected by the power, the guys exercise the joys of telekinesis: shuffling cars around in parking lots, moving objects in grocery stores, that kind of thing. Oh yeah--they can fly, too: and here director Josh Trank takes wing, in the movie's giddiest sequence, as the trio zips around the clouds in a glorious wish-fulfillment. It goes without saying that there will be a shadow side to this gift, and that's where Chronicle, for all its early cleverness, begins to stumble. Broody misfit Andrew (Dane DeHaan), destined to be voted Least Likely to Handle Superpowers Well by his graduating class, is documenting all this with his video camera, which is driving him even crazier (the movie's in "found footage" style, so everything we see is from a camcorder or security camera, an approach that gets trippy when Andrew realises he can levitate his camera without having to hold it). Trank and screenwriter Max Landis (son of John) seem to lose inspiration when the last act rolls around, so the movie settles for weightless battles around the Space Needle and a smattering of mass destruction. Still, let's give Chronicle credit for an offbeat angle, and a handful of memorable scenes. --Robert Horton JumperAs preposterous action movies go, Jumper is pleasantly unpretentious and breezily entertaining. A young man named David (Hayden Christensen) discovers he has the power to teleport (or "jump") anywhere he can visualise. After using this power to steal and make a comfortable life for himself, he pursues the girl he longed for in school (Rachel Bilson, The O. C.). But as he does so, another jumper (Jamie Bell, Billy Elliot) and a pack of fanatical jumper-hunters called paladins (led by a white-haired Samuel L. Jackson) crashes into David's freewheeling life. Jumper wastes no time trying to explain how jumping works or delving into the hows and whys of the paladins; this is an alluring fantasy of power directed at a pell-mell pace by Doug Liman (The Bourne Identity, Mr. and Mrs. Smith, Go). There's a brief moment when it feels like the movie will bog down in romance and vague gestures towards character development--happily, that's the moment when Bell appears and the whole movie shifts into overdrive. You might wish that Bell and Christensen had swapped roles; Bell has a far more engaging personality, and Christensen's bland good looks might better suit a more aggressive character. Nonetheless, Jumper has oodles of dynamism and nifty visual effects to propel its comic-book storyline forward. A variety of recognisable actors in bit parts (such as Diane Lane and Kristen Stewart, Panic Room) suggest that the filmmakers are laying the groundwork for sequels. Based on a critically-acclaimed science-fiction novel by Steven Gould. --Bret Fetzer, Amazon.com
The Righteous Judge
Charlie's Angels (Dir. Joseph McGinty Nichol 2000): Cameron Diaz Drew Barrymore and Lucy Liu are Charlie''s Angels - a trio of elite private investigators who with the latest in high-tech gadgets martial arts techniques and a vast array of disguises unleash their state of the art skills on land sea and air. Their goal to track down a kidnapped billionaire-to-be and keep his top-secret voice identification software out of his lethal hands. Aided by their faithful lieutenant Bosley (Bill Murray) and under the sure hand of their suave playboy boss notorious for his clever ways of avoiding face-to-face meetings the girls must foil an elaborate murder-revenge plot that could destroy individual privacy and corporate security worldwide. Adventure has never been more beautiful! Charlie's Angels: Full Throttle (Dir. Joseph McGinty Nichol 2003): The Angels rescue Marshal Ray Carter (Patrick) from a sticky situation in Mongolia but are forced to leave without what they presume to be his wedding ring. It transpires the ring is one of a coded pair that once combined unlocks the data for the location of the entire witness protection programme! As the other ring has also been taken from it's murdered owner the Angels are charged with tracking it down but along the way they encounter a vengefully violent old flame from Dylan's past and an ex-Angel striking out on her own... The Sweetest Thing (Dir. Roger Kumble 2002): Christina's love life is stuck in neutral. After years of avoiding the hazards of a meaningful relationship she meets Peter her perfect match. Fed up with playing games she finally gets the courage to let her guard down and follow her heart only to discover that he has suddenly left town. So she sets out to capture the one that got away.
Retired British military officer Capt. Hugh Bulldog Drummond is the leader of the Black Clan a secret organisation crusading to rid England of crime by means of a purge against foreign undesirables. When World Peace Conference delegate Brunel is assassinated en-route to Birmingham Drummond and his sidekick Algy kidnap arms dealer Charles Latter and set about threatening a foreign consortium to leave the country within 24 hours after the Black Clan pay them a visit. The ringleader of the syndicate is Drummond's old adversary European arms dealer Carl Peterson who kidnaps Drummond's wife to use her as bait to capture her husband. After walking into Peterson's trap Drummond is drugged and placed in a car that is driven into a nearby river; he narrowly escapes drowning and sets about liberating his wife from the gang's lair. Meanwhile Algy organises for the Black Clan to intervene and rescue Drummond and his wife.
The odds were stacked against Ramn from the start. He was always an outsider and to keep himself sane he lived by a strict mantra: don't fight don't snitch and don't cry. When his family settles in Seville Ramn becomes victim to the unwanted attention of the school's most notorious crowd. Backed against a wall he is forced to break the first rule of his mantra. This sets in full swing a chain of events that opens Ramn's eyes to an entirely new world. In the throes of adoles
A young man rejects his family's wealth and position of power to join the police force where he uncovers deep seeded corruption within the police threatening his reputation and placing his life on the line.
Bred from the creators of the classic horror 'Night Of The Living Dead' comes the long awaited sequel 'Children of the Living Dead'. Starting a new life in a quiet Pennsylvania town Matthew Michael's only thought is to turn an old farm property into a profitable car dealership. He soon discovers that beneath the gentle surface this small town is anything but calm and peaceful
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