Academy Award winning director and master storyteller James Cameron journeys back to the site of his greatest inspiration -- the legendary wreck of the Titanic.
Puppies, puppies and more puppies are packed into this entertaining and exciting sequel to Disney's classic, 101 Dalmatians. The adventure begins when Pongo and Perdita's pup Patch, who is not satisfied being just one out of 101, gets the chance to meet his TV hero, Thunderbolt, the One-Of-A-Kind Wonderdog. When Thunderbolt's trusty sidekick Lightning reveals that the show's producers are on the lookout for a new star, Thunderbolt - with Patch in tow - struts out into the real world to perform true acts of heroism. And when puppy-obsessed Cruella De Vil returns, it's Patch and Thunderbolt's teamwork and friendship that will save the day.
Writer/Director Sam Raimi's relentless, gore-spattered debut is a landmark in horror cinema, a no-holds-barred onslaught of gruesome terror and nightmarish effects which has earned its rightful status as a legendary cult classic. Five college students travel to a remote cabin in the woods and unwittingly unleash a monstrous evil force hellbent on their total destruction. THE EVIL DEAD is truly the ultimate experience in grueling horror.
In nineteenth century middle-Europe orphaned teenage twins Maria and Frieda go to live with their uncle Gustav Weil who heads the Brotherhood a vigilante group trying to stamp out vampirism. But their methods are random and misplaced and the only result is a terrorised populace. The real threat lies with Count Karnstein and although the twins seem outwardly to be identical Frieda finds herself much more drawn than her sister to the Count's castle dominating the skyline.
Rob Zombie popularized the hillbilly horror subgenre with films like House of 1000 Corpses and The Devil's Rejects, but writer/ director Jon Killough did it over a decade earlier by making a movie that's fun for the whole family the Manson family, that is! Crawldaddy and her kids travel cross-country selling fine leather apparel when their van breaks down in the Ohio backwoods. Auto mechanic Tom and his wife Whinnie put them up for the weekend, until ex-cop neighbor Paul discovers what their product is really made of...Painstakingly restored from a 2K film scan of the original 16mm A/B roll cut negative with a dynamic 5.1 surround remix, Skinned Alive debuts on Blu-ray. This Ultimate Edition includes hours of vintage and newly-prepared bonus materials plus three audio commentaries. Starring Scott Spiegel (Intruder, Evil Dead II, From Dusk Til Dawn 2: Texas Blood Money) and produced by J.R. Bookwalter (The Dead Next Door, Robot Ninja)!
Confronted with life-changing news a middle-aged architect seizes the opportunity to begin living life on his own terms as he builds the house of his dreams and winds up rebuilding the world around him in the process...
The Walton' nearly 10-year run grew out of the popular, 1971 made-for-TV movie The Homecoming, which was derived from a Depression-era, rustic setting ("Walton's Mountain"), and characters based on Earl Hamner Jr.'s autobiographical novel Spencer's Mountain--itself the source for a very nice 1963 feature film starring Henry Fonda and Maureen O'Hara. That's a lot of entertainment sprouting from Hamner's prose. But something about his seminal story of family values, rugged independence, and big dreams amidst a hardscrabble existence captured the hearts of American audiences, many of whom personally recalled severe economic adversity in the 1930s. The Waltons: The Complete First Season collects those initial episodes from the series building on the strengths of the Homecoming pilot, which introduced the extended Walton clan led by a strong-willed mill owner, John (Andrew Duggan), and his equally resolute wife, Olivia (Patricia Neal). The Waltons recast those key roles (as well as a few others) with Ralph Waite and Michael Learned (yup, a female), but Richard Thomas carried over as oldest child John-Boy Walton, an aspiring writer whose cusp-of-manhood view informs the series. Will Geer (Seconds) replaced Edgar Bergen as Grandpa Walton, Ellen Corby remained as Grandma, and John and Olivia's large brood (seven kids in all) were filled out by largely unknown, young actors. The episodes, still delightful and touching, strong on production values and unusually tight and polished for primetime drama, tended to focus on creator Hamner's pet themes of self-sacrifice and heroic effort when the going got tough. Year 1 highlights include "The Carnival", in which the impoverished Waltons, who can't pay for tickets to see a circus performance, end up sheltering stranded carney folk. "The Typewriter" is a classic about John-Boy "borrowing" a museum's antique typewriter, only to have his sister Mary Ellen (Judy Norton) sell it as junk. "The Sinner" concerns the arrival of a fundamentalist minister on Walton's Mountain, finding comfort in the words of religious iconoclast John Walton after the clergyman makes a fool of himself with moonshine. That's Hamner himself providing touches of narration. During the long run of the multiple-award-winning The Waltons, there were many changes in casting and storylines. But this boxed set reveals a fine series in its pristine state. --Tom Keogh
Brennan and Dale are live-at-home grown-ups who become step-brothers overnight and struggle to deal with their parents wish for them to leave home and get lives of their own.
A husband and wife struggle to survive when multiple dirty bombs are detonated in Los Angeles.
The exceptionally fine cast--Susan Sarandon, Tommy Lee Jones, J T Walsh, Mary-Louise Parker, Anthony Edwards, William H. Macy, Anthony LaPaglia, Ossie Davis and Brad Renfro--goes a long way toward making The Client one of the more solidly enjoyable screen adaptations of a John Grisham southern gothic legal thriller. Teen-hearthrob Renfro is a natural, playing a kid whose life is in jeopardy after he witnesses the death of a Mob lawyer. Susan Sarandon is the attorney who decides to look after the boy; nobody can match her when it comes to playing strong and protective maternal figures (Thelma and Louise, Lorenzo's Oil, Dead Man Walking). Sarandon won her fourth Oscar nomination as best actress for this role, before finally winning the following year for Dead Man Walking. Author Grisham was so impressed with former window dresser/fashion designer/screenwriter-turned-director Joel Schumacher's work on this movie that he later asked him to direct A Time to Kill. --Jim Emerson
Tim Allen makes an impressive screen debut in Disney's well-written seasonal film The Santa Clause. Divorced toy company executive Scott Calvin is pleased to have his son Charlie for Christmas, though the boy himself isn't happy about it. But when Santa Claus accidentally topples off the roof of the house and falls with a thud in the snow, Scott finds himself taking the merry old elf's place and earning new respect in his son's eyes. When the night ends, the reindeer take them to the North Pole, and Scott discovers that by donning the fabled red suit, he's inadvertently agreed to become the next Santa Claus. The next morning he wakes up in his own bed and thinks it's all a dream--but Charlie remembers it with crystal clarity. Scott now has to deal with his suspicious ex-wife (Wendy Crewson) and her psychiatrist boyfriend (Judge Reinhold), who both think he's playing tricks with Charlie's mind, and also with his own out-of-control body, which is putting on weight and growing a prodigious beard. The Santa Clause probably won't supplant It's a Wonderful Life or Miracle on 34th Street as anyone's favourite Christmas viewing, but it's an enjoyable, straightforward family film, anchored by the affable charisma of Allen. --Bret Fetzer
James Cameron's 1989 aquatic epic The Abyss was, quite literally, a watershed in the annals of filmmaking: not only was it the first (and only) movie to be shot almost entirely underwater, in the largest tank ever used for a movie set, and to use live dialogue from specially designed headsets, it also pushed forward the boundaries of computer animation in one gigantic leap. The famous water tentacle sequence is now regarded as the defining moment when CGI came of age; ironically perhaps, its very success has ensured that the punishing realism of the setting, which is the best thing about the movie, is likely never to be attempted again. But the impressive technical aspects aside, is the movie any good? Granted it contains any number of striking moments, from forcing a rat to breathe liquid (it really works, apparently) to resurrecting a drowned Mary Elizabeth Mastrantonio. But the story is a slim one for the running time, especially in the extended Special Edition version which plays almost half an hour longer than the theatrical cut and contains a completely excised subplot featuring much too much heavy-handed moralising: "How all the world can stop fighting and learn to get along with each other", by James Cameron esq. All you need is love, apparently. Here is one rare example of the theatrical cut being preferable to the director's. Now, if only he had cut the love story from Titanic too On the DVD: The Abyss Special Edition two-disc set has plenty of neat extra features, but is let down a little by the non-anamorphic 2.35:1 letterboxed picture. Sound, on the other hand, is vivid THX mastered Dolby 5.1. Happily, the first disc contains both the original theatrical cut and the extended special-edition version. There's a reasonably informative though inevitably rather dry text-only commentary. The principal extra on Disc 2 is a 60-minute documentary, "Under Pressure", with retrospective interviews in which cast and crew detail the extraordinary challenges involved in making the film, and more than one near-death experience. In addition there's the complete screenplay, various different pieces on the effects sequences, storyboards, artwork, DVD-ROM features--in short, plenty to keep even jaded DVD enthusiasts amused for hours. The menu interfaces for both discs are a treat and the set comes with a good 12-page booklet. --Mark Walker
In Some Kind of Wonderful, John Hughes crystallises, for good and ill, much of the stock material of the modern high-school romantic comedy. There is the outsider boy Keith (Eric Stolz) with artistic talent and sexual ambitions above his lowly status in a hierarchy based on wealth and popularity. There is Watts, (Mary Stuart Masterson) the tomboy next door, whose good looks and love for him he has somehow always failed to notice. And, most interestingly, there is Amanda Jones (Lea Thompson), who has parlayed her looks into running with the rich kids, but is starting to realise she has the worst of the bargain. There are some odd ambiguities here--all three take passive-aggressive behaviour to a level that is not entirely sympathetic--as well as some slick plotting: Keith's attempt to befriend Amanda by following her into detention brings him into contact with delinquents like Duncan, a terrifying skinhead who is more than he seems. In the end, there is just enough edge and invention here to keep it from being as crass and sentimental as films which have imitated its formula. On the DVD: Some Kind of Wonderful is presented in 1.78:1 visual aspect ratio and has Dolby 5:1 sound in English, surround sound in Italian and mono in German and Italian--it also has subtitles in those languages and Danish, Dutch, French, Norwegian, Swedish and Turkish and no other special features whatever. --Roz Kaveney
Three features. We're going to tell you not once, but twice. You can't cheat what fate has in store for you, particularly if it involves death. FINAL DESTINATION 1 and FINAL DESTINATION 2 are considered by fans and critics alike as the thinking persons' horror films, showing the usual group of teens put in the peculiar position of - could it be - having to use their smarts to outwit the grim reaper. This package of films is a roller coaster ride of funs and thrills. See individual titles for complete descriptions of this fabulously fun duo. Also includes 'Final Destination 3'.
Brennan and Dale are live-at-home grown-ups who become step-brothers overnight and struggle to deal with their parents wish for them to leave home and get lives of their own.
Fourteen-year-old Leo Beiderman (Elijah Wood) did not expect to make an earth-shattering discovery when he joined his high school astronomy club. He didn't expect to make any discoveries at all; he simply hoped that classmate Sarah Hotchner (Leelee Sobieski) would discover him. Yet a photograph he takes through his small telescope makes him co-discoverer of Comet Wolf-Beiderman...a comet that scientists determine is on a fatal collision course with the Earth. What would you do if you
One house four hugely popular horror films. Creepy goings on in four stories where our characters do battle with evil zombies hideous monsters and a terrifying mass murderer exacting revenge on the detective who captured him. House In his obsessive search for his missing child Vietnam veteran Roger Cobb returns to his Aunt's creepy house where his child disappeared. Evil zombies force Roger to relive his nightmares and Roger must battle these spirits in order to save his life and that of his child who is somewhere inside the house... House II When exploring the house left to him Jesse discovers his great great grandfather alive and kicking thanks to a magical skull which gives its owner immortality. Such an important piece is coveted by many. When the skull is taken Jesse and his friends must battle monsters in order to return it to Gramps to save his life. House III Upon his execution mass murderer Klaus Jenke curses the detective who captured him - Lucas and his family. Jenke returns from the dead to exact his hideous revenge. The horrors he performed before his death are insignificant compared to the circus of evil he now unleashes on Lucas's family. House IV A young father is suddenly killed in an automobile accident and to honour his memory his widow and daughter move into the family's dilapidated Victorian estate. Thus begin a series of some very terrifying apparitions...
Starring Saturday Night Live favourite David Spade 'Dickie Roberts' is the hilarious story of a former child star who after his hit TV series is axed falls on hard times and tries to re-create the lost childhood he yearns for. With great visual gags straight out of the 'Saturday Night Live' academy of slapstick Dickie Roberts is an enjoyable and light-hearted take on the pitfalls of stardom.
Based on James Herriot's autobiographical best sellers 'If Only They Could Talk' and 'It Shouldn't Happen to a Vet' the long running TV series 'All Creatures Great and Small' continued to satisfy the Herriot hysteria of the British public. Episode titles: 'Tricks Of The Trade' 'Pride Of Possession' 'The Name Of The Game' 'Puppy Love' 'Ways And Means' 'Pups Pigs And Pickle' 'A Dog's Life' 'Merry Gentlemen'.
Academy Award winning director and master storyteller James Cameron journeys back to the site of his greatest inspiration -- the legendary wreck of the Titanic.
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