White is the second of witty Polish director Krzysztof Kieslowki's "three colours" trilogy Blue, White, and Red--the three colours of the French flag, symbolising liberty, equality and fraternity. White is an ironic comedy brimming over with the hard laughs of despair, ecstasy, ambition and longing played in a minor key. Down-and-out Polish immigrant Karol Karol is desperate to get out of France. He's obsessed with his French soon-to-be ex-wife (Before Sunrise's Julie Delpy), his French bank account is frozen, and he's fed up with the inequality of it all. Penniless, he convinces a fellow Pole to smuggle him home in a suitcase--which then gets stolen from the airport. The unhappy thieves beat him and dump him in a snowy rock pit. Things can only get better, right? The story evolves into a wickedly funny anti-romance, an inverse Romeo and Juliet. Because it's in two foreign languages, the dialogue can be occasionally hard to follow, but some of the most genuinely funny and touching moments need no verbal explanation. --Grant Balfour
Over 170 000 people turned up on the 26th August 2005 for the concert of French electronic composer Jean Michel Jarre to mark the 25th anniversary of Poland's Solidarity trade union which helped bring down communism. Jean Michel Jarre had come to Gdansk at the invitation of the Polish Nobel Prize laureate Lech Walesa. Accompanied by the Gdansk Symphony orchestra and a Polish choir Jean Michel does his thing... DVD - Tracklist: 1. Shipyard Overture 2. Suite for Flute 3. O
A young couple on their honeymoon stop for the night at an ancient castle. Unbeknownst to them the castle is home to a horde of vampires who have their own deadly decadent plans for the couple...
These all-time classic adventures, each featuring pioneering special effects by filmmaking legend Ray Harryhausen, are presented here in stunning 4K restorations. Containing a wealth of new and archival extras including audio commentaries with the great Ray Harryhausen himself, a Jason and the Argonauts commentary with Lord of the Rings director Peter Jackson, new interviews with SFX maestro Hal Hickel and genre-film expert Kim Newman this ravishing Limited Dual Format Edition Box Set from Indicator is strictly limited to 6,000 units. Extras: 4K restorations from the original camera negatives Mono and 5.1 surround sound audio options Ray Harryhausen audio commentaries Additional Mysterious Island audio commentary with film historians Randall William Cook, C. Courtney Joyner and Steven C. Smith Additional Jason and the Argonauts audio commentary with filmmaker Peter Jackson and Randall William Cook 'Jason and the Argonauts' Original Skeleton Fight Storyboards Ray Harryhausen on 'Mysterious Island' Hal Hickel on 'Mysterious Island' (2017): new interview with the special effects maestro Kim Newman on 'Mysterious Island' (2017): new appreciation by the author and genre-film expert Islands of Mystery: vintage featurette Randall William Cook Introduces 'First Men in the Moon' Tomorrow the Moon: vintage featurette New and exclusive interviews with crew members, including camera assistant Ray Andrew (Mysterious Island) and production manager Ted Wallis >First Men in the Moon) Mysterious Island comic-book Archival documentaries and interviews Super 8 versions of Mysterious Island and Jason and the Argonauts Isolated scores: experience the music of Bernard Herrmann (Mysterious Island) and Laurie Johnson (First Men in the Moon) Original trailers, teasers, TV spots and promotional films John Landis trailer commentary for First Men in the Moon Image galleries: extensive promotional and on-set photography, poster art and archive materials Limited edition exclusive 80-page book with new essays by film experts Kim Newman and Tim Lucas, an in-depth oral history of all three films, and full film credits UK Blu-ray premieres of Mysterious Island and First Men in the Moon Limited Dual Format Edition Box Set of 6,000 numbered units
Michele Soavi directs this '70s Italian horror. In Frankfurt, schoolteacher Miriam Kreisl (Kelly Leigh Curtis) is inducted into the Sect of the Faceless Ones, seduced by the charisma of its leader Moebius Kelly (Herbert Lom), and faces a series of terrifying ceremonies and ritualistic killings. After nearly running over the old man and innocently offering him a place to stay, Miriam has no idea what the satanic cult has lying in store for her...
In celebration of the film's 60th anniversary, BREATHLESS has been stunningly restored in 4K. Based on a story by François Truffaut and photographed by New Wave legend Raoul Coutard, Jean-Luc Godard's jazzy riff on Film Noir features iconic performances from Jean-Paul Belmondo as an on-the-run criminal modelling himself on Bogart, and Jean Seberg as his NY Herald Tribune-hawking American student girlfriend, who ultimately betrays him. With a pace that's non-stop, BREATHLESS reinvented the grammar of movies and almost instantly changed the course of international filmmaking. Celebrate where it all began with Belmondo and Seberg - young, effortlessly stylish and in love in Paris - in one of the coolest films ever made. A brand new 4K restoration in celebration of the film's 60th Anniversary Extras: NEW Still not Breathless, NEW Trailer, Room 12, Hotel de Suede, Introduction with Jefferson Hack, Film Presentation by Colin MacCabe, Tempo - Godard Episode
Jeanne Moreau (Jules et Jim) stars as the titular bride, who after marrying her love sees him murdered on the steps outside the church. From here she enacts her ruthless revenge on the group of men responsible. Undoubtedly an influence on Quentin Tarantino's Kill Bill, François Truffaut's The Bride Wore Black was itself influenced by the director's idol, Alfred Hitchcock. Adapting celebrated crime writer Cornel Woolrich (who was also the author of the short story Hitchcock's Rear Window is based on) Truffaut's film is a deliciously entertaining tale that was one of the director's biggest hits. Alongside Moreau, the film boasts a sensational cast, including Michael Lonsdale, Jean-Clude Brialy, Charles Denner and Michel Bouquet among others, and features a score by the maestro, Bernard Herrman (Psycho). Limited Edition Special Features High-Definition digital transfer Original uncompressed mono PCM audio Archival interviews with François Truffaut and Jeanne Moreau (1968, 1969) Appreciation by filmmaker Kent Jones (Hitchcock/Truffaut) Barry Forshaw on Cornel Woolrich and the adaptation Trailer Optional English subtitles Reversible sleeve featuring designs based on original posters Limited edition booklet featuring new writing on the film, archival writing by Truffaut and more
Happy Birthday to Me typifies the horror genre prior to the self-reflection and irony that saturated the genre in the late '80s and '90s. A solid cast, decent acting, a well-written script, and relatively high production values result in a solid movie that is engaging on its own in addition to offering a glimpse into the history of '80s horror. The plot follows the rules of the genre (later parodied in such films as the Scream and Scary Movie series). A number of teenagers (played by actors who appear visibly older than their characters) from an elite prep school get into mischievous sexual situations fueled by alcohol and pot smoking. As teens start to disappear, murdered in a variety of violent ways, the film suggests a number of suspects. Is the killer the troubled star played by Melissa Sue Anderson who lost her overbearing, social-climbing mother in a car accident that she survived? Or is it the stern school mistress, the wacky, cool social clown, the social misfit, or none of the above? The film keeps you guessing until the final scene. Happy Birthday is a must-see for serious fans of the horror genre and this release is a solid digital mastering of the movie. Hardcore fans should note that the DVD release was not able to secure the rights to the original soundtrack so this version features an alternate soundtrack of largely nondescript '80s electronic music. --Brian Saltzman
Alfred Hitchcock hadn't made a spy thriller since the 1930s, so his 1969 adaptation of Leon Uris's bestseller Topaz seemed like a curious choice for the director. But Hitchcock makes Uris's story of the West's investigation into the Soviet Union's dealings with Cuba his own. Frederick Stafford plays a French intelligence agent who works with his American counterpart (John Forsythe) to break up a Soviet spy ring. The film is a bit flat dramatically and visually, and there are sequences that seem to occupy Hitchcock's attention more than others. A minor work all around, with at least two alternative endings shot by Hitchcock. --Tom Keogh
""Godard gives us `an abundance of cinematic virtuosity; the expressive colours stately camera moves and haunting music (borrowed by Scorsese for `Casino') all dovetail to stunning effect.' "" **** Empire When aspiring playwright Paul Javal (Michel Piccoli) is called in as script doctor on a film of `The Odyssey' he is caught between a director (Fritz Lang) who wants to capture the reality of Homer's world and crass producer Prokosch (Jack Palance) who just wants more mermaids.
Adapted from the George Simenon novel 'Les Fiancailles De M. Hire' it tells the story of old Monsieur Hire who lives a lonely existence in an apartment block. He spies on a woman called Alice who also lives there and he knows everything about her until one evening he sees something he shouldn't and his life changes for ever.
Josée is the wife of an artist whose work is exhibited in Stan Hassler's modern art gallery. Stan, impotent and depraved, satisfies himself by photographing women in humiliating poses. Josée is fascinated by the man and soon falls completely in love with him...
An adaptation of Abbe Prevost's classic French novel 'Manon Lescaut', updated to post-World War II France, in which a former French Resistance activist rescues Manon from villagers who want to lynch her for collaborating with the Nazis. They move to Paris, but their relationship quickly turns stormy after they get involved in profiteering, prostitution and murder.
A military deserter finds love and trouble (and a small dog) in a smoky French port city.
WHAT WE HAVE is is the tale of Maurice, a prisoner of his past who is unable to connect with the people in his new Northern Canadian small town, a community that is only too ready to welcome this European misfit into their arms.
Twisting The Knife: Four Films By Claude Chabrol For five decades Claude Chabrol navigated the unpredictable waters of Cinema, leaving in his wake more than fifty feature films that remain among the most quietly devastating genre movies ever made. Sardonic, provocative, unsettling, Chabrol's films cut to the quick with a clarity and honesty honed to razor sharpness. The Swindle (Rien Ne Va Plus) sees Chabrol at perhaps his most playful as a pair of scam artists, Isabelle Huppert and Michel Serrault, get in over their heads. But who is scamming who and who do you trust in a life built on so many lies? The murder of a 10 year old girl sparks rumours and gossip in The Color of Lies (Au Coeur Du Mensonge), as suspicion falls on René (Jacques Gamblin) the dour once famous painter, now art teacher, who was the last person to see her alive. Enigmatic, perverse, seductive, Isabelle Huppert encapsulates everything that makes Nightcap (Merci Pour Le Chocolat) a film John Waters calls Cinematic Perfection in this tale of suppressed family secrets. Finally, in The Flower of Evil (La Fleur Du Mal), incest, old money and intergenerational guilt come under the scalpel as an outwardly perfect bourgeois family begins to unravel when the wife involves herself in politics. Though influenced by Fritz Lang, Alfred Hitchcock and Jean Renoir, Chabrol's voice was entirely and assuredly his own, influencing in turn filmmakers like Bong Joon-ho, James Gray and Dominik Moll. His amused, unblinkered view of life and refusal to judge his characters makes his films timelessly relevant and accessible to all. Arrow Video is proud to present this second collection of films by Claude Chabrol with a wealth of new and archival extras. Limited Edition Contents: High definition Blu-ray (1080p) presentations of all four films New 4K restorations of The Swindle (Rien Ne Va Plus), Nightcap (Merci Pour Le Chocolat) and The Flower of Evil (La Fleur Du Mal) Original lossless PCM French stereo audio on all films plus DTS-HD 5.1 on Nightcap (Merci Pour Le Chocolat) and The Flower of Evil (La Fleur Du Mal) Optional English subtitles 80-page collector's booklet of new writing by Sean Hogan, Brad Stevens, Catherine Dousteyessier-Khoze, Alexandra Heller-Nicholas, and Pamela Hutchinson Limited edition packaging featuring newly commissioned artwork by Tony Stella Disc One - The Swindle (Rien Ne Va Plus): Brand new audio commentary by film critic Barry Forshaw and author Sean Hogan Chabrol's Soap Bubble, a brand new visual essay by Catherine Dousteyssier-Khoze, author of Claude Chabrol: The Aesthetics of Opacity exploring the games Chabrol plays with his characters and audience Film as a Family Affair, Cécile Maistre-Chabrol, the stepdaughter of Claude Chabrol and his assistant director on fourteen features discusses his life, work and wisdom in this exclusive new hour plus interview Behind the scenes featurette Archive interview with Isabelle Huppert Archive introduction by film scholar Joël Magny Select scene commentaries by director Claude Chabrol Theatrical trailer Image gallery Disc Two: - The Color Of Lies (Au Coeur Du Mensonge): Brand new audio commentary by critic Barry Forshaw and author Sean Hogan Nothing is Sacred, a brand new visual essay by film critic Scout Tafoya examining the ideas of art and legacy in Chabrol's The Color of Lies (Au Coeur Du Mensonge) What's Eating Claude Chabrol? a brand new appreciation by film critic David Kalat examining the ways in which Chabrol's films relate, reflect and refract each other Behind the scenes featurette Archive introduction by film scholar Joël Magny Select scene commentaries by director Claude Chabrol Theatrical trailer Image gallery Disc Three - Nightcap (Merci Pour Le Chocolat): Brand new audio commentary by film critic Justine Smith When I pervert good , a brand new visual essay by film critic Scout Tafoya which takes a closer look at late period Chabrol through the lens of his masterful thriller Nightcap (Merci Pour Le Chocolat) Archive interview with Isabelle Huppert Archive interview with Jacques Dutronc Behind the scenes featurette Screen test for Anna Mouglalis Archive introduction by film scholar Joël Magny Select scene commentaries by director Claude Chabrol Theatrical trailer Image gallery Disc Four - The Flower Of Evil (La Fleur Du Mal): Brand new audio commentary by film critic Farran Smith Nehme Behind the Masks: Remembering Claude Chabrol, a brand new appreciation by Agnès C. Poirier, author of Left Bank: Arts, Passion and the Rebirth of Paris 1940-1950 in which she shares her personal reminiscence of Claude Chabrol and considers his unique position in French culture and cinema Behind the scenes featurette Archive interview with co-writer Catherine Eliacheff Archive introduction by film scholar Joël Magny Select scene commentaries by director Claude Chabrol Theatrical trailer Image gallery **Extras Subject to Change**
Shipping captain Marco (Vincent Lindon Anything For Her) receives a phone call from his sister urgently calling him back to Paris. Her husband has committed suicide her daughter is missing and the family business has gone under. She holds her husband's business partner Edouard Laporte accountable and Marco sets out to expose his treachery. But as he begins to scratch under the surface Marco discovers a dangerous underworld of violence corruption and exploitation that will culminate in a final shocking revelation. The new film from award-winning writer-director Claire Denis (White Material Beau Travail) Bastards is a disturbing yet mesmerizing examination of transgression a tour-de-force in atmospheric filmmaking and a thrilling highly modern take on film noir.
Influential director Jacques Becker's final film, Le Trou is also amongst his very best. Hailed as a masterpiece by Truffaut, it remains a compelling work, superbly directed and photographed with a remarkable attention to detail. 1947. A young man, Gaspard Claude (Marc Michel), is convicted for the attempted murder of his wife, although he is innocent of the crime. He is sent to the notorious Santé Prison in Paris and is placed in a cell with four hardened criminals. The latter have decided to escape from the prison by digging their way out of their cell. Reluctantly, they take Gaspard into their confidence and labour digging their way out of their cell. Then, just when escape appears certain, Gaspard is called away to see the prison governor
Jules and Jim meet in Paris just before the start of World War I where they also meet Catherine an enchanting but unpredictable woman. This story focuses on the life-long friendship of Jules and Jim and their mutual love for the same woman and what becomes the most amicable of love triangles.
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