Gone in 60 Seconds opens on Kip Raines (Giovanni Ribisi), a cocky young car thief working with a crew to steal 50 cars for a very bad man whose nickname is "The Carpenter". Being young and cocky, Kip messes up, so its up to his big brother, Randall "Memphis" Raines (Nicolas Cage), to come out of car-thief retirement and save him. With a cast that includes Robert Duvall, Angelina Jolie, Delroy Lindo, Cage and Ribisi, it would be easy to say this story wastes all their talents--which it does, but thats not the point. This is a Jerry Bruckheimer film. A good story and complex characters would only get in the way of the action scenes and slow the movie down. No, Gone in 60 Seconds (based on the cult 1974 film of the same name) is not about the stars as much as its about cars. Fast cars. Rare cars. Wrecked cars. All cars. Too bad director Dominic Sena (Kalifornia) doesnt come across as more of a gearhead; he seems less interested in fast cars than fast cuts. But is this movie fun? Absolutely, and its fun because its so stupid. With pointless car chases and hackneyed dialogue in one of the most predictable plots of the year, Gone in 60 Seconds is a comic film thats not quite a parody of itself, but darn close. --Andy Spletzer, Amazon.com
The plane crashes (boy, does it crash) in the remote Alaskan nowhere, and the rough-and-tumble oil wildcatters who survive must fight their way to safety. That in itself might be enough from which The Grey could fashion a suspenseful thrill-ride, but the movie has one more ace up its sleeve. Wolves! A pack of them, starving and considerably irritated that these outsiders have blundered into their territory. And while it is true that most real-world wolves are hardly man-eaters, director Joe Carnahan and cowriter Ian Mackenzie Jeffers are really not all that interested in reality. Despite some hair-raising moments and a healthy spattering of gore, The Grey is an existential action picture, and the wolves function only as all-purpose predator (being computer-generated, they never really look real anyway). What's really at stake are the souls of these men--how they get along together, and how they face death. Yes, there is always something faintly absurd hanging around this movie; it's like a Jack London story adapted by Luc Besson. But out of its pulpy mash, Carnahan extracts something gutsy. It certainly helps that he's got the mighty Liam Neeson on board as the most capable of the survivors; Neeson exudes the kind of authority that the average action hero can only play-act. Dallas Roberts and Dermot Mulroney add colour, and Frank Grillo jumps off the screen as the most belligerent of the desperate crew. It's possible for a movie to have an absurd premise yet carve something unexpectedly philosophical out of that: The Incredible Shrinking Man and Rise of the Planet of the Apes come to mind. Add this one to that oddball list. --Robert Horton
Grey-Sloan Memorial and its surgeons' lives have been turned upside down. It's all-hands-on-deck as Meredith, Bailey and the rest of the Grey-Sloan doctors find themselves on the frontlines of a new era. Trauma and pressure mount as Koracick is put in charge of the interns. Teddy learns her colleagues know more than she may like about her relationship woes with Owen. And Link accuses Amelia of overstepping while he is treating a patient remotely. Meanwhile, Jackson pays a visit to his father that helps set him on the right path. Maggie and Winston reconnect. And Jo makes a life-changing decision. Grey's Anatomy Season Seventeen doesn't disappoint as Grey-Sloan doctors try to find a path forward.
When a mysterious alien power threatens the atmosphere of Earth in the 23rd Century, Kirk and his crew must time travel back to 1986 San Francisco to save mankind. Exploring this strange new world, they encounter punk rock, pizza and exact-change buses that are as alien as anything in the far reaches of the galaxy. This thrilling, action-packed, and often hysterical installment of the original motion picture saga looks better than ever on Blu-ray, boldly remastered from a 4K scan of the original film elements.
! One of the most celebrated and essential adventures from the STAR TREK universe, STAR TREK II: THE WRATH OF KHAN comes to 4K UHD with HDR-10 and Dolby Vision, boldly remastered from the original film elements. On routine training manoeuvres, Admiral James T. Kirk seems resigned that this may be the last space mission of his career. But an adversary from the past has returned with a vengeance. Aided by his exiled band of genetic supermen, Khan (Ricardo Montalban)brilliant renegade of 20th century Earthhas raided Space Station Regula One, stolen the top-secret device called Project Genesis, wrested control of another Federation starship, and now schemes to set a most deadly trap for his old enemy Kirk with the threat of a universal Armageddon. Both the original theatrical cut and the Director's cut are included, alongside an array of special features. Special Features Commentary By: Director Nicholas Meyer (Director's Cut And Theatrical Version) Commentary By: Director Nicholas Meyer And Manny Coto (Theatrical Version) Blu-ray Exclusives: Where No Man Has Gone Before: The Visual Effects Of Star Trek Ii: The Wrath Of Khan Starfleet Academy Scisec Brief 002: The Mystery Behind Ceti Alpha Vi James Horner: Composing Genesis A Tribute To Ricardo Montalban And More Blu-ray Disc is Region B, 4K is Region Free.
Prepare for an onslaught of robust breezy humour when the Carry On team take to the great Outdoors.
! Admiral Kirk's defeat of Khan and the creation of the Genesis planet are empty victories. Spock is dead and McCoy is inexplicably being driven insane. Then a surprise visit from Sarek, Spock's father, provides a startling revelation: McCoy is harboring Spock's living essence. With one friend alive and one not, but both in pain, Kirk attempts to help his friends by stealing the U.S.S. Enterprise and defying Starfleet's Genesis planet quarantine. But the Klingons have also learned of Genesis and race to meet Kirk in a deadly rendezvous.
A prominent banker unjustly convicted of murder spends many years in the Shawshank prison. He is befriended by a convict who knows the ropes and helps him to cope with the frightning realities of prison life.
Once Upon a Time in America has a chequered history, having been chopped from its original 229-minute director's cut to 139 minutes for its theatrical release. The longer edition presented here benefits from having the complete story (the short version has huge gaps) about turn-of-the-century Jewish immigrants in America finding their way into lives of crime, as told in flashback by an ageing Jewish gangster named Noodles (Robert De Niro). On the other hand, it's almost four hours long, and this sometimes-indulgent Sergio Leone film is no Godfather. Still, it is notable for the contrast between Leone's elegiac take on the gangster film and his occasional explosive action, as well as for the mix of the stoic, inexpressive De Niro and the hyperactive James Woods as his lifelong friend and rival. --Marshall Fine
BRUCE WILLIS IS JOHN McCLANE, a New York cop who flies to L.A. on Christmas Eve to visit his wife at a party in her company's lavish high-rise. Plans change once a group of terrorists, led by Hans Gruber (Alan Rickman), seize the building and take everyone hostage. McClane slips away and becomes the only chance anyone has in this beginning-to-end heart-stopping action thriller.
Patch Adams raises two schools of thought: there are those who are inspired by the true story of a troubled man who finds happiness in helping others--a man set on changing the world and who may well accomplish the task. And then there are those who feel manipulated by this feel-good story, who want to smack the young medical student every time he begins his silly antics. Staving off suicidal thoughts, Hunter Adams commits himself into a psychiatric ward, where he not only garners the nickname "Patch" but learns the joy in helping others. To this end, he decides to go to medical school, where he clashes with the staid conventions of the establishment as he attempts to inject humour and humanity into his treatment of the patients ("We need to start treating the patient as well as the disease", he declares throughout the film). Robin Williams, in the title role, is as charming as ever, although someone should tell him to broaden his range--the ever-cheerful, do-gooder à la Good Will Hunting and Dead Poets Society is getting a little old. His sidekick Truman (Daniel London) steals the show with his gawky allure and eyebrows that threaten to overtake his lean face--he seems more real, which is odd considering that Patch Adams does exist and this film is based on his life. Monica Potter is the coolly reluctant love interest and she makes the most of her one-dimensional part. While moments of true heartfelt emotion do come through, the major flaw of this film is that the good guys are just so gosh-darn good and the bad ones are just big meanies with no character development. Patch Adams, though, does provide the tears, the giggles and the kooky folks who will keep you smiling at the end. --Jenny Brown
18 months have passed since the events of Day 4. With the exception of David Palmer Tony Almeida Michelle Dessler and Chloe O'Brian the world believes that Jack Bauer (Kiefer Sutherland) is dead... Jack is in fact living under the name of Frank Flynn and conceals his identity by taking a manual job on an oil rig. However when President Logan is placed at the centre of a labyrinthine conspiracy involving the signing of a vital U.S. - Russian arms treaty Jack is forced back into action!
Picking up immediately after the events in Resident Evil: Retribution, humanity is on its last legs after Alice is betrayed by Wesker in Washington D.C. As the only survivor of what was meant to be humanity's final stand against the undead hordes, Alice must return to where the nightmare began - Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse. In a race against time Alice will join forces with old friends, and an unlikely ally, in an action packed battle with undead hordes and new mutant monsters. Between regaining her superhuman abilities at Wesker's hand and Umbrella's impending attack, this will be Alice's most difficult adventure as she fights to save humanity, which is on the brink of oblivion. Click Images to Enlarge
Picking up immediately after the events in Resident Evil: Retribution, humanity is on its last legs after Alice is betrayed by Wesker in Washington D.C. As the only survivor of what was meant to be humanity's final stand against the undead hordes, Alice must return to where the nightmare began - Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse. In a race against time Alice will join forces with old friends, and an unlikely ally, in an action packed battle with undead hordes and new mutant monsters. Between regaining her superhuman abilities at Wesker's hand and Umbrella's impending attack, this will be Alice's most difficult adventure as she fights to save humanity, which is on the brink of oblivion. Click Images to Enlarge
This seminal 1988 thriller made Bruce Willis a star and established a new template for action stories: "Terrorists take over a (blank), and a lone hero, unknown to the villains, is trapped with them." In Die Hard, those bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis's visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has to do with the plentiful fight sequences and the bond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis's wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet, and William Atherton is slimy as a busybody reporter. This film is exceptionally well directed by John McTiernan. --Tom Keogh
Space. The final frontier. These are the voyages of the Starship Enterprise. Its' five year mission: to explore strange new worlds to seek out new life and new civilisations to boldly go where no man has gone before! Episodes Comprise: 1. The Man Trap 2. Charlie X 3. Where No Man Has Gone Before 4. The Naked Time 5. The Enemy Within 6. Mudd's Women 7. What Are Little Girls Made Of? 8. Miri 9. Dagger Of The Mind 10. The Corbomite Maneuver 11. The Menagerie (Part 1) 12. The Menagerie (Part 2) 13. The Conscience Of The King 14. Balance Of Terror 15. Shore Leave 16. The Galileo Seven 17. The Squire of Gothos 18. Arena 19. Tomorrow Is Yesterday 20. Court Martial 21. The Return Of The Archons 22. Space Seed 23. A Taste Of Armageddon 24. This Side Of Paradise 25. The Devil In The Dark 26. Errand Of Mercy 27. The Alternative Factor 28. The City On The Edge Of Forever 29. Operation - Annihilate!
The Way, Way Back tells the funny and poignant coming of age story of 14-year-old Duncan's (Liam James) summer vacation with his mother, Pam (Toni Collette), her overbearing boyfriend, Trent (Steve Carell), and his daughter, Steph (Zoe Levin).
BILLY ZANE stars as THE PHANTOM in this thrill-a minute actioner based on one of the most successful comic series of all time! The story begins as an expedition lands on the island of Bengalla, seeking the legendary skulls of Touganda. Believed to harness an energy force of immeasurable power, the skulls could spell disaster for mankind. And that's exactly what ruthless tycoon Xander Drax (TREAT WILLIAMS) has in mind unless one man can save it. Now evil has met its match and great movie adventure has a new name THE PHANTOM!
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
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