Sexy, romantic comedy about a girl in her early 20s who travels to New York with dreams of becoming a songwriter. Once there she gets a job at the latest hot spot, the bar 'Coyote Ugly,' run by a team of resourceful, mischief making young women.
Keller Dover (Jackman) is facing every parent's worst nightmare. His six-year-old daughter has gone missing with her young friend and as the minutes turn to hours, panic sets in.
The fifth season of Outlander sees a continuation of Claire and Jamie's fight to protect those they love, as they navigate the trials and tribulations of life in colonial America. Establishing a home in the New World is by no means an easy task, particularly in the wild backcountry of North Carolina and perhaps most significantly during a period of dramatic political upheaval. The Frasers strive to flourish within a society which, as Claire knows all too well, is unwittingly marching towards Revolution, as members of the elite ruling classes struggle to stifle an alarming undercurrent of unrest, trigged by the Regulator Movement, and to maintain order in the Province. Against this backdrop, which soon heralds the birth of the new American nation, Claire and Jamie have built a home together at Fraser's Ridge. Jamie must now defend this home established on land granted to him by the Crown despite the fact that this new mantle of responsibility sees him pitted against his godfather, Murtagh Fitzgibbons, a leader of the Regulator Rebellion. Jamie is forced to hide the true nature of his relationship with Murtagh from Governor Tryon, who has ordered Jamie to put an end to the unrest sweeping North Carolina. Claire, in turn, seeks to put her own skills and medical expertise to use in keeping her family together and safe from harm. Coupled with her knowledge of the future, she decides that she must be daring and have the courage to take risks, whatever the consequences may be Meanwhile, Brianna and Roger MacKenzie struggle to find their respective places in this world: striving to chase away the shadow cast over their lives by Stephen Bonnet, which continues to loom over them, as they raise their son in this brave new world. For the Frasers and their family, home is more than simply a site in which they live, it is the place in which they are laying the foundations for the rest of their lives.
Who is the deadly terrorist known only as Sahar, and where will they strike next? This central mystery runs throughout Season 17 as Special Agent Leroy Jethro Gibbs (Mark Harmon) and second-in-command Senior Special Agent Timothy McGee (Sean Murray) race against time to identify, locate and neutralize Sahar and save countless lives including their own. NCIS takes on some of the most intense cases of their careers along the way, from murdered Marines and attacks at Arlington National Cemetery to crashed fighter jets and secrets that threaten to tear their team apart. Co-stars Wilmer Valderrama, Emily Wickersham, Maria Bello, Brian Dietzen, Diona Reasonover, Rocky Carroll, and David McCallum work together to deliver justice all over the world in this thrilling 5-disc, 20-episode collection. Other Times. Other Lives. Hallowed Ground: The Arizona Inside Season 17 The Return of Ziva David
From producer James Wan (The Conjuring) comes a tale of an unknown terror that lurks in the dark. When Rebecca left home, she thought she left her childhood fears behind. Growing up, she was never really sure of what was and wasn't real when the lights went out and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. A frightening entity with a mysterious attachment to their mother, Sophie, has reemerged. But this time, as Rebecca gets closer to unlocking the truth, there is no denying that all their lives are in danger once the lights go out. Click Images to Enlarge
A shocking start to Season 18 of NCIS launches the team into a year like no other. The action begins with a bang and spools up from there. Answering the mystery of where Gibbs disappeared to last season, we follow him through his secret mission. But global threats never stop as the rest of the team brave new dangers and higher risks. In the landmark 400th episode, we delve into Gibbs' first day at NCIS with his future colleague, Ducky... and the rest is history. Follow up the season with an in-depth look at NCIS with a range of exclusive special features - 4 featurettes plus cast and crew commentaries on select episodes!
Viggo Mortensen stars in this stylized thriller from director David Cronenberg.
Oliver Stone's controversial movie about last two men who were pulled alive from the remains of the World Trade Center after September 11.
Adam Sandler leads an all-star comedy cast as a troupe of former college friends discover that growing older doesn't mean growing up.
In the steamy jungles of the South Pacific an enormous creature is created by nuclear fallout. Lost for decades the power and the fury of the world's largest monster are about to be unleashed. He's the most spectacular creature in cinematic history with a foot the size of a bus a body as tall as London's Big Ben and strength and agility the likes of which the world has never seen.
Sexy, romantic comedy about a girl in her early 20s who travels to New York with dreams of becoming a songwriter. Once there she gets a job at the latest hot spot, the bar 'Coyote Ugly,' run by a team of resourceful, mischief making young women.
Hammer's To the Devil a Daughter was the last film made by the once great studio. Clearly ailing, Hammer again adapted a novel by Dennis Wheatley, the author behind one of their greatest successes, The Devil Rides Out (1967). Unfortunately for the studio, films such as Rosemary's Baby (1968) and The Exorcist (1973) had, in the intervening decade, radically changed horror cinema. With American star Richard Widmark echoing Gregory Peck's role in the far more polished The Omen (1976), the film seemed, rather than setting the pace as Hammer once had, to be very much jumping on the 1970's occult band-wagon. Christopher Lee is the satanic ex-communicated priest whose coven plan to incarnate the ancient demon Ashteroth, while a supernaturally beautiful Nastassja Kinski demonstrates the same willingness to disrobe as in Cat People (1982). Even so, this lacklustre, misogynistic film couldn't compete with Carrie and Suspiria (both also 1976) and Hammer thereafter concentrated on TV productions. Surprisingly, director Peter Sykes' next film, Jesus (1979), as well as being the most seen and internationally distributed film ever (with an audience of over two billion by 2000), is also the most faithful portrayal of Christ yet committed to celluloid. --Gary S. Dalkin
Rediscover all three adrenaline filled feature films from The Mummy Franchise in this newly packaged trilogy now with UV. The MummyIn 1925 in the Sahara Desert a group of treasure hunters stumble on a 3 000 year old tomb and the mummified incarnation of an Egyptian priest out for revenge: As punishment for killing Pharaoh Seti and sleeping with his mistress Egyptian priest Imhotep was mummified alive and cursed. But in 1923 he is inadvertently resurrected by treasure hunters and must be stopped before he can wreak his final vengeance on the world. The Mummy ReturnsThe mummified body of Imhotep is transported to a museum in London. Once again he wakes and so begins a new campaign of rage and terror. The Mummy: Tomb of the Dragon Emperor:Taking off the wraps once more but this time the action moves to China for round three of the Mummy adventure. For 2 000 years the ruthless Chinese Dragon Emperor (Jet Li) and his vast army of warriors have been frozen in time cast in clay waiting for their moment to rise again. When young archaeologist Alex O'Connell (Luke Ford) is duped into bringing the ancient warlord back to life he soon realises he has to call in the only people he knows with experience and knowledge of how to battle the undead - his parents father Rick (Brendan Fraser) and mother Evelyn (Maria Bello). As the emperor attempts to re-unite with his massed warriors and finally fulfil his dream of world domination Alex and his family along with mystical high-kicking sorceress Zi Juan (Michelle Yeoh) and a rival cast of undead have to pull out all the stops to keep the evil tyrant from achieving his ends. Special Features: Disc 1 Feature Commentaries: With Director Stephen Sommers and Editor Bob Ducsay With Actor Brendan Fraser With Cctors Oded Fehr Kevin J O'Connor and Arnold Vosloo Unearthing the Revenge of the Mummy (Theme Parks Featurette) Tomb of the Dragon Emperor (Sneak Peek) An Army to Rule the World Part 1 >Storyboard to Final Film Comparison Visual and Special Effects Disc 2 Feature Commentary with Director/ Writer Stephen Somers and Executive Producer/ Editor Bob Ducsay Unearthing the Revenge of the Mummy (Theme Parks Featurette) Tomb of the Dragon Emperor (Sneak Peek) An Army to Rule the World Part 2Unraveling the Legacy of the Mummy Storyboard to Final Film Comparison (Mummy Returns) Spotlight on Location: The Making of the Mummy Returns Outtakes Visual and Special Effects Formation Disc 3 Feature Commentary Trailers: Burn After Reading The Boat That Rocked Frost Vs Nixon Mamma Mia
Mel Gibson portrays hard-boiled Porter in Payback a fast frequently funny and ecstatically twisted blend of action and noir atmosphere co-written and directed by Brian Helgeland Academy Award winner for L.A. Confidential based on the 'Point Blank' novel by Richard Stark. Porter makes his living outside the law. So when his partners in a heist rip off his 000 share and leave him for dead there's only one way for Porter to settle things: his way. And that sends him on a vendetta that will have a lot of lowlifes gaping at the talking end of Porters fat revolver. Crooked cops street gangs spineless flyspecks crime bosses anyone and everyone standing between Porter and his 70 grand are going to know he's back with a vengeance.
Set in a Chicago County General Hospital, the multi-Emmy winning ER is very much in the tradition established by the earlier Hill Street Blues. Like that series, ER also features a range of strong characters whose personal lives often reflect the turmoil of their working environment. It also similarly features a deft, fast-moving mix of comedy, intrigue and tragedy. It could also be seen as a precursor to The West Wing, in that we regard with some awe the ability of these characters to keep on top of the mounting chaos in their day-to-day lives and the myriad problems thrown at them. In ER, this chaos may mean crack addicts, violent patients tumbling through plate glass screens, vindictive colleagues or a chief of staff who insists that fellow surgeons operate on his sick dog. --David Stubbs
As "gigantic monster reptile attacks New York" movies go, you've got to admit that Godzilla delivers the goods, although its critical drubbing and box-office disappointment were arguably deserved. It's a shameless, uninspired crowd-pleaser that's content to serve up familiar action with the advantage of really fantastic special effects, and if you expect nothing more you'll be one among millions of satisfied customers. There's really no other way to approach it--you just have to accept the fact that Independence Day creators Roland Emmerich and Dean Devlin are unapologetic plagiarists, incapable of anything more than mindless spectacle that can play in any cinema in the world without dubbing or subtitles. The whole movie plays out like a series of highlights stolen from previous blockbusters of the 1990s; it's little more than a rehash of the Jurassic Park movies. The derivative script is so trivial that it's unworthy of comment, apart from a few choice laughs and the casting of Michael Lerner as New York's mayor, whose name is Ebert and who closely resembles a certain well-known movie critic. Perhaps that's a clever hint that this movie's essentially critic-proof. It's stupid but it's fun, and for most audiences that's a fitting definition of mainstream Hollywood entertainment. --Jeff Shannon
If it weren't for the fact that John Boorman's Point Blank was already a definitive take on Richard Stark's novel The Hunter (reissued under the title Payback), Payback would be a well-above-average 90s action movie. The original toughness is diluted: Mel Gibson's Porter, replacing Lee Marvin's Walker and Stark's Parker, comes on like a hardnut but turns into a softie when he hooks up with call-girl Maria Bello (and he even likes dogs). Double-crossed and wounded after shifty Gregg Henry dupes Porter's wife (Deborah Kara Unger) into betraying him, Porter sets out to get back the $70,000 share of a heist that he feels he is owed. Because Henry has used the money to buy his way into "the Outfit", he has to deal not only with the squirming scumbag but a hierarchy of corporate mobsters (William Devane, James Coburn, Kris Kristofferson) for whom it would be bad business practice to hand over even the trivial sum. Director-writer Brian Helgeland gives it a steely-blue look and gets good performances all round (with room for Lucy Liu as an amusing dominatrix) while constructing a story in which everything fits. But it's just a good thriller, since the masterpiece potential has already been staked out. --Kim Newman
One of the masterworks of 1960s cinema, La notte [The Night] marked yet another development in the continuous stylistic evolution of its director, Michelangelo Antonioni - even as it solidified his reputation as one of the greatest artists of the 20th century. La notte is Antonioni's Twilight of the Gods, but composed in cinematic terms. Examined from a crane-shot, it's a sprawling study of Italy's upper middle-class; seen in close-up, it's an x-ray of modern man's psychic desolation. Two of the giants of film-acting come together as a married couple living in crisis: Marcello Mastroianni (La dolce vita, 8-1/2) and Jeanne Moreau (Jules et Jim, Bay of Angels). He is a renowned author and public intellectual; she is the wife. Over the course of one day and the night into which it inevitably bleeds, the pair will come to re-examine their emotional bonds, and grapple with the question of whether love and communication are even possible in a world built out of profligate idylls and sexual hysteria. Photographed in rapturous black-and-white by the great Gianni di Venanzo (8-1/2, Giulietta degli spiriti), La notte presents the beauty of seduction, then asks: When did this occur - this seduction of Beauty? The Masters of Cinema Series is proud to present Michelangelo Antonioni's haunted odyssey for the first time ever on Blu-ray. Special Features: New 1080p presentation of the film in its original 1.66:1 aspect ratio with previously censored sequences restored for the first time. New and improved English subtitles Original Italian Theatrical Trailer 56-page booklet with an essay by film-critic and scholar Brad Stevens, and the transcript of a lengthy Q&A conducted in 1961 with Antonioni upon the film’s release.
Director Robert Englund (the iconic Freddy Kruger from the Nightmare on Elm Street series) dials up a gothic tale of high-tech horror in 976-EVIL. High school underdog Hoax (Stephen Geoffreys - Fright Night) fills up the idle hours in his seedy little hometown fending off the local leather-jacketed thugs, avoiding his overbearing mother (Sandy Dennis) and dreaming of a date with trailer park temptress Suzie (Lezlie Deane), But his quietly desperate life takes a terrifying turn when his cousin introduces him to an unusual new hobby phoning in for his horrorscope. Hoax is hooked up with a compellingly hideous demonic force that slowly begins to overtake his entire life and now there's more than just a phone bill to pay for anyone who ever dared cross the neighbourhood nerd. Co-written by Brian Helgeland (L.A. Confidential, Mystic River) and featuring incredibly practical effects work from Robert Kurtzman and Howard Berger, Eureka Classics is proud to present 976-EVIL on Blu-ray for the first time in the UK. Special Features: Limited Edition O-Card slipcase [First Print Run of 2000 copies ONLY] 1080p presentation on Blu-ray DTS-HD MA 5.1 and LPCM 2.0 audio options English subtitles (SDH) Audio commentary with director Robert Englund and set decorate Nancy Booth Englund 976-EVIL: home video version [105 mins, SD]: An extended version of the film from its original home video release on VHS New interview with producer Lisa M. Hansen New interview with special make-up effects artist Howard Berger (The Walking Dead) New interview with special effects technician Kevin Yagher (Nightmare on Elm Street) Limited Edition Collector's Booklet [2000 copies ONLY] featuring new writing by Craig Ian Mann
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