A stylised and violent thriller, prolific director Miike Takashi's The City Of Lost Souls (2000) is set in the ganglands of Tokyo and pays homage to Sergio Leone, Quentin Tarantino and, in a daft, animated cockfighting sequence, The Matrix. Mario (Teah) is the Japanese-Brazilian gunslinger fresh out jail who, in a hilariously audacious action sequence, hijacks a helicopter to save his Chinese girlfriend Kei (Michelle Reis) from deportation. He must then secure 18 million yen to secure fake passports for both of them to make a new life for themselves in Australia. In a misconceived operation, Mario arrives at the lair of the intriguing Ko, Kei's ex-boyfriend--a self-assured, effeminate young exchange student--who is somehow head of a vicious gang of Triads. He is on the point of buying a consignment of cocaine from decadent, cold-blooded Yakuza gangster Fushimi when Mario's arrival triggers a shootout, with Mario escaping with the wrong suitcase. Now, in time-honoured True Romancefashion, Mario and Kei are on the run from the mob. Although visually tricksy with some strong set-pieces, The City of Lost Souls is rather hazy when it comes to story and characterisation. We get little sense of the runaway couple as people. A young blind girl is introduced into the tale and there are romantic moments between Mario and Kei but these feel like sugary palliatives to the bloodshed rather than touching moments. Better perhaps to check out Takashi's Audition, a brilliantly gruesome satire on male Japanese attitudes towards womanhood. This is a flashier, faster but less artistically satisfying affair. On the DVD: The City of Lost Souls is presented in video aspect ratio 1.85:1, with reasonable clarity and sharpness. However, the English subtitles are a little pidgin and slapdash in places, none of which improves the main special feature, a rather dull and vague interview with director Takashi. --David Stubbs
A wonderful western version of Charles Dickens' story 'A Christmas Carol' where Scrooge is a miserable card-cheating miser who owns half the town.
Supercop features International action superstar Michelle Yeoh (Crouching Tiger Hidden Dragon Tomorrow Never Dies) and a special appearance by everyone's favourite stuntmaster Jackie Chan!As a crime wave sweeps through Hong Kong the police call on Jessica Yang (Yeoh) a rising star in their ranks to help stop a notorious gang of thieves! What Jessica doesn't realise is that her boyfriend - recently discharged from the force - is the leader of this ruthless crime ring! Another hot hit from the acclaimed director of Rumble In The Bronx and Martial Law here's an explosive movie treat guaranteed to deliver adrenaline-pumping excitement!
John Hannah stars as Ian Rankin's celebrated Scottish detective Rebus. Episodes Comprise: 1. Black And Blue 2. Hanging Garden 3. Dead Souls
When people think of VHS-era SCREAM QUEENS three names come to mind: Linnea Quigley, Michelle Bauer and Brinke Stevens - the threesome of fear that sliced and seduced a generation of gorehounds and whose greatest hits can finally be seen in HD from the schlock-lovers at 88 Films! In this charming and chilling collection, addicts of excessive violence, gratuitous nudity and breathtaking bloodshed can rock out to the likes of DEADLY EMBRACE (1989) which highlights AIRWOLF's main man Jan Michael Vincent as a hunky Beverly Hills husband with babes to spare. However, before long he is being stalked by a heartbroken high heeled pin-up and the result is both creepy and creatively nasty! Also included in this behemoth of a boxed set is NIGHTMARE SISTERS (1988), in which our frisky Scrsam Queen threesome are in fine form once again. This time around, they mutate into monstrous but marvellously sexy male-hunting mutants in this low budget wonder that features ample flayed flesh and an equal enthusiasm towards sublime set-pieces of splatter movie madness! Finally comes MURDER WEAPON (1989) - a hard to forget frightener that also offers a number of laugh-out-loud moments of pre-SCREAM comedy-laceration, not to mention some truly demented scenes of slice 'em up insanity that may well leave a few viewers with their jaws on the floor. In the style of NAIL Gun MASSACRE (1985) this scantly-funded and darkly comic marathon of macabre ideas is finally restored for its 88 Films debut! Directed by the legendary Z-movie expert David DeCoteau and with each nostalgic pot-boiler packed with an enthusiastic fondness for breast-baring babes and skull-bashing set pieces - 88 Films is proud to introduce our finest compendium of carnage yet, a Scream Queen celebration that is dying to be experienced!! SPECIAL FEATURES: Optional English Subtitles Artwork by Graham Humphreys
Investigating a series of truck hijackings, a rookie undercover cop infiltrates a Los Angeles street racing gang.
Forever Young: It's 1939 and test pilot Daniel McCormick (Mel Gibson) has the world by the tail. He has a terrific job flying B-25s a devoted soul mate (Isabel Glasser) and a long time pal and confidant (George Wendt). In fact he has everything. Almost. Despite his ability to confront danger he can't look his girlfriend in the face and propose. He always decides to wait till tomorrow to pop the question but in one terrible instant he runs out of tomorrows. Tragedy takes his
In its fourth season, Buffy the Vampire Slayer had to change its formula radically. Two major characters--the vampire-with-a-soul Angel and Cordelia, the queen bitch of Sunnydale High--had gone off to be in their own show, Angel, and soon after the start of the season Willow's werewolf boyfriend Oz left when Seth Green needed to concentrate on his film career. Buffy and Willow started college, where they met new characters like Riley, the All-American Boy with a double life, and Tara, the sweet stuttering witch; but Xander and Giles found themselves at something of a loose end. Several characters were subjected to the radical re-envisioning possible in a show that deals with the supernatural: the blond vampire Spike came back and soon found himself with an inhibitor chip in his head, forced into reluctant alliance with Buffy; the former vengeance demon Anya became passionately smitten with Xander. Not all fans were happy with the central story arc about the sinister Dr Walsh (Lindsay Crouse) and her Frankensteinian creation Adam, though Crouse's performance was memorable. The strength of Season Four was perhaps most in impressive stand-alone episodes like the silent "Hush", the multiple dream sequence "Restless" and the passionate, moving "New Moon Rising", in which Oz returns, apparently cured, only to find that Willow is no longer waiting for him. This was one of the high points of the show as a vehicle for intense acting, perhaps only equalled by "Who Are You?", in which the evil slayer Faith takes over Buffy's body and Sarah Michelle Gellar gets to play bad girl for once. --Roz KaveneyOn the DVD: Buffy Season 4 was a hit and so is this sublime box set. The commentaries for "The Initiative", "This Year'sGirl", "Superstar" and "Primaveral" are all well above average, but are nothing compared to "Hush" and "Restless" where Joss Whedon gives out all the information and insights any fan would dream of. The four featurettes included are a pleasure to watch, especially the evolution of the sets for the show. The scripts, trailers and cast biographies complete the set and make for a decent addition to your Buffy archive. The soundtrack is in 2.0 Dolby surround, but the image is as grainy and dark as the previous seasons on DVD. --Celine Martig
Angel - Season 1 Box Set [Repackaged]
Filmed in the widescreen splendour of "Panavision Super 70" and blessed with the finest production values that Hollywood clout can buy, this tale of spunky Irish immigrants forgot one crucial ingredient: a decent screenplay. The film is entertaining enough, and director Ron Howard brings his technical proficiency to the simple plot, culminating in a dynamic, breathtaking depiction of the Oklahoma land rush of 1893. But the movie is really just a vacuous vehicle for married stars Tom Cruise and Nicole Kidman as (respectively) the poor tenant farmer and rich landlord's daughter who flee Ireland to be American pioneers. The scenery and the stars are never less than stunning, but Howard falls short of the mark in his attempt to match the epic sweep of films by David Lean. On the other hand, this movie is certainly never boring even if it rarely makes sense, and Lean's own Irish epic, Ryan's Daughter, is a snoozer by comparison. --Jeff Shannon, Amazon.com
The film that brought Jacques Tati international acclaim also launched his on-screen alter ego: the courteous well-meaning eternally accident prone Monsieur Hulot with whom Tati would from now on be inseparably associated. As with Jour de f''te the film is set in a sleepy French coastal resort which is seasonally disrupted by holidaymakers in energetic pursuit of fun. At the centre of the chaos is the eccentric Hulot struggling at all times to maintain appearances but somehow entirely divorced from his immediate surroundings. There is little plot in Tati's beautifully orchestrated 'ballet' of comic action: it's a series of incidents a seamless succession of gently mocking studies of human absurdity.
The critically acclaimed and BAFTA award winning Green Wing is back for a one off special. This genre defying comedy proves medical issues needn't have any relevance in a hospital setting. As the mayhem and madness continues how will it all end for our dysfunctional medics? The end is nigh - Caroline is now engaged to Guy while Mac has very little time to live. Gripped by desperation and paranoia dwarf killing duo Statham and Joanna are on the run jumping relentless out of frying pans and into fire (not literally). With no one left in charge the admin girls let their basic instincts run wild while something very strange has happened to Karen after her fall from the window. Boyce discovers life without Statham Sue White spots a job opportunity and Meatin feels utterly helpless. Again. Still at least it all ends happily ever after. Or does it?
An imprisoned drug kingpin offers a huge cash reward to anyone that can break him out of police custody and only the LAPD's Special Weapons and Tactics team can prevent it.
Rudolf Nureyev plays the role of Rudolph Valentino - the much-loved silent screen actor who caused mass hysteria rioting in the streets and even suicides after his untimely death.
Michelle McManus was plucked from obscurity to win ITV's Pop Idol in 2004 winning the hearts of the nation with her fantastic personality and positive attitude to life in the process. What makes this all the more remarkable is that Michelle achieved all this despite weighing 22 stone! Since then Michelle has realized two incredible dreams: a No.1 album and single AND a weight-loss of more than 10 stone. She is a genuine inspiration to women across the country who have their own perso
One of the funniest and sweetest gay romantic comedies in years Is It Just Me? delivers a refreshingly witty take on one gay boy's search for Mr. Right. Cute but unaware of his adorableness Blaine (Nicholas Downs) can't seem to meet guys let alone form a relationship. His beefy and promiscuous go-go boy roommate Cameron can't understand why he doesn't pounce and enjoy some one-nighters. Instead Blaine hides in his room and searches Internet chat rooms for a kindred spirit. He may have found one in the form of Zander a shy recently relocated Texan. But when the time comes to exchange photos Blaine accidentally sends an image of his hunky roomie and the budding romance takes a confusing turn! This case of mistaken identity escalates when Blaine begs his roommate to go out with the charming sandy-haired Zander. When it seems they hit it off our lonely hero feels love has passed him by again... or did it? Full of witty charm and cute boys Is It Just Me? is a bona fide feel-good winner!
Los Angeles 2008.Southland Tales is a darkly comic, futuristic epic set over the course of three days as the city stands on the brink of social, economic and environmental disaster, in an America under the thumb of the sinister all-seeing agency US-Ident. A large ensemble cast of characters includes Boxer Santaros (Dwayne The Rock Johnson), an action star stricken with amnesia, Krysta Now (Sarah Michelle Geller), a porn star with her own reality TV project, and Roland Taverner (Seann William Scott), a cop who holds the key to a vast conspiracy. Time travel, terrorism, and the end of the world collide with apocalyptic results in this dazzling film from the writer / director of Donnie Darko.
By the second half of the second series of Lost, the debates are really hotting up. Is it the most cleverly plotted, densely packed television programme of recent times, cunningly working on many levels and lacing lots of hidden clues as it moves along? Or is it pretentious, slow-moving tosh, that's desperately trying to stretch out a simple concept to fill as many seasons as possible?
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