Six Californians start a club to discuss the works of Jane Austen, only to find their relationships -- both old and new -- begin to resemble 21st century versions of her novels.
Mort Rainey (Johnny Depp) is a best-selling author with hundreds of fans. But one of his stories holds a secret that comes to life; a secret that even he can't imagine.
Mort Rainey (Johnny Depp) is a best-selling author with hundreds of fans. But one of his stories holds a secret that comes to life; a secret that even he can't imagine.
The MummyIf you're expecting bandaged-wrapped corpses and a lurching Boris Karloff-type villain, then you've come to the wrong movie. But if outrageous effects, a hunky hero, and some hearty laughs are what you're looking for, the 1999 version of The Mummy is spectacularly good fun. Yes, the critics called it "hokey," "cheesy," and "pallid." Well, the critics are unjust. Granted, the plot tends to stray, the acting is a bit of a stretch, and the characters occasionally slip into cliché, but who cares? When that action gets going, hold tight--those two hours just fly by. The premise of the movie isn't that far off from the original. Egyptologist and general mess Evelyn (Rachel Weisz) discovers a map to the lost city of Hamunaptra, and so she hires rogue Rick O'Connell (Brendan Fraser) to lead her there. Once there, Evelyn accidentally unlocks the tomb of Imhotep (Arnold Vosloo), a man who had been buried alive a couple of millennia ago with flesh-eating bugs as punishment for sleeping with the pharaoh's girlfriend. The ancient mummy is revived, and he is determined to bring his old love back to life, which of course means much mayhem (including the unleashing of the 10 plagues) and human sacrifice. Despite the rather gory premise, this movie is fairly tame in terms of violence; most of the magic and surprise come from the special effects, which are glorious to watch, although Imhotep, before being fully reconstituted, is, as one explorer puts it, rather "juicy." Keep in mind this film is as much comedy as it is adventure--those looking for a straightforward horror pic will be disappointed. But for those who want good old-fashioned eye-candy kind of fun, The Mummy ranks as one of choicest flicks of 1999. --Jenny BrownThe Mummy Returns Proving that bigger is rarely better, The Mummy Returns serves up so much action and so many computer-generated effects that it quickly grows exhausting. In his zeal to establish a lucrative franchise, writer-director Stephen Sommers dispenses with such trivial matters as character development and plot logic, and charges headlong into an almost random buffet of minimum story and maximum mayhem, beginning with a prologue establishing the ominous fate of the Scorpion King (played by World Wrestling Federation star the Rock, in a cameo teaser for his later starring role in--you guessed it--The Scorpion King). Dormant for 5,000 years, under control of the Egyptian god Anubis, the Scorpion King will rise again in 1933, which is where we find The Mummy's returning heroes Brendan Fraser and Rachel Weisz, now married and scouring Egyptian ruins with their 8-year-old son, Alex (Freddie Boath). John Hannah (as Weisz's brother) and Oded Fehr (as mystical warrior Ardeth Bay) also return from The Mummy, and trouble begins when Alex dons the Scorpion King's ancient bracelet, coveted by the evil mummy Imhotep (Arnold Vosloo), who's been revived by... oh, but does any of this matter? With a plot so disposable that it's impossible to care about anything that happens, The Mummy Returns is best enjoyed as an intermittently amusing and physically impressive monument of Hollywood machinery, with gorgeous sets that scream for a better showcase, and digital trickery that tops its predecessor in ambition, if not in payoff. By the time our heroes encounter a hoard of ravenous pygmy mummies, you'll probably enjoy this movie in spite of itself. --Jeff ShannonThe Mummy: Tomb of the Dragon Emperor The third film in the The Mummy series freshens the franchise up by setting the action in China. There, the discovery of an ancient emperor's elaborate tomb proves a feather in the cap of Alex O'Connell (Luke Ford), a young archaeologist and son of Rick O'Connell (Brendan Fraser) and his wife Evelyn (Maria Bello, taking over the role from Rachel Weisz). Unfortunately, a curse that turned the emperor (Jet Li) and his army into terra cotta warriors buried for centuries is lifted, and the old guy prepares for world domination by seeking immortality at Shangri La. The O'Connells barely stay a step ahead of him (climbing through the Himalaya mountains with apparent ease), but the action inevitably leads to a showdown between two armies of mummies in a Chinese desert. The Mummy: Tomb of the Dragon Emperor has a lot to offer: a supporting cast that includes the elegant Michelle Yeoh, Russell Wong, and Liam Cunningham, the unexpected appearance of several Yeti, and a climactic battle sequence that is nightmarishly weird but compelling. On the downside, the charm so desperately sought in romantic relationships, as well as comic turns by John Hannah (as Evelyn's rascal brother), is not only absent but often annoying. Rarely have witty asides in the thick of battle been more unwelcome in a movie. Rob Cohen's direction is largely crisp if sometimes curious (a fight between Fraser and Jet Li keeps varying in speed for some reason), but his vision of Shangri La, in the Hollywood tradition, is certainly attractive. --Tom Keogh
Adam Sandler leads an all-star comedy cast as a troupe of former college friends discover that growing older doesn't mean growing up.
Alice Rohrwacher writes and directs this drama set in Italy. 12-year-old Gelsomina (Maria Alexandra Lungu) works as a beekeeper on her father Wolfgang (Sam Louwyck)'s farm while taking care of her younger sisters. Wolfgang, who is under pressure to improve the conditions of his honey lab in order to comply with new farming laws, hires teenager Martin (Luis Huilca) as a farmhand. Meanwhile, a TV presenter Milly Catena (Monica Bellucci) arrives with her crew who are there to film a competition in which the prize for the most traditional family is a sum of money and a cruise. Gelsomina wishes to take part and, despite her father's protests, seeks out Milly. When the summer comes to a close the young girl's life will be changed forever...
A classic head-to-head showdown ignites in Assault On Precinct 13, an all-new update of the 1976 action thriller of the same name.
Musicians have long proven to be a well of inspiration for film makers, and so it proves again with director Anton Corbjns telling of the story of Ian Curtis and Joy Division, Control. Based on the book of the same name, the first of Control's many successes is to make prior knowledge of the subject matter unnecessary. And while music is an important part of the film, the movie ultimately focuses in on the relationship between Curtis and his wife, Deborah. Its a moving and emotional rollercoaster, and one realised with exceptional skill and grace by Sam Riley and the ever-astonishing Samantha Morton in the lead acting roles. The former is someone very much to watch, the latter is surely long overdue an Oscar. Credit too must go to director Corbjn, though, who builds up Control with diligence and discipline. He shapes a musical biopic that distinguishes itself from its numerous contemporaries, and while it perhaps doesnt spend enough time with the Joy Division side of the story, its a film thats otherwise hard to fault. Control, ultimately, not only managed to sidestep many of the contrivances of the genre, but it also offers a raw, electric and emotional experience, and proved to be one of 2007s finest films. Dont miss it. --Jon Foster
From producer James Wan (The Conjuring) comes a tale of an unknown terror that lurks in the dark. When Rebecca left home, she thought she left her childhood fears behind. Growing up, she was never really sure of what was and wasn't real when the lights went out and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. A frightening entity with a mysterious attachment to their mother, Sophie, has reemerged. But this time, as Rebecca gets closer to unlocking the truth, there is no denying that all their lives are in danger once the lights go out. Click Images to Enlarge
The taut psychological thriller "Butterfly on a Wheel" asks the question; what happens when your daughter's kidnapper decides he doesn't want the ransom money?
Oliver Stone's controversial movie about last two men who were pulled alive from the remains of the World Trade Center after September 11.
The fifth season of Outlander sees a continuation of Claire and Jamie's fight to protect those they love, as they navigate the trials and tribulations of life in colonial America. Establishing a home in the New World is by no means an easy task, particularly in the wild backcountry of North Carolina and perhaps most significantly during a period of dramatic political upheaval. The Frasers strive to flourish within a society which, as Claire knows all too well, is unwittingly marching towards Revolution, as members of the elite ruling classes struggle to stifle an alarming undercurrent of unrest, trigged by the Regulator Movement, and to maintain order in the Province. Against this backdrop, which soon heralds the birth of the new American nation, Claire and Jamie have built a home together at Fraser's Ridge. Jamie must now defend this home established on land granted to him by the Crown despite the fact that this new mantle of responsibility sees him pitted against his godfather, Murtagh Fitzgibbons, a leader of the Regulator Rebellion. Jamie is forced to hide the true nature of his relationship with Murtagh from Governor Tryon, who has ordered Jamie to put an end to the unrest sweeping North Carolina. Claire, in turn, seeks to put her own skills and medical expertise to use in keeping her family together and safe from harm. Coupled with her knowledge of the future, she decides that she must be daring and have the courage to take risks, whatever the consequences may be Meanwhile, Brianna and Roger MacKenzie struggle to find their respective places in this world: striving to chase away the shadow cast over their lives by Stephen Bonnet, which continues to loom over them, as they raise their son in this brave new world. For the Frasers and their family, home is more than simply a site in which they live, it is the place in which they are laying the foundations for the rest of their lives.
Grieving parents are haunted by visions of their missing child in this chilling thriller.
Bobby Walker (Affleck) is living the American dream: great job, beautiful family, shiny Porsche in the garage. When corporate downsizing leaves him and his co-workers jobless, the three men are forced to re-define their lives.
B-movie mavens turned A-list genre fiends Robert Rodriguez and Quentin Tarantino teamed up in 1996 to take vampire gothic south of the border into spaghetti Western territory for the gory cult film From Dusk Till Dawn. The high-concept mix of southwestern criminals versus supernatural nasties proved too irresistible for either of the video-hound creators to allow it to remain dead (or undead, as the case may be), so they plotted and produced a pair of direct-to-video sequels. Tarantino takes a story credit on the first, a heist film coscripted and directed by Scott Speigel. A Mexican bank robbery helmed by drawling criminal Robert Patrick (Terminator 2) turns into a literal bloodbath when his crew are turned into hungry bloodsuckers. Speigel, a buddy of Sam Raimi, tops both Tarantino and Rodriguez for sheer cinematic acrobatics, putting his camera in the most absurd places (even from inside the mouth of a vampire chomping down on a victim) and driving the film with adrenaline-charged overkill, but despite some clever scenes and a hilarious Psycho spoof, From Dusk Till Dawn 2--Texas Blood Money turns into another aggressively trashy latex-mask and rubber-bat gorefest as cops and robbers team up against the fanged gang. Bo Hopkins costars as the police detective dogging Patrick's trail. Bruce Campbell and Tiffani-Amber Thiessen make cameos in the jokey opening sequence and Speigel and fellow director Kevin Smith briefly appear as vampire bait. Bartender Danny Trejo is the only returning cast member. --Sean Axmaker
The blockbuster global "Mummy" franchise takes a spellbinding turn as the action shifts to Asia for the next chapter in the adventure series, "The Mummy: Tomb of the Dragon Emperor".
Bello plays Marcia one of three sisters around whom the story is based. The film opens with Marcia and Olga preparing a birthday surprise for their younger sister Irene. There are deep seated clearly longstanding rifts opening up between Marcia and her siblings and their other family members especially when a man from their childhood makes a surprise appearance and jolts a few unhappy memories out of the women. Revelations about the sisters' turbulent relationship with each other and their father begin to surface and Irene has to quell a storm brewing between two men with romantic intentions toward her and to make matters worse their troublesome brother and his girlfriend appear.
Sixteen year old Katie McLaughlin (Alison Lohman) is a headstrong and determined teenager trying to find her way in life. Katie forms a bond with a wild horse she names Flicka. Despite pleas from her father (Tim McGraw) not to ride Flicka Katy sets out to follow her own path not only with the horse but with her future to show that she is capable taming Flicka and one day taking over the family ranch.
A tobacco spin doctor tries to remain a role model for his twelve-year-old son in this satirical comedy.
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