In Disney's Maleficent: Mistress of Evil, a sequel to the 2014 global box office hit, Maleficent and her goddaughter Aurora begin to question the complex family ties that bind them as they are pulled in different directions by impending nuptials, unexpected allies and dark new forces at play. Features Origins of the Fey Aurora's Wedding If You Had Wings Maleficent: Mistress Of Evil VFX Reel Extended Scenes - The Queen Comforts Aurora Extended Scenes - Philip And Aurora Dance Outtakes You Can't Stop The Girl Performed by Bebe Rexha
A family ranch... A horse whisperer... A fight to save a dream... The hit family series based on the best-selling books by Lauren Brooke. The town of Hudson in the foothills of the Rocky Mountains is home to Heartland a family ranch dedicated to rescuing and rehabilitating troubled horses. After a tragedy puts the ranch in jeopardy fifteen-year-old Amy (Amber Marshall) must use her talents as a horse healer to save the family business. Her sister Lou (Michelle Morgan) reluctantly leaves city life behind to help Amy and their grandfather Jack (Shaun Johnston) run the ranch. With tough times ahead the family now must pull together to keep the dream of Heartland alive.
Michelle Pfeiffer and Rupert Friend engage in a passionate love affair in this lush period piece directed by Stephen Frears
Starring Nicholas Lyndhurst Goodnight Sweetheart became an instant hit with TV viewers of all ages as it charts the life of Gary Sparrow a dealer in memorabilia and antiques of WW2 who has miraculously discovered a portal in time which allows him to travel between the present and wartime Britain. This handy little trick obviously adds to the success of his business but the complications that it adds to Gary's love life are a different matter! Episodes comprise: 1. Don't Get
Season One Welcome to Star Trek: Discovery Season One, an odyssey that unfolds a decade before the era of Star Trek: The Original Series . Sonequa Martin-Green stars as Michael Burnham formerly one of Starfleet's most respected first officers and now its first mutineer. A human raised as a Vulcan, Burnham learned early that all life is born from chaos. Her defiance of a direct order resulted in an all-out war with the Klingon Empire and she was sentenced to life in prison until Captain Gabriel Lorca (Jason Isaacs) recruits her aboard the U.S.S. Discovery . Joining her on this dramatic, epic journey are First Officer Saru (Doug Jones), Chief of Security Ash Tyler (Shazad Latif), Chief Engineer Paul Stamets (Anthony Rapp) and Cadet Sylvia Tilly (Mary Wiseman). Together, their powers of logic, science and compassion will meld on their quest for victory, survival and ultimately, peace in the universe. Season Two After answering a distress signal from the U.S.S. Enterprise, the U.S.S. Discovery welcomes aboard Captain Christopher Pike (Anson Mount) and begins a new mission to investigate the meaning behind seven mysterious red signals. Michael Burnham (Sonequa Martin-Green) grapples with her past growing up on Vulcan with her foster parents and brother Spock (Ethan Peck). Season Three Season 3: After following Commander Michael Burnham into a wormhole, the U.S.S. Discovery lands in an unrecognizable world 1,000 years in the future. With Starfleet and the Federation on the brink of collapse due to a catastrophic event known as The Burn, the Discovery crew, with the help of new and mysterious allies Book (David Ajala) and Adira (Blu del Barrio), must uncover what caused The Burn and restore hope to the galaxy.
Jessica Lange and Michelle Pfeiffer are quietly dazzling in this underrated adaptation of Jane Smiley's best-selling modern version of King Lear. The two play sisters of a stubborn, alcoholic Iowa farmer (Jason Robards), who decides to leave his fertile farm to them and their youngest sister (Jennifer Jason Leigh). It is a decision that rends the family, setting siblings against one another and forcing long-held secrets out of their guilty closets. The family dynamics become ever more destructive, and the refuge of sanity the two older sisters have created may be their only salvation. It's a tragedy not quite on a Shakespearean scale, but anyone who appreciates the difficulties of a dysfunctional family will relate to the heartbreak--and the promise of redemption. Pfeiffer especially is breathtaking as the good housewife Rose, whose rage at her father and her husband is never far from her placid surface. --Anne Hurley
Martial arts matinee idol Jet Li portrays a real life turn-of-the-century Cantonese patriot, the dauntless Fong Sai-Yuk, in The Legend. This is a much more blunt and straightforward effort than Tsui Hark's flamboyant Once Upon a Time in China films, but codirectors Ann Hui (Song of the Exile) and Yuen Kwai (Yes, Madam) deliver many lively and funny sequences. The film's revelatory performance, however, comes from Josephine Siao, a Cantonese star of the 1960s in both comedies and high-flying swordplay films, who here plays Fong Sai-Yuk's martial mother. Siao disguises herself as a man to enter a martial arts competition and ends up winning both the prize and the heart of a high official's daughter--mostly because the girl has never met a hero with so much poetic sensitivity lurking just beneath the surface. Chu Kong (Sidney in John Woo's The Killer) plays Fong Sai-Yuk's father as an anti-Manchu patriot so unbendingly upright that he's a bit of a prig. As the action heats up, political stakes emerge more clearly. In the grand finale, Fong Sai-Yuk squares off against a Manchu killer played with great panache by newcomer Chiu Man-cheuk. --David Chute, Amazon.com
Directed with a cool remove by Dominic Sena, Kalifornia falls somewhere between Badlands and Natural Born Killers. David Duchovny is a blocked author with a fascination for outlaw killers who hatches a plan to road trip through America's mass-murder landmarks to finish his book. He enlists the help of his frustrated photographer girlfriend Michelle Forbes, who desperately wants to leave the East Coast for LA, and they advertise for riding partners. Luckily for them, they wind up with a veteran killer, the greasy trailer-park ex-con Brad Pitt, who decides to skip parole with his cowering child-woman girlfriend Juliette Lewis. Duchovny is enamoured by gun-toting Pitt's recklessness and lawless disregard for, well, everything--simultaneously terrified and thrilled by Pitt's brutal beating of a barfly. Meanwhile, Pitt's leaving a trail of corpses in their wake. Pitt brings a ferocious magnetism to his part, but it's still hard to buy genial Duchovny's odd attraction; Juliette Lewis conveys a terrifying sense of victimization with her poor dumb creature. Despite the film's best efforts, it never really plumbs the psyche of Pitt's simmering psycho--he's just plain bad, you know--but it does fashion an effective little thriller out of the tensions brewing in the restless quartet. --Sean Axmaker, Amazon.com
Nearly every biblical film is ambitious, creating pictures to go with some of the most famous and sacred stories in the Western world. DreamWorks' first animated film, The Prince of Egypt was the vision of executive producer Jeffrey Katzenberg after his ugly split from Disney, where he had been acknowledged as a key architect in that studio's rebirth (The Little Mermaid, etc.). His first film for the company he helped create was a huge, challenging project without a single toy or merchandising tie-in, the backbone du jour of family entertainment in the 1990s. Three directors and 16 writers succeed in carrying out much of Katzenberg's vision. The linear story of Moses is crisply told, and the look of the film is stunning; indeed, no animated film has looked so ready to be placed in the Louvre since Fantasia. Here is an Egypt alive with energetic bustle and pristine buildings. Born a slave and set adrift in the river, Moses (voiced by Val Kilmer) is raised as the son of Pharaoh Seti (Patrick Stewart) and is a fitting rival for his stepbrother Rameses (Ralph Fiennes). When he learns of his roots--in a knockout sequence in which hieroglyphics come alive--he flees to the desert, where he finds his roots and heeds God's calling to free the slaves from Egypt. Katzenberg and his artists are careful to tread lightly on religious boundaries. The film stops at the parting of the Red Sea, only showing the Ten Commandments--without commentary--as the film's coda. Music is a big part (there were three CDs released) and Hans Zimmer's score and Stephen Schwartz's songs work well--in fact the pop-ready, Oscar-winning "When You Believe" is one of the weakest songs. Kids ages 5 and up should be able to handle the referenced violence; the film doesn't shy away from what Egyptians did to their slaves. Perhaps Katzenberg could have aimed lower and made a more successful animated film, but then again, what's a heaven for? --Doug Thomas
In I FEEL PRETTY a woman who struggles with feelings of insecurity and inadequacy on a daily basis wakes from a fall believing she is suddenly the most beautiful and capable woman on the planet. With this newfound confidence she is empowered to live her life fearlessly and flawlessly, but what will happen when she realizes her appearance never changed?
In the first of three new tours of duty, Our Girl Georgie Lane, the Stockport-born army medic with Two Section, has been flown out to Nepal to provide humanitarian support following a massive earthquake. Under the watchful eye of Captain James, Georgie is helping coordinate medical facilities while mentoring Maisie, a reckless young recruit, and liaising with Milan, a local engineer. The aftershocks of the earthquake are nothing compared to the tremors she feels when she runs into Elvis or the unexpected feelings she soon develops for Milan. But alongside their immediate duties, Georgie and Two Section swiftly find themselves on a different and more challenging mission as they stumble across a case of child-trafficking. This soon leads them into conflict with a dangerous criminal gang and a crime boss who rules in a world where no one can be trusted and any move can be deadly. Special features Include Outtakes and a Deleted Scene.
Irena Sendler was one of the most remarkable - and most unlikely - heroes of World War II, saving 2,500 Jewish children during the German occupation of Poland. As a social worker, Irena had access to the Warsaw Ghetto, making it possible for her to rescue the daughter of a Jewish friend and safely hide the young girl with a Catholic family. Realizing that thousands of children were still in danger, Irena recruited sympathetic friends and co-workers to smuggle children out and place them in safe homes, farms and convents. At great personal risk, she devised extraordinary schemes to sneak the children by Nazi guards, bringing them out in ambulances, suitcases and even wheelbarrows. Irena was eventually captured by the Gestapo. Even after months of torture, she maintained her silence. Her heroic efforts were honoured by a nomination for the Nobel Peace Prize.
Vows. They're like New Year's resolutions- easy to make and impossible to live up to.
When two lovely hitchhikers model at a creepy old English manor house, they find themselves trapped by a witches coven devoted to orgiastic sex, lesbian excess and bloody sacrifice! Once rejected outright by the British censors, Virgin Witch stars the lovely Vicki Michele - Allo Allo!).
Robert Towne is one of Hollywood's most celebrated screenwriters, but because his directorial efforts have been few and far between, anticipation was high when this star-powered crime story was released in 1988. Critical reaction was decidedly mixed, but there's plenty to admire in this silky, visually seductive film about a drug dealer (Mel Gibson) whose best friend from high-school (Kurt Russell) is now working for the Los Angeles sheriff's drug detail. Their personal and professional conflicts are intensified by their love for the same woman, a waitress (Michelle Pfeiffer) at the Italian restaurant they both frequent. There's a big deal going down with a drug lord (the late Raul Julia), but as it twists and turns, Towne's story is really more about personal loyalties and individual honour. And even if it doesn't quite hold together, the movie's got a fantastic look to it (courtesy of the great cinematographer Conrad Hall), and the three stars bring depth and dimension to their well-written roles. --Jeff Shannon
Season 9 begins with Amy and Ty settling into married life while Lou faces the reality of single parenthood. Georgie aspires to new heights as Roman riding becomes her focus, while Jack deals with the loss of a trusted friend. And a surprising opportunity for Tim could impact the entire family. Everyone must face the fact that nothing in life stays the same and they have to grow and change with the times, whether they want to or not. With familiar faces returning and new relationships forming, the family takes on intimidating challenges, grabs exciting opportunities and follows big dreams as they lean on each other for support. New love interests, new career paths and even new technology threaten the status quo at Heartland. But by the end of the season, everyone finds solid ground and embraces their evolving roles. Amy and Ty have seen their vision of working together come to fruition and although the road hasn't been without complications, they decide they are ready to tackle the next phase of their lives.
A middle-aged wife and mother has an unexpected and torrid affair with a handsome younger man. After her husbands discover they must face the consequences of their actions...
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