Kindly Dr. Reemer (Leo G. Carroll) has big plans for his new radioactive serum. It makes animals grow at a fantastic rate and this could solve the world's food shortage but when an accident at his Arizona laboratory leads to a tarantula injected with the serum escaping havoc results. The eerily silent desert is soon a lot scarier as cattle and humans start disappearing at an alarming rate. Local doctor Matt Hastings (John Agar) and Reemer's shapely assistant (Mara Corday) finally
Uses astonishing visuals to tell the intersecting stories of George Mallory, the first man to attempt a summit of Mount Everest, and Conrad Anker, the mountaineer who finds Mallory's frozen remains 75 years later.
Alan Ladd stars in this spectacular World War Two action drama as a paratrooper in Britain’s new, elite Parachute Regiment. ‘Canada’ MacKendrick (Alan Ladd) volunteers as a paratrooper in Britain’s fight against the Nazis. But his problems with taking orders and his refusal to take responsibility raise suspicions amongst his Commanding Officers. What is ‘Canada’ MacKendrick hiding from everyone? Fearless in battle, whether raiding a German radar installation or storming an airfield in North Africa, MacKendrick proves his worth to the regiment – but will his secret get him killed?
Alastair Sim stars as the eccentric and irreverent Inspector Cockrill of the Kent County Police alongside Trevor Howard and Rosamund John in this truly classic and suspenseful murder mystery from the acclaimed film-making partnership of Frank Launder and Sidney Gilliat. August 1944. German flying bombs are raining down on London. Directly under their flight path is a small cottage hospital. Inside the tension is almost unbearable for the dedicated team of surgeons and nurses - and no
When her gambling husband walks off with her life savings, Ray (Oscar nominated Melissa Leo), hardened by circumstances, is left to resort to drastic measures to fend for her family as best she can.
Amidst the mud and blood of Passchendaele in 1917 Private Hamp (Tom Courtenay) awaits Court Martial for desertion. His crime? Simply walking away from the slaughter after three solid years at the front during which all his mates have been killed. Captain Hargreaves (Dirk Bogard) the officer detailed to defend him is initially unsympathetic. However as he learns the facts of the case he becomes increasingly determined to save Hamp from the firing squad. But his superiors are equally keen to make an example of the unfortunate Private...
Wayne Gulliver and Mark Tate - nickname 'Treacle' - are two ordinary 18 year-olds serving in the British Army in Iraq. Their platoon is struggling to maintain the uneasy peace of 2003. When their popular company captain Godber is killed on patrol by a roadside bomb morale in the platoon hits rock bottom. Acting on orders they round up several suspects from house-to-house searches. That night feelings at the camp are running high and as the chain of command is weakened and events spiral out of control. The lads end their tour of duty and return to England full of stories but also shaken by their experiences. Iraq comes back to haunt them when Wayne's jilted girlfriend Shelley decides to get her own back on him by giving photos of the events in Iraq to the British police. The story hits the press and Wayne and Treacle now the most reviled men in Britain face court martial. The army claims Wayne and Treacle are 'rotten apples' acting alone. Guilt-ridden and abandoned the pressure is too much for a traumatized Treacle. Wayne however is determined to remain loyal to 'his army'. Only when he is truly alone does he have to decide if he must keep his secrets or explosively have his day in court and tell the truth about the events of that fateful night.
Conan The Barbarian: Through the history of mankind the times that are most recorded in mythology and song are those of the great deeds and fantastic adventures. Such a time was the Hyborean Age. Such a tale is the story of Conan The Barbarian. Cimmeran Conan witnesses his parents' savage murder at the hands of the raiding Vanir and their master Thulsa Doom also leader of the snake-cult of Set. Fifteen years of agony first chained to the Wheel Of Pain grinding grain and then enslaved as a pit fighter forge a magnificent body and indominitable spirit. Freed miraculously one day by his owner Conan with his companions Subotai the Mongol and Valeria the Queen of Thieves sets forth upon his quest to learn ""the riddle of steel"" which his father has prophesied will confer ultimate power; and to kill the arch-villian Thulsa Doom. Legend: Young Jack (Cruise) lives in a magic forest populated with friendly and exotic creatures. But the delicate balance between good and evil is upset when the Lord of Darkness seizes Jack's beloved Lili (Sara) and a horn from one of the last unicorns thereby gaining control of the universe. Ladyhawke: An enchanting tale of a beauty a knight - and a pickpocket known as the Mouse. Once the knight and the lady were lovers. Now the curse of an evil Bishop keeps them ""always together eternally apart."" By day she is a hawk by night he is a wolf. To end the evil spell the knight vows to break into the Bishop's stonghold with help from the Mouse...
Robert Bolt's successful play, A Man for All Seasons, was not considered a hot commercial property by Columbia Pictures--a period piece about a moral issue without a star, without even a love story. Perhaps that's why Columbia left director Fred Zinnemann alone to make the film as long as he stuck to a relatively small budget. The results took everyone by surprise, as the talky morality play became a box-office hit and collected the top Oscars for 1966. At the play's heart is the standoff between King Henry VIII (Robert Shaw, in young lion form) and Sir Thomas More (Paul Scofield, in an Oscar-winning performance). Henry wants More's official approval of divorce, but More's strict ethical and religious code will not let him waffle. More's rectitude is a source of exasperation to Cardinal Wolsey (Orson Welles in a cameo), who chides, "If you could just see facts flat on without that horrible moral squint". Zinnemann's approach is all simplicity, and indeed the somewhat prosaic staging doesn't create a great deal of cinematic excitement. But the language is worth savouring, and the ethical politics are debated with all the calm and majesty of an absorbing chess game. --Robert Horton, Amazon.com
Dickie Eklund (CHRISTIAN BALE) is a former boxing legend whose life has become shattered by drug abuse whilst Micky Ward (MARK WAHLBERG), his half brother, has become the town's fighter and fading hope for a champion.
When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to speak (and dumb down). What she plans to do with this knowledge is never really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably filmed previously with Look Who's Talking, but here the babies talk and move via visual effects like the animals in Babe. They also karate chop adults and talk about such adorable things as "diaper gravy". By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug Thomas
When the usually ranting and raving Sir Lancelot Spratt becomes gentle and considerate the hospital inhabitants become positively alarmed until Dr Simon Sparrow diagnoses the trouble: love!
When enigmatic school master James Wallraven (Michael Redgrave, Time Without Pity) rents a small room adjacent to Wanda's (Bette Davis, The Nanny), an ageing cellist, he soon realises that the privacy he seeks is clearly unattainable. From there begins a parade of revolving doors through which the occupants of this seedy West London boarding house a sleazy young musician (Alexis Kanner, Goodbye Gemini), a snooping landlady (Kay Walsh, The Rainbow Jacket) all seemingly stuck in purgatories of their own making, desperately attempt to find their place in a tainted society. Featuring a pair of screen legends and based on the stage play The Cellist by Marion Hart, Connecting Rooms is presented on Blu-ray for the first time in the UK, and is accompanied by a wealth of archival extras, including a rare recording of Bette Davis in conversation, and two short films by director Franklin Gollings. Product Features 4K restoration Original mono audio The John Player Lecture with Bette Davis (1976): archival interview with the iconic performer, recorded at London's National Film Theatre Spotlight at the Fair (1951): documentary short directed by Franklin Gollings, taking a look at travelling fairs and the amusement park at Blackpool The Way to Wimbledon (1952): documentary short directed by Gollings and narrated by John Mills, focusing on the fifty weeks in a year when Wimbledon isn't hosting the world-famous tennis championships Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with a new essay by Laura Mayne, an archival production report on the making of the film, an archival interview with director Franklin Gollings, an overview of contemporary critical responses, new writing on the short films, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies All extras subject to change
Fans of The Man From U.N.C.L.E. felt doubly blessed in 1965. Not only did its second series debut in colour, but there was also the first of several spin-off movies. The Spy with My Face thrilled audiences with "The August Affair", a plot to replace Napoleon Solo (Robert Vaughn) with a look-alike. The movie's only disappointment in this golden year for the show was the inexplicable absence of its catchy theme tune. By the third series the show had strayed too far into the campness of Batman, which also started in 1966. One Spy Too Many demonstrated the rush to cash-in on success before the bubble burst. This second theatrical release actually consists of two TV episodes, and played on US small screens first. This then became the pattern for the later movies, although what played where on international TV in episodic fashion becomes extremely complicated. The Karate Killers features Joan Crawford, Herbert Lom and Telly Savalas in a search for a secret formula (from Series 3). The Helicopter Spies pits Solo and Kuryakin (David McCallum) against two criminal masterminds (culled from Series 4). How to Steal the World is very much a finale, in that it comes from the very last episode. It rather shows, too, with only Leslie Nielsen looking serious about his art. It's no top secret that The Man from U.N.C.L.E.'s finest hours came early; the same certainly goes for these movies. Nevertheless, the gadgets are always great, the girls easy on the eye and the two leads superb in their chemistry together. On the DVD: The Man From U.N.C.L.E. has survived pretty well for its DVD incarnation. Although there's some grain and artefacts evident in the print, colours are bright and the image is generally sharp. Some work has gone into providing fun fan material, but unfortunately it's all via DVD-ROM and in PDF format. The eight text documents cover series origins, merchandise, the fans themselves and, of course, the movies featured in this box set. --Paul Tonks
When the Americans test a nuclear weapon at the South Pole at the exact moment that the Soviets are testing their own weapon at the North the earth's axis is jolted out of alignment causing catastrophic changes in global weather patterns. Additionally the earth has been dislodged from its orbit and is now hurtling towards the sun. It's a race against time as the world prepares for additional nuclear detonations which could restore life as we know it.
Top Cat remains a favourite cartoon of many for its slyly subversive yet comically light-hearted anti-authoritarian themes. Set in the trash-strewn alleyways of New York City the animated series centres around charismatic con-man Top Cat and his gang of lowlife felines as they dodge nemesis Officer Dibble in their eternal quest for get-rich schemes.
Fifty years on from its first UK broadcast, The Prisoner remains as fresh and dynamic as when it was first unleashed upon an unsuspecting world in 1967. This set presents the complete series, stunningly restored, together with a wealth of new special features.
From the legendary master of gore: Pete Walker (Frightmare, The Flesh and Blood Show) comes this pulse-pounding, nail-biting thriller where trickery, betrayal and death are around every corner. Susan George (Straw Dogs) stars as Marianne, a nightclub dancer desperately running for her life. Marianne is about to turn 21 and inherit the contents of a sizeable Swiss bank account, which also includes certain sensitive documents that would incriminate her estranged and corrupt father, The Judge (Leo Genn). Her only chance may be her new love, Eli (Barry Evans Doctor in the House) but with both of them targeted for assassination, can their love survive? Susan George lights up the screen with a charisma and appeal that's simply breath-taking
Nominated for a Golden Globe, this is the story of the Sicilian town of Bagheria, also known as Baaria. Written and directed by Academy Award-winner Giuseppe Tornatore (CINEMA PARADISO).
Giuseppe Tornatore's beautiful 1988 film about a little boy's love affair with the movies deservedly won an Oscar for Best Foreign Film and a Special Jury Prize at Cannes. Philippe Noiret plays a grizzled old projectionist who takes pride in his presentation of screen dreams for a town still recovering from World War II. When a child (Jacques Perrin) demonstrates fascination not only for movies but also for the process of showing them to an audience, a lifelong friendship is struck. This isn't just one of those films for people who are already in love with the cinema. But if you are one of those folks, the emotional resonance between the action in Tornatore's world and the images on Noiret's screen will seem all the greater--and the finale all the more powerful. --Tom Keogh
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