Souten is the story of an ambitious young man who goes to Mauritius to fulfill his dreams.
Shekhar the eldest son of a wealthy widower with 3 younger siblings meets Sharada at a nature cure clinic. Sharada and Shekhar fall in love but Shekhar has to go abroad on business. Before going he makes Sharada promise that she will wait for him. Meanwhile unaware that it is Shekhar's house Sharada goes there occasionally to look after his younger siblings whom she dotes on. Shekhar's plane crashes and his father feeling helpless marries Sharada for the sake of his younger children unaware of the relationship between Shekhar and Sharada. Shekhar survives the crash and returns only to get devastated on seeing that his sweet heart has become his stepmother. He starts drinking in despair but ultimately reconciles accepting Sharada as his mother and marrying Chanchal (Shyama). But happiness continues to evade him as Chanchal starts suspecting the relationship between Sharada and Shekhar causing Shekhar to leave home. Will Shekhar come back? Will there be place in his life and heart for his wife and newfound mother? Sharada was L.V. Prasad's debut into Hindi films and a rare coming together of Indian cinema's two legends Raj Kapoor and L.V. Prasad. It was also one of the few films starring Meena Kumari opposite Raj Kapoor. L.V. Prasad was nominated for Best Director in the Filmfare Awards while Shyama and Raj Mehra won as Best Supporting Actors.
Dhool Ka Phool is about the searing stigma of illegitimacy and an impassioned plea for communal harmony. Roshan is the illegitimate and abandoned son of Mahesh and Meena who is brought up by a kind old man Abdul chacha who finds the little child. Meanwhile Mahesh has moved on in life not only happily married becoming the now illegitimate father of Ramesh but also a respected magistrate. Meena on the other hand tries to forget her past by marrying a kind-hearted lawyer Jagdish. Three lives whose path it seems has gone three separate directions... till life takes over and makes their paths cross. Do Mahesh and Meena recognize their long-lost son? Will Abdul chacha have to give up his darling son to his real parents? Will Roshan ever shake off the scars of illegitimacy? Dhool Ka Phool was the debut film of Yash Chopra a remarkable one for more than one reason. An unconventional story coupled with powerful performances won the film four Filmfare award nominations - Best Story - Pt. Mukhram Sharma Best Lyrics - Sahir Ludhianvi Best Actress - Mala Sinha and Best supporting role - Manmohan Krishna who won the award for his role as Abdul chacha. It elevated Mala Sinha to a dramatic star and is counted as one of Rajendra Kumar's best films. Truly an amazing debut for a man who was to become one of Hindi cinema's greatest film-makers.
A young lawyer accidentally witnesses his prospective father-in-law a respected judge murdering a moneylender. A burglar who stumbles across the body is then arrested for the murder and is put on trial before the judge's court leaving the lawyer with a moral dilemma.
Shambhu (Balraj Sahni) and his wife Parvati (Nirupa Roy) are overjoyed when after two years of drought the rains spell happiness and prosperity for their farming community. Unfortunately their joy is short-lived as the landowner demands his land back to build a factory there. The landowner gives Shambhu a notice of three months in which to settle his debts to him failing which Shambhu's land will be forfeited. In order to prove a point to the landowner Shambhu leaves for
A lonely dark night shrouded in fog. A winding road. A speeding car spins out of control and crashes. A man gets out of the wreck and sees a solitary house in the wilderness. He finds his way through the fog to the house. The house seems deserted - he enters. Inside it's totally dark deserted. As the man flashes a torch around the room suddenly it's light falls on a man sitting on a wheelchair. He asks to use the phone. There is no response. He touches the man in the wheelchair an
Ittefaq means coincidence. Sometimes life appears to be a string of coincidence unrelated to any logic. This is a coincidence of a man charged for murder fleeing from the law and getting involved in another murder - a murder he didn't commit. A lonely night a comfortable house a beautiful girl alone. Rekha (Nanda) switches on the radio and hears that a lunatic murderer has escaped from the mental asylum. The door bursts open and Dilip Roy (Rajesh Khanna) enters. That is when a ch
Hiraman (Kapoor) a conservative cart driver with traditional views meets Hirabai (Rehman) a dancer as a passenger. She is extremely softhearted. Hiraman sees her as Angel Of Purity. But Hirabai belongs to a different cast and a stigma is attached to her which she cannot reveal to him. Hiraman shields her from society and protects her every walk of life. Their love blossoms but will it reach its destiny?
Freedom was not a presnt from the British presented on a silver platter on a warm August night. It was the culmination of a long and bloody struggle spread over centuries. Kranti is the epic saga of that struggle. The story of the sacrifice of the common man. The tale of three generations of a patriotic family. Filmed in Panavision and studded with a starcast it is truly a grand motion picture.
Dhool Ka Phool is about the searing stigma of illegitimacy and an impassioned plea for communal harmony. Roshan is the illegitimate and abandoned son of Mahesh and Meena who is brought up by a kind old man Abdul chacha who finds the little child. Meanwhile Mahesh has moved on in life not only happily married becoming the now illegitimate father of Ramesh but also a respected magistrate. Meena on the other hand tries to forget her past by marrying a kind-hearted lawyer Jagdish
Anurodh
All law is based on human evidence and since human beings are what they are, their evidence cannot be infallible. Is it therefore justifiable to take the life of one man on the evidence of another? When young lawyer accidentally witnesses his prospective father-in-law, a respected judge, murdering a moneylender. A burglar who stumbles across the body is then arrested for the murder and is put on trial before the judge's court, leaving the lawyer with a moral dilemma. Thus giving rise to more burden on the story and a series of events to unfold the future.
Shankarial and his wife Parvati - Shirman Shrimati dedicated as they are - Move around to give happiness to others in distress especially to those whose lives are disrupted by emotional chaos. This is their prime aim in life and they have their own personal reason to pursue their mission.
Featuring music by: Naushad. Featuring the songs: Chehre Se Apne Aaj To Parda (sung by Mohd Rafi) Dil-E-Betab Ko Seene Se Lagana Hoga (sung by Mohd Rafi) Janewale Tera Khuda Hafiz (sung by Lata Mangeshkar) Kal Raat Zindagi Se Mulaqat (sung by Mohd Rafi) Main Idhar Jaaoon Ya Udhar Jaaoon (sung by Asha Bhosle Manna Dey Mohd Rafi)
Kiss Kis Ko is the story of the band of boys as they embark on a pulsating journey that is heady with music. Driven by the music the Boys sing their way through the tricky twists and turns of life. They encounter fun and laughter as well as anger and anguish. They find love and heartache. Above all they discover one essential truth - that to be a band they must first forge a bond. A bond so strong that nothing can destroy it. A bond so everlasting that none can tear it apart....
A man can learn from his mistakes but will the burden of those mistakes allow him to love and marry? Shekhar is a casanova who finally meets his match in Sharada. She comes into his life as the tution teacher to his siblings. When all tricks to make her love him fail he forces her to marry him by emotionally blackmailing her. Forced into such a marriage Sharada spurns Shekhar's affections even more. Meanwhile an ex-girlfriend of Shekhar Hema comes back into their lives to compl
The story of painfully shy Arun who is in love with the beautiful Prabha. Arun lacks the cofidence to talk to her and therefore must admire her from afar however all that changes when he enlists the help from Colonel J.N.W. Singh...
After bumping into a college girl one day a young man suddenly finds himself falling hopelessly in love with her. The only problem is that clad as she is in traditional burkha he has only seen her hands. How will he ever find her again? Over-discreet questioning and misunderstandings lead to a series of mistaken identities and misdirected romances.
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