Space 1999 is a Gerry Anderson cult classic as unmissable today as it was when first conceived in 1973. Starring husband and wife team Martin Landau and Barbara Bain Space 1999 revolves around the crew of Moonbase Alpha where scientific experiments are conducted and space data gathered. Disaster strikes and the Moon is blown out of the Earth's orbit by a huge explosion emanating from man-made nuclear waste pits causing it to drift endlessly through t
Terror has been reinvented! When residents of his apartment building begin to disappear Marvin comes to believe the unthinkable: the mutant breed of giant carnivorous insects that once plagued society are back and beginning to revisit their devastation! Though he's confined to his room due to a severe illness Marvin must rally whatever support he can in order to exterminate these horrifying creatures before he ends up their next victim! Available on DVD for the first t
Dorzak: A spaceship lands on the moon. A beautiful young woman emerges from inside seeking medical attention for a colleague who was injured by a criminal that they had captured. The criminal turns out to be a man from Maya's home planet Psychon named Dorzac and persuades Maya that he was not responsible for the injury signalling the start of the troubles to come. Devil's Planet: Answering a distress signal Koenig and Blake Maine go to Entra. The first thing they see is a man being chased by three beautiful girls carrying long electric whips! Maine is killed and then Koenig imprisoned. Can he escape? The Immunity Syndrome: On a seemingly inhabitable planet a series of misfortunes befall Alpha's advance party. Tony Verdeschi is rendered insane by a piercing sound. The metal in the Eagle corrodes and the craft starts to fall apart. Two Alphans die after drinking spring water. Then a skeleton is found inside a geodetic structure with a video beside it explaining how any future visitors might survive. The Dorcons: A huge alien Dorcon ship materialises nearby. When the three leaders demand Maya be sent to them Koenig refuses. A leader comes aboard the spaceship and takes Maya and Alpha by force. But Koenig manages to come along too and using the power struggle between the three leaders tries to rescue Maya.
This is a story about the things people will do for love... And for guilt. They are easy to confuse... Following the death of their last remaining parent, their dad, two brothers and two sisters return to the family home, after many years to face each other, face facts and face the future. But what do they know of the past... An old fashioned story of love, guilt heart-break, inventions and the return of the modern Prometheus.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
Nic Phillips is a successful broadcast TV director and producer. His recent credits from over 30 years experience include 'EASTENDERS' and 'MY FAMILY'. Producer Tim Kent was an agent for more than 10 years and now runs a busy production company at Pinewood Film Studios. Catherine Willis is a prominent UK casting director with a host of prestigious credits including 'Taggart' and 'Criminal Justice'. Nic Tim and Catherine have joined forces to produce Screen Acting Close Up a DVD designed as a resource for actors of all levels of experience. RAISE YOUR game with these master classes: 1. Audition with Confidence: Catherine provides practical advice on how an actor should prepare for a screen audition. She shows the casting process most commonly in use today outlines ways to avoid the pitfalls of interview 'overkill' and offers valuable advice to actors on their approach to casting. 2. Screen Acting Close Up: Nic explains some basic technical skills an actor needs to master to perform successfully for the camera. In specially created scenes a group of young actors illustrates some of the fundamental 'do's and don'ts' of screen craft. 3. Making The Business Your Business: Tim offers extensive practical advice on finding an agent running an acting career and he answers many of actors' most frequently asked questions.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
When it was made there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm, which causes the moon to break away from Earth orbit and travel endlessly through space. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for the premise of the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to any physical laws. And in "Earthbound" aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are valid complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena the crew encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
The Metamorph: Koenig goes to rescue two captured pilots from the planet Psychon but comes to meet Mentor a man lording over a world of virtual zombies who work for him as miners. Koenig believes he is capable of defeating Mentor and preventing him using a biological computer that feeds on the minds and bodies of his slaves. The Exiles: Travelling through space are fifty cylinder-shaped objects. When Koenig recovers one inside is a young man named Cantar. This is the mark of the trouble to come as Cantar and his wife force their way into the power station and use its energy to transport them to their own planet from which they were exiled. One Moment of Humanity: Zamara a striking alien woman materialises aboard Moonbase and takes two people back to her own planet. However Zamara and her accomplice Zarl are in fact super-androids developed by successive generations of self-reproducing computers and want to wipe out the humans who invented them. All That Glisters: After scanning a planet which contains Milgonite a rare mineral vital to Alpha's life support system the Alphans are eager to visit it. However by the time that they discover that there is no Milgonite only a deceptive lethal drug it is too late. The deadly rock is already aboard Alpha.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds, an astounding amount, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. The moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, and has been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticized the show for its premise in the opening episode "Breakaway," which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth's orbit and flying through space without regard to any physical laws. In "Earthbound," aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
Titles Compride: Human Traffic: The real story of youth in the nineties is this: chemicals clubs bars pubs pushing the vinyl blagging the guest list mobile phones trainers combats care-less monged mashed sorted safe. And here it is in all its pupil-dilated teeth grinding club-hopping glory. The weekend has well and truly landed... Goodbye Charlie Bright: is the humorous and heart-warming story of the friendship between two teenage boys from a tough council estate. Set during a long hot summer it charts the close but volatile relationship between Charlie and Justin. The Last Seven: When William awakes from unconsciousness he finds himself confused and alone in an empty London street. As he explores the area he discovers that not only are all the people missing but so are his memories.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
One hundred years after Bram Stoker's Dracula comes a new kind of vampire story. Anthony (Yan Birch) is a modern bloodsucker who uses his popular rock band as a front to lure beautiful young groupies to his lair. His assistant Reed (Alex Erkiletian) disposes of the bodies of these nubile unsuspecting victims after Anthony seduces and kills them. As a result of his bloody lifestyle Anthony soon contracts a deadly virus. Reed must try to save his master from a fate worse that death. Part dark satire part horror-comedy Sucker is truly a rock 'n roll vampire tale for the 90's.
Seed of Destruction: Whilst exploring a bizarre asteroid Koenig is detained and replaced by a double. The fake Koenig returns to Moonbase with a crystal which is discovered will draw all the energy from Moonbase in order to revitalise its home the steroid where the real Koenig is still a prisoner. The Beta Cloud: After a cloud of space dust causes a mystery illness on Alpha an Eagle crew is sent to track the storm cloud. They return with a terrifying space creature which they discovered is their agent and wants the Moonbase life support system. Tony and Maya must fight to defeat the space creature. A Matter of Balance: When Koenig and Shermeen decide to explore an apparently lifeless planet Shermeen wanders into a temple and comes under the spell of a Vindrus. She wants to help Vindrus' doomed race but soon learns that for each Vindrus saved one Alphan will be doomed and that she is the first in line. Space Warp: Two crises strike the Alphans simultaneously. Koenig and Tony who are checking out a derelict spaceship in when Eagle One encounter a space warp and end up five light years away while Maya is stricken down by a fever and changes into a range of creatures. Before long she changes into a space animal and escapes to the moon surface. Koenig and Tony began to find a way back through.
CD gatefold sleeve VINYL REPLICA EDITION. DIGIPAK. MADE IN JAPAN. INC: foldout, lyric insert/ GENESES FAMILY TREE.
Brian The Brain: A spaceship approaching the Moon identifies itself as one of the four 'Swift' ships that left Earth in 1996 and disappeared. Inside there is no crew; just a lively computer named Brian the Brain. Once aboard it kidnaps Helena and Koenig. New Adam New Eve: A man appears claiming to be God and selects two couple to begin a new Earth. The couples (Helena with Tony Verdeschi and Koenig with Maya) are mismatched but using his powers 'God' makes it seem alright. However it is discovered that God is not God but instead Magus a cosmic magician. The AB Chrysalis: After regular bombardments by enormous electrical waves one more such wave could spell final destruction for Moonbase Alpha. Koenig visits the source of the bombardments a nearby planet and discovers a civilisation where people are in a chrysalis stage protected only by their computer which sees Moonbase as a threat to them and is therefore attacking it. Catacombs of the Moon: In the Catacombs of the Moon engineer Patrick Osgood is searching for titanium to save his wife's life in heart surgery and because it is vital to the Moonbase Alpha's life support system. Osgood fails to find any metal and takes his wife into the catacombs only to go missing. Koenig decides to release some titanium from the store but now must find the Osgoods.
The Bringers of Wonder (Part One): After crashing his Eagle Koenig is dragged from the wreckage unconscious. Meanwhile a faster-than-light-ship arrives on the Moon (the 'superswift'). One of the crew Guido announces that transport will soon be coming from Earth to rescue the Alphans but when Koenig regains consciousness he sees hideous aliens who plan to kill him. The Bringers of Wonder (Part Two): Having survived Koenig suggests that it could have been the brain machine which kept him from being deceived. Meanwhile the aliens are planning to manipulate three Alphans into blowing up the Moon's nuclear waste dumps to create energy. It is soon left to Maya Helena and Koenig to defeat the aliens. The Lambda Factor: A pretty young Alpha technician dies a horrible death. Maya discovers that a huge gaseous cloud is giving off Lambda waves which could give some people paranormal powers. Carolyn takes over the Commander Centre and Moonbase. Koenig must fight a mental battle against her to decide the future of Moonbase. The Seance Spectre: The planet Tora is sighted but is on a collision course with the Moon. A small group of angered Alphans use their laser guns to take over the Command Center made off-limits by Koenig. They hold a seance and claim Tora would be habitable. Koenig regains control but is faced with the ever-impending crash with Tora and the rebel opposition which could jeopardise things further.
Journey To Where: Hopes are high when a message is received by neutrone transmission from Earth. But although the moon has been in outer space for only a few months it is 2120 AD on Earth. On the message is the technology which will allow the Alphans to return to Earth. However when Koenig Helena and Alan Carter decide to try it out they find themselves on Earth in 1339 during a Civil War. The Taybor: Taybor materialises on the Moon an interstellar trader with an excellent spaceship that travels through hyper-space. Koenig offers the entire Moon in exchange for the secret of Taybor's hyper-spacial travel. But Taybor wants Maya and when Koenig refuses Taybor kidnaps her. The Rules of Luton: Temporarily left on Luton a planet with lush vegetation Koenig and Maya explore. But when Koenig eats some flowers and Maya smells some flowers a thunderous voice booms out accusing them of murder. Their damage to the planet is unforgivable and they must face the consequences. The Mark of Archanon: A metallic cabinet long buried beneath the surface of the moon is recovered. Inside are Pasc and his son Etrec from the planet Archanon. Pasc was part of a team sent on a mission of goodwill but the hatred and violence on Earth was contagious. Pasc uses his new lease of life to make up for past misdeeds.
Rod Morgenstein presents this collection of prog rock drumming lessons and performances from some of the best-known icons of the genre. Contributors include Neil Peart (Rush) Mike Portnoy (Dream Theater) Gavin Harrison (Porcupine Tree) Carl Palmer (ELP/Asia) Nick D'Virgilio (Spock's Beard) Chris Pennie (Coheed and Cambria) Simon Phillips (The Who/Toto/Jeff Beck) Todd Sucherman (Styx) and Gregg Bissonnette (David Lee Roth). The programme covers all the signature elements of progressive drumming including power odd meters precision creativity and complexity.
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