In this sequel to last year's hit spoof of horror movies follows four tricked by their professor into visiting a haunted house for a school project.
It was an event that every fan had waited a decade for: the first Star Trek movie. But after its cinema release in 1979 Star Trek: The Motion Picture was quickly dubbed "The Slow-Motion Picture". In the opinion of general audiences, fans and critics alike, the snail-like pace of the film was a crippling flaw. It bothered one person even more, though: but Robert Wise finally got to scratch that itch when preparing this Director's Edition. In an unprecedented display of confidence from a movie studio, Wise has been allowed to re-edit the film and commission new visual effects sequences that were planned but unrealised for the original release. The result is frankly mind-boggling. Finally we are now able to see how Vulcan was supposed to amaze and alienate us, how integral the B-crew's role was to the mission, and just how spectacular the V'ger ship was imagined to be. Is the pace problem addressed? Undoubtedly it is. Scenes are trimmed and a new "busier" effects soundtrack helps considerably. Does it look better? Definitely. The shades of beige and puce have never seemed more crisply defined. Does it sound better? Jerry Goldsmith's music score (arguably one of the best ever written) is as majestically represented as the Enterprise herself. On the DVD: Star Trek: The Motion Picture two-disc set has oodles of extra features, including a complete library of all scenes deleted from both the original and new versions. The picture quality varies throughout, but it's worth putting up with for the (Wise-ly) excised material such as the unfinished effects work. An audio commentary from Wise, special effects director John Dykstra, composer Jerry Goldsmith and Commander Decker himself (Stephen Collins) provides an appraisal for movie aficionados more than Trek fans: the latter will be far more interested in a text commentary from Trek author and scholar Mike Okuda, who points out endless amounts of in-trivia. Better even than all these are three new documentaries that chronicle the film's history from then to now. Each is brightly put together (they don't drag), informative without being overly technical, and exude a pride without bragging. --Paul Tonks
The Quiet Earth: 'The Quiet Earth' centres around a scientist called Zack who wakes on morning to discover he is alone in the world. The global top-secret energy project (Operation Flashlight) which he has been working on for a year has changed the world. Humanity seems to have been wiped out. Zac begins a frantic search for other survivors. At the same time he has the chance to live out his fantasies. In a world where excess and wealth have no meaning he switches from dwelling to dwelling and vehicle to vehicle. He soon realises the emptiness and loneliness of his nightmare situation. 'I have been condemned to live' he says. The discovery of two survivors first a woman and then a man sets the scene for a critical struggle for survival and adds an intriguing spiritual and emotional dimension to the film. Visitors Of The Night: They're Watching...They're Waiting...They're Back. Judith (Markie Post There's Something About Mary"") notices some very creepy things are happening around town. She and the town's Sheriff make a chilling discovery the town's teens are disappearing. When they reappear they are suffering from amnesia. Judith is even more troubled when her daughter Katie (Candace Cameron ""Full House"") is missing. When she returns and begins acting strange it soon becomes evident alien powers have taken over the town. Judith must stand up to her fears and rid the town of aliens that have come to claim her daughter. Don't miss the unstoppable excitement of this smart and scary hit! Frenchman's Farm: A woman's car breaks down in the country and when she goes to get help she's whisked back in time to 1944 and witnesses a murder. Returning to her car time reverts to normal but unable to convince anyone of her story she investigates the crime herself...
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