Fasten your seat belts as Oscar-winner Nicolas Cage takes you on the most dangerous flight of your life in the smash hit action thriller Con Air now given an exciting extended cut! On an aircraft carrying some of the most notorious criminals of all time the recently paroled Cameron Poe (Cage) is hitching a ride home to his wife and daughter. But he suddenly finds himself embroiled in a mid-air skyjacking masterminded by Cyrus 'The Virus' Grissom (John Malkovich). While Cameron fights to keep these savage convicts from massacring everyone on board as they career towards the famed Las Vegas Strip a Government agent on the ground (John Cusack) battles to keep this overzealous superiors from blowing the plane into oblivion! Amazing stunts and visual effects add heart-pounding suspense to this must-see action hit!
Con Air is proof that the slick, absurdly overblown action formula of Hollywood mega-producers Don Simpson and Jerry Bruckheimer (Top Gun, Days of Thunder, The Rock, Crimson Tide) lives on, even after Simpson's druggy death. (Read Charles Fleming's exposé, High Concept: Don Simpson and the Hollywood Culture of Excess, for more about that). Nicolas Cage, sporting a disconcerting mane of hair, is a wrongly convicted prisoner on a transport plane with a bunch of infamously psychopathic criminals, including head creep Cyrus the Virus (John Malkovich), black militant Diamond Dog (Ving Rhames), and serial killer Garland Greene (Steve Buscemi, making the most of his pallid, rodent-like qualities). Naturally, the convicts take over the plane; meanwhile, on the ground, a US marshal (John Cusack)and a DEA agent (Colm Meaney), try to figure out what to do. As is the postmodern way, the movie displays a self-consciously ironic awareness that its story and characters are really just excuses for a high-tech cinematic thrill ride. Best idea: the filmmakers persuaded the owners of the legendary Sands Hotel in Las Vegas to let them help out with the structure's demolition by crashing their plane into it.--Jim Emerson
A lush retelling of the legend of King Arthur and the Knights of the Round Table, Excalibur is a dark and engrossing tale. Director John Boorman (Deliverance) masterfully handles the tale of the mythical sword Excalibur, and its passing from the wizard Merlin to the future king of England. Arthur pulls the famed sword from a stone and is destined to be crowned king. As the king embarks on a passionate love affair with Guenevere, an illegitimate son, and Merlin's designs on power, threaten Arthur's reign. The film is visually stunning and unflinching in its scenes of combat and black magic. Featuring an impressive supporting cast, including early work from the likes of Liam Neeson and Gabriel Byrne, Excalibur is an adaptation of the legend both faithful and bold. --Robert Lane
After being murdered for quitting his role as a ruthless yet moral government assassin, Al Simmons (Michael Jai White) is sent to Hell, where he makes a pact with the demon Malebolgia--if Simmons is allowed to see his lover, Wanda, again, he will agree to lead the demon's armies to storm the gates of Heaven. Transformed into a superhuman entity with shape-shifting powers and quick regeneration capabilities, Simmons (soon to be dubbed "Spawn" by Malebolgia's crony, the Violator) returns to Earth and attempts to reunite with Wanda, not knowing that five years have passed. He also seeks revenge on his former boss and killer, Jason Wynn (Martin Sheen), who has made a deal with the Violator to develop a lethal virus to take over the world, where Wynn is promised to be king. Spawn wages an inner battle between good and evil as he tries to come to terms with selling his soul and what it could mean for humankind. Despite excellent special effects and great potential, Spawn seems to come up short. While White certainly displays verve in his characterisation of the twisted hero, he cannot overcome some forced dialogue. On the flip side, the usually engaging John Leguizamo portrays the sinister Violator--an evil monster masquerading as a rotund, weird-looking clown--as an irritating lackey who spews overbearing sarcasm and incessantly banal one-liners. Admitted, many of Spawn's action sequences are fun, and the transitions effectively brisk, but more could have been done to explore how Simmons grapples with his humanity in these daunting circumstances. But if you want sizzling action sequences and digital effects, this film should keep you happy. --Bryan Reesman
Return to Oz is a 1985 live-action sequel that split critics and audiences alike: you don't fool with Mother Nature, spit into the wind, remake Casablanca, or trash the land of Oz. The 1939 classic musical is so beloved that it's almost impossible to imagine seeing Dorothy in shock therapy, a crumbled yellow brick road, the ruins of Emerald City, and the Tin Man turned into stone. But L Frank Baum, the author of the original Oz books, portrayed just that with his continuing stories of Dorothy. When you get by these tough facts, the film version is solid entertainment for the over-seven set. Dorothy (a 10-year-old Fairuza Balk in her debut) is back in Kansas, where Aunt Em (Piper Laurie) is at the end of her rope: her niece is not sleeping and going on about a place called Oz. Therapy may be the answer, but luckily the scary clinic goes dark before Dorothy can be, er, cured (but the lead-up will scare the munchkins out of most kids). She wakes up in the land of Oz, now in tatters, and searches for its king, the Scarecrow. A new set of friends, including a tin soldier, a talking chicken, and a pumpkin man, help her against new villains, including Princess Mombi (Jean Marsh)--complete with a set of detachable heads--and the evil Nome King (Nicol Williamson with a great assist from Will Vinton's Claymation). The sole directorial effort of Oscar-winning editor Walter Murch is stuffed with marvellous effects that foreshadow later works by Tim Burton and the Henson non-Muppet films. --Doug Thomas
A ruthless business executive (an intense tour de force performance by leading man Nicol Williamson) returns home to his Liverpool roots to investigate his father's death. An unflinching exploration of the British class system, Jack Gold's penetrating, brutal drama stands alongside contemporary classics Up the Junction and Room at the Top, and pre-dates Get Carter by a year. Underrated and underexposed, The Reckoning may well be one of the most essential British films ever made. Special Features High Definition remaster Original mono audio Culture Clash (2017, 20 mins): interview with writer, journalist and broadcaster Matthew Sweet Memories of Marler (2017, 3 mins): interview with actor Tom Kempinski On Your Marks (2017, 4 mins): interview with second assistant director Joe Marks Original theatrical trailer Image gallery: on-set and promotional photography New English subtitles for the deaf and hard of hearing
Follow the adventures along the river bank and enjoy the thrill of the chase as a manic Mr Toad escapes from the police in a stolen car. Cheer on Badger and Rat as they lead the battle to reclaim Toad Hall from a band of evil weasels. Packed with comedy fun and high drama 'The Wind in the Willows' is a true classic. Featuring an all-star cast of top British comedians.
Robin Hood (Connery) is an old man when he returns with his best friend Little John to England after the Crusades. Maid Marian (Hepburn) has entered a nunnery King Richard is a raving lunatic his Brother John a moron and the age of great adventure has seemed to have passed Robin by. But when The Sheriff of Nottingham (Shaw) once again threatens Sherwood Robin gathers his faithful men and band of peasants to fight oppression in this high-spirited adventure in which Robin Hood and Maid Marian rediscover their love...
Available for the first time on DVD! Nicol Williamson's portrayal of Hamlet was greeted with storms of applause on both the London and Broadway stage. This performance is here captured on film by director Tony Richardson bringing life to William Shakespeare's immortal play.
A ruthless business executive (an intense tour de force performance by leading man Nicol Williamson) returns home to his Liverpool roots to investigate his father's death. An unflinching exploration of the British class system, Jack Gold's penetrating, brutal drama stands alongside contemporary classics Up the Junction and Room at the Top, and prefigures Get Carter by several years. Underrated and underexposed, The Reckoning may well be one of the most essential British films ever made. Available for the first time ever in the UK. INDICATOR LIMITED EDITION SPECIAL FEATURES: High Definition remaster Original mono audio Audio commentary New interview with actor Ann Bell (2017, tbc mins) Original theatrical trailer Image gallery: on-set and promotional photography New English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Michael Pattison, an overview of contemporary critical responses, and historic articles on the film World premiere on Blu-ray UK DVD premiere Limited Dual Format Edition of 3,000 copies
Catharine (Theresa Russell) is a sultry beauty who meticulously sets her traps. Alex (Debra Winger) is a federal sleuth who just as meticulously uncovers what no one else suspects - that this femme fatale tricks wealthy men into marrying her then kills them to inherit their fortunes. Soon Alex's obsession with the mysterious Catharine draws her deeper and deeper into danger...
He once was a man now he's a 'Hell Spawn' battling the forces of evil on Earth and in himself. Using his strange powers he fights to uncover the truth about his identity and fulfil his destiny. One of the comic book industry's most popular and intriguing characters Spawn explodes on the screen in a maelstrom of fantastic imagery with action romance and high-level espionage!
A quintet of the finest Shakespeare adaptations in one box set! Featuring 'The Taming Of The Shrew' 'King Lear' 'Macbeth' 'Henry V' and 'Hamlet'. The Taming Of The Shrew: Elizabeth Taylor and Richard Burton sparkle in Shakespeare's comic look at male chauvinism and women's lib. Petruchio journeys to Padua in search of a wealthy wife encountering the fiery Katharina a self willed shrew who leads Petruchio on a merry chase with Katharina as determined to maintain her indepen
Dr. Watson tricks Sherlock Holmes into travelling to Vienna in order to place him in the care of Sigmund Freud after his abuse of cocaine starts to spiral out of control. While Holmes believes he is solving a kidnapping Freud delves into his subconscious.
Robin And Marian (Dir. Richard Lester 1976): Robin Hood (Connery) is an old man when he returns with his best friend Little John to England after the Crusades. Maid Marian (Hepburn) has entered a nunnery King Richard is a raving lunatic his Brother John a moron and the age of great adventure has seemed to have passed Robin by. But when The Sheriff of Nottingham (Shaw) once again threatens Sherwood Robin gathers his faithful men and band of peasants to fight oppression in
In the fight for freedom you have to break the rules. When anti-apartheid activist Shack Twala (Poitier) is freed from prison he quickly runs into trouble with the police. British engineer Keogh (Caine) helps Twala elude a sadistic government official (Nicol Williamson) but as both men now fugitives race 900 miles to cross the border to safety they are drawn into a conspiracy much bigger and deadlier than they realize. Poitier and Caine make a wonderful 'buddy' act in t
Lance Bombardier Terry Evans (David Warner) is about to be sent home for officer selection and training. All he has to do is make it through one more night, in charge of a small guard detachment....Young and ineffectual, Evans is not respected by the national servicemen he commands. Flynn (Ian Holm) doubts his decisions while cockney Featherstone (John Thaw) is filled with contempt for him. Gunner O'Rourke (Nicol Williamson) is openly insubordinate - at first. Very quickly, it becomes obvious that O'Rourke is going mad - and that army discipline shatters when confronted by someone very dangerous and with nothing left to lose...
An adaptation of William Shakespeare's classic which depicts the crumbling of an obsessed man's sanity and the chronicling of his moral disintegration.
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