There have been a number of notable cinematic versions of King Lear and Peter Brook's depiction of Shakespeare's epic tragedy is no exception. The majesticl Paul Scofield tackles the role of Lear with such aplomb that it is clear to see why many of his contemporaries consider him to be the finest Shakespearian actor to emerge from the RSC (Royal Shakespeare Company).
Available for the first time on DVD! Robert Mitchum Peter Falk and Arthur Kennedy star in the rivetting war drama Anzio a vivid portrait of one of the bloodiest WWII battles ever fought. After landing with Allied troops at Anzio Italy in 1944 war correspondent Dick Ennis (Mitchum) and buddy Corporal Rabinoff (Falk) tell Anzio commander General Lesley (Kennedy) that the road to Rome is wide open. But instead of heading to Rome Lesley attempts to build a coastal stronghold only
Stomping, whomping, stealing, singing, tap dancing, violating. Derby-topped hooligan Alex (Malcolm McDowell) has a good time - at the tragic expense of others. His journey from amoral dynamic arc of Stanley Kubrick's future-shock vision of Anothony Burgess' novel. Controversial when first released, A Clockwork Orange won New York Film Critics Best Picture and Director awards and earned four Oscar nominations, including Best Picture. Its power still entices, shocks and holds us in its grasp. This Collector's Set includes: A Clockwork Orange on 4K Ultra HD & Blu-ray Collectable Steelbook case with new artwork Two unique pins Special Features Commentary by Malcolm McDowell and Historian Nick Redman Channel Four Documentary Still Tickin': The Return of Clockwork Orange New Featurette Great Bolshy Yarblockos!: Making A Clockwork Orange Career Profile O Lucky Malcolm! [in High Definition] Theatrical Trailer
Harold Pinter's first full-length stage play, The Birthday Party, was 10 years old when William (The Exorcist) Friedkin directed it for the cinema in 1968. In some ways, it was already a period-piece by then, Pinter's use of a combination of silence and excruciatingly banal dialogue to generate precipitous dramatic tension having been absorbed by contemporary theatrical mythology long since. Are the sinister McCann and Goldberg real? Or do they exist only in Stan's head? At the end, we're none the wiser. But Friedkin's claustrophobic direction, with the tormented Stan as its focus, has taken us through a master study in understated horror. The handheld camera, so fashionable in modern television drama, has rarely been used to such hypnotic effect. As Stan, Robert Shaw is mesmerising in his descent to animal-like submission. Sydney Tafler's Goldberg and Patrick Magee 's McCann make a truly terrifying double act. Cult television fans will appreciate an early appearance by Helen Fraser (these days best known as a sadistic prison warder in Bad Girls) as the easily seduced neighbour. Now that Friedkin's film is itself over 30 years old, the scent of mothballs ought to be even more pronounced. Its decrepit seaside boarding house setting and the drabness of the peripheral players are redolent of the distinctly non-swinging side of the 1960s in which it was made. But more than anything, The Birthday Party is about unspecified terror and the sort of inner demons that lurk in all of us. On the DVD: Excellent sound quality helps to make this a compellingly theatrical experience: never has the noise of tearing newspaper been more menacing. And the picture quality retains the grainy authenticity of the original print. Special features include brief backgrounders on the history of the play and Friedkin's career, and a slide show of still s from key scenes. --Piers Ford
Stomping, whomping, stealing, singing, tap-dancing, violating. Derby-topped hooligan Alex (Malcolm McDowell) has a good time - at the tragic expense of others. His journey from amoral punk to brainwashed proper citizen and back again forms the dynamic arc of Stanley Kubrick's future-shock vision of Anthony Burgess' novel. Controversial when first released, A Clockwork Orange won New York Film Critics Best Picture and Director awards and earned four Oscarr* nominations, including Best Picture. Its power still entices, shocks and holds us in its grasp.This 50th Anniversary Ultimate Collector’s Edition includes:. •A Clockwork Orange on 4K Ultra HD & Blu-ray. •Blu-ray Bonus Disc featuring Stanley Kubrick: A Life in Pictures and O Lucky Malcolm! documentaries. •32-page booklet. •Double-sided Poster. •Set of 3 Art Cards. •Behind the scenes stills. •Newspaper prop replica. Special Features:. • Commentary by Malcolm McDowell and Historian Nick Redman. • Channel Four Documentary Still Tickin’: The Return of Clockwork Orange. • New Featurette Great Bolshy Yarblockos!: Making A Clockwork Orange. • Career Profile O Lucky Malcolm! [in High Definition]. • Theatrical Trailer.
A physician discovers that two children are being kept virtually imprisoned in their house by their father. He investigates and discovers a web of sex incest and satanic possession
Robert Hartford-Davies (The Black Torment, Incense of the Damned) thrills with this early seventies British shocker by mixing religious fanaticism with sexploitation and horror in this down beat gritty story of lust, murder and terror. When widow Birdy, joins a fundamentalist sect called The Brethren, she soon finds herself at the centre of a fire and brimstone existence where sin is dealt with in violent rather than spiritual terms. Riffing on previous work like Psycho (1960) and more importantly Peeping Tom (1960), The Fiend taps into the distorted mind-set of an unhinged killer providing a bleak, yet sensationalised take on the British thriller. Starring Patrick Magee (Masque of the Red Death, The Skull, Tales from the Crypt), The Fiend is a must for all lovers of cult horror.
A woman who masquerades as a medium has her husband kidnap a girl so that she can gain celebrity by holding seances and helping the police to 'find' the victim...
The films of Roger Corman are often as well-known for their behind-the-scenes stories as they are the ones unfolding on the screen. He famously made Little Shop of Horrors in just two days using sets left over from A Bucket of Blood and shot The Terror over a long weekend because bad weather prevented him from playing tennis. But none of these tales is quite so complex, or quite so extraordinary, as the making of Blood Bath. The saga began when Corman invested in a Yugoslavian Krimi-like picture entitled Operation Titian just prior to it going into production. Insisting it be filmed in English, he sent actors William Campbell and Patrick Magee, and uncredited story editor Francis Ford Coppola (all fresh from Dementia 13), to Dubrovnik to make a US-friendly movie but wasn't satisfied with the end results. First it was re-cut and re-scored to create Portrait in Terror, a film more in line with drive-in tastes, then it was handed over to Jack Hill (Spider Baby), followed by Stephanie Rothman (Terminal Island), each undertaking reshoots that resulted in a vampire picture by the name of Blood Bath. One final twist was provided when a TV version was required, chopping scenes and adding others to create Track of the Vampire. For this release Arrow Video has searched through the vaults to bring you all four versions of Blood Bath, newly restored from the best materials available to provide a definitive release of one of Corman's craziest ventures.
From Italy's own Godfather of Gore Lucio Fulci (Zombie, The Gates of Hell) comes The Black Cat a gruesome reimagining of the classic Edgar Allan Poe tale starring Patrick Magee (A Clockwork Orange) and Mimsy Farmer (The Perfume of the Lady in Black). When a young couple goes missing in a sleepy English village, Scotland Yard Inspector Gorley (David Warbeck, The Beyond) is brought in to assist on the case. But what starts off as routine investigation turns into a murder inquiry when the couple are found dead in mysterious circumstances. Fusing a classically gothic atmosphere with the decidedly more visceral elements that are the hallmark of Fulci's films, The Black Cat is a too-often overlooked and underrated entry in the Italian master filmmaker's canon. Special Edition Content: Brand new 2K restoration of the film from the original camera negative Original Italian and English soundtracks in DTS-HD mono audio Newly translated English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack Brand new audio commentary by filmmaker and Fangoria editor Chris Alexander From Poe into Fulci: The Spirit of Perverseness film historian Stephen Thrower on Fulci's Poe-tinged classic In the Paw-Prints of The Black Cat a look at the original Black Cat locations Frightened Dagmar a brand new career interview with actress Dagmar Lassander At Home with David Warbeck an archive interview with the Black Cat star Original Theatrical Trailer Reversible sleeve featuring original and newly commissioned artwork by Matthew Griffin
Never in the history of crime was so much taken from so many by so few A gang of criminals acquire an old army truck and try to pass themselves off as military policemen. Their plan is to steal a 250 000 payroll intended for soldiers in the Middle East. Turpin recruits Fenner and Swavek to make up a crack assault team. As the duty guard at the camp raises the barrier Turpin knows there can be no turning back. His desperate gamble for riches will now be played out to its shat
Some of the finest actors in a generation perform 4 of the bard's greatest plays in specially filmed adaptations by the Royal Shakespeare Company for Thames Television.MacbethTrevor Nunn's highly acclaimed production of the classic tale of the Scots nobleman whose ambition, spurred on by his alluring wife and an evil prophecy, leads him to treachery, murder and damnation. Starring Sir Ian Mckellen and Judi Dench together with the original RSC cast.Romeo & JulietThe Montagues and Capulets are bitter enemies, sworn to hatred. Yet when their children Romeo (Christopher Neame) and Juliet (Ann Hasson) fall in love, their happiness is doomed to failure in this brilliant interpretation of the classic tale of love and loss.Twelfth NightPerforming one of Shakespeare's best-loved comedies, the Renaissance Theatre Company, starring Richard Briers and directed by Kenneth Branagh, deliver one of the most highly acclaimed adaptations of all time.King LearShakespeare's tragic masterpiece is brought to life in this superb production starring Patrick Magee as the titular king who descends to madness after foolishly disposing of his estate between two of his three daughters based on their flattery.
This superb nine-disc Stanley Kubrick Box Set contains all the late director's work from 1962's Lolita to Kubrick's final film, the highly controversial Eyes Wide Shut (1999). There's also the excellent and highly informative two-hour documentary: Stanley Kubrick: A Life in Pictures, narrated (a little drably) by Tom Cruise. It isn't exactly a warts-and-all portrait of Stan the Man, which is not surprising, really, given that it's directed and produced by Kubrick's brother-in-law Jan Harlan, and that Kubrick's widow Christine was closely involved in the making of it. But it does give a detailed and revealing portrait of a brilliant, demanding and often infuriating man, airing rare footage that goes right back to his earliest years as a brash youngster in the Bronx, already playing to camera with a frightening degree of self-awareness. Six of the eight movies (all but Dr Strangelove and Eyes Wide Shut) have been digitally restored and remastered, and almost all (barring Strangelove again and Lolita) now boast Dolby Digital 5.1 stereo sound remixes. For some bizarre reason, Kubrick insisted on mono sound for the 1999 set, which he approved shortly before his death. Visually the improvement over the often grainy, scratchy prints previously on offer--The Shining (1980) was notoriously messy--is immense. All the features are presented in their original ratios, which in the case of Strangelove means the changing ratios in which it was originally shot, and for 2001: A Space Odyssey (1968) the full glorious 2.21:1 expanse of the Cinerama screen.So what don't you get? Essentially, the early Kubrick--the work of the young, hungry director before he moved to England and started to gather all the controlling strings into his own hand: most notably the tough, taut thriller The Killing (1956) and the icily furious war film Paths of Glory (1957). Too bad Warners couldn't have negotiated the rights for those too. But what we have here is the culminating phase of Kubrick's filmmaking career--the final 27 years of one of the great masters of cinema. On the DVDs: Besides the visual and sonic improvements mentioned above, each of the eight features includes the original theatrical trailer and multiple-language subtitles. The DVD of Dr Strangelove also gives us filmographies of the principal players, plus theatrical posters and a photo gallery, while Eyes Wide Shut includes interviews (taped after Kubrick's death) with Tom Cruise, Nicole Kidman and Steven Spielberg, plus a couple of 30-second TV spots. And with The Shining we get a fascinating 34-minute documentary made by Kubrick's then 17-year-old daughter Vivian, plus--just to add a further layer--Vivian's present-day voice-over commentary on her film. --Philip Kemp
Peter Cushing is one the most iconic actors of British horror film history. He captivates audiences with an air of mystery and a hint of the macabre. His style, much loved by his fans, brings suspense to any film he features in and intrigue to audiences across the world. Known as the Gentleman of Horror, Cushing's illuminates the big screen, bringing a unique presence to every role. Anchor Bay is proud to present these four cinematic classics from Peter Cushing's illustrious career, collecte...
The British Are Coming! Britain's finest athletes have begun their quest for glory in the 1924 Olympic Games. Success brings honour to their nation. For two runners the honour at stake is personal... and their challenge one from within. Winner of four 1981 Academy Awards including Best Picture 'Chariots Of Fire' is the inspiring true story of Harold Abrahams Eric Liddell and the team that brought Britain one of its greatest sports victories. Ben Cross Ian Charleson Nigel Havers Nicholas Farrell and Alice Krige enjoyed their first major movie roles in this debut theatrical feature for director Hugh Hudson. Producer David Puttnam blended those talents to shape a film of unique and lasting impact. From its awesome footage of competition to its Oscar-winning Vangelis score 'Chariots Of Fire' has blazed its way into the hearts of movie lovers everywhere.
Death and debauchery reign in the castle of Prince Prospero (Vincent Price) and when it reigns- it pours! Prospero has only one excuse for his diabolical deeds - the devil made him do it! But when a mysterious uninvited guest crashes his pad during a masquerade ball there'll be hell to pay as the party atmosphere turns into a danse macabre!
The controversy that surrounded Stanley Kubrick's adaptation of Anthony Burgess's dystopian novel A Clockwork Orange while the film was out of circulation suggested that it was like Romper Stomper: a glamorisation of the violent, virile lifestyle of its teenage protagonist, with a hypocritical gloss of condemnation to mask delight in rape and ultra-violence. Actually, it is as fable-like and abstract as The Pilgrim's Progress, with characters deliberately played as goonish sitcom creations. The anarchic rampage of Alex (Malcolm McDowell), a bowler-hatted juvenile delinquent of the future, is all over at the end of the first act. Apprehended by equally brutal authorities, he changes from defiant thug to cringing bootlicker, volunteering for a behaviourist experiment that removes his capacity to do evil.It's all stylised: from Burgess' invented pidgin Russian (snarled unforgettably by McDowell) to 2001-style slow tracks through sculpturally perfect sets (as with many Kubrick movies, the story could be told through decor alone) and exaggerated, grotesque performances on a par with those of Dr Strangelove (especially from Patrick Magee and Aubrey Morris). Made in 1971, based on a novel from 1962, A Clockwork Orange resonates across the years. Its future is now quaint, with Magee pecking out "subversive literature" on a giant IBM typewriter and "lovely, lovely Ludwig Van" on mini-cassette tapes. However, the world of "Municipal Flat Block 18A, Linear North" is very much with us: a housing estate where classical murals are obscenely vandalised, passers-by are rare and yobs loll about with nothing better to do than hurt people. On the DVD: The extras are skimpy, with just an impressionist trailer in the style of the film used to brainwash Alex and a list of awards for which Clockwork Orange was nominated and awarded. The box promises soundtracks in English, French and Italian and subtitles in ten languages, but the disc just has two English soundtracks (mono and Dolby Surround 5.1) and two sets of English subtitles. The terrific-looking "digitally restored and remastered" print is letterboxed at 1.66:1 and on a widescreen TV plays best at 14:9. The film looks as good as it ever has, with rich stable colours (especially and appropriately the orangey-red of the credits and the blood) and a clarity that highlights previously unnoticed details such as Alex's gouged eyeball cufflinks and enables you to read the newspaper articles which flash by. The 5.1 soundtrack option is amazingly rich, benefiting the nuances of performance as much as the classical/electronic music score and the subtly unsettling sound effects. --Kim Newman
Edgar Allan Poe's celebrated story The Black Cat has provided the inspiration for numerous films over the years. But few adaptations are as stylish as those offered up by the twin Italian titans of terror, Sergio Martino and Lucio Fulci. In Martino's classic giallo Your Vice is a Locked Room and Only I Have the Key, teacher Oliviero (Luigi Pistilli, A Bay of Blood) finds himself under suspicion for murder when one of his students and mistress is found brutally murdered. As more bodies start to pile up, the arrival of Oliviero's attractive niece (Edwige Fenech, Five Dolls for an August Moon, All the Colours of the Dark) brings with it complications of its own. In The Black Cat, from that other Godfather of Gore, Lucio Fulci (Zombie), Scotland Yard Inspector Gorley (David Warbeck, The Beyond) find himself summoned to a sleepy English village to investigate the recent murder of a young couple. With no obvious signs of entry at the murder scene, Gorley is forced to start considering the possibility that his suspect may not be human Finally together on Blu-ray and in stunning new 2K restorations from the original camera negatives, fans can enjoy the double-dose of terror that is Edgar Allan Poe's Black Cats Italian-style!
A television staging of the classic Shakespeare play.
It is 1795 England and the lovely Catherine (Stephanie Beacham) arrives at the foreboding manor where she is to marry Sir Charles Fengriffen (Witchfinder General's Ian Ogilvy ). Almost immediately upon arrival Catherine is set upon by a series of strange hallucinations and visions involving a severed hand as well as a creepy eyeless ghost. Catherine's sanity to say nothing of her life is threatened as she tries to uncover the source of the supernatural happenings and a sudden pregnancy only adds to the mystery as she slowly begins to find out what dark secrets really exist at Fengriffen! Peter Cushing stars in the blood-curdling tale. As with just about anything he is in Cushing doesn't just carry the film he steals it! As the 18th-century psychiatrist Dr. Pope he serves as a sort of Sherlock Holmes-ish character investigating the claims of ghosts and struggles in vain to find a way to cure with reason what he perceives as Catherine's delusions. Beacham and Ogilvy give solid genre performances but when Cushing is on screen it is simply his film. Veteran heavy Herbert Lom (perhaps best remembered for his recurring role in the Pink Panther series as Peter Sellers's psychotic boss) is chilling in a flashback appearance. Gravelly voiced beatle-browed Patrick Magee makes the most of an underwritten role while Ian (The Saint) Ogilvy and Stephanie Beacham carry the film superbly as the tormented bride and groom.
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