A timeless classic! In 1958 it became the first Indian film to be nominated for Best Foreign Film at the Oscars and only lost by one vote. Told in one long flashback the story follows Radha (Nargis) through marriage motherhood and into old age. As a girl she falls for Shamu (Kumar) but even before their wedding the couple owe money to merciless lender Shukhilala (Kanhaiyalal). They start a family but debt repayments barely cover the interest. Shamu loses both arms in a farming a
The heart rending story of a man who follows his father into the world of entertainment and becomes a clown. After a string of unsuccessful relationships he is left heartbroken and unhappy. Despite his inner sorrow he must continue to make others laugh...
'Sangam' follows the relationship between two men as they both fall in love with the same woman...
The legend of Bhagat Singh is the story of Mother India's most extraordinary patriot. Her most beloved son. A son who could not bear to see the oppression of his brothers who could not bear to see his mother in chains...
Aradhana
Produced, directed and starring Raj Kapoor, India's favourite storyteller, Shree 420 (1955) is one of Bollywood's all-time classics. The music continues to be popular with all ages and remains a legacy that is passed on through generations of Indian filmgoers. It's the story of Raj Saxena (Kapoor), a man who leaves his small hometown to arrive in Bombay, city of opportunities, to pursue his dreams of success with honesty, uprightness and a good education. Following his arrival he learns that Bombay has no place for such values; a strong division in the social structure defines it. The rich rule through underground activities and cheating the poor, and the poor survive these blows by begging, stealing and working the highly prevalent black market. As he struggles to find a place in the city, Raj meets Vidya (Nargis), a school teacher with similar values and they quickly fall in love. However, when he is offered a chance to move into debauched high society he soon finds himself shifting far away from his values and Vidya into a world of treachery where no price is too much to pay for success. On the DVD: Shree 420 is remastered from the original film and is presented in remixed Dolby Digital 5.1 sound. --Anika Puri
The great Mughal Emperor Jalaluddin Mohammed Akbar has everything he can ask for - immense wealth a vast empire and trusted lieutenants - except the one thing he really craves a son and heir. He prays to the gods and his wish is eventually fulfilled when his wife Rani Jodhabhau gives birth to a boy. Akbar lavishes all his affection on him but as the boy grows Akbar sees that his affection is perhaps spoiling him. Thus he sends him away to make a warrior and by the time he returns he has grown into a strapping man Prince Salim. At the unveiling of a statue to welcome his return Salim is taken by it's sheer beauty. When it proves to be a real person the lovely courtesan Anarkali this turns into love and this is when the problems begin for a prince can not marry a courtesan.... Mughal-E-Azam is a solid gold classic of India cinema that became the biggest blockbuster ever on it's original theatrical release in 1960.
The story of two mothers searching for a lost child that belongs to neither of them.
Return of Hanuman
The film ""Matrubhoomi - A nation without women"" explores the impact of absence of women on men. The instability which can creep into a society due to the absence of women be it physical emotional and psychological - is the main theme of the film. It underlines how the absence of women inexorably leads to the debasement of men draining them of all that makes them human. The film explores a futuristic rural India wherein due to rampant female infanticide women are practically exti
Orphaned Raju, in the company of four elephants, has to perform with them at street corners, in order to keep alive. The back-story is that as an orphan, they have saved his life from a leopard. In time, he makes it big, and starts Pyar Ki Duniya (The World Of Love), a zoo in which various wild animals reside along with his elephants, among whom Ramu is closest to him. Slowly he amasses a fortune, and is able to build his own private zoo, housing tigers, lions, bears, and of course the four elephants. He treats all the animals as his friends. He meets with Tanu, and both fall in love. Tanu's dad, Ratanlal, is opposed to this alliance, but subsequently relents, and permits the young couple to get married.He falls in love with Tanu (Tanuja), but her rich dad (Madan Puri) agrees to their marriage only after some persuasion. However trouble looms soon after as Tanu feels neglected. Things worsen when their child is born, and Tanu, fearing physical harm to her child from the elephants, tells Raju to choose between the elephants and his family. Tanu is unhappy with the amount of time Raju spends with his animal friends, and this causes some bitterness between them. Things do not improve when a child is born, as Tanu fears that one day the child will be harmed by one of the animals, and hence Raju is told to make a choice between his animal friends or his wife and son.When Raju chooses his lifelong friends over wife and son, Ramu decides to bring the estranged couple together, but thanks to the villainous Sarwan Kumar (K.N.Singh), he has to sacrifice his life.
The great Mughal Emperor Jalaluddin Mohammed Akbar has everything he can ask for - immense wealth a vast empire and trusted lieutenants - except the one thing he really craves a son and heir. He prays to the gods and his wish is eventually fulfilled when his wife Rani Jodhabhau gives birth to a boy. Akbar lavishes all his affection on him but as the boy grows Akbar sees that his affection is perhaps spoiling him. Thus he sends him away to make a warrior and by the time he returns he has grown into a strapping man Prince Salim. At the unveiling of a statue to welcome his return Salim is taken by it's sheer beauty. When it proves to be a real person the lovely courtesan Anarkali this turns into love and this is when the problems begin for a prince can not marry a courtesan.... Mughal-E-Azam is a solid gold classic of India cinema that became the biggest blockbuster ever on it's original theatrical release in 1960.
Kalyani (Nutan) was an unusual prisoner - young innocent-looking well-behaved and ever willing to help everyone. How did such a girl commit a crime to get here? Everyone is curious but no-one knows her past not even Devendra (Dharamendra) a prison doctor who has fallen in love with her. Disregarding the social stigma he confesses his love for her and proposes to her - but Kalyani doesn't even respond. A string of events bring to light the story of Kalyani and a tragic past of broken promises and broken hearts.
After bumping into a college girl one day a young man suddenly finds himself falling hopelessly in love with her. The only problem is that clad as she is in traditional burkha he has only seen her hands. How will he ever find her again? Over-discreet questioning and misunderstandings lead to a series of mistaken identities and misdirected romances.
When his father retires it's left up to Bharat to provide for the family. When he is unable to find himself a secure job his girlfriend Sheetal accepts a marriage proposal elsewhere. With his life collapsing around him he is unable to afford the basic needs of Roti (food) Kapada (Clothing) and Makaan (Shelter). Will the lure of crime take hold of Bharat?
Bollywood tale of romance.... An evergreen classic. It is an amazing story of a love triangle between Raj Kumar Jeetendra and Mala Sinha. Mala loves Jeetendra and marries him. She doesn't like the playboy attitude of Raj Kumar. Is she happy with this? Does Jeetendra keep all the promises he had made to her before getting married? How deep is Raj Kumars love? Watch and find out....
A young woman and her grandmother settle in with a wealthy distant relative and his family to escape from the young woman's troubled past following the death of her mother. But the young lady's past did not forget her as her mother's former lover plots to claim her for himself.
Kal Aaj Aur Kal is a story of yesterday today and tomorrow three generations brought together to swim in the river of time. Three generations of a family represented by Diwan Saheb (Prithviraj Kapoor) his son Ram (Raj Kapoor) and Ram's son Rajesh (Randhir Kapoor). Diwan Saheb lives in the past while his grandson Rajesh studying in London is ambitious and impatient for what the future holds. Caught between them is Ram his life is filled with material wealth but empty of love and
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