An instant werewolf classic, The Howling was directed by Joe Dante, a graduate of Roger Corman's school of low-budget ingenuity who had gained enough momentum with 1978's Piranha to rise to this bigger challenge. He brought along Piranha screenwriter John Sayles, too, and recruited makeup wizard Rob Bottin to create what was then the wildest on-screen transformation ever seen. With Gary Brandner's novel The Howling as a starting point, Sayles and Dante conceived a werewolf colony on the California coast, posing as a self-help haven led by a seemingly benevolent doctor (Patrick Macnee), and populated by a variety of "patients", from sexy, leather-clad sirens (Elisabeth Brooks) to an old coot (John Carradine) who's quite literally long in the tooth. When a TV reporter (Dee Wallace) arrives at the colony to recover from a recent trauma, the resident lycanthropes prepare for a howlin' good time. Dante handles it all with equal measures of humour, sex, gore, and horror, pulling out all the stops when the ravenous Eddie (Dante favourite Robert Picardo, later known as The Doctor on Star Trek: Voyager) transforms into a towering , bloodthirsty werewolf. (Bottin's mentor Rick Baker would soon raise the make-up ante with An American Werewolf in London.) As usual in Dante's movies (qv. Gremlins), in-jokes abound, from characters named after werewolf movie directors, amusing cameos (Corman, Sayles, Forrest J Ackerman), and hammy inserts of wolfish cartoons and Allen Ginsberg's "Howl". It's best appreciated now as a quintessential example of early-80s horror, with low-budget limitations evident throughout, but The Howling remains a giddy genre milestone. --Jeff Shannon, Amazon.com
Proving once and for all that you can’t keep a good Slayer down, Joss Whedon’s Buffy the Vampire Slayer: Season Eight Motion Comic picks up where the smash hit TV show left off! Based on the Dark Horse comic book series, these eye-popping motion comic adventures breathe new life into the Buffyverse for long-time fans and new “watchers” alike. The Hellmouth may have been destroyed, but the world still needs saving and Buffy Summers is back at her butt-kicking, demon-slaying best to do the job. She’s relocated her base of operations to a castle in Scotland to lead the Scooby Gang, including hundreds of newly activated Slayers scattered around the world to battle the supernatural forces of evil. But in the wake of Sunnydale’s destruction, the U.S. government thinks Buffy and her legions of followers have grown too powerful and are now terrorist threats. Meanwhile, a seemingly unstoppable group of Japanese vampires hatch a nefarious plot, while the biggest, baddest Big Bad of them all, Twilight, is on a mission to destroy every Slayer on Earth! Special Features: Buffy Season 8 Motion Comic Test Pilot The Buffy Trivia Experience Featurette “Under Buffy's Spell” Season 8 Comic Book Covers Gallery Create Your Own Buffy Comic
Dolly Rawlins is free again. Having served her sentence for her husband's murder she's now looking to collect a cool 6 million in diamonds hidden after a robbery eight years ago. She had dreams of a new life and the loot will help her start afresh. However the girls with whom she served time have their own plans...
Based on the Candace Bushnell novel of the same name, Lipstick Jungle is what the ladies on Sex and the City might have been like, had they been married characters rather than New York singletons. Brooke Shields stars as Wendy Healy, a high-powered movie mogul who can't get through a day without talking to (or lunching with) her best friends Nico Reilly (Kim Raver, 24) and Victory Ford (Lindsay Price, Beverly Hills, 90210). Nico is the editor of a high-end lifestyles magazine who is making up for her lack of a sex life at home by having an affair with a young photographer's assistant. Victory, the trio's single gal, is a fashion designer whose creations have fallen out of favour, but is adored by her rich boyfriend Joe Bennett (Andrew McCarthy). Each is a fixture on the annual "New York's 50 Most Powerful Women" list, but their day-to-day problems of juggling careers with demanding personal lives (i.e., men!) are at the forefront of each episode. As superficial fluff, the show is a fun watch. Will Wendy's former nanny write a tell-all book? How does Nico juggle a husband she loves with a young lover she lusts after? And is Victory really so naive that she won't figure out that her ambitious assistant stole all her best designs? Shields is a charming actress with a decent knack for comedy and Price is good enough as the flaky friend. But with lines like, "When they smell fear in this town, it's over," it's Raver who lends passion and credibility to this series--which is much better than the so-so book on which it is based, but not yet up to the quality that made Sex and the City a must-see show. --Jae-Ha Kim
When a teenager is forced to leave behind her beloved Big Apple in a family move, she has problems adjusting to life in surburban New Jersey.
Hot on the 'high' heels of its run on Living TV, the sexy and stylish ladies of Lipstick Jungle are back and better than ever before in the totally fabulous second season.
The Relic is the story of a monster that runs amok in a Chicago museum on the very day the institution is holding a glitzy reception. Naturally, the museum bosses want to go ahead with their public relations even as the creature is decapitating victims. Penelope Ann Miller plays a scientist on the run from the critter (which is at times computer generated and reminiscent of the raptors in Jurassic Park), and Tom Sizemore is a cop looking for his cold-blooded (in every sense) killer. Peter Hyams (Timecop) directs, and as always he excels at managing the plastic action at the cost of real feeling and logic. (Much of the story is pretty laughable.) --Tom Keogh
As rites-of-passage films featuring a young man's sexual initiation in the arms of a beautiful woman go, Class (1983) has plenty going for it, not least its attractive cast: Andrew McCarthy as Jonathan, Rob Lowe as Gatsby-ish best friend Skip and Jacqueline Bisset as the beautiful woman who is old enough to know better and just happens to be Skip's mother. Lewis John Carlino's film has moments of insight, taking a few well-aimed shots at the vaguely sinister network of American public school life. In the first reel it neatly subverts the bullying scenario that threatens when the geekish Jonathan arrives at the school, while offering the briefly intriguing sight of Lowe in scarlet bra and pants. And there's a subplot of deceit and complicity that both strengthens and threatens the friendship that rapidly forms between Skip and Jonathan. In many ways, though, the most interesting element of the picture--Skip's relationship with his dysfunctional family--is left unexplored. Jonathan's deflowering and subsequent interludes are merely titillating. And Bisset's Ellen, a desperately sad character, becomes superfluous once the revelation that she is the "teacher" sets the boys' friendship on the path to fraternal solidarity. On the DVD: Class is presented in widescreen anamorphic format and looks as good as its leading players, although the Dolby Digital mono soundtrack has odd moments of flatness that detract from the cinematic experience. Extras are limited to the cinema trailer that now looks like a red rag to the puritanical objectors who were appalled by the graphic scenes in which Jonathan loses his virginity to the predatory Ellen. --Piers Ford
An instant werewolf classic, The Howling was directed by Joe Dante, a graduate of Roger Corman's school of low-budget ingenuity who had gained enough momentum with 1978's Piranha to rise to this bigger challenge. He brought along Piranha screenwriter John Sayles, too, and recruited makeup wizard Rob Bottin to create what was then the wildest on-screen transformation ever seen. With Gary Brandner's novel The Howling as a starting point, Sayles and Dante conceived a werewolf colony on the California coast, posing as a self-help haven led by a seemingly benevolent doctor (Patrick Macnee), and populated by a variety of "patients", from sexy, leather-clad sirens (Elisabeth Brooks) to an old coot (John Carradine) who's quite literally long in the tooth. When a TV reporter (Dee Wallace) arrives at the colony to recover from a recent trauma, the resident lycanthropes prepare for a howlin' good time. Dante handles it all with equal measures of humour, sex, gore, and horror, pulling out all the stops when the ravenous Eddie (Dante favourite Robert Picardo, later known as The Doctor on Star Trek: Voyager) transforms into a towering , bloodthirsty werewolf. (Bottin's mentor Rick Baker would soon raise the make-up ante with An American Werewolf in London.) As usual in Dante's movies (qv. Gremlins), in-jokes abound, from characters named after werewolf movie directors, amusing cameos (Corman, Sayles, Forrest J Ackerman), and hammy inserts of wolfish cartoons and Allen Ginsberg's "Howl". It's best appreciated now as a quintessential example of early-80s horror, with low-budget limitations evident throughout, but The Howling remains a giddy genre milestone. --Jeff Shannon, Amazon.com
Severely shaken after a near-fatal encounter with a serial killer TV newscaster Karen White (Dee Wallace-Stone) takes some much-needed time off. Hoping to conquer her inner demons she heads for the 'Colony' a secluded retreat where her new neighbors are just a tad too eager to make her feel at home. Also there seems to be a bizarre link between her would-be attacker and this supposedly safe haven. And when after nights of being tormented by savage shrieks and unearthly cries Kar
Ewan McGregor stars as the eye an isolated British intelligence officer assigned the case of the enigmatic and mysterious Joanna Eris (Judd). Joanna is accused of blackmailing a senior British official - but she is more than just a blackmailer. As the Eye begins his task of shadowing her he discovers that she is capable of more than just extortion. A master of disguise she is also a lone killer who anticipates his every move and stays one step ahead. As he follows Joanna from murder to murder he feels compelled to watch her becoming more and more obsessed with what he sees. The closer the Eye gets to Joanna's life the more dangerous his fantasy becomes. Who is more dangerous the hunter or the hunted?
Buffalo Bill (Paul Newman) plans to put on his own Wild West sideshow and Chief Sitting Bull has agreed to appear in it. However Sitting Bull has his own hidden agenda involving the President and General Custer...
A romantic lesbian comedy which follows the lives of a group of women who went to college together in the '70s and who belonged to a local theatre group. Re-united to celebrate the birth of a friend's baby they decide to holiday together and rifts old and new arise as the women make up for twenty years of lost ground.
Knight Rider: a shadowy flight into the dangerous world of a man who does not exist. Michael Knight a young loner on a crusade to champion the cause of the innocent the helpless the powerless in a world of criminals who operate above the law... Episodes Comprise: Season 1 1. Deadly Maneuvers 2. A Good Day At White Rock 3. Slammin' Sammy's Stunt Show Spectacular 4. Just My Bill 5. Not A Drop To Drink 6. No Big Thing 7. Trust doesn't Rust 8. Inside Out 9. The Final Verdict
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