Rocking Horse Winner is a dark, atmospheric and complex psychological British drama, adapted from DH Lawrence's story about Paul, a young boy (a 10 year-old John Howard Davies) who receives a rocking horse for Christmas and soon learns that he is able to pick the winning horse at the races - to the delight of his spend thrift mother (Valerie Hobson) and his hopeless gambler of a father (Hugh Sinclair) Young Paul teams up with Bassett the servant (John Mills), with the two of them forming a profitable partnership - yet the house continually whispers to Paul that it needs more money, with this need exacting a high price.
CARVE HER NAME WITH PRIDE Following her recruitment by the SOE, Violette Szabo volunteers to be parachuted into occupied France to re-organise a shattered resistance group. She knows only too well that the life expectancy of an undercover operative can usually be measured in weeks and months... OLD BILL AND SON Old Bill has grumbled his way through the trenches of the First World War. Now it is the Second and he decides to enlist! When Young Bill goes missing during a raid, Old Bill shows that there's still life in the old dog yet! A TOWN LIKE ALICE Jean Paget, an English woman taken prisoner by the Japanese, is among a group of women and children forced to trek through Malaya during the Occupation. During her ordeal she meets captive Australian Joe Harman and there is an instant magnetism between them. THE ONE THAT GOT AWAY With the Battle of Britain at its height, a German fighter pilot is shot down over England. Though confined to a POW camp, captivity cannot deter him from the single aim of escaping back to his homeland. After several months, he sees his chance and takes it...
In his first effort at directing a feature-length film William (Ted) Kotcheff best-known for movies like The Apprenticeship of Duddy Kravitz does an excellent job in making this drama effective. He is helped in no small part by James Mason as Brett Aimsley a sophisticated at-ease former junior partner in a brokerage firm and John Mills as Lt. Col. Clifford Southey a former clerk in that same company. During the war the lieutenant carries his sense of inferiority from his peacetime job as a clerk with him. So when he has a chance to nail Brett (a junior officer now) for trying to bring some censored goods back into London he takes the chance and Brett is drummed out of service. Brett heads for Tahiti and a pretty good life in the sun until Clifford shows up on the island with big plans to build a hotel -- bringing with him the same defensive attitude.
A daring expedition happens across a giant ape in this classic 1933 creature feature.
In View is meant as a companion piece to REM's best-of album, In Time, but it works well as a collection in its own right. A video history of some of the Athens, Georgia band's biggest songs, its focus is firmly on the latter part their long career, with videos from Automatic for the People ("Everybody Hurts", "Man on the Moon", "Nightswimming", "Sidewinder Sleeps Tonite"), Out of Time ("Losing My Religion"), Monster ("What's the Frequency, Kenneth?"), New Adventures in Hi-Fi ("E Bow the Letter", "Electrolite"), Up ("Daysleeper", "At My Most Beautiful"), and Reveal ("Imitation of Life", "All the Way to Reno"). There are just two videos from their pre-breakthrough album Green ("Orange Crush" and "Stand"), though admittedly they shied away from making videos early in their career. Still, nobody can fault the presentation of In View. Of course, the promos are spectacular, if occasionally too self-consciously artsy, but there's even more here. There are three live videos, recorded in Trafalgar Square, and six additional, rarely seen videos ("Tongue", "How the West Was Won and Where It Got Us", "New Test Leper", "Bittersweet Me", "Lotus", "I'll Take the Rain"). Best of all, though, is the ability to watch them with or without brief, introductory interviews with the band, which give a window into REM's ongoing appeal: as talented as they are, they're still refreshingly human pop stars. --Robert Burrow
From the novel by Graham Greene comes this story of star-crossed lovers whose short affair begins and ends as tumultuously as the war that is its backdrop. In England during the second World War Sarah Miles (Deborah Kerr) is the bored wife of a British civil servent. When Mr. Miles introduces her to American writer Maurice Bendrix (Van Johnson) at one of the couple's cocktail parties she is unable to deny her attraction to him or to resist his interest in her. Almost as quickly as the two become deeply involved spinning their dreams into plans for a long future together Sarah mysteriously brings their affair to an end. With the help of a private detective (Albert Parks) Maurice sets out to find out why: did Sarah never love Maurice or did she love him too much?
A tense, engrossing adventure set in the 1942 Libyan war zone in the hot Western Desert. A British ambulance officer (John Mills) escapes the siege in Tobruk and tries desperately to get his passengers to safety in Alexandria, where he dreams he will have the luxury of an 'ice cold' glass of beer. His passengers include a stranded hospital nurse, a Sergeant-Major and a stray South African Officer, trying to return to his unit. Despite saving the group from the Germans, something is not quite right about the last passenger. As he begins to undermine the group's stamina using psychological tactics, the British officer begins to suspect he might be a German spy...
At the height of World War II, Terry (John Mills) and his younger brother Matt (Dirk Bogarde) are undercover IRA foot-soldiers working in London. But While Matt is fully committed to the cause, Terry is now beginning to question their violent methods. When two fellow IRA members are arrested Terry and Matt are asked to break them out. Will Terry follow his orders or will his misgivings put the two in harm's way? Extras A closer look At The Gentle Gunman With Film Writers Matthew Sweet And Phuong Le Behind The Scenes Stills Gallery
The film takes place during the 1940 evacuation of Allied troops across the English Channel. One party of British soldiers becomes detached from the rest of the retreating Allies John Mills plays an inexperienced but courageous Lance Corporal who leads them from Dunkirk.
Legendary filmmaker Ovidio G. Assonitis, whose Tentacles and Piranha II sought to cash in on the killer fish craze spawned by Jaws, first hit pay dirt in 1974 with Beyond the Door - a gloriously bonkers riff on The Exorcist featuring Emmy Award-winning actress Juliet Mills and distinguished British actor Richard Johnson. Set against the backdrop of San Francisco, Beyond the Door stars Mills as Jessica Barrett, a young mother who starts to develop strange behaviors whilst pregnant with her third child. Before you can say split pea soup, Jessica is displaying signs of full-blown demonic possession - complete with projectile vomiting and fully-rotating head! Could it be that she's carrying the child of the Antichrist himself? Described as disgusting, scary trash and maddeningly inappropriate by film critic Robert Ebert and subject to a lawsuit by Warner Bros. (who claimed copyright infringement against a certain William Friedkin film), the devilish denizens at Arrow Video have summoned up this wickedly entertaining popcorn spiller in a brand new, extras-packed edition fit for Satan himself! LIMITED EDITION 2-DISC BLU-RAY CONTENTS Limited to 3,000 units Brand new 2K restoration of the extended Uncut English Export Version Exclusive bonus disc containing the alternate US Theatrical Version and Italy Possessed, a brand-new feature-length documentary on Italian exorcism movies! Reversible sleeve featuring original and newly commissioned artwork by Marc Schoenbach Reversible fold-out poster Perfect-bound collector's booklet featuring new writing on the film by John Martin and Alessio di Rocco DISC ONE - UNCUT ENGLISH EXPORT VERSION Brand new 2K restoration of the Uncut English Export Version, released as Devil Within Her (108 mins) High Definition Blu-rayTM (1080p) presentation Original uncompressed mono audio Optional English subtitles for the deaf and hard of hearing The Devil and I a newly-filmed interview with director/producer Ovidio G. Assonitis Barrett's Hell a newly-filmed interview with cinematographer Roberto D'Ettorre Piazzoli Beyond the Music a newly-filmed interview with composer Franco Micalizzi The Devil's Face a newly-filmed interview with camera operator Maurizio Maggi Motel and Devils a newly-conducted audio interview with actor Gabriele Lavia Alternate Italian Chi Sei? opening titles Alternate Behind the Door VHS opening titles Alternate Japanese Diabolica opening and ending sequence Trailers, TV and Radio Spots Image Gallery DISC TWO - US THEATRICAL VERSION (LIMITED EDITION EXCLUSIVE) Brand new 2K restoration of the US Theatrical Version, released as Beyond the Door (99 mins) High Definition Blu-ray (1080p) presentation Original uncompressed mono audio Optional English subtitles for the deaf and hard of hearing Italy Possessed a brand new feature-length documentary on the history of Italian Exorcist rip-offs, including interviews with key filmmakers such as Sergio Martino, Alberto De Martino, Pupi Avati, Marcello Avallone, Ovidio G. Assonitis and many more!
R.E.M. recorded live on tour. Tracklist includes: 'Stand' 'The One I Love' 'Get Up' 'Fall On Me' 'Begin The Begin' and 'Perfect Circle'.
"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson
A story of feminism in 19th Century Salford Hobson's Choice deals with the empowering of female characters. Henry Hobson is a widower with a weakness for the pub and the owner of a successful bootmakers. In order to save his finances he denies his three daughters the right to marry. So in rebellion against her father eldest daughter Maggie starts up a relationship and rival bootmakers with Henry's star employee Will.
Based on Jack Higgins electrifying World War II novel in which a Nazi impersonator is asked to recover the secret plans of the 1944 D-Day landings. Shortly before the D-Day landings Colonel Kelso, an American officer with plans of the forthcoming invasion, is washed ashore on Nazi occupied Jersey. Hearing that Kelso is still alive, the Allies ask Harry Martineau (George Peppard) to travel to Jersey, pose as a Nazi agent, and to either rescue Kelso, or silence him. Martineau is accompanied on his daring mission by the beautiful Sara Drayton (Deborah Raffin) a former resident of Jersey. Martineau's assignment becomes more complicated when Field Marshall Rommell (Michael York) appears on Jersey for an unannounced visit. Will our heroes be able to rescue Kelso and return him to England or will he pay the ultimate price?
We Dive at Dawn (1943) tells of the encounter between a British submarine and a German warship in the Baltic Sea. John Mills gives a dependable performance as the submarine commander, with Eric Portman the pick of a strong supporting cast. Director Anthony Asquith finds the balance between action sequences and "in situ" dialogue, and there's an evocative score from Louis Levy. The film has long been underrated and deserves reappraisal.--Richard Whitehouse
An unusual adult Western for its time Vengeance Valley (1951) gave Burt Lancaster his first Western role. His athletic prowess made him perfect for the genre and he'd go on to make Gunfight At O.K. Corral Apache and The Unforgiven among others. Vengeance Valley emphasises character development and the solid cast meets the challenge. Robert Walker plays Burt's foster brother. Joanne Dru John Ireland Ted de Corsia Hugh O'Brien and Glenn Strange lend support. One of the real stars of the picture is the gorgeous three-strip Technicolor photography by George J.Folsey. The West has rarely looked more colorful.
A collection of David Lean's finest films. Include: 1. The Sound Barrier (1952) 2. Hobsons Choice (1954) 3. Blithe Spirit (1945) 4. Brief Encounter (1945) 5. Great Expectations (1946) 6. Oliver Twist (1948) 7. Madeleine (1950) 8. The Passionate Friends (1949) 9. This Happy Breed (1944)
Father Michael Keogh (John Mills) is a dedicated Catholic priest who arrives in a sleepy Mexican village to be confronted by a murderous gang of bandits led by Anacleto (Dirk Bogarde). To intimidate the newcomer Anacleto's gang set out on a series of murders of local villagers. The gutsy priest resolutely decides to challenge Anacleto's control of the village and a struggle ensues. Despite their rivalry Anacleto develops a grudging respect for the priest and is desperate to determine if he is drawn to the singer (the priest) or the song (religion). The film reaches a climax with a dramatic confrontation between the two men over a local girl Locha (Mylene Demongeot) who falls for the handsome priest. The film is an intricate brooding and dramatically played story filmed against spectacular scenery.
At the height of World War II, Terry (John Mills) and his younger brother Matt (Dirk Bogarde) are undercover IRA foot-soldiers working in London. But While Matt is fully committed to the cause, Terry is now beginning to question their violent methods. When two fellow IRA members are arrested Terry and Matt are asked to break them out. Will Terry follow his orders or will his misgivings put the two in harm's way?ExtrasA closer look At The Gentle Gunman With Film Writers Matthew Sweet And Phuong LeBehind The Scenes Stills Gallery
Great Expectations (1946) - David Lean directed this stylish film presentation of Charles Dickens' heart warming story of a young man befriending an escaped convict who becomes his unknown benefactor and of the consequences for the young man as he establishes himself in the world. A Tale Of Two Cities - Dickens' epic tale set during the French Revolution follows the fortunes of a disillusioned English lawyer Sidney Carton (Dirk Bogarde) whose solace is drink and who bears an uncanny resemblance to a young French aristocrat named Darnay. Carton defends Darnay but ends up falling in love with Darnay's fiancee Lucy. When Darnay is imprisoned by the revolutionary mob Carton is given the chance to redeem himself as he leaves for Paris for Darnay's aid. A truly gripping tale incomparably told and flawlessly performed. Oliver Twist - Oliver Twist (John Howard Davies) orphaned at birth and raised in the workhouse is expelled for daring to ask the Beadle (Francis L. Sullivan) for more food. Unhappily apprenticed to an Undertaker Oliver escaped to London where he meets the cheeky Artful Dodger (Anthony Newly) the villainous Fagin (Alec Guiness) the aggressive Bill Sykes (Robert Newton) and the kindly but doomed Nancy (Kay Walsh). Torn constantly between the forces of good and evil Oliver eventually seals his fate by picking the pocket of a rich gentleman (Henry Stephenson).
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