Set in the late 1920s heiress Lydia Aspen has several young men who are all competing for her attentions. She sends mixed signals to them all as she plays with their affections - with disastrous results. This box set contains all thirteen episodes.
Richard Ayoade returns for more awkward holidays with celebrity comedians in his offbeat travel show, to experience the most efficient 48-hour city break possible. First broadcast on Channel 4 in 2016. Ayoade explores Vienna in the company of his IT Crowd co-star Chris O'Dowd. They sample the city's finest sausages, cakes, spirits, cafes and sewers. Ayoade suffers an allergic reaction and Chris breaks something valuable. Mel Giedroyc joins Ayoade at the top of Montparnasse Tower to experience the best view of Paris, before indulging in calf's head casserole, obligatory snails, green fairy' absinthe, cookery school and an art tour. Noel Fielding shares a 48-hour break with Aoyoade in Copenhagen, where they cycle around the city, savour stunning sandwiches and Danish pastries and down pints at the Carlsberg Brewery. Greg Davies is Ayoade's travel companion in Moscow, where their appreciation of the Kremlin, St Basil's and Lenin's tomb is rudely interrupted by tanks. After eating space food at the Cosmonaut Museum they visit one of the strangest circuses on earth. Winner: Best Factual Programme RTS Midlands awards, 2017, 2016, 2015 Nominated: BATFA for Best Features, 2017
5 disc Blu-ray set. 4 film collection plus bonus Madness of Max feature-length documentary and 4 exclusive artcards in a rigid slipcase. The Madness of Max is a feature-length documentary on the making of arguably the most influential movie of the past thirty years.With over forty cast-and-crew interviews hundreds of behind-the-scenes photographs and never-before-seen film footage of the shoot this is without a doubt the last word on Mad Max. Interviews include: George Miller Byron Kennedy Mel Gibson Hugh Keays-Byrne Steve Bisley Roger Ward Joanne Samuel David Eggby Jon Dowding and many more. From the Producers to the Bike Designers to the Traffic Stoppers this is the story of how Mad Max was made.
Mel Gibson delivers an electrifying performance in director Peter Weir's compelling story of friendship and adventure between two Australian soldiers in 1915. They cross continents and great oceans climb the pyramids and walk through the ancient sands of Egypt to join their regiment at the fateful battle of Gallipoli. The echoes of history blend with the friends' compelling destiny as they become part of a legendary World War I confrontation between Australia and the German allied Turks - a battle that is the Antipodean equivalent of the Alamo.
M Night Shyamalan's breakout third feature, The Sixth Sense sets itself up as a thriller poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. --Mark Englehart M Night Shyamalan reunites with Bruce Willis in Unbreakable for another story of everyday folk baffled by the supernatural (or at least unknown-to-science). This time around, Willis has paranormal, possibly superhuman abilities, and a superbly un-typecast Samuel L Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. Throughout, the film refers to comic-book imagery, while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers may find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness off-putting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman After tackling ghosts and superheroes, M Night Shyamalan brings his distinctive, oblique approach to aliens in Signs. With Mel Gibson replacing Bruce Willis as the traditional Shyamalan hero--a family man traumatised by loss--and leaving urban Philadelphia for the Pennsylvania sticks, the film starts with crop circles showing up on the property Gibson shares with his ex-ballplayer brother (Joaquin Phoenix) and his two troubled pre-teen kids. Though the world outside is undergoing a crisis of Independence Day-sized proportions, Shyamalan limits the focus to this family, who retreat into their cellar when "intruders" arrive from lights in the sky and set out to "harvest" them. The tone is less certain than the earlier films--some of the laughs seem unintentional and Gibson's performance isn't quite on a level with Willis's commitment--but Shyamalan still directs the suspense and shock dramas better than anyone else. --Kim Newman
Robert Towne is one of Hollywood's most celebrated screenwriters, but because his directorial efforts have been few and far between, anticipation was high when this star-powered crime story was released in 1988. Critical reaction was decidedly mixed, but there's plenty to admire in this silky, visually seductive film about a drug dealer (Mel Gibson) whose best friend from high-school (Kurt Russell) is now working for the Los Angeles sheriff's drug detail. Their personal and professional conflicts are intensified by their love for the same woman, a waitress (Michelle Pfeiffer) at the Italian restaurant they both frequent. There's a big deal going down with a drug lord (the late Raul Julia), but as it twists and turns, Towne's story is really more about personal loyalties and individual honour. And even if it doesn't quite hold together, the movie's got a fantastic look to it (courtesy of the great cinematographer Conrad Hall), and the three stars bring depth and dimension to their well-written roles. --Jeff Shannon
Soul Food is the kind of movie that seems to have been blessed throughout its low-budget production and it has got a quality of warmth and charm that fits perfectly with its authentic drama about a large African-American family in Chicago. Twenty-eight-year-old writer-director George Tillman Jr. drew autobiographical inspiration from his upbringing in Milwaukee, and on a well-spent $6.5 million budget he succeeded where similar films (including Waiting to Exhale and How Stella Got Her Groove Back) fell short: he depicts his many characters with such depth and sympathy that, by the time they have weathered several family crises, we've come to care and feel for them and the powerful ties that bind them together. As seen through the eyes of Tillman's young alter ego Ahmad (Brandon Hammond), the film primarily focuses on the rivalries and affections that rise and fall among Ahmad's mother (Vivica A. Fox) and her two sisters (Vanessa L. Williams and Nia Long). Through them, and through the weekly Sunday dinners cooked with love by their mother, Big Mama (Irma P. Hall), we witness marital bliss and distress, infidelity, success, failure ... in short, the spices of life both bitter and sweet. But when Big Mama falls into a diabetic coma, Ahmad watches as his family begins to fall apart without the stability and love that Big Mama provided with every Sunday meal. Tillman's touch can be overly nostalgic, melodramatic and cloyingly sentimental, but never so much that the movie loses its firm grip on reality. As a universal portrait of family life, Soul Food ranks among the very best films of its kind--believable, funny, emotional and always approaching its characters (well-played by a uniformly excellent cast) with a generous spirit of forgiveness and understanding. As satisfying as one of Big Mama's delicious dinners, Soul Food is the kind of movie that keeps you coming back for more. --Jeff Shannon
Set in the 1960s, Billy Covington (Robert Downey Jr.) is a big-city chopper pilot who reports traffic conditions for a radio station but ends up losing his license due to a traffic incident on the freeway. Longing to do some real flying, Billy is recruited by the government for a secret and safe (he thinks) civilian airline in Laos. Knowing that by agreeing to do it he'll get his license back, he signs up. Upon arrival in Laos, he soon befriends ace pilot Gene Ryack (Mel Gibson) and realises that Air America isn't quite what it seems, instead of transporting civilians, it's food, money, ammunition and napalm that are the real cargo and the pilots are risking their lives daily.
Chicken Run: Trouble is brewing down on Mrs Tweedy's poultry farm: the chickens are revolting (yes that old chestnut) and clucky hen Ginger (voiced by Julia Sawalha) is planning her latest coop um coup. Getting one or two birds out of the farm is no problem whatsoever. Unfortunately Ginger plans to get everyone out at the same time and when one of the would-be escapees happens to be kind-hearted but bird-brained Babs (Jane Horrocks) Ginger is fighting a losing battle. As she contemplates her next escape attempt with Scottish engineering genius Mac (Lynn Ferguson) Ginger sees their salvation in the form of a rooster named Rocky (Mel Gibson) if the cocksure Rocky can teach all of the hens how to fly then they can all fly out of Tweedy's clutches before she gives them the chop! James And The Giant Peach: This is the story of James Henry Trotter a lonely orphan sent to live with his horribly wicked and greedy Aunts Spiker (Joanna Lumley) and Sponge (Miriam Margoyles). When James meets a strange old man who promises that marvelous things will happen indeed they do. Escaping his aunts by climbing inside a giant peach that mysteriously and suddenly grows on their barren tree he meets some very unusual new friends and as they break free in the peach from Spiker and Sponge they embark on a series of wildly imaginative adventures. Anastasia: The lost Russian Princess Anastasia and her incredible quest to find her true identity. When the shadow of revolution falls across Russia Anastasia the royal family's youngest daughter barely escapes with her life. Years later joined by a band of heroic companions Anastasia must battle the evil Rasputin his sidekick Bartok the bat and a host of ghostly minions in a headlong race to reach Paris reclaim her rightful destiny.... and solve the greatest mystery of the 20th century!
Martin Riggs (Mel Gibson) is no ordinary cop. He's a Mad Max gone maniacal a man whose killing expertise and suicidal recklessness make him a Lethal Weapon to anyone he works against. Or with. Roger Murtaugh (Danny Glover) is an easygoing homicide detective with a loving family a big house and a pension he doesn't want to lose. Imagine Murtaugh's shock when he learns his partner is a guy with nothing left to lose; wild-eyed burnt-out Martin Riggs. Lethal Weapon is the trill-packed story of two Vietnam-vets-turned-cops who have just one other thing in common; both hate to work with partners. But their partnership becomes the key to survival when a routine murder investigation leads to all-out take-no-prisoners martial-arts-and-machine-guns war with an international heroin ring. Director Richard Donner moves that war at two speeds: fast and faster. Hot LA days and nights explode in one show-topping scene after an other culminating in a no-holds-barred battle between Riggs and his Angel-of-Death nemesis (Gary Busey) - an electrifying sequence incorporating three martial-art-styles and requiring four full nights to film. Fierce fast and frequently funny Lethal Weapon fires off round after round of can't miss entertainment.
Welcome to Daffy Duck's Fantastic Island, where your most fantastical imaginings can be realised for a price, of course! Your hosts at this tropical paradise are none other than the inimitable Daffy Duck and his sidekick Speedy Gonzales. All your favourite Warner Bros. cartoon characters, including Bugs Bunny, Foghorn Leghorn, Porky Pig and Sylvester, arrive on Daffy's island to bring their wildest fantasies to life. But all is not ducky, as the notorious pirate Yosemite Sam and his first mate, the Tasmanian Devil, invade to plunder Daffy's island retreat. Join in the fun as we learn how Daffy really got his own fantastic island, whether he'll be able to keep it from the nefarious Pirate Sam, and whether wishes really can come true!
Mad Max: ""Who are they?"" asks the burly leader of a pack of motorcycle savages. Before the dust settles and the last piston throbs he'll especially know who one of them is. So will movie fans. Mel Gibson gave notice that he was a name to reckon with in the revved-up trend-setting first of Gibson's Mad Max collaborations with filmmaker George Miller. Gibson portrays Max Rockansky; the fearless leather-suited cop waging war with kill-crazy bikers who targeted his family. It is a war that must be seen to be believed a road-scorching neo-punk take-no-prisoners combat set in a post-apocalyptic Australia. In the end a lone man travels a ribbon of highway now free of the un-roadworthy a highway leading Gibson to stardom. Mad Max 2: The Road Warrior: In the annals of action movies few can compere with Mad Max 2 a full-throttle epic of speed and carnage that rockets you into a dreamlike landscape where the post-nuclear future meets the mythological past. More simply its also one of the most mind-blowing stunt movies ever made. Before he took aim in three Lethal Weapons and starred on 1994's Maverick Mel Gibson had already made his mark on movie history as Max the heroic loner who drives the roads of outback Australia in an unending search for gasoline. Arrayed against him and the other scraggly defenders of a fuel-depot encampment are the bizarre warriors commanded by The Humungus notorious for never taking prisoners when they can pulverise them instead. Mad Max: Beyond Thunderdome: Two men enter. One man leaves. That's the law in Bartertown's Thunderdome arena. But lawmaker Auntie Entity will soon add another: Don't get Max mad! Mel Gibson returns for the third time as the title hero who takes on the barbarians of the post-nuclear future- and this time becomes the saviour of a tribe of lost children. Tina Turner steals what's left of the screen as Auntie Entity a power-mad dominatrix determined to use Max to tighten her stranglehold on Bartertown. Directors George Miller and George Ogilvie deliver another rousing final apocalypse-on-wheels and one of the best movie fight scenes ever as Max and the gladiatorial Blaster face off with maces chainsaws and anything not nailed down inside Thunderdome.
Henry Wilt spends his evenings walking his dog and fantasising about murdering his domineering wife, Eva. Whilst incredibly drunk at a party, Wilt's entanglement with a life-size inflatable doll ends with him dumping it in a convenient hole at a building site. The following morning, when Eva cannot be found, Wilt's activities attract the suspicion of the dogged Inspector Flint of Norwich CID, who firmly believes that Mrs Wilt is now pushing up twenty tons of pre-mixed concrete... Griff Rhys Jones and Mel Smith star as the hapless Wilt and his single-minded pursuer in this classic comedy film, adapted from Tom Sharpe's outrageously funny novel by Andrew Marshall and David Renwick. Co-starring Alison Steadman and Diana Quick, Wilt is presented here as a brand-new High Definition transfer from the original film elements in its original theatrical aspect ratio. SPECIAL FEATURES: Archive interviews Location footage Theatrical trailer Image gallery
Things start out plenty looney as Yosemite Sam strikes a Devilish bargain to send Bugs straight to you-know-where! The looniness continues as Daffy and Tweety tangle with a pair of feather-brained bird-napping gangsters. And in the even loonier finale, Bugs turns Hollywood's glitziest awards ceremony into a cartoon-star-studded disast-hare zone! A fabulous, 24-carrot tour de farce from animation legend Friz Freleng!
Directed by Italy's master of exploitation cinema Alberto De Martino (The Spy With Ten Faces Blazing Magnums Django Shoots First One Hundred Thousand Dollars For Ringo OK Connery)and spawned from the sick twisted fertile imagination of screenwriter Gianfranco Clerici (Nazi Love Camp 27 Cannibal Holocaust Slashdance Devil Fish) The Antichrist is a spewing screaming sexed up purposely offensive and incredibly blasphemous seminal and rarely seen Euro-horror. A classic story of demonic possession The Antichrist tells the story of timid Ippolita Oderes. Wheelchair bound from an early age Ippolita craves intimate physical contact but her lustful needs lead to her being possessed by Satan himself turning Ippolita into a vicious sadistic seducer and killer. Along with unholy scenes of satanic orgies and shocking violence The Antichrist also features breathtaking cinematography and a superb unforgettable film score by Ennio Morricone. The Antichrist is a must for lovers of off centre seventies movies and bizarre mind bending horror.
Mel Gibson set aside his art-house credentials to star as a crazy cop paired with a stable one (Danny Glover) in this full-blown 1987 Richard Donner action picture. The most violent film in the series (which includes three sequels), Lethal Weapon is also the edgiest and most interesting. After Gibson's character jumps off a building handcuffed to a man, and Gary Busey (as a cold, efficient enforcer) lets his hand get burned without flinching, there is a sense that anything can happen, and it usually does. Donner's strangely messy visual and audio style doesn't make a lot of aesthetic sense, but it stuck with all four movies. --Tom Keogh
In this ducklightful animated feature film, Daffy Duck opens up the ghostbusting Ghouls R' Us Agency. It's supply and demand, the spook sleuth explains. My clients supply the ghosts. And I demand the money. Highlights include Daffy Anything for a Buck Duck pitching his wares on TV; a house call to aid a vampy seducktress; a ghost-to-ghost hookup with Zed Toppel on Frightline; and, talk about a tough crowd, crooner Daffy wowing a nightclub of Transylvanian baddies. Bugs Bunny, Porky Pig, Tweety and Sylvester join this exorcise in hilarity, with principal voices provided by the always masterful Mel Blanc. The gang's all here and so is the fun. You'll quack up over Daffy Duck's Quackbusters!
Mist is no longer a puppy but she still has much to learn about life as a Borough Farm sheepdog. With Swift Ernie Gail Fern and barmy uncle Jake on hand Mist has all the help she needs to cope with the animals on the farm. 'Mist - sheepdog tales' are thirteen individual stories telling of Mist's adventures as she sets out in life as a fully-fledged working sheepdog.
Celebrating 40 years since it first opened in London's West End, Andrew Lloyd Webber's new production of Jesus Christ Superstar, directed by Laurence Connor, promises to be the rock event of 2012. The star-studded line-up includes award-winning musical comedian Tim Minchin for the role of 'Judas Iscariot'. Three million album selling pop icon and former Spice Girl Melanie C will take the only female lead as 'Mary Magdalene'. BBC Radio 1's Breakfast Show host Chris Moyles will make his major stage debut as 'King Herod' and Winner of the ITV primetime show 'Superstar' Ben Forster in the title role of 'Jesus' in the 21st century 'Rock Musical' re-invention of Jesus Christ Superstar. An award-winning creative team have transformed this legendary rock musical into a unique state-of-the-art spectacular. Director Laurence Connor, known for his work on the 25th anniversary performances and concerts for Les Miserables and Phantom of the Opera, will work alongside Mark Fisher, the acclaimed world-leading set designer responsible for the staging of the Diamond Jubilee music concert in front of Buckingham Palace. They will be joined by internationally renowned lighting designer Patrick Woodroffe, who worked on the Opening and Closing Ceremonies of the London 2012 Olympic Games. Both Mark and Patrick have worked on global arena and stadium tours for some of the world's biggest music acts including the Rolling Stones and U2. Filmed live as part of the 2012 arena tour.
A reality thriller that is a shocking product of our times, Catfish is a riveting story of love, deception and grace within a labyrinth of online intrigue.
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