Tales of Terror is a trio of Edgar Allen Poe stories, starring three of horror's greats--Vincent Price, Basil Rathbone and Peter Lorre--and produced and directed by the immortal Roger Corman. The first story, "Morella", involves a girl (Debra Paget) who returns to her isolated, spooky family home to see her estranged father (Price) for the first time in 26 years. He's let the housekeeping slide a bit--cobwebs abound and, oh, yes, his dead wife is still upstairs. Peter Lorre joins the fun for "The Black Cat", a piece with comic flavour that allows Price to show his rarely seen silly side, and then it's Basil Rathbone's turn to be creepy in "The Case of M Valdemar", the tale of a mesmerist who decides to experiment with the unknown (bad idea). The movie is well paced, and makes good use of comedy without undercutting its chills. It's a rare treat to see this many masters of the genre working together and so clearly enjoying themselves. --Ali Davis
A gripping military drama starring Alec Guinness as Major Jock Sinclair. During World War 2 Sinclair was promoted to Acting CO of his Highland Regiment but now it has returned to Scotland a new CO (John Mills) is to be appointed; leading Jock to pit his wits against the new CO and the other officers in the Mess.
Vincent Price brings a theatrical flourish to his role in The Fall of the House of Usher. He plays Roderick Usher, a brooding nobleman haunted by the dry rot of madness in his family tree. This being an Edgar Allen Poe story, there's a history of family madness and melancholia, a premature burial and a sense of doom hanging over the gloomy, crumbling mansion. Roger Corman sold stingy AIP pictures on the concept by claiming "The house is the monster"--or so goes the oft-told story. True or not, Corman (with the help of his brilliant art director Daniel Haller and legendary cinematographer Floyd Crosby) creates an exaggerated sense of isolation and claustrophobia with the sunless forest and funereal fog that holds the house and its inhabitants prisoner in a land of the dead. It doesn't quite look real (some of the effects are downright phoney, notably the apocalyptic climax), and none of the costars can hold a candle to Price's elegant, haunted performance (often speaking in no more than a stage whisper), but it's a triumph of expressionism on a budget. Shot in rich, vivid colour and CinemaScope, from a literate script by genre master Richard Matheson, this is stylish Gothic horror in a melancholy key. It was such a success that Corman reunited his core group of collaborators for the follow-up The Pit and the Pendulum the very next year. Thus Corman's "Poe Cycle" was born. --Sean Axmaker
This collection brings you all the nefarious Dr. Goldfoot schemes from both films! Disc One Dr. Goldfoot and the Bikini Machines The dastardly Dr. Goldfoot (Price) and his sidekick, Igor, build a race of bikini-wearing beauties that are designed to win the hearts and fortunes of the most influential men of the world. Before long, the manufactured women begin to succeed, and Robot 11 is sent to coax multimillionaire Todd Armstrong into handing over his wealth. Government spy Craig Gamble tracks down Robot 11, but even he isn't immune to her charms. Disc Two Dr. Goldfoot and the Girl Bombs The devious Dr. Goldfoot (Price) is determined to conquer the world yet again, this time by deploying a legion of explosive robots that happen to look like gorgeous women. Fortunately for the citizens of the globe, suave secret agent Bill Dexter is out to foil Goldfoot's plans, which involve kidnapping a prominent American general (also Price) who bears a striking resemblance to Goldfoot. Also getting in on the antics is inept aspiring spy Franco.
A series of '50s box-office hits including Genevieve and A Night to Remember established Kenneth More as one of Britain's most accomplished and durable leading men and this bittersweet 1963 comedy further demonstrated the breadth of his talent. The Comedy Man features one of More's most compelling and sympathetic performances as an embattled but resolutely upbeat provincial actor staring middle age and failure in the face; wry touching and deftly scripted with a superb supporting cast it is easy to see why More ranked this film among his favourites. The Comedy Man is presented here in a brand-new digital transfer from the original film elements in its original aspect ratio. Following an indiscretion involving the producer's wife rep actor Chick Byrd is fired from the play in which he has had a leading role. Heading to London in search of bigger and better things he is reunited with a number of similarly straitened thespians as well as his spirited kind-hearted former love Judy. But it seems Byrd may be poised to find fame and even some fortune when in desperation he manages to land himself the starring role in a deodorant commercial... Special Features: Original Theatrical Trailer Image Gallery Original Promotional PDF
Invasion of the Earthmen: Steed has a close escape and Tara has a close encounter. Investigating the disappearance of a fellow agent Steed and Tara find the Alpha Academy brought to their attention: what's the secret behind this sinister school where spacemen walk and boa-constrictors provide security? Our heroes must see themselves clear to keeping an eye on the pupils... The Curious Case of the Countless Clues: Steed helps a friend and Tara has a break. Has a friend of Steed's really committed murder? The evidence against him is strong and only the flimsiest of alibis stands between the man and prison. A gang of extortionists have been using a cunning scheme to get valuable works of art: if Steed's not careful he'll find it's not just the paintings which are being framed... Split! Steed studies handwriting and Tara is nearly in two minds. People are being assassinated by foreign agent Kartovski who is somehow able to reach his victims without them suspecting anything. But this isn't the only neat trick the killer is managing - for John Steed shot him in 1963! Tara and Steed begin the search for a dead man... Get-a-Way! Steed drinks a spy's health and Tara looks at lizards. An assassination campaign by three Russian agents is thought to have been nipped in the bud when they're captured and imprisoned in an inescapable facility. From which they promptly escape. Having learned he's on the hitlist Steed sets out to find the merciless killers who can seemingly vanish at will... Have Guns - Will Haggle: Steed hunts for a special gun and Tara hunts with one. Trampolining raiders steal a consignment of secret rifle the FF70 and an investigating Steed discovers an upcoming auction and a very interested party. Meanwhile Tara has been captured by murderous people who want her to help them with their sight tests... Wildest Dream
Their target: Humanity. Their mission: Total Annihilation! The world has just been decimated by an unstoppable, merciless army of killer robots, and millions of innocent souls have been wiped out! Only a handful of survivors have managed to escape the deadly alien apocalypse, and they must endure a non-stop struggle to save themselves from destruction, and somehow find a way to defeat the marauding death machines... before the entire human race becomes extinct! Legendary Hammer director Terence Fisher (Horror of Dracula) directed this Sci-Fi thriller written by Harry Spalding (Chosen Survivors) under the pseudonym Henry Cross and starring Willard Parker, Virginia Field, Dennis Price and Thorley Walters.
Legendary silent film director Cecil B. DeMille didn't much alter the way he made movies after sound came in, and this 1956 biblical drama is proof of that. While graced with such 1950s niceties as VistaVision and Technicolor, The Ten Commandments (DeMille had already filmed an earlier version in 1923) has an anachronistic, impassioned style that finds lead actors Charlton Heston and Yul Brynner expressively posing while hundreds of extras writhe either in the presence of God's power or from orgiastic heat. DeMille, as always, plays both sides of the fence as far as sin goes, surrounding Heston's Moses with worshipful music and heavenly special effects while also making the sexy action around the cult of the Golden Calf look like fun. You have to see The Ten Commandments to understand its peculiar resonance as an old-new movie, complete with several still-impressive effects such as the parting of the Red Sea. --Tom Keogh, Amazon.com
Two of the greatest motion picture actresses of all time Bette Davis and Lillian Gish unite their legendary talents in this beautifully photographed intensely emotional drama that offers 'unexpected and quite marvellous rewards'. (The New York Times) Libby (Davis) and Sarah (Gish) are widowed siblings who have vacationed since children at the seaside cottage in Maine. Now in their eighties and with their husbands and what children they had behind them they have only each other; Libby blind and resistantly dependent on her sister; Sarah still looking for new ways to see the world. Their relationship with their old friend Tisha and the arrival of a charming Russian gentleman will bring storms to the already turbulent ocean between them - an ocean which nevertheless runs deep. Starring Bette Davis and Lillian Gish in what would be her last appearance on the screen; The Whales of August is a superb film and a lasting tribute two of the finest actresses in the history of cinema. Special Features: Cast Filmographies Picture Gallery Subtitles
The greatest terror tale ever told! A horse-drawn carriage pulls up on a deserted beach. A sombre figure dismounts and gazes up towards his destination - a foreboding cliff-top castle perched high above the crashing waves. Thus the perfect Gothic scene is set for Pit and the Pendulum the second of Roger Corman's celebrated Poe adaptations once again starring the ever-reliable Vincent Price (The Fall of the House of Usher Theatre of Blood) alongside the bewitching Barbara Steele (Black Sunday). Having learned of the sudden death of his sister Elizabeth (Steele) Francis Barnard (John Kerr) sets out to the castle of his brother-in-law Nicholas Medina to uncover the cause of her untimely demise. A distraught grief-stricken Nicholas (Price) can offer only the vaguest explanations as to Elizabeth's death - at first citing 'something in her blood' but later asserting that she quite literally 'died of fright'. What sort of unspeakable horrors are buried within the walls of this castle that could cause one's heart to stop so? With Francis determined to get to the bottom of this mystery the terrible truth will not stay buried for long. Right from its brooding kaleidoscopic opening titles Pit and Pendulum draws you into its world of cobwebs secret passageways and dusty suits of armour. All the necessary elements are present and correct and along with one of Vincent Price's most tortured performances make Pit and the Pendulum every inch the Gothic melodrama. Special Features: Limited Edition Steelbook Packaging High Definition Digital Transfer Newly Created Exclusive Content Collector's Booklet Featuring New Writing on the Film Archive Content and more!
A group of sixties teenagers bored with the party they're at drive out to a deserted old mansion, but their laughter turns to fear when one of them is killed in a frenzied knife attack. Another of them persuades the rest that they should solve the murder themselves rather than go to the police, not surprisingly opening the way to further carnage.
The Fly: A brilliant scientist becomes obsessed with perfecting a device that can transmit matter from one location to another. Successful in his initial tests he experiments with a human guinea pig - himself. But an ordinary housefly makes the journey with him and when they emerge both creatures have been extraordinarily changed. This is the chilling story of a man fighting to retain his humanity and a desperate woman's attempt to save the man she loves. Return Of The Fly:
Evil roams the woods of Ireland... Two American tourists on a romantic camping trip are brutally murdered. A few days later during the ancient festival of 'Samhain' a group of American University students moves in a beautiful cottage surrounded by a lush forest and a majestic lake They are here to learn about the rituals of the Ancient Druids and other Celtic legends. But in the remains of an abandoned copper mine lives the ancestors of an incestuous clan of cannibals. Sta
The directorial debut of the great Joseph L Mankiewicz (All About Eve; Suddenly, Last Summer), Dragonwyck is a glorious melding of Gothic chills and baroque melodrama. A beautiful Connecticut farm girl (Gene Tierney) finds herself embroiled in a conspiracy of madness, murder and intrigue after she agrees to become governess and nurse to the family of her distant cousin (Vincent Price). Echoing Hitchcock's Rebecca (1940), and reuniting stars Tierney and Price for the third time in as many years (having previously starred together in Otto Preminger's Laura, 1944, and John M Stahl's Leave Her to Heaven, 1945), Dragonwyck is a magnificently creepy chiller with a career-defining performance by Price, luminous cinematography by the legendary Arthur C Miller, and a wonderful Alfred Newman score. Extras: Alternative feature presentations: the legacy High Definition remaster; and the new 4K restoration Original mono audio Interview with Vincent Price (1969): archival audio recording of the celebrated actor in conversation at London's National Film Theatre Audio commentary with film historian Steve Haberman and filmmaker Constantine Nasr A House of Secrets Exploring Dragonwyck' (2008, 17 mins) Lux Radio Theater Dragonwyck' (1946, 60 mins): vintage radio dramatisation, starring Vincent Price and Gene Tierney The Screen Guild Theater Dragonwyck' (1947, 30 mins): vintage radio broadcast, starring Vincent Price and Teresa Wright Theatrical trailer Extensive image galleries: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Neil Sinyard, an overview of contemporary critical responses, and film credits UK premiere on Blu-ray All extras subject to change
An epic film drama on the lives of three generations of Yorkshire mill-owners during Britain's turbulent Industrial Revolution. Simeon Crowther (Tom Walls) decides to hand over the family textile mill of Bankdam to his two sons Joshua (Dennis Price) and Zebediah (Stephen Murray). But Zebediah's reckless attitude endangers the whole survival of the family business and as catastrophe strikes the mill and they clash with the emerging trade union movement; who will save the mill and earn the title of The Master of Bankdam? First ever DVD release of this period Northern drama set amongst the dark satanic mills of Yorkshire. Renowned for coining the phrase 'there's trouble at t'mill.' An all-star cast with many small first-time appearances from stars such as Nicolas Parsons Part of the Odeon series 'Best of British' which showcases lost or unreleased films from the heyday of British cinema.
The Rebel (1961) and The Punch and Judy Man (1963) are the only two feature films made expressly as star vehicles for the great television comic Tony Hancock. The Rebel is by far the more ambitious, being in colour with Parisian locations, a large cast, and not least a supporting role for international star George Sanders. The opening rebellion against office life surely inspired The Fall and Rise of Reginald Perrin, while references follow to Look Back in Anger (1958) and Billy Wilder's The Apartment (1960) and Some Like It Hot (1959). Hancock goes to Paris to follow his artistic muse and as he rises through the art world his naivety is taken for genius, allowing for some very funny moments and spot-on satire, which are just as relevant today as 40 years ago. Filmed in black-and-white in Bognor Regis, The Punch and Judy Man is a more modest yet evocative portrait of life in a small coastal resort. Hancock is the titular beach entertainer who is happy to live from day to day with the affable companionship of John Le Mesurier and Hugh Lloyd. The problem is he's burdened with a socially ambitious wife, Sylvia Syms. Gentle humour comes from Hancock's frustrations as a proto-Basil Fawlty, and the film, packed with familiar British character actors, has an old-fashioned charm. It makes for an enjoyable supporting feature to The Rebel, which is undoubtedly a minor classic. On the DVD: Tony Hancock Double Feature presents both films at 4:3 ratio. The earlier film looks decidedly cropped in several scenes, though the latter survives the reformatting largely unscathed. The Rebel's colour is faded and the image grainy, while The Punch and Judy Man generally has a much stronger black and white image. Even so, there is some flickering and print damage. The music is distorted in The Rebel but the mono sound is fine during The Punch and Judy Man. There are no extras. --Gary S Dalkin
A Bucket of Blood: Coffee bar waiter Walter Paisley (Dick Miller) is hailed as an artist for his amazingly lifelike sculptures. Unbeknownst to his customers his art is achieved by murdering his models and covering them in clay. Said by many to be a cult actor Dick Miller's finest hour A Bucket of Blood is a superb semi-spoof of the dead-bodies-in-the-wax-museum genre. The House On Haunted Hill: Vincent Price has one of his juiciest roles in this haunted-house thrille
Mandy Garland was born deaf and has been mute for all of her life. Her parents believe she is able to speak if she can only be taught and enroll her with a special teacher.
Gordon Hessler directs this 1960s horror starring Vincent Price. Lord of the manor Julian Markham (Price) is ashamed of his mutilated brother Edward (Alistair Williamson) and keeps him hidden away from public view in the tower of his vast house. However, when Edward escapes he attempts to get his revenge on his overbearing brother. The cast also includes Christopher Lee, Rupert Davies and Sally Geeson.
In our society there are creatures with paranormal powers known as Witches. For years a secret organization called ""Solomon"" has been hunting them down. This organization based in Italy and run by priests has a branch in Japan the STN-J.Robin a 15-year-old girl joins this organization where her talents for manipulating fire prove to be very useful... Nagira thinks that he has at last found Amon's trail and he and Robin set off to investigate an old lady that Amon is said to ha
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