From GUILLERMO DEL TORO, CARLTON CUSE and CHUCK HOGAN comes a chillingly original series. When a freak virus tracing back to ancient vampirism strikes New York, it gives rise to bloodthirsty human hybrids. Hoping to destroy the creatures and the evil Master behind the outbreak, the CDC's Dr. Eph Goodweather (Corey Stoll) develops a deadly bio weapon. Teaming with a mysterious Holocaust survivor (David Bradley), and searching clues found in an ancient book, Eph races against time amidst great personal loss in an effort to save humanity, in this thrilling, post-apocalyptic story. All four blood-curdling seasons are here, packed with special features and in-depth behind-the-scenes access. Features: In the Beginning A Novel Approach Setrakian's Lair Audio Commentary on Selected Episodes Deleted Scenes Meet the Crew of The Strain The White Room Gag Reels Beyond the Page Sentient Strigo The Strain: Under Siege Companion Series and Intro with Carlton Cuse Vamp Boom Music Video Coping with The Strain: A Therapy Session And More!
A wrongfully convicted boy is sent to a brutal desert detention camp where he joins the job of digging holes for some mysterious reason.
For The First Time, In One Collection, The Complete Television Phenomenon Twin Peaks: All 29 episodes of the original groundbreaking seasons All 18 parts of the Limited Event Series - the return to Twin Peaks - that captivated audiences 25 years later, written by the series co-creators and entirely directed by David Lynch A wealth of intriguing, behind-the-scenes special features So grab a cup of coffee, a slice of cherry pie, and experience the legendary mystery...again and again!
For this Collector's Edition Blu-ray, Stephen King's The Stand is brilliantly restored in high definition from the original camera negative with enhanced visual effects. This faithful adaptation of Stephen King's best-selling celebrated novel features an all-star cast of GARY SINISE, MOLLY RINGWALD, JAMEY SHERIDAN, LAURA SAN GIACOMO, RUBY DEE, OSSIE DAVIS, MIGUEL FERRER, CORIN NEMEC, MATT FREWER, ADAM STORKE, RAY WALSTON and ROB LOWE. PART 1- The Plague PART 2- The Dreams PART 3- The Betrayal PART 4- The Stand Special Features: Audio Commentary The Making of Stephen King's The Stand
The classic children's TV cartoon show about a cowardly dog and his mystery investigating pals comes to the big screen in a live action version, complete with a computer generated Scooby!
When a deadly man-made virus destroys 99% of the Earth's population those left alive are haunted by visions and dreams luring them into two camps--good or evil--and eventually to a final conflict. Stephen King's apocalyptic tale of the battle between the forces of Good and Evil is ably adapted from his best selling novel.
A quarter century after revolutionizing television, Twin Peaks returns. Expanding the world you thought you knew, this limited event series takes you places wonderful, strange and farther out. This DVD collection includes all 18 parts of the Showtime series, plus a wealth of exclusive, behind-the-scenes special features that will show you what's behind the red curtain and the making of this extraordinary television event. Features: Series Promos Twin Peaks: Phenomenon (Featurettes) Comic-Con 2017: Twin Peaks Panel Rancho Rosa Logos Behind-the-Scenes Photo Gallery The Man with the Gray Elevated Hair Tell It Martin Two Blue Balls The Number of Completion Bad Binoculars See You On The Other Side Dear Friend Do Not Pick Up Hitchhikers A Bloody Finger In Your Mouth The Polish Accountant A Pot of Boiling Oil
A quarter century after revolutionizing television, Twin Peaks returns. Expanding the world you thought you knew, this limited event series takes you places wonderful, strange and farther out. This Blu-ray collection includes all 18 parts of the Showtime series, plus a wealth of exclusive, behind-the-scenes special features that will show you what's behind the red curtain and the making of this extraordinary television event. Bonus Features Series Promos Twin Peaks: Phenomenon (Featurettes) Comic-Con 2017: Twin Peaks Panel A Very Lovely Dream: One Week in Twin Peaks Richard Beymer Films Rancho Rosa Logos Behind-the-Scenes Photo Gallery The Man with the Gray Elevated Hair Tell It Martin Two Blue Balls The Number of Completion Bad Binoculars See You On The Other Side Dear Friend Do Not Pick Up Hitchhikers A Bloody Finger In Your Mouth The Polish Accountant A Pot of Boiling Oil
Shadaloo South-East Asia 1995. As civil war enters its seventh month warlord General M Bison virtually brings about global warfare when he takes 63 Allied Nations' relief workers hostage and threatens to execute them unless a ransom of $20 billion dollars is paid. It is the mission of Colonel William F. Guile to rescue the hostages but he has to locate them first! As part of an audacious plan to track down the General and his futuristic fortress Guile and British Intelligence Officer Cammy recruit to their forces two renegade heroes. However their entire plan is nearly quashed when GNT news correspondent Chun-Li-Zang intervenes - and she wants much more than just a story. Action reaches fever pitch as Guile Bison and their forces clash in a fierce battle and the fate of the free world hangs in the balance...
Théo and Hugo encounter each other's bodies one night in a Paris sex club. Wanting to know more about each other, they leave the club and drift down the deserted streets of nocturnal Paris. Suddenly they find themselves confronted by a sense of reality that wipes out their freedom and lends each step an existential helplessness. Do they want to know more about each other? Will their trust be rewarded? What are their expectations? Olivier Ducastel and Jacques Martineau (Drôle de Félix, Born in 68) deliver their most ambitious film yet, displaying a consummate sensitivity in bringing us closer to two men as they strive for intimacy in spite of being stalled by their insecurity.
Suzy Bannion (Jessica Harper) is an American ballet student travelling to Germany to study at an exclusive dance academy in the Black Forest. After one of the students and her friend are hideously murdered in the first of Argento's breath-catching set-piece killings Suzy discovers that the academy has a bizarre history and as the body count rises she gets involved in a hideous labyrinth of murder black magic and madness.
White Men Can't Jump, writer-director Ron Shelton's 1992 follow-up to the baseball comedy-drama Bull Durham, involves a different sport: basketball, as played on the neighbourhood hustler circuit. Woody Harrelson is Billy Hoyle, a good shooter using his white complexion to fool black players into thinking he can be stomped in easy bets. Billy's banter-filled matchup against Sidney Deane (Wesley Snipes) on a public court leads to a partnership in which Sidney becomes Billy's manager, taking the white outsider on a tour of the tougher sections of Los Angeles, where he plays homeboys for a few bucks. Inevitably, the two come apart over their innate competitiveness, a situation that has to be re-evaluated after Billy gets into trouble with some underworld creditors. Meanwhile, Billy's girlfriend (Rosie Perez) sits at home preparing herself for a maybe-someday appearance on Jeopardy. As with all of Shelton's sports-related films (Tin Cup, his script for The Best of Times), White Men Can't Jump is less about the fine points of the game than it is the rules by which players survive it. The script is literate and crackling with wit and satire (a scene in which a politician sponsors a black-white "solidarity" game is hilarious). The actors are entirely in sync, and the scenes under and around the hoops are a thrill to watch. --Tom Keogh, Amazon.com
Kevin Costner and Madeline Stowe ignite the screen in this deeply erotic and suspenseful thriller. Costner stars as Michael J. Cochran a former fighter pilot who finds himself irresistibly drawn to the beautiful wife of an old friend. Anthony Quinn in a powerful performance co-stars as the husband who reacts with uncontrollable rage to the double betrayal. His brutal attack on the adulterous lovers sets into motion a terrifying cycle of retribution that cannot be stopped...
This is one of those Hollywood remakes of a European hit in which one can visualize a committee of studio executives sitting around and saying, "Okay, we know what made the original film unique and different and fun. How can we make that same movie and do exactly the opposite?" For-hire director John Badham (Saturday Night Fever) took La Femme Nikita, Luc Besson's undeniably sexy, original, and kitschy French film about a female assassin, and translated it into The Assassin, a calculating, mechanistic American thriller with no distinctive style. Bridget Fonda gamely plays the willowy street punk who becomes a high-society killer, but once that provocative irony is in place, the movie is pretty much a series of by-the-numbers action set pieces. Until, that is, Dermot Mulroney shows up as a love interest; but even that twist can't save this film. You're much better off with the original, subtitles and all. The DVD release has optional full-screen and widescreen presentations, production notes, theatrical trailer, optional French and Spanish soundtracks, and optional English, French, and Spanish subtitles. --Tom Keogh, Amazon.com
He's RoboCop. And in the near future he's law enforcement's only hope. A sadistic crime wave is sweeping across America. In Old Detroit the situation is so bad a private corporation Omni Consumer Products (OCP) has assumed control of the police force. The executives at the company think they have the answer - until the enforcement droid they create kills one of their own. Then an ambitious young executive seizes the opportunity. He and his research team at Security Concept
RoboCop, from Orion Pictures, marked Flesh + Blood director Paul Verhoeven's Hollywood debut and instantly became an enduring sci-fi/action classic when it landed in theaters in the summer of 1987. Verhoeven's peerlessly exciting and kinetic visuals were matched by a sharp script, iconic cast and exceptional special effects by Rob Bottin (The Thing) and Phil Tippett (The Empire Strikes Back). The film takes place in Detroit in the not-too-distant future. Heroic cop Alex Murphy (Peter Weller, The Adventures of Buckaroo Banzai) is gunned down in the line of duty, only to be resurrected as RoboCop a cybernetic mix of spare human parts and Motor City steel, and the latest defense against crime designed by the all-powerful OCP Corporation. As RoboCop's memories of his former life as Murphy resurface, only his ex-partner (Nancy Allen, Dressed To Kill) stands beside him to fight against the vicious thugs responsible for his death, as well as a nefarious top-level OCP executive orchestrating the chaos from above. Unsurpassably thrilling, unexpectedly moving and unforgettably hilarious in equal measure, the future of law enforcement is back on 4K Ultra-HD Blu-ray in a restored Director's Cut, packed with hours of brand new bonus features. Product Features 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 and Dolby Atmos surround sound options Optional English subtitles for the deaf and hard of hearing Commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director's Cut) Commentary by film historian Paul M. Sammon Commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen The Future of Law Enforcement: Creating RoboCop, an interview with co-writer Michael Miner RoboTalk, a conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nicholas McCarthy (director of Orion Pictures' The Prodigy) Truth of Character, an interview with star Nancy Allen on her role as Lewis Casting Old Detroit, an interview with casting director Julie Selzer on how the film's ensemble cast was assembled Connecting the Shots, an interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt Analog, a featurette focusing on the special photographic effects, including new interviews with Peter Kuran and Kevin Kutchaver More Man Than Machine: Composing RoboCop, a tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson RoboProps, a tour of super-fan Julien Dumont's collection of original props and memorabilia 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett RoboCop: Creating A Legend, Villains of Old Detroit, Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew Paul Verhoeven Easter Egg Four deleted scenes The Boardroom: Storyboard with Commentary by Phil Tippett Director's Cut Production Footage, raw dailies from the filming of the unrated gore scenes, presented in 4K (SDR) Two theatrical trailers and three TV spots Extensive image galleries Reversible sleeve featuring original and newly commissioned artwork by Paul Shipper
James Clavell's The Last Valley is a heartfelt film of paradise found and lost in the midst of the bloody Thirty Years War, a senseless religious conflict long since degenerated into a rabble of looters preying on peasants. It's also a triumph of passion over style. Michael Caine stars as the Captain, a happily tolerant leader whose army of mercenaries--a mix of Protestants and Catholics--murders, pillages and rapes side by side for whichever faction is paying more at the time. Omar Sharif is Vogel, a lone refugee whose flight from the marauding band leads them all to a beautiful village in the mountains. The Captain and Vogel make an unlikely pair: the shrewd mercenary with the dream of peace, and the philosopher-peasant hanging on to his own life in the face of certain death--and their alliance to preserve this Eden and her people stands in contrast to the soldiers who soon become splintered by greed, lust and religious zealotry. Clavell isn't exactly subtle, but his sense of irony is biting: one Christian soldier is ready to lead a mob in righteous battle after a perceived blaspheme, and in the next scene attacks and rapes an innocent Christian maiden he's sworn to protect. The film falters in clumsy battle scenes and awkward dramatic staging, but Caine's complex characterisation of the guarded Captain and Sharif's haunted performance keep the story alive, and the beautiful photography fixes the film like a jewel into its setting. --Sean Axmaker, Amazon.com
Johnny Depp and Penelope Cruz star in this true life story of a young man who worked with Colombian drug traffickers to smuggle cocaine into the United States in the 1970s.
Paul Verhoeven was almost unknown in Hollywood prior to the release of RoboCop in 1987. But after this ultra-violent yet strangely subversive and satirical sci-fi picture became a huge hit his reputation for extravagant and excessive, yet superbly well-crafted filmmaking was assured. Controversial as ever, Verhoeven saw the blue-collar cop (Peter Weller) who is transformed into an invincible cyborg as "an American Jesus with a gun", and so the film dabbles with death and resurrection imagery as well as mercilessly satirising Reagan-era America. No targets escape Verhoeven's unflinching camera eye, from yuppie excess and corporate backstabbing to rampant consumerism and vacuous media personalities. As with his later sci-fi satire Starship Troopers the extremely bloody violence resolutely remains on the same level as a Tom and Jerry cartoon. The inevitable sequel, competently directed by Irvin Kershner, thankfully continues to mine the dark vein of anti-consumerist satire while being reflexively aware that it is itself a shining example of that which it is lampooning. Sadly the third instalment in the series, now without Peter Weller in the title role, is exactly the kind of dumbed-down production-line flick that the corporate suits of OCP might have dreamed up at a marketing meeting. Its only virtue is a decent music score from regular Verhoeven collaborator Basil Poledouris, whose splendid march theme returned from the original score. On the DVD: Packaged in a fold-out slipcase these three discs make a very collectable set. All are presented in 1.85:1 anamorphic prints, although only the first movie has any extra material worth mentioning. Here the Director's Cut option allows the viewer to see Paul Verhoeven's more explicitly violent versions of Murphy's "assassination", ED-209's bloody malfunction and the shootout finale. These extended sequences are handily signposted in the scene selection menu, and the filming of them can be seen in a sequence of Director's Cut footage. Deleted scenes include "Topless Pizza" ("I'll buy that for a dollar!") and there are two contemporary "making of" featurettes plus a good, new half-hour retrospective. Both the latter and the director's commentary make abundantly clear the Reagan-era satire and are chock full of quotable lines from Verhoeven--"I wanted to show Satan killing Jesus"--and his producer--"Fascism for liberals". Stop-motion animator Phil Tippett gives a commentary on the storyboard-to-film comparisons, and there are the usual trailers and photos. Showing just how much the sequels are rated in comparison, the second and third discs have nothing but theatrical trailers and their sound is just Dolby 2.0 whereas the original movie has been remastered into Dolby 5.1.--Mark Walker
In this warmhearted portrait of the French harbor city that gives the film its name, fate throws young African refugee Idrissa (Blondin Miguel) into the path of Marcel Marx (Andr Wilms), a well-spoken bohemian who works as a shoeshiner. With innate optimism and the unwavering support of his community, Marcel stands up to officials doggedly pursuing the boy for deportation.A political fairy tale that exists somewhere between the reality of contemporary France and the classic cinema of Jean-Pierre Melville and Marcel Carn, Le Havre is a charming, deadpan delight.
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