Falling from the Oscar-winning glory of Dances with Wolves to the opposite end of the critical and box-office scale, Kevin Costner must have been deeply humbled when this three-hour postapocalyptic tale--his sophomore effort as a director--was greeted with a critical thrashing and tepid audience response. One of the most conspicuous flops of its decade, the 1997 release must have seemed like a sure thing on paper: a kind of futurist Western starring Costner as a charismatic drifter-turned-hero who leads the resistance against a military tyrant (Will Patton) by reviving the long-dormant postal system to reunite isolated communities in their fight for freedom. The movie bombed, but, like many audacious failures, it's got qualities that make it at least partially endearing, and its earnestness (although bordering on corny) keeps it from being entirely silly. Faint praise, perhaps, but Costner's ode to patriotism is occasionally stirring and visually impressive. --Jeff Shannon
! The crew of the Federation starship Enterprise is called to Nimbus III, the Planet of Intergalactic Peace. They are to negotiate in a case of kidnapping only to find out that the kidnapper is a relative of Spock. This man is possessed by his life long search for the planet Shaka-Ri which is supposed to be the source of all life. Together they begin to search for this mysterious planet.
With Tim Roth as Oliver Cromwell and Dougray Scott as Sir Thomas Fairfax, the film explores how the love and loyalty between two of the most fasicnating figures of the English Civil War turned to betrayal and political intrigue.
The great improvisational comedy team of Mike Nichols and Elaine May reunited to (respectively) direct and write this update of the French comedy La Cage Aux Folles. Robin Williams stars as a gay Miami nightclub owner who is forced to play it straight and ask his drag-queen partner (Nathan Lane) to hide out when Williams's son invites his prospective--and highly conservative--in-laws and fiancée to a meet-and-greet dinner party. Gene Hackman and Dianne Wiest play the straight-laced senator and his wife, and Calista Flockhart (from television's Ally McBeal) plays their daughter in a culture-clash with outrageous consequences. May's witty screenplay incorporates some pointed observations about the political landscape of the 1990s and takes a sensitive approach to the comedy's underlying drama. Topping off the action is Hank Azaria in a scene-stealing role as Williams's and Lane's flamboyant housekeeper, "Agador Spartacus." --Jeff Shannon
Stephen Graham stars as Joseph, a moral yet troubled man who's lost everything he ever held dear. Joseph finds himself compelled to travel to Ireland to confront the demons that continue to haunt him from a childhood spent in the care system, a journey that will have savage and brutal consequences. His path soon crosses with that of Dinah, played by Niamh Algar. She's fiery and more than able to stand up for herself, but like Joseph she's also deeply guarded, holding close a secret she's hiding from all those around her. Joseph and Dinah's lives spiral intensely in and out of control as they both try to ground themselves, torn between morality and self-indulgence, defined by drug-induced self destruction, traumatised by their own harrowing histories, and yet enlightened by their dual faith in companionship. Survival instincts kick in as they pave their way to an unnerving and tormented future. Neither of them thought their lives would ever tangle into a delicate love story.
One of the last decent Carry On movies, Carry On Abroad is a 1972 venture into the world of package holidays. After this, the series descended into unfunny coarseness as opposed to camply laboured double entendre, culminating in the dreadful Carry On Emanuelle. Here, publican Sid James and dutiful mother's son turned sex maniac Charles Hawtrey are among a brace of Brits heading for the "paradise island" of Elsbels. Kenneth Williams is the out-of-his-depth tour operator, reverting to the sort of effete types he played in the 1950s, Peter Butterworth a pre-Manuel-style manager of a half-built hotel. A series of disasters ensue, with the entire gang landing up in jail following a fracas in a brothel at one point, but everyone finds romantic and sexual fulfilment in a quaint disco finale. This includes a gay character who is "dissuaded" from his homosexuality in a typical example of the thoroughly reactionary subtext that constitutes the really naughty bit of most Carry On films. Nonetheless, this throwback to an imaginary time when the lewdest innuendo of a dirty old man was greeted by young females with a flirty "Ooh, saucy!" is enjoyable on condition that you enter into its seaside-postcard spirit. June Whitfield is fine as a sexually uptight wife, Kenneth Connor a model of red-faced frustration as her wimpish husband. On the DVD: Sadly, no extra features except scene selection. The picture is a 4:3 ratio full-screen presentation. --David Stubbs
Season Two, the 1994-95 run, of The X Files was the one where creator Chris Carter, having had a surprise hit when he expected a one-season wonder, started trying to make sense of all the storylines he had thrown into the pile in the first year. Moreover, he had to cope with Gillian Anderson's maternity leave by having Scully get abducted by aliens (back then, a pretty fresh device) for a few episodes and come back strangely altered. The season also inaugurated the tradition of opening ("Little Green Men") and closing ("Anasazi") with the show's worst episodes, both pot-boiling attempts to keep the alien infiltration/government conspiracy balls up in the air while seeming to offer narrative forward-thrusts or revelations. But it's also a show noticeably surer of itself than Season One, with its stars reading from the same page in terms of their characters' relationship and attitudes to the wondrous. Scully's no-longer-workable scepticism finally starts to erode in the face of Mulder's increasingly cracked belief. There are fewer marking-time leftover-monster-of-the-week shows--although we do get a human fluke ("The Host"), vampires ("3"), an invisible rapist ("Excelsius Dei") voodoo ("Fresh Bones")--and the flying-saucer stories at last seem to be going somewhere. The powerful two-episode run ("Duane Barry", "Ascension") features Steve Railsback as Mulder's possible future, an FBI agent burned out after a UFO abduction who has become a hostage-taking terrorist, which climaxes with Scully's disappearance into the light. The standout episode is also a stand-alone--"Humbug"--the first and still most successful of the show's self-parodies (written by Darin Morgan, who had played the Flukeman in "The Host"), in which the agents investigate a murder in a circus freakshow, allowing the actors to make fun of the mannerisms they have earnestly built up in a run of solemn, even somnolent, explorations of the murk. Other worthy efforts: "Aubrey", about genetic memory; "Irresistible", a rare (and creepy) straight psycho-chiller with little paranormal content; and "The Calusari", a good ghost/mystery. Rising deputy characters include Nicholas Lea as the perfidious Krycek and Brian Thompson as the shapeshifting alien bounty hunters. Notable guest stars: Charles Martin Smith, C.C.H. Pounder, Leland Orser, Terry O'Quinn, Bruce Weitz, Daniel Benzali, John Savage, Vincent Schiavelli, Tony Shalhoub. --Kim Newman
A box set featuring 16 of the finest efforts from the house of Ealing. 1. Champagne Charlie (Dir. Alberto Cavalcanti 1944) 2. Dead of Night (Dirs. Alberto Cavalcanti & Charles Crichton 1945) 3. Hue & Cry (Dir. Charles Crichton 1947) 4. It Always Rains on Sunday (Dir. Robert Hamer 1947) 5. Kind Hearts and Coronets (Dir. Robert Hamer 1949) 6. The Ladykillers (Dir. Alexander Mackendrick 1955) 7. The Lavender Hill Mob (Dir. Charles Crichton 1951) 8. The Maggie (Dir. Alexander Mackendrick 1954) 9. The Magnet (Dir. Charles Frend 1950) 10. The Man in The White Suit (Dir. Alexander Mackendrick 1951) 11. Nicholas Nickelby (Dir. Alberto Cavalcanti 1947) 12. Passport To Pimlico (Dir. Henry Cornelius 1949) 13. Scott of The Antarctic (Dir. Charles Frend 1948) 14. The Titfield Thunderbolt (Dir. Charles Crichton 1953) 15. Went The Day Well? (Dir. Alberto Cavalcanti 1942) 16. Whisky Galore (Dir. Alexander Mackendrick 1949)
Just when you thought it was safe to go back into the courtroom... Created by TV genius David E. Kelley and led by an Emmy Award-winning cast Boston Legal tells the professional and personal stories of a group of brilliant but often emotionally challenged attorneys. Fast-paced and darkly comedic the series confronts social and moral issues while its characters continually stretch the boundaries of the law. This spin-off of The Practice features all the episo
Marion Crane is a Phoenix, Arizona working girl fed up with having to sneak away during lunch breaks to meet her lover, Sam Loomis, who cannot get married because most of his money goes towards alimony.
This curiously dry adaptation of Thomas Hardy's last novel, Jude is a good example of Michael Winterbottom's inability to make a particularly good film until Welcome to Sarajevo. Christopher Eccleston plays Jude Fawley, a self-educated stonemason who holds the dream of attending university but identifies with the working class. Kate Winslet is enlisted to play his cousin Sue Bridehead, a young woman with suffragette leanings and a position as a teacher's assistant. When the two enter into an illicit union, they are condemned to the margins of society, ultimately resulting in a horrifying tragedy. Winterbottom takes an oddly lean approach to Hardy's deterministic story, which leaves a viewer feeling short on emotion just when one needs it for the from-bad-to-worse third act. Welcome to Sarajevo proved that Winterbottom needs a whole other level of personal involvement to make a film that inspires him. Jude isn't one of those lucky films. --Tom Keogh, Amazon.com
From Academy Award winning director Paul Haggis (Crash) comes a star studded drama about three interlocking love stories played out across Rome Paris and New York.
When young Alan Parrish discovers a mysterious board game, he doesn't realize its unimaginable powers, until he is magically transported before the eyes of his friend, Sarah, into the untamed jungles of JUMANJI! 26 years later he is freed from the game's spell by two unsuspecting children. Alan (ROBIN WILLIAMS) reunites with Sarah (BONNIE HUNT) and together with Judy (KIRSTEN DUNST) and Peter (BRADLEY PIERCE) tries to outwit the game's powerful forces in this imaginative adventure that combines breathtaking special effects with an enchanting mixture of comedy, magic and thrills. 2017 DVD 20th Anniversary Release - International When young Alan Parrish discovers a mysterious board game, he doesn't realize its unimaginable powers, until he is magically transported before the eyes of his friend, Sarah, into the untamed jungles of JUMANJI! 26 years later, Alan (Robin Williams) reunites with Sarah (Bonnie Hunt) and, together with Judy (Kirsten Dunst) and Peter (Bradley Pierce), tries to ou. Special Features: First look at Jumanji: Welcome To The Jungle Never-before-seen Deleted Scenes and hilarious Gag Reel with Robin Williams and the cast! Special Effects Crew Commentary Jumanji Motion Storybook as read by Author Chris Van Allsburg 3 Behind-the-Scenes Featurettes Storyboard Comparisons Extreme Book of Nature Photo Galleries Episodes from Jumanji: The Animated Series Original Theatrical Trailers
There were only two ways for "classic Trek" cast members to appear in a movie with the cast of Star Trek: The Next Generation: either Captain Kirk and his contemporaries would have to be very, very old, or there would be some time travel involved in the plot. Since geriatric heroes aren't very exciting (despite a welcomed cameo appearance by the aged Dr McCoy), Star Trek: Generations unites Capt. Kirk (William Shatner) and Capt. Jean-Luc Picard (Patrick Stewart) in a time-jumping race to stop a madman's quest for heavenly contentment. When a mysterious energy coil called the Nexus nearly destroys the newly christened USS Enterprise-B, the just-retired Kirk is lost and presumed dead. But he's actually been happily trapped in the timeless purgatory of the Nexus--an idyllic state of being described by the mystical Guinan (Whoopi Goldberg) as "pure joy". Picard must convince Kirk to leave this artificial comfort zone and confront Dr Soran (Malcolm McDowell), the madman who will threaten billions of lives to be reunited with the addictive pleasure of the Nexus. With subplots involving the android Data's unpredictable "emotion chip" and the spectacular crash-landing of the starship Enterprise, this crossover movie not only satisfied Trek fans, but it also gave them something they'd never had to confront before: the heroic and truly final death of a beloved Star Trek character. Passing the torch to the Next Generation with dignity and entertaining adventure, the movie isn't going to please everyone with its somewhat hokey plot, but it still ranks as a worthy big-screen launch for Picard and his stalwart crew. --Jeff Shannon, Amazon.com
Ashton Kutcher stars as a young man struggling with his past as he unravels a series of shocking truths about this childhood circle of friends.
There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission... Surrender yourself to the mysterious world of 'The Outer Limits' as one of the creepiest and most provocative series in television history comes to DVD. This fantastic box set comprises every episode from the first season and a glut of eery extras. Featuring 32 original episodes on 8 discs! Episodes comprise: 1. Galaxy Being 2. Hundred Days of
The film, set in Govan during the binmen's strike of the late 1970s, portrays the story of a young boy, growing up amidst a squalid life.
This version of Cinderella is the original 1950 Walt Disney animated classic. Based upon Charles Perrault's 17th-century fable about a poor stepdaughter transformed into a vision of beauty sent to the royal ball by her Fairy Godmother to meet her Prince Charming and live happily ever after. The kind and beautiful Cinderella dreams of romance and a better life while serving the selfish needs of her wicked stepmother and two jealous stepsisters. With the help of her mischievous mice
Take the psychotic mother-daughter team from 'Carrie'. Add the 'fire girl' premise of 'Firestarter'. Mix in a generous helping of racy irreverent comedy and you get a towering inferno of fun called 'Nice Girls Don't Explode'. Barbara Harris plays Mom a domestic tyrant who makes Joan Crawford seem rather permissive. After seeing an ad for a movie called 'Fire Girl' Mom devises an elaborate scheme to shield daughter April from men and sex. She decides to fight fire with fire. Apri
"Sex and Drugs and Rock and Roll" is the 2009 film of the Ian Dury story starring Andy Serkis in the role of the punk legend.
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