Zavvi - The Home of Pop CultureFBI informant William O'Neal infiltrates the Illinois Black Panther Party and is tasked with keeping tabs on their charismatic leader, Chairman Fred Hampton. A career thief, O'Neal revels in the danger of manipulating both his comrades and his handler, Special Agent Roy Mitchell. Hampton's political prowess grows just as he's falling in love with fellow revolutionary Deborah Johnson. Meanwhile, a battle wages for O'Neal's soul. Will he align with the forces of good? Or subdue Hampton and The Panthers by any means, as FBI Director J. Edgar Hoover commands?Special Features:Fred Hampton for the People-Chairman Fred Hampton (Black Panther Party) was a seminal figure in the civil rights movement of the '60s who was struck down just as he was getting started. In this intimate character piece, we talk to the filmmakers and cast about why telling Hampton's story is more important than ever.
Terrence Malick's exquisite first film, in a new digital restoration. Badlands announced the arrival of a major talent: Terrence Malick. His impressionistic take on the notorious Charles Starkweather killing spree of the late 1950s uses a serialkiller narrative as a springboard for an oblique teenage romance, lovingly and idiosyncratically enacted by Martin Sheen and Sissy Spacek. The film introduced many of the elements that would earn Malick his passionate following: the enigmatic approach to narrative and character, the unusual use of voiceover, the juxtaposition of human violence with natural beauty, the poetic investigation of American dreams and nightmares. This debut has spawned countless imitations, but none have equalled its strange sublimity. Bous Features: New, restored 4K digital transfer, approved by director Terrence Malick, with uncompressed monaural soundtrack Making Badlands, a new documentary featuring actors Martin Sheen and Sissy Spacek and art director Jack Fisk New interviews with associate editor Billy Weber and executive producer Edward Pressman Charles Starkweather, a 1993 episode of the television programme American Justice, about the reallife story on which the film was loosely based Trailer PLUS: A booklet featuring an essay by filmmaker Michael Almereyda
Inspired by the extraordinary true story of a brilliant young master of deception and the FBI agent hot on his trail, Catch Me If You Can stars Oscar nominee Leonardo DiCaprio and two-time Academy Award winner Tom Hanks. From three-time Oscar winning director Steven Spielberg, Catch Me If You Can follows Frank W. Abagnale, Jr. as he successfully passes himself off as a pilot, a lawyer and a doctor – all before his 21st birthday!
Follow the trials and tribulations of the Bartlet administration in this monolith of a box set featuring 43 discs and all 159 episodes of the critically acclaimed US political drama. Packed with an awesome array of special features this is one the hard core fans won't be able to resist! For episode listings please refer to the individual seasons.
Aaron Sorkin's American political drama The West Wing is more than mere feel-good viewing for sentimental US patriots. It is among the best-written, sharpest, funniest and most moving American TV series of all time. In its first series, The West Wing established the cast of characters comprising the White House staff. There's Chief of Staff Leo McGarry (John Spencer), a recovering alcoholic whose efforts to be the cornerstone of the administration contribute to the break-up of his marriage. CJ (Alison Janney) is the formidable Press Spokeswoman embroiled in a tentative on-off relationship with Timothy (Thirtysomething) Busfield's reporter. Brilliant but grumpy communications deputy Toby Ziegler, Rob Lowe's brilliant but faintly nerdy Sam Seaborn and brilliant but smart-alecky Josh Lyman make up the rest of the inner circle. Initially, the series' creators had intended to keep the President off-screen. Wisely, however, they went with Martin Sheen's Jed Bartlet, whose eccentric volatility, caution, humour and strength in a crisis make for such an impressively plausible fictional President that polls once expressed a preference for Bartlet over the genuine incumbent. The issues broached in the first series have striking, often prescient contemporary relevance. We see the President having to be talked down from a "disproportionate response" when terrorists shoot down a plane carrying his personal doctor, or acting as broker in a dangerous stand-off between India and Pakistan. Gun control laws, gays in the military and fundamentalist pressure groups are all addressed--the latter in a most satisfying manner ("Get your fat asses out of the White House!")--while the episode "Take This Sabbath Day" is a superb dramatic meditation on capital punishment. Handled incorrectly, The West Wing could have been turgid, didactic propaganda for The American Way. However, the writers are careful to show that, decent as this administration is, its achievements, though hard-won, are minimal. Moreover, the brisk, staccato-like, almost musical exchanges of dialogue, between Josh and his PA Donna, for instance, as they pace purposefully up and down the corridors are the show's abiding joy. This is wonderful and addictive viewing. --David Stubbs
Gandhi is a great subject, but is Gandhi a great film? Undoubtedly it is, not least because it is one of the last old-school epics ever made, a glorious visual treat featuring tens of thousands of extras (real people, not digital effects) and sumptuous Panavision cinematography. But a true epic is about more than just widescreen photography, it concerns itself with noble subjects too, and the life story of Mahatma Gandhi is one of the noblest of all. Both the man and the film have profound things to say about the meaning of freedom and racial harmony, as well as how to achieve them. Ben Kingsley, in his first major screen role, bears the heavy responsibility of the central performance and carries it off magnificently; without his magnetic and utterly convincing portrayal the film would founder in the very first scene. Sir Richard Attenborough surrounds his main character with a cast of distinguished thespians (Trevor Howard, John Mills, John Gielgud and Martin Sheen, to name but four), none of whom do anything but provide the most sympathetic support. John Briley's literate screenplay achieves the almost impossible task of distilling the bewildering complexities of Anglo-Indian politics. Attenborough's treatment is openly reverential, but, given the saint-like character of his subject, it's hard to see how it could have been anything else. He doesn't flinch from the implication that the Mahatma was naïve to expect a unified India, for example, but instead lets Gandhi's actions speak for themselves. The outstanding achievement of this labour of love is that it tells the story of an avowed pacifist who never raised a hand in anger, of a man who never held high office, of a man who shied away from publicity, and turns it into three hours of utterly mesmerising cinema.On the DVD: The anamorphic (16:9) picture of the original 2.35:1 image has a certain softness to it that may reflect the age of the print, but somehow seems entirely in keeping with the subject . Sound is Dolby 5.1. The extras are fairly brief, but worthwhile: original newsreel footage of Gandhi includes an astonishingly patronising British news account of his visit to England; in a recent interview, Ben Kinglsey chats enthusiastically about the film and the difficulties he experienced bringing the character to life. The dull "making-of" feature is simply a montage of stills. --Mark Walker
Zavvi - The Home of Pop Culture FBI informant William O'Neal infiltrates the Illinois Black Panther Party and is tasked with keeping tabs on their charismatic leader, Chairman Fred Hampton. A career thief, O'Neal revels in the danger of manipulating both his comrades and his handler, Special Agent Roy Mitchell. Hampton's political prowess grows just as he's falling in love with fellow revolutionary Deborah Johnson. Meanwhile, a battle wages for O'Neal's soul. Will he align with the forces of good? Or subdue Hampton and The Panthers by any means, as FBI Director J. Edgar Hoover commands? Special Features Fred Hampton for the People-Chairman Fred Hampton (Black Panther Party) was a seminal figure in the civil rights movement of the '60s who was struck down just as he was getting started. In this intimate character piece, we talk to the filmmakers and cast about why telling Hampton's story is more important than ever. Unexpected Betrayal-Arrested for impersonating an FBI agent, William O'Neal, (LaKeith Stanfield) is given an ultimatum: face jail or betray his community's trust by infiltrating the Illinois Black Panther Party. We talk to the cast and filmmakers about O'Neal's complexities and his eventual betrayal of Hampton.
One of the most iconic films ever made and one of the most disturbing dramatisations of the Vietnam War ever seen, Francis Ford Coppola's Apocalypse Now is cinema at its most epic and unforgettable. Traumatised soldier Captain Benjamin L. Willard has been chosen for a highly classified mission. He must journey along the notorious Nung river and into the savage depths of war torn Cambodia in search of the mysterious Colonel Kurtz. Deemed insane and a danger to the war effort, Kurtz must be terminated with extreme prejudice. But the closer he gets to Kurtz the closer he gets to his own heart of darkness. In 2001 Coppola re-approached his hallucinatory masterpiece to create a definitive version, reinstating 49 minutes of previously unseen material. The result is Apocalypse Now Redux. In a pristine new transfers supervised by Francis Ford Coppola Presented in the original (2.35:1) theatrical aspect ratio Contains both the original theatrical cut of Apocalypse Now and Apocalypse Now Redux
An American father travels to France to recover the body of his estranged son who died while traveling El camino de Santiago from France to Santiago de Compostela (Spain).
Mike Nichols' superbly directed cinematic adaptation of Joseph Heller's scathing black comedy. 'Catch 22' is the tale of a small group of flyers in the Mediterranean in 1944. There are winners and losers opportunists and survivors. Separately and together they are frightened nervous often profane and sometimes pathetic. Almost all are a little crazy. 'Catch 22' is an anti-war satire of epic proportions!
The complete seventh and final season of exceptionally scripted political drama. Episodes Comprise: 1. The Ticket 2. The Mommy Problem 3. Message Of The Week 4. Mr. Frost 5. Here Today 6. The Al Smith Dinner 7. The Debate 8. Undecideds 9. The Wedding 10. Running Mates 11. Internal Displacement 12. Duck And Cover 13. The Cold 14. Two Weeks Out 15. Welcome To Wherever You Are 16. Election Day (Part 1) 17. Election Day (Part 2) 18. Requiem 19. Transition 20. The Last Hurrah 21.
Finding out that their husbands are not just work partners, but have also been romantically involved for the last 20 years, two women with an already strained relationship try to cope with the circumstances together.
THE AMAZING SPIDER-MAN is the story of Peter Parker (Garfield), an outcast high schooler who was abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben (Sheen) and Aunt May (Field).
The Timeless Epic from Francis Ford Coppola In a pristine new transfer supervised by Francis Ford Coppola Presented in the original (2.35:1) theatrical aspect ratioOne of the most iconic films ever made and one of the most disturbing dramatisations of the Vietnam War ever seen, Francis Ford Coppolas Apocalypse Now is cinema at its most epic and unforgettable. Traumatised soldier Captain Benjamin L. Willard has been chosen for a highly classified mission. He must journey along the notorious Nung river and into the savage depths of war torn Cambodia in search of the mysterious Colonel Kurtz. Deemed insane and a danger to the war effort, Kurtz must be terminated with extreme prejudice. But the closer he gets to Kurtz the closer he gets to his own heart of darkness.
There is no letdown in talent or skill for the third season of this blue ribbon drama. One could say these 22 episodes play as a continuation of the second season; there are no major new characters or earth-shattering plots and the Emmys rewarded the series with its third straight award for Best Drama (and unlike season 4, no one argued about the laurels). The third year starts with a stand-alone episode "Isaac & Ishmael", a special show created, shot, and broadcast 22 days after the 9/11 events. Although the final results tend to be sermonic, the fact the show was able to drop everything and commit to a new season opener is evident not only of talent, but of a disciplined work force operating at the top of their game. President Bartlet's (Martin Sheen) decision to run for reelection after the disclosure of suffering MS fuels the fire for the first half of the season. Depositions are filed against the staff, minor mistakes take on more significance, and the White House consul (Oliver Platt) has the run of the table warning of worst-case scenarios. The focus soon turns to the First Lady (Stockard Channing) as the potential "Lady Macbeth" of the scandal. Channing aces her role and turns her birthday celebration ("Dead Irish Writers") into one of the season's highlights. Assistant Donna (Janel Moloney), her boss Josh Lyman (Bradley Whitford), and press secretary C.J. (Alison Janney) all have charismatic romances, but the ace supporting player this year is John Spencer as the relentlessly loyal Chief of Staff Leo McGarry. Whether delivering the hard truth, accepting the proverbial bullet for the President, or being our guide to how Bartlet ran in the first place (in another wonderful flashback episode, "Bartlet for America"), all roads lead to McGarry. Acting Emmys went to Channing, Spencer, and Janney, but the strength of this show is that the entire cast has glorious moments (Toby's taking on the President's mode of operation, Sam's belief in government, or the President's peculiarities of Thanksgiving are just a few). Recurring guest stars--the likes of Ron Silver, Tim Matheson, Mary Louise Parker, and Mark Harmon--deliver some of their career-best work. Crack writing, a breathless pace, plus you learn a bit about government. What else do you want from a TV drama? --Doug Thomas
The second season of The West Wing takes up literally where the first season left off and, after a few moments of patriotic sentimentalism, maintains the series' astonishingly high standards in depicting the everyday life of the White House staff of a Democratic administration. The two-part opener covers the immediate aftermath of the assassination attempt on President Bartlet (Martin Sheen), switching between the anxious wait on the injured and flashbacks to Bartlet's campaign for the Presidency. Other peaks in a series exceedingly short on lows include "Noel," the episode in which Alan Arkin's psychiatrist forces Josh Lynam to confront his post-traumatic stress disorder and the episodes in which President Bartlet, following a tragic car accident, rails angrily against God in Latin. Other new aspects include the introduction of Ainsley Hayes, a young Republican counsel hired after she beats communications deputy Sam Seaborn (Rob Lowe) in a TV debate ("Sam's getting his ass kicked by a girl!" crow his colleagues), as well as the revelation that the President has been suffering from multiple sclerosis. Tensions grow between him and the First Lady (Stockard Channing) as she realizes, in the episode "Third State of the Union," that he intends to run for a second term in office. It becomes clear to Bartlet that he must go public with his MS, and his staff is forced to come to terms with this, as well as deal with the usual plethora of domestic and international incidents, which apparently preclude any of them from having any sort of private lives. These include crises in Haiti and Columbia, an obstinate filibuster, and a Surgeon General's excessively frank remarks about the drug situation. Thankfully, the splendid Lord John Marbury (Roger Rees) is on hand to make chief of staff Leo McGarry's life more of a misery in "The Drop-In." These episodes, though occasionally marred by a sentimental soundtrack and an earnest and wishfully high regard for the Presidential office, are master classes in drama and dialogue, ranging from the wittily staccato to the magnificently grave, capturing authentically the hectic pace of political intrigue and the often vain efforts of decent, brilliant people to do the right thing. The West Wing is one of the all-time great TV dramas. --David Stubbs
Francis Ford Coppola's 1979 classic tale of the Viet Nam war, re-released with almost an hour of additional footage. Captain Willard (Martin Sheen) is given the task of sailing upriver to find and execute renegade military officer Colonel Kurtz (Marlon Br
A man awakens from a coma to discover he has a psychic detective ability.
A never-before-seen and newly restored cut of Francis Ford Coppola's spectacular cinematic masterpiece in a way which the director believes looks better than it has ever looked and sounds better than it has ever sounded. Apocalypse Now was nominated for 8 Academy AwardsÂ® (including Best Picture) and won 2 Academy AwardÂ® for Best Cinematography and Best Sound, 2 BAFTAs for Best Direction and Best Supporting Actor and the Palme d'Or in Cannes. Starring Academy AwardÂ® winner Marlon Brando (1972, Best Actor, The Godfather), Academy AwardÂ® winner Robert Duvall (1983, Best Actor, Tender Mercies), Golden GlobeÂ® winner Martin Sheen (2001, Best Actor TV Series, The West Wing), Academy AwardÂ® nominee Dennis Hopper (1986, Best Supporting Actor, Hoosiers), Academy AwardÂ® nominee Laurence Fishburne (1993, Best Actor, What's Love Got to Do with It), and Academy AwardÂ® nominee Harrison Ford (1985, Best Actor, Witness), the film follows Army Captain Willard (Martin Sheen), a troubled man sent on a dangerous and mesmerizing odyssey into Cambodia to assassinate a renegade American colonel named Kurtz (Marlon Brando), who has succumbed to the horrors of war and barricaded himself in a remote outpost. The best visual and sound technologies have been used to present Coppola's true vision of the film: one that delivers deep, visceral visual and auditory impact. The audience will be able to see, hear and feel this film how I always hoped it could befrom the first bang' to the final whimper said the film-maker. All three versions of this film are available on this release including Apocalypse Now: The Final Cut, Apocalypse Now: Theatrical Cut, and Apocalypse Now Redux Extended Cut. Restored from the original negative for the first time ever, Apocalypse Now Final Cut is Coppola's most complete version of his multi-awarded classic. This is the first time the original negative has ever been scanned and over 11 months and 2,700 hours were spent on cleaning and restoring the film's 300,173 frames. Brought to life through ultra-vivid picture quality with Dolby VisionÂ®, delivering spectacular colours never before seen on a screen, with highlights that are up to 40 times brighter, and blacks that are 10 times darker. It has also been mixed in Dolby AtmosÂ® to offer a truly immersive sound experience and it has been enhanced Meyer Sound Laboratories' newly developed Sensual Soundâ¢, a technology engineered to output audio below the limits of human hearing. Special Features: NEW - Introduction to Final Cut by Francis Ford Coppola Hearts of Darkness: A Filmmaker's Apocalypse NEW - Tribeca Film Festival Q&A with Francis Ford Coppola and Steven Soderbergh NEW - Super 8mm Behind-The-Scenes Footage NEW - Dutch Angle: Chas Gerretsen & Apocalypse Now NEW - Apocalypse Now: Remastering A Legend In Dolby VisionÂ® and Dolby AtmosÂ® NEW - Apocalypse Now: A Forty Year Journey NEW - Sensual Sound Technology from Meyer Sound Storyboard Collection (171 pages) John Milius script excerpt with Francis Coppola notes (still gallery) Photo Archive: Unit photography (30 pages) Mary Ellen Mark photography (12 pages) Marketing Archive: 1979 Teaser Trailer 1979 Theatrical Trailer 1979 Radio Spots (4 spots) 1979 Theatrical Program (16 pages) Lobby Card and Press Kit photos (78 pages) Poster Gallery Apocalypse Now Redux Trailer
Richard Attenborough's award-winning epic recounts the life and times of Mahatma Gandhi. In South Africa a young Indian lawyer is booted off a train for refusing to ride second-class. Upon his return to his native India and fed up with the unjust political system he joins the Indian Congress Party which encourages social change through passive resistance. When his ""subversive"" activities land him in jail masses of low-skilled workers strike to support his non-violent yet revolutionary position. Back in India Gandhi renounces the Western way of life and struggles to organize Indian labor against British colonialism. A strike costs many British soldiers their lives so the crown responds by slaughtering 1 500 Indians. Enraged the ascetic spiritual leader continues to preach pacifism until he has lead India out from under the tyranny of British imperialism.
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