On the eve of the Battle of Waterloo, two young lovers forge a legacy that will create scandal for generations to come. Years later, when the humble Trenchards (Tamsin Greig and Philip Glenister) move to Belgravia, they find themselves mixing with the venerated Brockenhursts (Harriet Walter and Tom Wilkinson). The families share a history that threatens inheritances and reputations, and there are those who would do anything to ensure secrets remain buried. Pride and loyalty will be tested as forbidden love blossoms amongst the rivalry and lives hang in the balance. This six-part drama is adapted by Julian Fellowes from his bestselling novel and features a stellar ensemble cast which also includes Jack Bardoe, Alice Eve, James Fleet, Tara Fitzgerald, Bronagh Gallagher, Richard Goulding, Diana Hardcastle, Adam James, Ella Purnell, Saskia Reeves and Paul Ritter.
From visionary director Robert Eggers comes The Northman, an action-filled epic that follows a young Viking prince on his quest to avenge his father's murder. With an all-star cast that includes Alexander Skarsgård, Nicole Kidman, Claes Bang, Anya Taylor-Joy, Ethan Hawke, Björk, and Willem Dafoe.
From visionary director Robert Eggers comes The Northman, an action-filled epic that follows a young Viking prince on his quest to avenge his father's murder. With an all-star cast that includes Alexander Skarsgård, Nicole Kidman, Claes Bang, Anya Taylor-Joy, Ethan Hawke, Björk, and Willem Dafoe.
Inspired by NetherRealm Studios, creators of the Injustice: Gods Among Us video game, and the best-selling DC graphic novel based on the video game, Injustice: Gods Among Us: Year One by Tom Taylor, the animated film Injustice finds an alternate world gone mad - where The Joker has duped Superman into killing Lois Lane, sending the Man of Steel on a deadly rampage. Unhinged, Superman decides to take control of the Earth for humanity's own good. Determined to stop him, Batman creates a team of like-minded, freedom-fighting heroes. But when Super Heroes go to war, can the world survive?
When Robin of Loxley transformed into Robert of Huntingdon in the third series of Robin of Sherwood, many viewers were understandably confused. Michael Praed left the series for reasons that never really became apparent while Jason Connery clearly wasn't a replacement chosen for similar looks or performance. Across the 13 episodes of the third series, Connery's choice became slowly apparent. The magical stories frequently dipped into darker territory as much as they aimed for uplifting humour. The new Hood was at ease with both, while reuniting the merry band and ultimately wooing the fair Marion all over again. Connery turned in a very confident embodiment of the character, clearly bonding well with the established team of actors. Guest stars lined up to contribute alongside him. Memorable appearances include those of Richard O'Brien, David Rappaport, Matt Frewer, Patricia Hodge, Ian Ogilvy and Lewis Collins. (It's fascinating to speculate how different things could have been if the close-second casting choice of Neil Morrissey had been pursued.) The strangest aspect of the series, however, is knowing in retrospect that everyone's confidence and merriment was for nothing. Scripts were written in readiness for the fourth series, but then the studio went bankrupt. Cliffhangers therefore remain that will confuse viewers far more than the lead's replacement. --Paul Tonks
When the Thanagarians visit Earth, Hawkgirl is forced to choose betweenloyalty to her people and love for her friends on her adopted planet Earth. This is the one battle that could rip the World?s Greatest Super Heroes apart forever!!
When Robin of Loxley transformed into Robert of Huntingdon in the third series of Robin of Sherwood, many viewers were understandably confused. Michael Praed left the series for reasons that never really became apparent while Jason Connery clearly wasn't a replacement chosen for similar looks or performance. Across the 13 episodes of the third series, Connery's choice became slowly apparent. The magical stories frequently dipped into darker territory as much as they aimed for uplifting humour. The new Hood was at ease with both, while reuniting the merry band and ultimately wooing the fair Marion all over again. Connery turned in a very confident embodiment of the character, clearly bonding well with the established team of actors. Guest stars lined up to contribute alongside him. Memorable appearances include those of Richard O'Brien, David Rappaport, Matt Frewer, Patricia Hodge, Ian Ogilvy and Lewis Collins. (It's fascinating to speculate how different things could have been if the close-second casting choice of Neil Morrissey had been pursued.) The strangest aspect of the series, however, is knowing in retrospect that everyone's confidence and merriment was for nothing. Scripts were written in readiness for the fourth series, but then the studio went bankrupt. Cliffhangers therefore remain that will confuse viewers far more than the lead's replacement. --Paul Tonks
Hollywood screen couple Doris Day and Rock Hudson light up the screen with laughter in three delightful comedy gems! Join them as they fall in, out, and back in love again in a series of misadventures including Pillow Talk, Lover Come Back and Send Me No Flowers. Co-starring the hilarious Tony Randall, the Dirus and Rock Hudson Romantic Comedy Collection captures one of cinema's most popular and enduring couples at their very best! Bonus Features Back in Bed with Pillow Talk Chemistry 101: The Film Duo of Doris Day and Rock Hudson Pillow Talk Feature Commentary with Film Historians Jeff Bond, Julie Kirgo and Nick Redman Theatrical Trailers
Inspired by NetherRealm Studios, creators of the Injustice: Gods Among Us video game, and the best-selling DC graphic novel based on the video game, Injustice: Gods Among Us: Year One by Tom Taylor, the animated film Injustice finds an alternate world gone mad - where The Joker has duped Superman into killing Lois Lane, sending the Man of Steel on a deadly rampage. Unhinged, Supermandecides to take control of the Earth for humanity's own good. Determined to stop him, Batman creates a team of like-minded, freedom-fighting heroes. But when Super Heroes go to war, can the world survive? Bonus Features A Preview of Reign of the Supermen. A Preview of the Death of Superman.
Jackie Collins' sweeping story of passion power greed and betrayal spans over 40 years from the tough streets of depression bit New York to the glitz and glamour of Hollywood and Las Vegas.
Inspired by NetherRealm Studios, creators of the Injustice: Gods Among Us video game, and the best-selling DC graphic novel based on the video game, Injustice: Gods Among Us: Year One by Tom Taylor, the animated film Injustice finds an alternate world gone mad - where The Joker has duped Superman into killing Lois Lane, sending the Man of Steel on a deadly rampage. Unhinged, Supermandecides to take control of the Earth for humanity's own good. Determined to stop him, Batman creates a team of like-minded, freedom-fighting heroes. But when Super Heroes go to war, can the world survive? Bonus Features A Preview of Reign of the Supermen. A Preview of the Death of Superman. From the DC Vault: Justice League, Eps. 19 Injustice for All: Part II From the DC Vault: Justice League, Eps. 18 Injustice for All Adventures in Storytelling - Injustice: Crisis and Conflict -The storytellers behind the new Injustice animated film discuss how all the drama and action was brought to life.
The second series of Robin of Sherwood sets up both a sense of melancholy for the impending departure of Michael Praed and excitement for his imminent replacement by Jason Connery. These seven episodes are the very best of Praed and co, building upon their established camaraderie and making forest-frolicking seem like TV's best ever gig. "The Prophecy" has a running thread of back plot that will explain Praed's Doctor Who-like transformation to Connery (and all so he could cameo in Dynasty). Mystical Herne predicts the death of a great king, but the merry men are more interested in the introduction of new semi-regular Prince John (Philip Davis). The series becomes braver as it continues by delving deeper into the black arts and exploring such matters as anti-Semitism and pagan beliefs. Gisburne's schemes to capture the bandits grow more desperate, while Herne's advice grows more cryptic and Marion's love for Robin grows stronger. All of which builds to the excellent two-part "The Swords of Wayland" and its coda "The Greatest Enemy". Now prepare yourself for something completely different. On the DVD: Robin of Sherwood's first box set was going to take some beating, but this second series set is as good as anyone has managed for a TV show on DVD. The digital transfers and new Dolby soundtracks (with optional original mono and music-only tracks) are fantastic. The commentary on "The Swords of Wayland" from the director and producer is insightful and endearing. The third part of the behind-the-scenes documentary, still interviewing everyone involved, is consistently fascinating and runs 42 minutes. Add to that two galleries of stills with 156 pictures, seven minutes of outtakes and, for curiosity value, the French and American versions of the Main Title sequence. You can tell some real heart has gone into this release. --Paul Tonks
Two feuding brothers are reunited by the hunt for their father's murderer - a wanted international terrorist. Together they seek the men responsible using their martial arts skills to the full....
Two two-part episodes from the first season: 'In Blackest Night' and 'The Enemy Below'. In Blackest Night the hard nosed combative Green Lantern is put on trial for destroying the planet by a group of indestructable android enforcers call the Manhunters. Unable to save himself even with the help of his laser-projecting power ring the Green lantern has to rely on the powerful Justice League who comes to his aid to uncover the real perpetrator of the crime. In the second episode s
Explorer Paul Rose leads a team of ocean experts in a series of global science expeditions. With him maritime archaeologist Dr Lucy Blue investigates our past and our relationship with the sea exploring shipwrecks and lost civilisations; marine biologist and Oceanographer Tooni Mahto seeks the extraordinary life in our oceans today; and environmentalist Philippe Cousteau Jr looks to the future of our oceans and charts the way they're changing. Filmed in High Definition in some of the most beautiful diverse and threatened seas on our planet the team travels across the world to the Southern Ocean the Atlantic the Indian Ocean the Red Sea the Sea of Cortez the Arctic Ocean and the Mediterranean to dive the depths of the world's seas and oceans. The planet's seas are changing fast and Oceans builds up a timely global picture of our planet's most magnificent and vital asset.
Paradise Lost: Wonder Woman returns home to Themyscira to find that the evil sorcerer Felix Faust has turned her mother Hippolyta and the rest of her Amazon sisters to statues of stone. Faust promises to free Themyscira from his evil enchantment if Wonder Woman agrees to help him find the lost fragments of a mysterious ancient relic. War World: In the second superhero episode Superman is captured by the warlord Mongul and plunged into a gladiator-style fight to t
When global catastrophe strikes sometimes the job is too big for a single hero. At these moments the world's greatest super heroes answer the call of the Justice League. Justice League works together as a team to overcome a dangerous array of intersteller invaders and world conquering megalomaniacs - it is the ultimate power against the forces of evil.
Based on the novels ""Chances"" and ""Lucky"" by Jackie Collins this miniseries features the rise of Gino Santangelo in the Las Vegas casino industry... After the brutal murder of her mother the wild teenage Lucky Santangelo is packed off to an elite Swiss finishing school by her heavy-handed father Gino. Frustrated by her over-protective father the self-destructive Lucky soon skips school to go thrill-seeking in Europe's glittering hot spots. The exasperated Gino is not to be denied
Mozart's Clemenza di Tito ("The Clemency of Titus") makes for riveting viewing in this Glyndebourne performance directed by Nicholas Hytner and conducted by Andrew Davis staged in the composer's bicentenary in 1991. Mozart's last opera, Clemenza was for some time considered below par by his own exalted standards. He composed it in a rush, the recitatives are by a pupil and it had to be on an appropriate theme to please the new Hapsburg monarch, for whose enthronement it was designed. There's little character development and the musical style harks back to operatic conventions Mozart had done so much to overthrow. Watching this production one would scarcely credit that such reservations once held sway. Hytner and his team have put a contemporary angle on a story set in Rome AD 78 in which sets, props and the stage itself are constructed to different dimensions offering alternate perspectives on a static tale. A slanting pillar and a sloping corridor allude to the unhinged mind of the scheming Vitellia, the central character, who puts her confidant Sesto on an emotional roller coaster ride as she ensnares him to plot the downfall of Titus. The principals use their eyes to communicate to one another as well as the audience and in the imaginatively staged entrances and exits of the ensembles one senses Hytner's choreographic instincts coming to the fore. The superb cast sing magnificently and look stunning. Philip Langridge is an eloquent Titus, Diana Monatgue a sincere Sesto and Ashley Putnam brings a touch of Alexis Colby to her portrayal of Vitellia. The London Philharmonic are all fired up under conductor Andrew Davis' fervent direction. The performance (the "Overture" accompanied by a visual montage of artefacts of Ancient Rome) is played on modern instruments yet articulated and reproduced with the clarity and definition associated with period ones. On the DVD: La Clemenza di Tito has no special features save for the obligatory subtitles. The picture quality is outstanding with the imaginative and colourful production design caught, like the music, with exceptional fidelity. The high drama at the conclusion of Act 1 justifies running on without a break into Act 2. This is a must for all lovers of opera. --Adrian Edwards
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