Ash, having gone from urban legend to hometown hero, discovers that he has a daughter. When Kelly witnesses a massacre with Ruby's fingerprints all over it, she returns to warn Ash and Pablo.
Sea, sex and sun for Ellen, Brenda and Sue, three North American ladies who are on the wrong side of forty.
Monsieur Hulot continues his battle with the modern world. He also pours his affection on to his nephew of which fact his parents don't seem to appreciate.
Vera Chytilov'''s classic of surrealist cinema comes to Second Run DVD in an all-new digital transfer with improved picture and sound. A satirical wild and irreverent story of teenage rebellion. Two young women rebel against a degenerate and oppressive society attacking symbols of wealth and bourgeois culture. A riotous punk-rock poem of a film that is both hilarious and mind-warpingly innovative Daisies was banned in native Czechoslovakia and director Vera Chytilov'' was forbidden to work until 1975.
The Exterminating Angels
Following a mysterious absence of several years, the Man of Steel comes back to Earth in the epic action-adventure.
Starting with one of the greatest films about childhood, from anywhere, ever (Anthony Quinn, The Independent), which kicked off the French New Wave, François Truffaut delivers an indisputable landmark of cinema history five films, four features and one short, which follow the life of one charming, compelling and unforgettable character. Before anyone else, Truffaut allowed audiences to dip into one character's life progressively over 20 years, witnessing him growing up from a child struggling with school and the law to an adult, struggling with love and divorce. A very special and unique collection, The Adventures of Antoine Doinel will invoke joy, humour, nostalgia and happiness time and time again as your investment in Antoine and his story progressively proliferates with each gloriously captured scene.
Meet Frankenstein: The world of freight handlers Wilbur Grey and Chick Young is turned upside down when the remains of Frankenstein's monster and Dracula arrive from Europe to be used in a house of horrors. Dracula awakens and escapes with the weakened monster who he plans to re-energize with a new brain. Larry Talbot (the Wolfman) arrives from London in an attempt to thwart Dracula. Dracula's reluctant aide is the beautiful Dr. Sandra Mornay. Her reluctance is dispatched by Dracula's bite. Dracula and Sandra abduct Wilbur for his brain and recharge the monster in preparation for the operation. Chick and Talbot attempt to find and free Wilbur but when the full moon rises all hell breaks loose with the Wolfman Dracula and Frankenstein all running rampant. Meet The Mummy: In Egypt Peter and Freddie find the archaeologist Dr. Zoomer murdered before they can return to America. A medallion leads them to a crypt where a revived mummy provides the terror.
When veteran detective, Danny Frater (played by James Nesbitt), turns up at a hospital mortuary for what he thinks is a routine ID check on a young woman's body, he gets a devastating shock; the corpse turns out to be his estranged daughter, Christina (played by Imogen King). Danny is traumatized by the news that according to the post-mortem report, she's taken her own life. Danny and Christina had a complicated father-daughter relationship in recent years, but he refuses to accept that she would have ended her own life. He sets out on a mission for the truth, retracing her last days and hours, in an agonising crusade to discover what really happened to his only child.
One of the all-time great wartime love stories shot on location in Malaya.
Director Neil Jordan's gothic outing is a unique excursion into horror.
Famously described by Ingmar Bergman as ""a work of genius"" Peter Watkins' multi-faceted masterwork is more than just a biopic of the iconic Norwegian Expressionist painter it is one of the best films ever made about the artistic process. Focusing initially on Munch's formative years in late 19th Century Kristiana (now Oslo) Watkins uses his trademark style to create a vivid picture of the emotional political and social upheavals that would have such an effect on his art. The young artist (Geir Westby) has an affair with ""Mrs Heiberg"" (Gro Fraas) a devastating experience that will haunt him for the rest of his life. His work is viciously attacked by critics and public alike and he is forced to leave his home country for Berlin where along with the notorious Swedish playwright August Strindberg he becomes part of the cultural storm that is to sweep Europe. There have been countless film biographies of famous artists but only a handful can be considered major works in their own right. The Masters of Cinema Series is proud to present Watkins' original extended 211-minute TV version of what is regarded by many as an extraordinary feat of filmmaking.
After the death of their college age son, Anne (“Scream Queen” Barbara Crampton: Re-Animator, You’re Next) and Paul Sacchetti (Andrew Sensenig) relocate to the snow-swept New England hamlet of Aylesbury, a sleepy village where all is most certainly not as it seems. When strange sounds and eerie feelings convince Anne that her son’s spirit is still with them, they invite an eccentric, New Age couple (Larry Fessenden: I Sell the Dead and Lisa Marie: Mars Attacks!) to help them get to the bottom of the mystery. They discover that not only are the house’s first residents, the vengeful Dagmar family, still there – but so is an ancient power. A primal darkness slumbers under the old home, waking up every thirty years and demanding the fresh blood of a new family.
From the director of 'The Cider House Rules' and 'Chocolat' this internationally acclaimed film is a tender portrayal of the wisdom and resilience of a young boy set in 1959. Shipped off to live with his uncle for the summer when his mother falls ill 12 year old Ingemar is on the verge of puberty and grasping to understand his sexuality while searching for acceptance. He finds both with the help of the town's warm-hearted eccentrics... Oscar-nominated for Best Director and Best Ad
When a group of petty criminals are hired by a mysterious party to retrieve a rare piece of found footage from a rundown house in the middle of nowhere, they soon realise that the job isn’t going to be as easy as they thought. In the living room, a lifeless body is slumped before a hub of old television sets, surrounded by stacks of VHS tapes. As they search for the right one they are treated to a seemingly endless number of horrifying videos, each more terrifying than the last.
With its campy combination of lightweight adventure and Spandex disco chic, Buck Rogers in the 25th Century is a nostalgic throwback to post-Star Wars opportunism. Series co-creator Glen A. Larson was incapable of originality, and former soap star Gil Gerard (in the title role) was a bland incarnation of the comic-strip hero, so the much-anticipated series premiered on September 20, 1979, with serious disadvantages. Although the two-hour pilot "Awakening" had tested successfully as a theatrical release, Gerard and the show's producers could never agree on a stable tone for the series, which presents Capt. William "Buck" Rogers as a jovial space cowboy who is accidentally time-warped from 1987 to 2491. Earth is engaged in interplanetary war following a global holocaust, and Buck's piloting skills make him an ideal starfighter recruit for the Earth Defense Directorate, where his closest colleagues are Dr. Huer (Tim O'Connor), squadron leader Col. Wilma Deering (former model Erin Gray, looking oh-so-foxy), the wisecracking robot Twiki (voiced by cartoon legend Mel Blanc), and a portable computer-brain named Dr. Theopolis, who's carried by Twiki like oversized bling-bling. The series struggled through an awkward first season, with routine plots elevated by decent special effects and noteworthy guest stars including Jamie Lee Curtis, ill-fated Playboy Playmate Dorothy Stratten (appearing, with her voice dubbed over, less than a year before her tragic murder), Batman alumnus Julie Newmar, Buster Crabbe (veteran of vintage Buck Rogers movie serials), and several others in a show that favored vamps and vixens over credible science fiction. A full-scale overhaul resulted in a disastrous second season, but devoted fans still gravitate to Hawk (Thom Christopher), the charismatic alien "birdman" who was introduced with new characters and a new, space-faring search for lost tribes from Earth (with echoes of Larson's own Battlestar Galactica). Behind-the-scenes squabbles continued, and by mid-season of 1981, NBC pulled the plug on a breezy, still-engaging series that suffered from uneasy chemistry and never realized its full potential. Existing somewhere between Galactica and Lost in Space in the TV sci-fi food chain, this Buck--with a dearth of DVD extras--now functions as a cheesy stroll down memory lane. --Jeff Shannon
The Legacy is a modern family portrait. A description of the '68 generation and their children. A narrative about the sharp traces and consequences left by an intense time of upheaval upon modern family life - whether it takes place in a seemingly liberated and progressive artist's home or in a more traditional community-oriented, provincial and handball-minded environment. The serial plays out at the legendary manor Grønnegaard, southern Funen, where the internationally renowned artist Veronika Grønnegaard has lived an eccentric and colorful life since the wild sixties. The serial follows Veronika's four adult children whose free and chaotic childhood at Grønnegaard has left its mark on them in very different ways. They live scattered to the four winds until Veronika dies and they gather to wind up the estate. Just before she dies, Veronika leaves the manor to her daughter Signe, who was given up for adoption. Signe lives with her partner in a quiet residential area in the local town...
With an ingenious script, engaging characters, nerve-shredding suspense, genuinely frightening set-pieces and laugh-out-loud funny bits An American Werewolf in London is a prime candidate for the finest horror-comedy ever made. Americans David (David Naughton) and Jack (Griffin Dunne) are backpacking in northern England when Jack is killed by a wild beast and David is bitten. Back in London David finds himself falling in love with a nurse, Alex (played with winning charm by Jenny Agutter), and turning into a werewolf. Adding to his problems, an increasingly decomposed Jack keeps coming back from the dead, and he is not a happy corpse. The Oscar winning make-up and transformation scenes still look good and rather than send itself up Werewolf plays its horror seriously, the laughs coming naturally from the surreal situation. Naughton is engagingly confused and disbelieving, desperately coping with the ever more nightmarish world, while Landis delivers one absolutely stunning dream sequence, an unbearably tense hunt on the London Underground and a breathtaking finale. Gory, erotic, shocking and romantic, this unforgettable horror classic has it all. Tom Holland's Fright Night (1985) remixed the formula with vampires, as did Landis himself in Innocent Blood (1992). A disappointing sequel, An American Werewolf in Paris, followed in 1997. --Gary S Dalkin
In this classic Film Noir, an ambitious but unscrupulous lawyer (John Garfield, The Postman Always Rings Twice) works for the mob, and scents the prospect of a personal fortune when he helps concoct a plan that will merge all of New York City's numbers rackets into a single powerful and unbreakable operation. But one of them is run by his own brother (Thomas Gomez, Key Largo), who is much happier as an independent, mainly because it allows him to apply his own ethical standards to prevent innocent people from being corrupted by his shady activities. And it's the Cain-and-Abel clash between them that gives the film its tragic dimension. After a brilliant writing career (Body and Soul), Abraham Polonsky was given a shot at directing, and he turned out one of the most original thrillers of its era, combining poetic dialogue worthy of Clifford Odets (Sweet Smell of Success) with a forensically Marxist critique of the capitalist system (the force of evil that underpins everything in American society). Martin Scorsese frequently cited it as one of the most influential films in his life, and it's easy to see why. SPECIAL EDITION CONTENTS: High Definition Blu-ray (1080p) presentation transferred from original film elements Uncompressed mono 1.0 PCM audio soundtrack Optional English subtitles for the deaf and hard of hearing Introduction by Martin Scorsese Commentary by critics Glenn Kenny and Farran Smith Nehme An Autopsy on Capitalism, a visual essay on the production and reception of Force of Evil by Frank Krutnik, author of In a Lonely Street: Film noir, genre, masculinity Commentary on selected themes by Krutnik Two radio plays: Hollywood Fights Back (1947), 35 Hollywood stars protest the blacklist and Body and Soul (1948), a radio version of Abraham Polonsky's breakthrough script starring John Garfield International poster gallery Reversible sleeve featuring original and newly commissioned artwork by Scott Saslow
As the comfortable certainties of Edwardian England give way to chaos and destruction, English aristocrat Christopher Tietjens finds himself marrying Sylvia, a beautiful but cruel socialite who is pregnant with a child who may or may not be his. Christopher is determined to remain loyal to his wife despite her string of infidelities, but his life is transformed the day he meets Valentine Wannop, a fearless young suffragette. Moving from the glittering yet shallow world of London high society to the trench-scarred battlefields of France, Parade's End is the story of one of the defining eras of the last century; a time when old certainties are being torn down and lives are changed forever.
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