Century, GRACE OF MONACO is an intimate snapshot of a year in the life of the twentieth century's most iconic Princess - Grace Kelly.
A lavish television production recounting one of the most rousing and enduring stories from the Bible as David leads the Isrealites against the mighty Philistines...
Jennifer Lawrence is Dominika, a former ballerina forced to enter Sparrow School, a secret government program that trains young recruits to manipulate, seduce and kill. She emerges as a dangerous agent, but is trapped in a world she desperately wants to escape. With the lives of her loved ones at risk, Dominika must find a way to take back control and serve justice to those who betrayed her.
Frances (Chloë Grace Moretz), a sweet, naïve young woman trying to make it on her own in New York City, doesn't think twice about returning the handbag she fi nds on the subway to its rightful owner. That owner is Greta (Isabelle Huppert), an eccentric French piano teacher with a love for classical music and an aching loneliness. Having recently lost her mother, Frances quickly grows closer to widowed Greta. The two become fast friends but Greta's maternal charms begin to dissolve and grow increasingly disturbing as Frances discovers that nothing in Greta's life is what it seems in this suspense thriller directed by Academy Award® winner Neil Jordan.
Goldie Hawn, Bette Midler and Diane Keaton prove revenge is a dish best served cold. Former college buddies, they reunite at the funeral of a dear friend who took a swan dive onto Fifth Avenue. All three discover they share the same unhappy history of husbands who dove into middle-age by dumping them for trophy wives. Forming a warring triumvirate, they decide to get even, and along the way remind themselves of long-forgotten capabilities. The action gets a little too "wacky" at times, but the gals are great. Portraying an ageing actress, Hawn is sometimes a little too flamboyant, but there is much fun to be had in her flashiness, especially when she pokes fun at Tinseltown and her persona. Instead of her usual brashness, Midler stretches herself and shows us a woman who is not just unhappy, but also deeply sorrowful. Not that she isn't quick with a wisecrack, but her expressive face alone tells the story of her marriage. As the repressed and guilt-ridden spouse of a self-involved ad executive, Keaton finds her anger, and her voice, when her psychiatrist (Marcia Gay Harden) oversteps ethical boundaries. Watching Keaton grow from an ineffectual homemaker into a powerful businessperson reminds us that it has been far too long since she has done a comedy. Director Hugh Wilson smartly chose supporting players who each brought something unique to the film. However, he does not maintain the first hour's effervescent humour throughout the film, as the ending is weakened by a softening of the wives' resolve. --Rochelle O'Gorman
Joe Young is a devout Mormon visiting Hollywood to convert the unenlightened. One afternoon when Joe is preaching from door to door he accidentally stumbles onto the set of an adult movie. The director – evil Maxx Orbison – offers Joe $20 000 to star in his next porno as “Captain Orgazmo”. Mindful of the financial burdens of his upcoming wedding Joe reluctantly accepts the role. When the film becomes a worldwide success Joe’s fiancée discovers just what he’s been up to and insists that he quit the world of adult films. However Maxxx recognises Joe’s star quality and will do almost anything to ensure that ‘Captain Orgazmo’ will return in a sequel. Extras: Extras/Episodes. Behind the scenes featurette: 18mins Outtakes : 40mins Cut scenes: 28mins Orgazmo the book: 39mins Cast & crew interviews: 8mins Interview with Trey Parker at Dragon Con: 34mins hidden easter egg: 4mins
Penned by Psycho screenwriter Joseph Stefano and directed by film and TV movie veteran David Lowell Rich (The Horror at 37,000 Feet), Eye of the Cat is a skilfully crafted, San Francisco-set chiller starring Michael Sarrazin (They Shoot Horses, Don't They?) and Gayle Hunnicutt (Voices) as Wylie and Kassia - a couple whose scheme to rob wealthy, cat-loving Aunt Danny (Eleanor Parker, The Sound of Music) goes awry when Wyle's compulsive feline phobia comes up against the many cats defending Aunt Danny's mansion. David Lowell Rich's film benefits from suspenseful cat-attack set-pieces, a menacing Lalo Schifrin (Dirty Harry) score, and a seductive sixties wardrobe courtesy of legendary costume designer Edith Head (Sweet Charity). INDICATOR STANDARD EDITION SPECIAL FEATURES High Definition remaster of the original theatrical cutTV version (102 mins): alternative edit containing unique material, presented open matte in Standard DefinitionOriginal mono audioAudio commentary with editor of The Encyclopedia of Fantastic Film and Television, Kevin Lyons (2021)Pussies Galore (2021, 21 mins): writer and critic Kim Newman on Eye of the Cat and the feline horror subgenreTwo Evil Eyes (2021, 38 mins): video comparison examining the differences between the theatrical cut and the TV versionOriginal theatrical trailerRadio spotImage gallery: promotional and publicity materialNew and improved English subtitles for the deaf and hard of hearing
OK, let's get all the disclaimers out of the way first. Despite its colourful (if crude) animation, South Park: Bigger, Longer & Uncut is in no way meant for kids. It is chock full of profanity that might even make Quentin Tarantino blanch and has blasphemous references to God, Satan, Saddam Hussein (who's sleeping with Satan, literally) and Canada. It's rife with scatological humour, suggestive sexual situations, political incorrectness and gleeful, rampant vulgarity. And it's probably one of the most brilliant satires ever made. The plot: flatulent Canadian gross meisters Terrance and Philip hit the big screen and the South Park quartet of third graders--Stan, Kyle, Kenny, and Cartman--begin repeating their profane one-liners ad infinitum. The parents of South Park, led by Kyle's overbearing mom, form "Mothers Against Canada", blaming their neighbours to the north for their children's corruption and taking Terrance and Philip as war prisoners. It's up to the kids then to rescue their heroes from execution, not mention a brooding Satan, who's planning to take over the world. To give away any more of the plot would destroy the fun but this feature-length version of Trey Parker and Matt Stone's Comedy Central hit is a dead-on and hilarious send-up of pop culture. And did we mention it's a musical? From the opening production number "Mountain Town" to the cheerful anti-profanity sing-along "It's Easy, MMM Kay" to Satan's faux-Disney ballad "Up There", Parker (who wrote or cowrote all the songs) brilliantly shoots down every earnest musical from Beauty and the Beast to Les Misérables. And in advocating free speech and satirising well-meaning but misguided parental censorship groups (with a special nod to the MPAA), Bigger, Longer & Uncut hits home against adult paranoia and hypocrisy with a vengeance. And the jokes, while indeed vulgar and gross, are hysterical; we can't repeat them here, especially the lyrics to Terrance and Philip's hit song, but you'll be rolling on the floor. Don't worry, though--to paraphrase Cartman, this movie won't warp your fragile little mind unless you have something against the First Amendment. --Mark Englehart
In Disney's Hocus Pocus,Academy Award nominee Bettee Midlet (1991 Best Actress, For The Boys) stars with Sarah Jessica Parker (Sex And The City) and Kathy Najimy (The Wedding Planner) as three wild witches who return from seventeenth-century Salem for a night of zany fun and comic chaos. After they're conjured up by unsuspecting pranksters, the tricky trio sets out to cast a spell on the town and reclaim their youth. But first they must outwit three feisty kids determined to foil their scheme! Filled with bewitching laughs and magic, this hilarious film is perfect for the whole family! Features: 140 MINS OF BONUS (new bonus included) We ⥠Hocus Pocus: Trivia And Treats Edition Original Production Featurette
The significance of Ed Wood, both man and movie, on the career of Tim Burton cannot be emphasised enough. Here Burton regurgitates and pays homage to the influences of his youth, just as he would continue to do with Mars Attacks! and Sleepy Hollow. Everything is just right, from the decision to shoot in black and white, the performances of Johnny Depp (as Ed) and Martin Landau (as Bela Lugosi), the re-creation of 1950s Hollywood and the evocative score by Howard (Lord of the Rings) Shore. The plot struck a poignant familiar chord with Burton, who saw the relationship between the Ed and Lugosi mirroring his own with Vincent Price. Most importantly Burton responded to the story of the struggling, misunderstood artist. For all Burton's big-budget blockbusters (Batman, Planet of the Apes), he still somehow retains the mantle of the kooky niche director. And in the mid-90s, this film actually represented the last vestiges of his independent film production. Fans can only hope he'll soon return to those roots soon. On the DVD: Ed Wood on disc has a good group commentary in which Burton is interviewed rather than expected to hold forth on his own, making his insights alongside the screenwriters, Landau, and various production heads very worthwhile. Also worthy are the featurettes on Landau's Oscar-winning make-up, the FX and the Theremin instrument employed in the score. Best of all is an extremely exotic Music Video based on that score. This doesn't seem to be a new transfer of the film, but in black and white you're less likely to notice. --Paul Tonks
From Codeblack Films and the producers of FRUITVALE STATION. Years after a drunken car crash that almost took his life Thomas Carter (Anthony Mackie) has reinvented himself as a therapist/spiritual advisor who advocates a synthesis of world religions and positivity. He has parlayed this vocation into a successful book release that one day draws the attention of Angel Sanchez (Forest Whitaker) a profoundly troubled man fixated on the untimely death of his mother. When Carter takes on Sanchez as a personal client in an effort to raise funds for his indebted brother Ben (Mike Epps) things quickly take a turn for the worse. Angel needs much more than a simple life coach. What may be simple to grasp for some is the idea that single actions in the past comprise tidal waves of reactions in the present. Director Philippe Caland's REPENTANCE examines these issues against a backdrop of kidnapping and murder.
This charming and hugely popular series returns to follow the further adventures of the eccentric Durrell family as they embrace life on a gorgeous Greek island. The Durrells is based on Gerald Durrell's trilogy of Corfu novels and this latest series sees sparky English widow Louisa and her brood continue to put down roots in their dilapidated rented house, alongside an ever-increasing menagerie of animals brought home by youngest son Gerry.
Irena Sendler was one of the most remarkable - and most unlikely - heroes of World War II, saving 2,500 Jewish children during the German occupation of Poland. As a social worker, Irena had access to the Warsaw Ghetto, making it possible for her to rescue the daughter of a Jewish friend and safely hide the young girl with a Catholic family. Realizing that thousands of children were still in danger, Irena recruited sympathetic friends and co-workers to smuggle children out and place them in safe homes, farms and convents. At great personal risk, she devised extraordinary schemes to sneak the children by Nazi guards, bringing them out in ambulances, suitcases and even wheelbarrows. Irena was eventually captured by the Gestapo. Even after months of torture, she maintained her silence. Her heroic efforts were honoured by a nomination for the Nobel Peace Prize.
Evelyn (Kathy Bates) is a middle-aged housewife dissatisfied with her life. One day she meets an elderly lady, Mrs Threadgoode (Jessica Tandy) who tells her a story of two young women in the 1930's on a journey through life and love. The friendship of the two girls, Idgie (Mary Stuart Masterson) and Ruth (Mary Louise Parker) inspires Evelyn to improve her life and luck. A warm, touching and, at times, greatly amusing tale about the importance of friendship, starring two Oscar-winning actresses.
The comedy "Did You Hear About the Morgans?" follows a highly successful Manhattan couple, Meryl and Paul Morgan (Sarah Jessica Parker and Hugh Grant), whose almost-perfect lives have only one notable failure - their dissolving marriage.
To quote Bad Day at Black Rock, a man is as big as what'll make him mad. By this criteria, South Park creators Trey Parker and Matt Stone are giants. Fanaticism of any stripe, steroids, vapid pop culture icons marketed as role models for impressionable youth, and mass merchants encroaching on small town life are just some of the hot button issues tackled in South Park's eighth season. Of course, South Park is not above (or beneath) stooping to conquer, as witness "Stupid Spoiled Whore Video Playset," which climaxes in a "whore-off" featuring--you guessed it--Paris Hilton. Sure, Paris is an easy target, as is Michael Jackson (portrayed in the episode "The Jeffersons" not as a child molester, but as an infantile parent who needs to grow up). But just as a segment of the population tunes in to The Daily Show to get Jon Stewart and company's satirical take on the day's news, so do South Park fans eagerly await Parker and Stone's perspective on the zeitgeist. Which brings us to the season's most infamous episode, "The Passion of the Jew," in which Kyle is devastated by Mel Gibson's brutalising epic, Cartman is transformed into Gibson's Hitlerian apostle, and an unimpressed Stan and Kenny try in vain to get their money back from Gibson himself, a loony toon with a penchant for torture. And while Janet Jackson's Super Bowl wardrobe malfunction is old news, South Park's response, "Good Times with Weapons," remains a relevant satire of misplaced parental priorities, not to mention an anime-stylised tour-de-force in which the boys purchase martial arts weapons at a county fair and imagine themselves as ninja warriors. In one of Stone and Parker's candid mini-commentaries, available as a listening option on each episode, the duo grade this season a B+. Give them extra credit, then, for such seriously (or hilariously) twisted episodes as the one (whose title cannot be printed here) that sends up the film You Got Served, and the instant holiday classic "Woodland Critter Christmas," with its Satan-worshiping forest creatures, and a brilliant surprise ending that echoes Chuck Jones's classic cartoon Duck Amuck, in which the unseen animator tormenting poor Daffy is revealed to be none other than Bugs "Ain't I a stinker?" Bunny. --Donald Liebenson
Nathaniel Parker and Sharon Small star as popular crime-fighting duo Inspector Lynley and DS Havers in the series originally adapted from the novels of Elizabeth George. Episodes Comprise: 1. Pilot: A Great Deliverance (Part 1) 2. Pilot: A Great Deliverance (Part 2) 3. Well-Schooled in Murder 4. Payment in Blood 5. For the Sake of Elena 6. Missing Joseph
Available for the first time on DVD! With Christmas only a few hours away Philip (Steve Martin) and his dedicated suicide hotline staff based in Venice California are about to go a little crazy. Philip is about to be dumped by his fiancee his hotline service will be evicted he will dance with a lonely cross-dresser and he'll have a run in with a gun-toting Santa Claus. Philip's Lifesavers is a place where the rescuers need help. 'Mixed Nuts' finds the funny side of life death
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