Jeff and Jane Blue are former FBI and CIA spies on maternity leave and vacationing in New Orleans with their adorable 6-month-old daughter. Despite their desire to enjoy a sabbatical they get drawn into a case against an old nemesis...
There are Victorian country-house shenanigans aplenty in Impromptu: novelist George Sand (Judy Davis, affected but pretty charming) has eyes for Franz Liszt's young protégé Chopin (Hugh Grant, solid as always, but burdened by a silly Polish accent and a script that never lets him stretch out), but various lovers, jealous rivals, and Chopin's own overdeveloped sense of propriety conspire to confound her. Impromptu is witty but overlong--probably 20 minutes of hijinks and repartee, not to mention several completely gratuitous and redundant characters, could have been sliced from the film. Davis plays Sand as an impetuous, overgrown tomboy, outraging her genteel hosts by wearing pants, chomping cigars, and falling off horses; her coterie of artist-friends assure us, in a series of naked plot devices, that she nonetheless has a heart of gold. It's all good silly fun, and about as feminist as your average Def Leppard video--the other two developed female characters are ugly stereotypes: a featherbrained, feckless social climber (Emma Thompson, who once again proves she's up for anything) and a spiteful, back-stabbing shrew (the ever-capable Bernadette Peters). Director James Lapine clearly belongs to the Dr Quinn: Medicine Woman school of historical accuracy, so don't expect to learn anything about the period or the artists themselves. --Miles Bethany
Jack Taylor is an Irish ex-cop, on the wrong side of forty who has become a finder with a sharp tongue and a soft heart. He takes on the cases The Guards won't touch, no matter how hopeless. He’s pig stubborn. He defends the lost and the broken. He's good because he looks where no one else looks, talks to the people no one else talks to. Moreover, he knows every back street in his hometown, Galway, knows the seed and breed of everyone in it. But small towns have big memories, and like Jack they are quick to anger and slow to forgive. Based on the novels by Ken Bruen and starring Iain Glen, (Game of Thrones, Downton Abbey), Nora-Jane No one (The Descent, The Magdalene Sisters), and Killian Scott (Love/Hate, Single-Handed) this DVD collection brings together the first three stories; The Guards, The Pikemen and The Magdalen Marty. Special Features: Interview with Director Stuart Orme Iain Glen Filmography Ken Bruen Biography Picture Gallery Subtitles
Wrongfully convicted for the murder of his wife and child Neil Byrne (Sean Bean) manages to elude his guards en route to prison when he jumps off a moving train. Byrne goes undercover in Manchester becoming involved with a crime syndicate as he struggles to prove his innocence uncovering several dark secrets in the process.
Face: At thirty five Ray's learned the tricks and done the time. Now he's a face - a villain to be reckoned with and definitely not to be crossed - ready for the blag the big score that'll really set him and his team up. Although the job goes smooth and sweet the take doesn't scratch the three million the gang had it figured for. And when somebody starts thieving from the thieves and people start getting blown away Ray's got some serious thinking to do before the traitor -
Based on the play by Jim Morris. Blood on the Dole follows the lives of four teenagers, two boys and two girls, struggling to cope after being thrust into the real world for the first time after leaving school. Living in deprived Merseyside, the four youths' bright-eyed optimism for their futures and new-found freedom is soon crushed by the realities of unemployment, poverty, and the brutal reality of living and trying to find work in a city in decline. They all soon find themselves in the hopeless situation of facing complete dependence on state handouts, the dole . The four teenagers instead find themselves turning to each other to find the strength to survive. An impressively fresh social commentary and portrayal of teenage love set within a disturbingly authentic account of disenfranchised youth. With austerity still very much a part of our political climate, and recent films such as I, Daniel Blake continuing to challenge such government policy, Blood on the Dole is still a hugely relevant watch today. Produced by BAFTA-winner Alan Bleasdale as a part of the Alan Bleasdale Presents series, a Channel 4 anthology showcasing and given a platform to new, up-and-coming talent young writers. After his successes in landmark dramas including Boys from the Black Stuff, The Monocled Mutineer and GBH, in 1994 Channel 4 gave Alan Bleasdale the opportunity to find and mentor new TV writers. Four big-budget, standalone films were made as a result, with top casts and experimental storylines.
Someone is picking off the last remaining occupants of a tower block using a high-powered silenced rifle. Nobody else has heard the shots and no help is coming. If the terrified victims can’t figure out how to escape they’re all going to be killed one by one. With career-defining performances from Sheridan Smith (Cilla) BAFTA Award winner Jack O’Connell (Starred Up) Russell Tovey (TV’s Being Human) Kano (TV’s Top Boy) and Ralph Brown (TV’s Babylon) this fantastically gripping British thriller is a movie not to be missed.
An off-beat comedy about a former 80s pop star whose downward spiral is halted when he discovers he has a teenage daughter, the product of a weekend love affair
A thriller centered on a diving instructor who returns to deep waters after a near-fatal encounter with a Great White shark.
The finest cult film known to humanity! Camden Town the arse-end of the sixties. Two struggling unemployed actors decide some respite is in order and so depart their miserable flat for a week in the Lake District – one that will involve rain booze minimal supplies a randy bull and an even randier Uncle Monty. Based on the real-life experiences of former actor turned writer/director Bruce Robinson Withnail & I has become one of British cinema’s most fondly remembered comedies. A cult film in the truest sense that has also become a classic. Perfectly cast – with career-defining roles for Richard E. Grant Paul McGann Richard Griffiths and Ralph Brown – and crammed with irresistibly quotable dialogue Withnail & I is a sheer delight even on the umpteenth viewing. Only 2 000 are being made available in this format – Please contact me to discuss a pre-order quantity allocation. Features: New 2K restoration of Withnail & I from the original camera negative supervised and approved by director of photography Peter Hannan High Definition Blu-ray (1080p) and Standard Definition DVD Presentation of both films -Original uncompressed mono 1.0 PCM audio for both films -Optional English subtitles for the deaf and hard-of-hearing -Audio commentary by writer-director Bruce Robinson Audio commentary by critic and writer Kevin Jackson author of the BFI Modern Classic on Withnail & I Bruce Robinson’s follow-up feature How to Get Ahead in Advertising newly transferred from original film elements and approved by director of photography Peter Hannan All four original ‘Withnail Weekend’ documentaries first screened on Channel 4 in 1999 including The Peculiar Memories of Bruce Robinson which looks at the director’s career Withnail & Us which focuses on the film’s making and two shorter documentaries I Demand to Have Some Booze and Withnail on the Pier Newly filmed interviews with key members of Withnail & I’s behind-the-scenes team Theatrical trailers for both films Exclusive limited edition hardback book packaging (2 000 copies) containing new writing on the films reprints of key articles on Withnail & I deleted scenes and more across 200 pages illustrated with original production stills -More to be announced!
The complete second series of ITV's long running crime drama The Bill is packed with more hard hitting storylines gritty acting and internal conflict down at Sun Hill. Episodes comprise: 1. Snouts and Red Herrings 2. Suspects 3. Lost 4. Home Beat 5. Hostage 6. This Little Pig 7. Ringer 8. Public and Confidential 9. Loan Shark 10. With Friends Like That...? 11. Whose Side Are You On? 12. The Chief Super's Party
Titles Comprise: 1. Mean Machine 2. Coach Carter 3. Bad News Bears
Established TV host J.J. Curtis and up and coming TV star Dave Turner are embroiled in a race to discredit each other to win ratings...
The third and final entry in Laurence Olivier's Shakespeare triptych, Richard III is an audacious portrait of a man determined to prove himself a villain. A pure master of the political stage, Richard deploys a barrage of odious, unscrupulous traps in an attempt to exercise complete control over his rivals. As the personification of evil impudence, Olivier portrays the Duke of Gloucester with such aplomb that he even lures the audience on to his side. This is true even as Richard engineers plots to murder his brother Clarence (John Gielgud), betray his cousin Buckingham (Ralph Richardson) and seduce his niece Lady Anne (Claire Bloom). From the play's famous opening lines ("Now is the winter of our discontent"), Olivier delivers every speech with truly Machiavellian splendour. As usual, his voice is a force of nature--a full-bodied coloratura at one moment, an earthy baritone cello a few beats later. As a director, Olivier fully realises but underplays the corners of the script that most directors would hinge their dramatisation on. But he can also play it large: Olivier's superb staging of the climactic battle rivals his work on Henry V. Though Richard is finally brought down by the whispered curses of Queen Margaret, the audience exits feeling that the journey has been both entertaining and complete. Regrettably, this would be Olivier's last Shakespeare film, as a planned adaptation of Macbeth was abandoned for financial reasons. Olivier justly received an Oscar nomination for his performance; and believe it or not, this film was the inspiration for the original Blackadder! --Kevin Mulhall
It's the end of the Christmas term and Jake (Andrew Lee Potts) and Steven (Bobby Barry) set off with their English teacher on a school skiing trip. One of their friends has brought along a videocam and is making a documentary about them all: what they want who they want and how they're going to get it - an adolescent wish-list of big ambitions and small rebellions. The group is larking about for the camera off-piste when they are all suddenly engulfed by a freak avalanche. Later Ja
Set in the beautiful Welsh valleys a corrupt Parish council have used an award of EU funds earmarked for cultural development in the town to fund a host of illicit activities - a swimming pool 45 crates of champagne several visits to Amsterdam's red light district etc. A surprise visit from the EU Cultural Commissioner forces them to hastily put on a performance of MACBETH ( because it is Shakespeare's shortest play) to be performed in Brussels before assorted EU dignitaries. Under the strain of their personal traumas and conflicts this bizarre group of people must work together to save their town from a European scandal.
Wayne's World (1992): Wayne and Garth the horny heavy metal-loving teenage heroes of the popular ""Saturday Night Live"" skit hit the big screen. They're still doing their cable-access show out of the Wayne's basement in Aurora Illinois; only now a sleazy TV executive named Benjamin Oliver wants a piece of the action. As the babe 'n' band obsessed adolescents negotiate the shark-infested waters of network television Wayne finds 'amore' in the form of a heavy metal femme fat
A disgraced medium finds that a new client opens a world of devious intrigue.
Wesley Snipes is back in this explosive action-thriller about a deadly assassin who finds himself on the run when an attempt to kill a terrorist mastermind in London goes terribly wrong. Retired marksman James Dial (Snipes) lives a secluded lifeon his ranch in Montana. Haunted by his failure to exterminate one of the world's most notorious terrorists he is approached by his old employers to finish the job in London where the terrorist leader has been captured and is under heavy protection. What would be a routine mission for the sniper turns into a nightmare as Dial is forced into hiding and relentlessly pursued by the British police and their lead investigator Windsor (Charles Dance). But when Dial is framed for Windsor's murder he begins to realize that he has been seriously double-crossed. His only hope is a 12-year-old girl whom Dial reluctantly befriends as he desperately searches to find the killer and the truth behind his betrayal.
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