A specially created box set containing all 7 seasons of Buffy The Vampire Slayer: over 100 hours of vampire ass-kicking action!
Fairy tale endings aren't what they used to be... Tired of the status quo Frida Cinderella's evil stepmother leads a war pitting the bad against the good! Cinderella (aka Ella) starts out as a damsel in distress but when her own fairy tale takes a radical left turn she is forced to form and eventually lead a resistance group without her Prince Charming. Set against a backdrop of fractured fairy tales spinning wildly out of control Ella must choose her own destiny in a world of happy endings gone wrong. The race for control of the kingdom is on and the power mad Frieda fuelled by a total disdain for goodness is set to change the age-old storyline to Happily N'Ever After!
The fifth season of Buffy the Vampire Slayer is about illusions and the truth that they often reveal; suddenly Buffy has a younger sister, has always had a younger sister. Michelle Trachtenberg as the moody, gawky Dawn achieves the considerable triumph of walking into an established stock company of well-known characters--Xander, Willow, Giles and so on--with the perfect assurance of a long-term member of the cast. Of course, nothing is as it seems; even Glory, the mad brain-sucking beauty in a red dress who is the villain of the year, turns out to be even more than she seems. Sarah Michelle Gellar as Buffy manages to convey heartbreak, self-involvement and real heroism as her relationship with her emotionally dense soldier boyfriend Riley hits the shoals and the blonde vampire Spike starts to show an altogether inappropriate interest. This season is also about the hard truth that there are some enemies it is impossible to fight. Even being around Buffy and Dawn is dangerous for their friends, as Glory and her minions proceed by a process of elimination. The eventual confrontation, when it comes, is genuinely shocking. Meanwhile, the vampire Spike's obsessed desire for Buffy takes them both to some very strange places and Willow and Tara have their love tested in the most gruelling of ways. And in the quietly upsetting episode "The Body", the cast produce their most impressive performances yet as they have to deal with another enemy they cannot fight. --Roz Kaveney
An accountant is introduced to a mysterious sex club known as The List by his lawyer friend. But he soon becomes the prime suspect in a woman's disappearance and a multi-million dollar heist.
A tense and violent update of the 1932 Howard Hughes gangster classic with the setting changed from Chicago to Miami. Al Pacino stars as Tony Montana, whose intelligence, guts, and ambition help him skyrocket from dishwasher to the top of a criminal empire but whose eventual paranoia and incestuous desire for his kid sister (played by Mary Elizabeth Mastrantonio) prove his undoing.
Dating from 1976, The Likely Lads belongs to an often-reviled genre--the feature-length spin-off from the 1970s sitcom. However, these were often a great deal better than TV purists make them out to be. The Dad's Army film, for example, more than measures up to the original series, the first Steptoe and Son movie is as sublime as any 1960s kitchen sink drama and much funnier, while this incarnation of The Likely Lads reaches heights of hilarity not even scaled by the splendid sitcom from which it was derived. Starring Rodney Bewes as Bob and James Bolam as Terry, this is an aimless but endlessly entertaining saga that takes in a calamitous caravan holiday in drizzly Northumbria, a farcical escapade in a seaside guest house and innumerable minor capers in between. The real business here, however, is in Dick Clement and Ian La Frenais' script and characterisation. Most of their best work involves men in confinement of some sort (Porridge, Auf Wiedersehen Pet) and here it's Bob who finds himself timidly chafing at the clutches of domestic "bliss" as personified by wife Thelma (played magnificently and underratedly by Brigit Forsyth, avoiding all the usual battleaxe clichés). He's jealous of the footloose Terry, even though the latter is clearly frustrated at his rootless existence ("I've learned nothing. Y'know what it'll say on my gravestone? "None the Bloody Wiser"!"). Beyond a mere nostalgia-fest, this is vintage, essential Brit-comedy. On the DVD: The Likely Lads is presented in widescreen 1.78:1. Unfortunately, this comedic milestone comes only with the original trailer by way of extras. --David Stubbs
An underrated little picture, Real Genius offers a rare college comedy that doesn't rely on gross-out humour as well as a look at Val Kilmer before he turned into a star. A high school whiz kid (Gabriel Jarret) arrives at a brainy college, where the crème de la crème of the science students are marshalled under an ambitious professor (expert villain William Atherton). Unbeknown to them, the kids are working on a weapons system that the prof. plans on selling to the government. The star student and chief rabble-rouser is played by Kilmer, in good early form as a cocky genius who hasn't lost touch with his goofy side. The director is Martha Coolidge, whose Valley Girl was one of the brightest (and most unexpected) of 1980s comedies; she keeps the movie perking along and never worries about dumbing down a film that just happens to be about smart people. --Robert Horton
Can the newest breed of peacekeepers overpower the oldest trick in the book? Years into the future aliens and humans try to live in peace and harmony - but can they? While Earth opens its doors the Power Rangers open an academy to develop the next generation of highly trained peacekeepers. It's none too soon when a planet-conquering alien force turns its destructive attention to Earth. When A Squad goes missing B Squad must rise to the occasion. To join the fray they must join
Pierce Brosnan returns for his second stint as James Bond in Tomorrow Never Dies and he's doing it in high style with an invigorating cast of co-stars. It's only appropriate that a Bond film from 1997 would find Agent 007 pitted against a media mogul (Jonathan Pryce) who's going to start a global war--beginning with stolen nuclear missiles aimed at China--to create attention-grabbing headlines for his latest multimedia news channel. It's the information age run amok and Bond must team up with a lovely and lethal agent from the Chinese External Security Force (played by Hong Kong action star Michelle Yeoh) to foil the madman's plot of global domination. Luckily for Bond, the villain's wife (Teri Hatcher) is one of his former lovers and, at the behest of his superior "M" (Judi Dench), 007 finds ample opportunity to exploit the connection. Although it bears some nagging similarities to many formulaic action films from the 90s, Tomorrow Never Dies (with a title song performed by Sheryl Crow) boasts enough grand-scale action and sufficiently intelligent plotting to suggest the Bond series has plenty of potential to survive into the next millennium. Armed with the usual array of gadgets (including a remote-controlled BMW), Brosnan settles into his role with acceptable flair and the dynamic Yeoh provides a perfect balance to the sexism that once threatened to turn Bond into a politically incorrect anachronism. He's still Bond, to be sure but he's saving the world with a bit more sophisticated finesse. --Jeff Shannon --This text refers to an out of print or unavailable edition of this title. On the DVD: Somewhat disappointingly there is no specific "making-of" documentary for Tomorrow Never Dies: instead we get a generic "Secrets of 007" made-for-US-television feature, a promotional piece that does however include footage from the set of TND. There is also a very brief special effects reel, which highlights the novel (for a Bond movie) use of CGI, as well as a breakdown of key sequences with their storyboards. Elsewhere, composer David Arnold enthuses about writing Bond music from a fan's perspective and Sheryl Crow's music video is included as are theatrical trailers and a text piece on some of the gadgets. There are two commentaries: the first from producer Michael Wilson and stunt coordinator Vic Armstrong; the second has director Roger Spottiswoode in conversation with "friend and colleague" Dan Petrie Jr. Only die-hard fans would have wanted both, the rest may find themselves switching between the two. The film, of course, looks and sounds stunning. --Mark Walker
Happily N'Ever After - Double Pack
A harsh, cutting, and wickedly funny look into the darker side of show business, Swimming with Sharks tells the story of a naive and eager assistant (Frank Whaley) and his slide into the cut-throat world of Hollywood power struggles. Whaley goes to work for a top movie executive (Kevin Spacey) who almost immediately begins to wear down his new assistant's exuberance with his whining, egomaniacal tantrums and relentless verbal abuse, even as he promises his young charge a chance to move up the ladder. Culminating in a violent and ultimately ironic confrontation between mentor and protégé, this brutal 1994 black comedy benefits from some razor-sharp writing and terrific comic turns from both Whaley (Hoffa) as one whose idealism is irrevocably shattered, and Spacey (Seven, L.A. Confidential), deliciously funny as a caustic, belligerent, and ultimately sad figure. A savage indictment of both the movie business and the price of ambition, Swimming with Sharks is one of the best black comedies in recent years. --Robert Lane
I Know What You Did Last Summer (Dir. Jim Gillespie 1997): On the magic Summer's night of high school's end Julie Helen Ray and Barry get into Barry's new Beamer and drive out to celebrate their lives and hopes before them. But on the road they have a terrible accident; hit and kill a man. In the shock and panic that follow they dump the body in the sea rather than reporting the accident. As the body sinks the hand of the dead man breaks the surface in a last grasp at life then disappears into the murky depths. The four friends realise they are now guilty of murder and swear to take their secret to their graves. But now someone is stalking them someone who knows who they are knows what they did last Summer and seeks revenge... I Still Know What You Did Last Summer (Dir. Danny Cannon 1998): Remember Ben Willis? He's the fisherman who killed the boy who was driving the car when it went off the road in the fatal accident that killed his daughter Sara. He's the man in the slicker with a hook in his hand ready to exact bloody justice. Well he's back.... I'll Always Know What You Did Last Summer (Dir. Sylvain White 2006): When a seemingly harmless Fourth of July prank goes horribly wrong resulting in the death of a friend four teenagers from a small Colorado town agree to take their secret to the grave... Come the next Fourth of July the group of friends are going to find themselves fighting for there very lives as a terrifying killer stalks each and every one of them. It's a race against time to uncover the malevolent murderer before they all end up six feet under.
Gotham City faces two monstrous criminal menaces: the bizarre sinister Penguin (Danny De Vito) and the slinky mysterious Catwoman (Michelle Pfeiffer). Can Batman (Michael Keaton) battle two formidable foes at once? Especially when one wants to be mayor and the other is romantically attracted to Gotham's hero? Like the Academy Award winning 1989 original Batman Returns is directed by movie-making wizard Tim Burton. And like the first blockbuster it's a dazzling adventure that leaves you breathless.
Tom Cruise returns as Special Agent Ethan Hunt, who faces the mission of his life.
Celebrate 40 years of the cult classic sequel to the original GREASE⢠with this limited edition Blu-ray⢠Steelbook. It's 1961, and there's a new crop of seniors ready to rule rockin' Rydell High, including the coolest cliques on campusthe Pink Ladies and TBirds. Michael Carrington (Maxwell Caulfield) is the new kid in town, but he's been branded a brainiac. Can he fix up an old motorcycle, don a leather jacket, and avoid a rumble with the leader of the TBirds (Adrian Zmed) to win the heart of Pink Lady Stephanie Zinone (Michelle Pfeiffer)? This cool rider is surely going to try!
Reputedly based on an incident in the life of its screenwriter, Ingmar Bergman, Faithless is a powerful film that investigates the consequences of adultery, betrayal and grief and the long-term implications for everyone involved. Directed by Bergman's former muse and actress-turned-director, Liv Ullman, the story begins when an old man who lives by the sea, just like Bergman himself, ransacks his memories for material for his writing. He conjures up the beautiful Marianne (Lena Endre) who recounts a major turning point in her life: her affair with her husband's best friend. Her story is captured both in flashback and through Marianne's dialogue, as the camera lingers on her expressive face and his rapt, silent countenance. Not surprisingly the story is an intense and convoluted one and what ensues is a tale of guilt, pain and enduring damage as "simple things become complicated". The remote shore-side confessional location adds to the mystery: just what is their relationship? Is Marianne a figment of his imagination? As the film progresses, the truth begins to dawn. Lena Endre gives a vividly emotional performance, particularly during the poignant scenes concerning her beautiful but increasingly withdrawn daughter (luminescently acted by Michelle Gylemo). Without seeming to judge her, Endre brilliantly portrays a woman who knows that what she is doing is wrong, but does it all the same. The rawness of the erupting emotions is reinforced by an almost total lack of background music and the film becomes ever more involving to watch, even if the key characters seem to have brought about their misfortune themselves. If there is a weakness here it is that the performances of the men are somewhat overshadowed. Lover David, enigmatically portrayed by Krister Henrekssen, looks older than his allocated years and his motivations are unclear; Thomas Hanzon, playing Markus the charismatic husband, seems too restrained in his role and the viewer longs for him to do something wrong to justify his wife's affair. When he eventually does, the ramifications are enormous. Faithless is riveting and very much in keeping with the Bergman oeuvre, here expressed through the sensitive, restrained direction of Liv Ullman. --Christina McLoughlin
Synopsis and product details to follow
The deadly supernatural force returns in this sequel to the chilling 2005 horror.
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