Two of the world's top secret agents are best friends who never let anything come between them - until they inadvertently fall for the same woman.
After a series of murders bearing all the markings of the Jigsaw killer, law enforcement find themselves chasing the ghost of a man dead for over a decade and embroiled in a new game that's only just begun. Is John Kramer back from the dead to remind the world to be grateful for the gift of life? Or is this a trap set by a killer with designs of their own? Features: Audio Commentary with Producers Mark Burg, Oren Koules and Peter Block I Speak for the Dead: The Legacy of Saw The Choice is Yours: Exploring the Props
Steve Austin causes maximum Damage! Damage is the story of John Brickner (Steve Austin) a man recently paroled from prison driven into the illegal world of underground fighting. Brickner attempts to renew his life on the outside amidst a world infused with degenerates criminals and killers. With the help of slick fighting promoter Reno (Walton Goggins - The Shield) and his cut person Frankie (Laura Vandervoot) Brickner soon finds himself climbing the underground ranks. The stakes escalate as Brickner puts it all on the line in a fight to the death.
After a series of murders bearing all the markings of the Jigsaw killer, law enforcement find themselves chasing the ghost of a man dead for over a decade and embroiled in a new game that's only just begun. Is John Kramer back from the dead to remind the world to be grateful for the gift of life? Or is this a trap set by a killer with designs of their own? Features: Audio Commentary with Producers Mark Burg, Oren Koules and Peter Block I Speak for the Dead: The Legacy of Saw The Choice is Yours: Exploring the Props
One of the highest grossing Horror franchises of all time is back, taking the Jigsaw killer's signature brand of twisted scenarios to the next level. After a series of murders bearing all the markings of the Jigsaw killer, law enforcement find themselves chasing the ghost of a man dead for over a decade and embroiled in a new game that's only just begun. Is John Kramer back from the dead to remind the world to be grateful for the gift of life? Or is this a trap set by a killer with designs of their own? Features: Audio Commentary with Producers Mark Burg, Oren Koules and Peter Block I Speak for the Dead: The Legacy of Saw The Choice is Yours: Exploring the Props
Ted
An aspiring model suffers a disfiguring traffic accident and undergoes a radical untested stem-cell treatment. The experimental transformation is a miraculous success, leaving her more beautiful than before. She finds her confidence and sexual appetite is also strangely increased resulting in several torrid encounters. But she unknowingly sets off a spiraling contagion, and within 24 hours her lovers become rabid, violent spreaders of death and disease. As the illness mutates, it spreads through society at an accelerated rate causing an ever-increasing number of people to rampage through the city in a violent and gruesome killing spree.
Two of the world's top secret agents are best friends who never let anything come between them - until they inadvertently fall for the same woman.
Elena Michaels is torn between two lives: the human life she was born into... ...and the werewolf life she was bitten into. Elena wants the same things most twenty-five year old women want: a stable home, a loving family, and a meaningful relationship with a sensual partner. But unlike most women, she ll never get these things, because her life is a little more complicated than most being the world s only female werewolf. Elena was formerly a member of THE PACK, the powerful organized werewolf family that enforces a strict code of werewolf laws. Laws that ensure humans are safe among rogue werewolves, known as MUTTS. The Pack also makes certain that werewolf existence remains a secret, because if it ever became known that their kind existed, a fearful public would hunt them down and exterminate them from the face of the planet. Elena had broken away from the Pack, trying to re-establish a human life, but at the outset of the series she s dragged back into the family business ...much to her dismay. And it s not long until all hell breaks loose.
Two of the world's top secret agents are best friends who never let anything come between them - until they inadvertently fall for the same woman.
Two of the world's top secret agents are best friends who never let anything come between them - until they inadvertently fall for the same woman.
Michael and Peter Spierig direct this eighth instalment in the 'Saw' horror franchise. A decade after the death of the Jigsaw killer, the investigation into a succession of brutal murders begins to point to a killer with eerily similar methods. With a group of people being held against their will and being forced to take part in a series of sadistic games of life and death, Detective Keith (Clé Bennett) and his partner Halloran (Callum Keith Rennie) face a race against time to solve the puzzle before it's too late. The cast also includes Laura Vandervoort and Hannah Anderson.
Damage is the story of John Brickner (Steve Austin) a man recently paroled from prison driven into the illegal world of underground fighting. Brickner attempts to renew his life on the outside amidst a world infused with degenerates criminals and killers. With the help of slick fighting promoter Reno (Walton Goggins) and his cut person Frankie (Laura Vandervoot) Brickner soon finds himself climbing the underground ranks. The stakes escalate as Brickner puts it all on the line in a fight to the death.
One of the highest grossing Horror franchises of all time is back, taking the Jigsaw killer's signature brand of twisted scenarios to the next level. After a series of murders bearing all the markings of the Jigsaw killer, law enforcement find themselves chasing the ghost of a man dead for over a decade and embroiled in a new game that's only just begun. Is John Kramer back from the dead to remind the world to be grateful for the gift of life? Or is this a trap set by a killer with designs of their own?
Without the security of the job he wants or the future he dreamed of, Paul Dynan (Kevin Zegers), plans the perfect crime to help his struggling family - extort a fortune from three wealthy men (Ray Liotta, Victor Garber, Stephen McHattie).The plan: to abduct their socialite children (Laura Vandervoort, Dustin Milligan, John Bregar) and collect a healthy ransom of $3-million dollars. Over the course of one long night, Paul and his accomplices hold the rich kids hostage awaiting the ransom with little idea of the secrets that will surface between the fathers when they are forced to choose between their children and their money. Once blood is shed and things go horribly wrong, Paul must fight to stay one step ahead of his own twisted game.
Without the security of the job he wants or the future he dreamed of, Paul Dynan (Kevin Zegers), plans the perfect crime to help his struggling family - extort a fortune from three wealthy men (Ray Liotta, Victor Garber, Stephen McHattie).The plan: to abduct their socialite children (Laura Vandervoort, Dustin Milligan, John Bregar) and collect a healthy ransom of $3-million dollars. Over the course of one long night, Paul and his accomplices hold the rich kids hostage awaiting the ransom with little idea of the secrets that will surface between the fathers when they are forced to choose between their children and their money. Once blood is shed and things go horribly wrong, Paul must fight to stay one step ahead of his own twisted game.
Anyone who's watched Family Guy knows that its creator Seth MacFarlane has a lot of hang-ups. As outrageous as many of them are in their animated TV show forum, they get a real rundown in Ted, MacFarlane's multi-hyphenate debut in feature films. As the director, producer, cowriter, and voice artist behind the title character, MacFarlane riffs on pop culture, drug culture, religion, sex, bodily functions, and all things '80s with the kind of abandon that borders on offensive to pretty much anyone--if only it all weren't so spot-on funny. Ted is an utterly believable CGI teddy bear who comes to life in the arms of a friendless 8-year-old boy named John, who quickly grows up to be Mark Wahlberg. John has made a wish that the pudgy plush be a friend for forever, a deal that they both hold on to with genuine poignancy as the years roll by. Ted grows right along with John in voice, manner, attitude, and bad habits until they're both unmotivated layabouts who would rather do nothing more than swill beer, smoke dope, and watch the absurdly iconic '80s movie Flash Gordon over and over again to the exclusion of most everything else in life. John has managed to pick up a girlfriend named Lori (Mila Kunis), who somehow tolerates the pair of them--at least for a little while. Eventually she's annoyed enough with John for not putting away his childish things, thoughts, and behaviours that she demands Ted move out and let them move on as adults. Among all the conceits that Ted embraces is the fact that this fully anthropomorphized stuffed bear started life as a global celebrity sensation before everyone forgot about him. Now he's just a blue-collar Boston nobody who sucks on a bong, chases women, and makes dirty jokes at every opportunity while nobody pays attention. This could have been a generic lowbrow buddy movie in the Judd Apatow mold, which might have been a little funny with a human slob in the Ted role. But MacFarlane brings to the remarkably expressive CGI creation an astonishing and often shocking dynamic with his voice characterization and the consistently clever situations, which whiz by in a structure that's pretty similar to an episode of Family Guy. There are frequent non sequitur digressions and offhanded one-liners that MacFarlane could never get away with on TV. But in the raunchy, anything-goes world of Ted it's all fair game. In addition to farts, drugs, bodily functions, and all manner of sexual vulgarity, it's the slams or homages to the 1980s that are the butt of many of the best zingers or recurring jokes. There are several cameo appearances that may make for delighted double takes. And Sam Jones, the star of the ill-fated Flash Gordon, plays a version of himself that makes a running gag all the more ingenious and demonstrates how far MacFarlane will go to bring comedy down to his level of hilarity. Mark Wahlberg should be commended for being game enough to participate and absolutely shows the comedy chops to make his scenes with Ted come alive. Technically the movie is a wonder as the two-foot Ted blends into the real world with complete believability even as he spouts some of the most outrageous dialogue this side of The Hangover. Ted may be an acquired taste for those who have a dislike for MacFarlane's comic sensibility--and there are a lot of people who do. But as a laughable lowbrow adventure that delivers virtually nonstop unexpected laughs with a little heart to back it up, Ted is a surprising comic novelty that may even win over some of the most vituperative MacFarlane haters. --Ted Fry
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