The political and moral conflicts at the core of the Nuremberg trials are brought to the fore in Stanley Kramer's celebrated dramatization, In the aftermath of World War two, Judge Dan Haywood (Spencer Tracey) presides over the military tribunals of members of the Nazi regime. War crimes and atrocities have been committed but it is the guilt of the defendant's clear? Are the accused simply guilty of following the diktats of a superior authority? Are they pawns in a larger geo-political struggle? Featuring an all-star cast including Tracey, Burt Lancaster, Richard Widmark, Marlene Dietrich, Judy Garland, Maximillian Schell and Montgomery Clift, this court room classic is a tense and thought-provoking drama, now available on Blu-ray for the very first time in the UK. Special Features: Limited Edition 2-disc set (1 x Blu-ray + 1 x DVD for extras) Presented in High Definition In Conversation with Abby Mann and Maximillian Schell (20 mins): an enjoyable reminiscence by the pair The Value of a Single Human Being (6 mins): screenwriter Abby Mann discusses his OscarÂ®-winning screenplay A Tribute to Stanley Kramer (14 mins): an overview of aspects of director Stanley Kramer's life and career, including an interview with his widow Other extras TBC
From the inimitable Billy Wilder (Double Indemnity, The Lost Weekend) comes this classic comedy that mixes romance with hard-boiled wit in a story about stiff-necked Iowa congresswoman Phoebe Frost (Jean Arthur Shane) mired in jaded post-war Berlin. As she investigates the morale of American troops, Phoebe is cynically wooed by fellow Iowan Captain John Pringle (John Lund), who is trying to cover up his affair with Nazi-tainted chanteuse Erika von SchlÃ¼tow (Marlene Dietrich Witness for the Prosecution, The Blue Angel). Filled with sharp dialogue and satiric jabs, A Foreign Affair is one of Wilder's most beloved comedies, and The Masters of Cinema Series is proud to present the film in its UK debut on Blu-ray. Special Features: 1080p presentation on Blu-ray Uncompressed LPCM 2.0 audio Audio commentary by film historian Joseph McBride New video piece on the film by critic Kat Ellinger Archival interview with Billy Wilder Theatrical trailer A collector's booklet featuring new writing by film historian Alexandra Heller-Nicholas; a new essay by critic Richard Combs; and more!
Considered by many to be the greatest B movie ever made, the original-release version of Orson Welles's film noir masterpiece Touch of Evil was, ironically, never intended as a B movie at all--it merely suffered that fate after it was taken away from writer-director Welles, then reedited and released in 1958 as the second half of a double feature. Time and critical acclaim would eventually elevate the film to classic status (and Welles's original vision was meticulously followed for the film's 1998 restoration), but for four decades this original version stood as a testament to Welles's directorial genius. From its astonishing, miraculously choreographed opening shot (lasting over three minutes) to Marlene Dietrich's classic final line of dialogue, this sordid tale of murder and police corruption is like a valentine for the cinematic medium, with Welles as its love-struck suitor. As the corpulent cop who may be involved in a border-town murder, Welles faces opposition from a narcotics officer (Charlton Heston) whose wife (Janet Leigh) is abducted and held as the pawn in a struggle between Heston's quest for truth and Welles's control of carefully hidden secrets. The twisting plot is wildly entertaining (even though it's harder to follow in this original version), but even greater pleasure is found in the pulpy dialogue and the sheer exuberance of the dazzling directorial style. --Jeff Shannon
The Blue Angel is one of the first German language sound films (filmed simultaneously in an English-language version), and the picture that represents the initial collaboration between Josef von Sternberg and his immortal muse, Marlene Dietrich. Following up his role in Sternberg's great silent The Last Command, Emil Jannings portrays a schoolteacher named Immanuel Rath, whose fateful expedition to catch his students frequenting the cabaret known as The Blue Angel leads to his own rapture with the establishment's main attraction Lola (Dietrich) - and, as a result, triggers the downward spiral of his life and fortune. Directed by Sternberg while on loan from America to the pioneering German producer Erich Pommer, The Blue Angel is at once captivating, devastating, and powerfully erotic, laced-through with Sternberg's masterful cinematography. From here, the director and Dietrich would go on to make six more films together in the span of five years, and leave a legacy of some of the most indelible iconography in the cinema of glamour and obsession. The Masters of Cinema Series is proud to present The Blue Angel in a new Dual Format presentation that incorporates both versions of the film in 1080p HD for the first time in the UK. Special Features: 1080p HD Presentation of both the German-language and English-language versions of the film, with progressive encodes on the DVD Newly translated optional subtitles on the German-language version, and SDH on the English-language version New and exclusive video essay on the films by critic and scholar Tag Gallagher New and exclusive feature-length audio commentary by critic and scholar Tony Rayns on the German-langauage version Original screen test with Marlene Dietrich Archival interview clips with Marlene Dietrich Substantial booklet containing writing on the film, vintage excerpts, and rare archival imagery
MARLENE DIETRICH (Blonde Venus) and JAMES STEWART (Vertigo) ride high in this superb comedic western, both a boisterous spoof and a shining example of the genre it is having fun with. As the brawling, rough-and-tumble saloon singer Frenchy, Dietrich shed her exotic love-goddess image and launched a triumphant career comeback, while Stewart cemented his amiable everyman persona, in his first of many westerns, with a charming turn as a gun-abhorring deputy sheriff who uses his wits to bring law and order to the frontier town of Bottleneck. A sparkling script, a supporting cast of virtuoso character actors, and rollicking musical numbers - delivered with unmatched bravado by the magnetic Dietrich - come together to create an irresistible, oft-imitated marvel of studio-era craftsmanship. Special Features: New 4K digital restoration by Universal Pictures in collaboration with The Film Foundation, with uncompressed monaural soundtrack on the Blu-ray New interview with critic Imogen Sara Smith New interview with Donald Dewey, author of James Stewart: A Biography New video essay featuring excerpts from a 1973 oral-history interview with director George Marshall, conducted by the American Film Institute Lux Radio Theatre adaptation of the film from 1945, featuring actors James Stewart and Joan Blondell PLUS: An essay by critic Farran Smith Nehme
Eureka Entertainment to release WITNESS FOR THE PROSECUTION, Billy Wilder's engrossingly theatrical courtroom drama, on Blu-ray for the first time in the UK as a part of The Masters of Cinemas Series from 10 September 2018. Based on the hit play by Agatha Christie, Billy Wilder's Witness for the Prosecution was nominated for six Academy Awards and was reportedly praised by Christie herself as the best adaptation of her work she had seen. When a wealthy widow is found murdered, her married suitor, Leonard Vole (Tyrone Power), is accused of the crime. Vole's only hope for acquittal is the testimony of his wife (Marlene Dietrich) but his airtight alibi shatters when she reveals some shocking secrets of her own. Also starring the incredible Charles Laughton in an OscarÂ® nominated role, Witness for the Prosecution left audiences reeling from its surprise twists and shocking climax, and The Masters of Cinema Series is proud to present yet another Billy Wilder masterpiece on Blu-ray for the first time in the UK. BLU-RAY SPECIAL FEATURES: 1080p presentation of the film on Blu-ray Uncompressed LPCM mono soundtrack Optional English SDH subtitles New and exclusive feature length audio commentary by critic Kat Ellinger Monocle and Cigars: Simon Callow on Charles Laughton in Billy Wilder's Witness for the Prosecution A new video interview with film scholar Neil Sinyard Archival footage of Billy Wilder discussing Witness for the Prosecution with director Volker SchlÃ¶ndorff A collector's booklet featuring new essays by film scholar Henry Miller and critic Philip Kemp; a letter from Agatha Christie to Billy Wilder; and rare archival imagery Reversible Sleeve
Tyrone Power, Marlene Dietrich and Charles Laughton star in this brilliantly made courtroom drama (Film Daily) that left audiences reeling from its surprise twists and shocking climax. Directed by Billy Wilder, scripted by Wilder and Harry Kurnitz, and based on Agatha Christie's hit London play, this splendid, six-time Oscar-nominated classic crackles with emotional electricity (The New York Times) and continues to keep movie lovers riveted until the final, mesmerizing frame. When a wealthy widow is found murdered, her married suitor, Leonard Vole (Power), is accused of the crime. Vole's only hope for acquittal is the testimony of his wife (Dietrich)...but his airtight alibi shatters when she reveals some shocking secrets of her own!
The Rare Breed:In the 1880s Englishwoman Martha Price (Maureen O'Hara) and her daughter Hilary (Juliet Mills) come to America to sell their prize Hereford bull. The women hire Burnett (James Stewart) to help them transport the animal to its new owner Bowen (Brian Keith).Shenandoah:A dramatic story of a man caught in a dilemma. James Stewart stars as a Virginia farmer during the Civil War. He refuses to support the Confederacy because he is opposed to slavery yet he will not support the Union because he is deeply opposed to war.Night Passage:When the local railroad becomes the constant target of a band of desperadoes led by Whitey Harbin (Dan Duryea) officials recruit Grant McLaine (Stewart) to guard the payroll from any more robberies. Trouble is the gang's most skilled and lethal gunslinger The Utica Kid (Audie Murphy) is Grant's kid brother.The Far Country:James Stewart and Walter Brennan are a loner and his sidekick who figure to get rich by selling a herd of cattle at a fancy price during the wild gold rush days. They are soon caught up in a conflict with the local lawman John McIntire and his henchmen.Bend Of The River:James Stewart guides a band of pioneers from Missouri over the Oregon Trail to a new life in the Columbia River Basin in this western adventure. When the settlers are cheated out of their supplies and cattle Stewart crosses rivers climbs mountains and out-guns hijackers to ensure their survival through the first winter.Winchester '73:Frontiersman Lin McAdam (Stewart) is attempting to track down both his father's murderer and his one-of-a-kind rifle the Winchester '73 as it passes among a diverse group of desperate characters including a crazed highwayman (Dan Duryea) an immoral gunrunner (John McIntire a savage young Indian chief (Rock Hudson) and McAdam's own murderous brother (Stephen McNally)Destry Rides Again:As Destry a mild-mannered deputy who doesn't like guns Stewart is called to restore order to the frontier town of Bottleneck. He reluctantly takes the task after meeting French (Dietrich) an alluring saloon girl who belts out unforgettable show-stoppers while winning the hero's heart.
Paris When It Sizzles is an unusual screwball comedy to say the least. Whether it works is another matter, but the premise and humour are interesting enough to make it enjoyable. The basic problem with the film is its two stars: William Holden and Audrey Hepburn hardly sizzle with onscreen chemistry, and Hepburn's character, Miss Simpson, falls far too easily into the hands of Holden's drunken screen writer. However, the story is an interesting play on the typical Hollywood romance, with two plot lines running in parallel to each other. Holden's Richard Benson has only two days to finish a script for an enigmatic producer (Noel Coward). Hepburn's Miss Simpson is drafted in as the typist and as the script is dictated it manifests itself on the screen, allowing the two lead characters to play out any number of romantic stories. It's the cameo appearances in the imaginary world that really steal the show, with the blink-and-you'll-miss-it last screen appearance by Marlene Dietrich, as well as Tony Curtis having fun with his own screen persona. It's not one of Hepburn or Holden's best, but is worth a look purely for the interesting slant on the mechanical nature of Hollywood's romances. On the DVD Paris When It Sizzles offers little of any note in regards to special features, with only an extended trailer (which seems to try and sell the film on the merits of the stars alone). The mono soundtrack is nothing special, though the print has cleaned up nicely, offering a 1.78:1 widescreen picture that brings the Technicolor to life. --Nikki Disney
Angel (Universal Classics)
Stanley Kramer's film is based on a television play by Abby Mann. Over ten years after the end of World War Two, judge Dan Haywood (Spencer Tracey) is sent to Germany to preside over the prosecution of Nazis, including Ernst Janning (Burt Lancaster). While the prosecuting attorney bases his case on the war crimes and atrocities committed by those on trial, defence counsel Hans Rolfe (Maximillian Schell) claims that to try Nazi officers for simply obeying Hitler's commands is equivalent to jud...
The collaboration between filmmaker Josef von Sternberg and actress Marlene Dietrich is one of the most enduring in all Hollywood cinema. Tasked by Paramount bosses to find the next big thing', director von Sternberg lighted upon German silent star Dietrich and brought her to Hollywood. Successfully transitioning from the silent to the sound era, together they crafted a series of remarkable features that expressed a previously hitherto unbridled ecstasy in the process of filmmaking itself. Marked by striking cinematography, beautiful design and elaborate camerawork these vibrantly sensuous films redefined cinema of the time, while Dietrich's sexually ambiguous on-screen personas caused a sensation and turned her from actor to superstar and icon. Lavish, lascivious and wildly eccentric, the films Josef von Sternberg and Marlene Dietrich made for Paramount Pictures in the 1930s provide a unique testimony to Hollywood's Golden Age. The six films that von Sternberg made with Dietrich in Hollywood are presented here in new restorations on Blu-ray for the very first time in the UK. Containing a wealth of new and archival extras including new appreciations, interviews, audio commentaries, rare films, outtakes and deleted audio, documentaries and more! This stunning box set is strictly limited to 6,000 units. Extras: 4K restorations of Dishonored, Shanghai Express, Blonde Venus, The Scarlet Empress, and The Devil Is a Woman 2K restoration of Morocco Original mono audio Morocco audio commentary with Daughters of Darkness' Samm Deighan and Kat Ellinger Shanghai Express audio commentary with critic and film historian David Thompson Blonde Venus audio commentary with film and arts critic Adrian Martin The Scarlet Empress audio commentary with writer and film programmer Tony Rayns Introductions on all six films by Nicholas von Sternberg, son of Josef von Sternberg Josef von Sternberg, a Retrospective (1969): feature-length television documentary by the acclaimed Belgian director Harry KÃ¼mel Marlene Dietrich: The Twilight of an Angel (2012): Dominique Leeb's acclaimed French television documentary on Dietrich's final years The Fashion Side of Hollywood (1935): a short compilation film of lighting and costume tests from Paramount productions, including The Devil Is a Woman, and featuring costume designer Travis Banton Lux Radio Theatre: The Legionnaire and the Lady' (1936): a radio play adaptation of Morocco, featuring Dietrich and actor Clark Gable If It Isn't a Pain (1935, 3 mins): excised audio of the deleted musical number from The Devil Is a Woman Von Sternberg at the BFI (2009): an audio recording of the 2009 symposium on von Sternberg held at London's BFI Southbank The Art of Josef von Sternberg (2019): Nicholas von Sternberg discusses his father's works in painting and sculpture New video essay by film historian Tag Gallagher on the Hollywood collaborations of Dietrich and von Sternberg New interview with Erica Carter, author of Dietrich's Ghosts, on the Dietrich's career before von Sternberg New interview with So Mayer, author of Political Animals: The New Feminist Cinema, on the queer iconography and legacy of Dietrich and von Sternberg's films New interview with Nathalie Morris, film historian and senior curator of the BFI National Archive's Special Collections, on the costume designs of Travis Banton New interview with Jasper Sharp, writer and filmmaker, on the life and career of Shanghai Express co-star Anna May Wong Image galleries: on-set and promotional photography, including rare materials New English subtitles for the deaf and hard-of-hearing Limited edition exclusive 120-page book with a new essay by Pamela Hutchinson, archival interviews and articles, an overview of contemporary critical responses, film credits and more UK premieres on Blu-ray Limited Edition of 6,000 copies All extras subject to change
Classic Hitchcock movie starring Jane Wyman & Marlene Dietrich. Jonathan Cooper is wanted by the police who suspect him of killing his lover's husband. His friend Eve Gill offers to hide him and Jonathan explains to her that his lover, actress Charlotte Inwood is the real murderer. Eve decides to investigate for herself, but when she meets the detective in charge of the case, she starts to fall in love.
Cary Grant is the single most important star in the history of motion pictures Joe Queenan - The Guardian 9 Classic Movies Featuring Cary Grant Includes: Blonde Venus She Done Him Wrong Charade That Touch of Mink I'm No Angel The Grass Is Greener Indiscreet The Last Outpost Operation Petticoat
Set against the surreal and fantastic Carnival in Spain this film tells the story of an older man's obsession for a woman who is desired by all but can belong to no one. Told through a series of flashbacks The Devil Is A Woman deals with frustration lost romance and desire.
Golden Earrings (Universal Classics)
Frontiersman Vern Haskell (Arthur Kennedy) wanders the West obsessed with finding the culprits responsible for murdering his fiancee. His quest leads him to Chuck-a-Luck - the film's original title - a combination horse ranch and criminal hideout overseen by saloon chanteuse Altar Keane (Marlene Dietrich). Posing as an escaped criminal Haskell falls in with murderous gunslinger Frenchy Fairmont (Mel Ferrer) and gradually becomes indistinguishable from the men he is hunting. Made in
Considered a bit eccentric and therefore a tad unreliable, a Royal Aircraft Establishment metallurgist is still respected for his work on the company's newly designed Reindeer, aircraft. Unfortunately, the off-beat scientist has discovered that the new plane has a fatal flaw and that after spending 1,440 hours airborne, the metal in the rear will buckle and the tail will shear off. Now he must somehow convince skeptical executives that a terrible catastrophe will occur if they do not immediately ground all Reindeers.
Titles Comprise 1. Dial M For Murder: Ex-tennis pro Tony Wendice decides to murder his wife for her money as revenge for an affair she had the year before. He blackmails an old college associate to strangle her but when things go wrong he sees a way to turn events to his advantage. 2. I Confess: Otto Kellar and his wife Alma work as caretaker and housekeeper at a Catholic church in Quebec. Whilst robbing a house where he sometimes works as a gardener Otto is caught and kills the owner. Racked with guilt he heads back to the church where Father Michael Logan is working late. Otto confesses his crime but when the police begin to suspect Father Logan he cannot reveal what he has been told in the confession 3. Stage Fright: Jonathan Cooper is wanted by the police who suspect him of killing his lover's husband. His friend Eve Gill offers to hide him and Jonathan explains to her that his lover actress Charlotte Inwood is the real murderer. Eve decides to investigate for herself but when she meets the detective in charge of the case she starts to fall in love. 4. The Wrong Man: Manny Ballestero is an honest hardworking musician at New York's Stork Club. When his wife needs money for dental treatment Manny goes to the local insurance office to borrow on her policy. Employees at the office mistake him for a hold-up man who robbed them the year before and the police are called. 5. Strangers On A Train: A battle of wits between tennis pro Guy and his mysterious sycophantic admirer Bruno arises when Bruno proposes a criss-cross scheme of traded murders. Bruno agrees to kill Guy's unfaithful wife in return for which Guy will (or so it seems) kill Bruno's spiteful father. 6. North By Northwest: Grant plays a Manhattan advertising executive plunged into a realm of spy and counterspy and variously abducted framed for murder chased and in another signature set piece crop-dusted. He also holds on for dear life from that famed carved rock.
Destry Rides Again will forever be remembered for Marlene Dietrich's performance as Frenchy a crooked saloon waitress with a heart of gold. Her rendition of ""See What the Boys in the Back Room Will Have"" is one of the highlights of her career. But Destry Rides Again has much more to offer than just Dietrich's performance. This hilarious satire carries Jimmy Stewart in the lead as Tom Destry a supposedly tough law enforcement man who doesn't like guns. Stewart's comic touches are brilliant as he eagerly gives out educational anecdotes anytime an opportunity affords itself. The plot concerns the efforts of a saloon owner and a corrupt Mayor to rob the local cowpokes blind. Frenchy's on the payroll of the bad guys but when sparks fly between her and Destry her loyalty becomes a deciding factor in whether it's Destry or the bad guys who will ride off into the sunset.
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