Denzel Washington returns to one of his signature roles in the first sequel of his career. Robert McCall serves an unflinching justice for the exploited and oppressed but how far will he go when that is someone he loves?
A high-ranking but un-named Agent in the British Government resigns from his post and leaves for a holiday. While packing he is gassed and is taken to a beautiful but deadly prison known only as 'The Village'. Everyone in the Village is being held there for 'security reasons' and are only known by their assigned numbers. The Agent is assigned the title of 'Number 6 ' but adopts the name of The Prisoner. However he is plagued by two questions: How can he escape and who is the real leader of the Village?
The story of a friendship between a Catholic priest and a Communist Mayor. Together they travel from their remote village to Madrid and back exploring their friendship the demands of belief and constancy of faith. This lavish production filmed entirely on location captures the wit warmth and vitality that make the original novel by Graham Greene a unique work of literature.
The incredible true story of how an orphaned Jamaican baby, adopted by an elderly white couple and brought up in an all white area of London, became one of the most feared and respected men in Britain.
In Middle America, three horny teenagers travel to Cooper's Dell after responding to an older woman's online invitation for sex. However, their schoolboy fantasy turns sinister as Christian extremists, led by the twisted preacher Abin Cooper (Michael Parks), hold them captive in a compound known as the Five Points Church. As the Pastor and his congregation embark on a reign of terror forcing the boys to witness executions before being prepared for their own death, they have to contend with the arrival of Federal Agent Joseph Keenan (John Goodman) and his team who are armed, dangerous and ready to bring them all down. Stylish, compelling and visually exhilarating, Red State is unlike anything Kevin Smith has ever made before.
Based on the Ernest Hemigway novel of the same name Peck plays the part of a wounded hunter who is accompanied by two young women in the African wilds. Each of them tries to analyse his or her past life.
The Girl From Monday
70's classic horror film starring Susan George (Peckinpah's Straw Dogs) and directed by horror maestro Pete Walker (Frightmare) .
This movie version of Bizet's popular opera Carmen was filmed on location, conveying a kind of atmosphere, a sense of space, movement, and presence that's hard to achieve in a staged performance. It takes the action out of doors for many scenes, with the opening titles superimposed on the bloody conclusion of a bullfight. Elsewhere the changing of the guard, the crowd scenes, the dance number that opens Act 2, and the panoramic scenery of the smugglers' mountain hideout all benefit from the freedom granted by movie cameras. It's an exciting Carmen, too, with a young-looking Placido Domingo in top form for a role he has sung hundreds of times. For Julia Migenes, though, it was her first performance in a role she would have trouble performing in an opera house. Her voice does not fit easily into Carmen's range, and she spent months training it, very successfully, before singing the role in a recording studio where the soundtrack was taped before the film was shot. Casting her in the role was a gamble, but it worked; she is a convincing actress. Unlike most opera-house performances this movie version uses the opera's original opera comique form with some spoken dialogue rather than recitatives.--Joe McLellan, Amazon.com
When, beset by debt, the titular Countess Louise (Danielle Darrieux) decides to sell a pair of earrings that were a wedding gift from her husband André (Charles Boyer), she unwittingly sets in motion a chain of events that will have serious consequences not only for the Parisian couple but for André's mistress and for an Italian Baron (Vittorio De Sica), who purchased the, by then, much-travelled jewellery. Featuring nuanced performances by all three lead actors and directed by celebrated auteur Max Ophüls, this intricately constructed and elegantly designed drama is a searing study of fateful passion wound up in deceits, deals and desires. Special Features: Fully illustrated booklet featuring writing on the film and full film credits Other extras TBC)
From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. --Jeff Shannon
Bully, based on a true story, sees Larry Clark return to the violent and disturbing underworld previously documented in his controversial and provocative 1995 debut KIDS.
Maigret Sets A Trap Montmartre, Paris. A serial killer is stalking the streets. Five women are dead and people are afraid to go out after dark. The newspapers are rife with speculation. And Chief Superintendent Maigret is without a lead and under great pressure Maigret's Dead Man One February morning, an agitated man calls the Police judiciaire asking for Maigret. He claims he's being followed by someone trying to kill him. Before Maigret can get the details he hangs up, calls back again from various cafés, until the calls finally stop. That night, his body is found, his face badly beaten, stabbed to death. Ridden with guilt for not having saved his dead man, Maigret is determined to find the murderer. Bonus Features: Behind the Scenes
Top Cat remains a favourite cartoon of many for its slyly subversive yet comically light-hearted anti-authoritarian themes. Set in the trash-strewn alleyways of New York City the animated series centres around charismatic con-man Top Cat and his gang of lowlife felines as they dodge nemesis Officer Dibble in their eternal quest for get-rich schemes.
Alfred Hitchcock takes on Sigmund Freud in this thriller in which psychologist Ingrid Bergman tries to solve a murder by unlocking the clues hidden in the mind of amnesiac suspect Gregory Peck. Among the highlights is a bizarre dream sequence seemingly designed by Salvador Dali--complete with huge eyeballs and pointy scissors. Although the film is in black and white, the original release contained one subliminal blood-red frame, appearing when a gun pointed directly at the camera goes off. Spellbound is one of Hitchcock's strangest and most atmospheric films, providing the director with plenty of opportunities to explore what he called "pure cinema"--i.e., the power of pure visual associations. Miklós Rózsa's haunting score (which features the creepy electronic instrument, the theremin) won an Oscar, and the movie was nominated for best picture, director, supporting actor (Michael Chekhov), cinematography and special visual effects. --Jim Emerson
Award-winning documentary following eight kids competing for the position of best speller in the National Spelling Bee competition in America.
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