The Bible - In The Beginning The greatest stories of the Old Testament are brought to the screen with astounding scope and power in this international film which depicts the first 22 chapters of Genesis. This is the spectacular story of man's creation his fall his survival and his indomitable faith in the future. Matching the epic scale of the production are performances by George C. Scott as Abraham Ava Gardner as Sarah and Peter O'Toole as the haunting presence of the Angel of God. The legendary John Huston directs and delivers a commanding performance as Noah. From the film's opening amidst cosmic chaos to its lingering message of hope and salvation The Bible stands as a monumental motion picture achievement. The Robe The first movie ever filmed in CinemaScope The Robe was nominated for five Academy Awards in 1953 including Best Picture for Richard Burton. Burton stars as Marcellus Gallio the Roman centurion charged with overseeing the crucifixion of Christ. But when he wins Christ's robe in a gambling game at the foot of the cross his life is forever changed. Its inspired story set to a spectacular score and featuring an all-star cast including Victor Mature and Jean Simmons The Robe remains one of the screen's greatest biblical epics. Demetrius And The Gladiators This enormously successful sequel to The Robe continues the story of Demetrius (Victor Mature) the Greek slave who after the death of his master is sentenced to train as a gladiator in the Roman arena. There his newfound Christian faith is put to the test when he has to contend not only with the swordsmen and wild beasts of the arena but also the evil and sensuous Messalina (Susan Hayward) and the mad emperor Caligula (Jay Robinson). Crammed with astonishing action and fight sequences this heroic epic is not to be missed!
The first movie ever filmed in CinemaScope The Robe was nominated for five Academy Awards in 1953 including Best Picture and Best Actor for Richard Burton. Burton stars as Marcellus Gallio the Roman centurion charged with overseeing the crucifixion. But when he wins Christ's robe in a gambling game at the foot of the cross his life is changed forever. With its inspired story set to a spectacular score and featuring an all-star cast including Victor Mature and Jean Simmon
James Mason plays Field Marshal Erwin Rommel in both The Desert Fox (1951) and The Desert Rats (1953), a WWII double-bill on DVD. The Desert Fox, released six years after the end of the War, is a solemnly respectful tribute to Erwin Rommel, Germany's most celebrated military genius. James Mason's portrayal of this gallant warrior became a highlight of his career iconography. The film itself is oddly disjointed, though: a pre-credit commando raid to liquidate Rommel is followed by a flashback to the field-marshal's lightning successes commanding the Afrika Korps--a compressed account via documentary footage and copious narration (spoken by Michael Rennie, who also dubs Desmond Young, the Rommel biographer and one-time British POW appearing briefly as himself). The dramatic core is Rommel's growing disenchantment with Hitler (Luther Adler), his involvement in the plot to assassinate the Fuhrer, and his subsequent martyrdom. The Desert Rats stars Richard Burton in only his second Hollywood role (between Oscar-nominated turns in My Cousin Rachel and The Robe), as a Scottish commando put in charge of a battalion of the 9th Australian Division defending Tobruk. The Aussies don't like him, and with a year of grim North African duty already under his belt, he's not too crazy about his new responsibilities either. The outfit is charged with staving off the battering assaults of Field Marshal Erwin Rommel for two months, to give the British Army time to regroup in Cairo and prepare for a counterattack. In the end, the "desert rats" play hell with the Desert Fox for 242 days, during which time they and their commander develop some mutual respect. This is a solid, workmanlike World War II picture that, having been made in 1953 rather than 1943, can acknowledge a degree of eccentric humanity and soldierly professionalism in the enemy. Featured guest star James Mason reprises his Rommel from The Desert Fox, playing all his scenes in German except for a scene of ironical repartee with Burton. Another distinguished Brit, Robert Newton, gets costar billing as a boozy, self-confessed coward who used to be Burton's schoolmaster. However, a goodly number of Australians--including Chips Rafferty and Charles "Bud" Tingwell rate at least as much screen time. Robert Wise directed, with a trimness that reminds us he started out as an editor, and the pungent black-and-white cinematography is by Lucien Ballard. --Richard T. Jameson
The last film of John Wayne, The Shootist, could not have been more fitting, full of details that can't help but make one reflect upon his legacy in the movies and his life as a star. Wayne plays a career gunfighter in the autumn of his life, trying to hang up his pistols after he discovers he's dying of cancer. Boarding in the house of an attractive widow (Lauren Bacall) and her son (Ron Howard), Wayne's character opts for peace in his final days but is dogged by his reputation when a handful of killers seeks him out for a final fight. Howard is fine as a fatherless boy who needs the strong mentor the hero represents, and James Stewart--who costarred with Wayne in the great Man Who Shot Liberty Valance--plays the doctor who gives the big man the bad news. Don Siegel (Invasion of the Body Snatchers) thoughtfully directs a very special and sensitive production. --Tom Keogh
James Mason delivers a strong performance in the title role of this sympathetic study of Field Marshal Erwin Rommel. In the early 40's Rommel's juggernaut Afrika Korps dominated North Africa. But as the tide turned and he came to the painful realisation that his Fuhrer to whom he had sworn allegiance was destroying Germany his ingrained sense of duty pushed him into a conspiracy against Hitler. Focusing on the latter part of Rommel's career the flm portrays him as a dedicated so
Raymond Chandler's hard boiled novel is brought to the screen with sleuth Phillip Marlowe finding himself involved with murder blackmail and violence when hired to protect a General's young daughter.
Robert Duvall and Beau Bridges star in the complete collection of 23 films.
John Russell (Paul Newman) a white man raised by an Arizona Apache tribe is forced to confront the society he despises when he sells the boarding house he inherits. While leaving town by stagecoach several bigoted passengers insist he ride with the driver (Martin Balsam). But when outlaws leave them all stranded in the desert Russell may be their only hope for survival! Diane Cilento Frederic March Richard Boone and Barbara Rush co-star in this action-packed Western classic.
Between 1956 and 1960, director Budd Boetticher, and star Randolph Scott made a series of remarkable, slyly subversive, studio-produced westerns that brought a new spark to the genre and became known as the Ranown Cycle'. In The Tall T, co-starring Richard Boone, Maureen O'Sullivan and Henry Silva, Scott is a rancher kidnapped along with an heiress, and held for ransom by three murderous outlaws. A ruthlessly efficient western thriller, The Tall T established the success of the Scott/Boetticher team. Extras: High Definition remaster Original mono audio Audio commentary with film historian Jeanine Basinger The Guardian Interview with Elmore Leonard (1997, 78 mins): archival audio recording of the celebrated author of the short story upon which The Tall T is based in conversation with Adrian Wootton at London's National Film Theatre Martin Scorsese on The Tall T' (2008, 7 mins): the renowned filmmaker discusses Boetticher's enduring influence and legacy Isolated music and effects track Original theatrical trailer Image gallery: promotional stills, on-set photography and publicity material New and improved English subtitles for the deaf and hard-of-hearing
One of the finest historical adventure films ever made The War Lord dramatises with uncommon intelligence and integrity the brutality difficulties and injustices of the Middle Ages. Charlton Heston (Ben Hur Touch of Evil The Ten Commandments) stars as Chrysagon an honoured knight who takes over a castle tower in the swampland of Normandy to strengthen his duke's authority. But his struggles to maintain power in the face of Pagan villagers barbarian attackers and his brother's jealous counsel are shaken by his growing weariness with bloodshed in a cruel world. Never before released for home viewing in the UK this collaboration between OSCAR-winning director Franklin J. Schaffner and the legendary Charlton Heston three years before their iconic reunion on Planet of the Apes is a gripping saga of ferocious battles heartfelt emotion and powerful storytelling.
Western star Randolph Scott straps on his guns for one of his very best films, now available on DVD for the first time. After losing his horse in a bull-riding contest, rancher Pat Brennan (Randolph Scott) hitches a lift home on the stagecoach out of the frontier town of Contention. At a remote way station, the stage is ambushed by a ruthless bandit gang led by Usher (Richard Boone). They don't intend leaving any witness - until they discover that one of the passengers is copper heiress Doretta Mims (Maureen O'Sullivan). Now they want $50,000 in ransom from her father - or everybody dies. As tension mounts almost to breaking point, Brennan must discover a way to outwit - and outgun - the outlaw gang before they murder all of their hostages. Adapted from a story by Elmore Leonard, The Tall T is widely acknowledged to be one of the very best films in a series of highly rated westerns starring Randolph Scott and directed by Budd Boetticher. In 2000, The American Library of Congress selected the film for special preservation in the U.S. National Film Registry for being 'culturally, historically or aesthetically significant.' Believed by many to be one of his best films, Randolph Scott excels as expected in a western with many twists...
Big Jake is not one of the Duke's classics, but it's a diverting picture nonetheless. Everyone seems to think that Jacob McCandles is six-feet under ("I thought you was dead" is a running line throughout), so some bad men kidnap his grandson. They want a piece of the family fortune and will kill to get it. Patrick Wayne, the Duke's own son, plays one of Big Jake's kids, and together they start out after the boy's abductors. Richard Boone makes a worthy adversary to Jake's larger-than-life figure, and the final confrontation between the two contains some great gritted-teeth dialogue. Maureen O'Hara is barely in the feature, sharing the same fate as Bobby Vinton as the boy's father, who seems to be onscreen just to get shot. --Keith Simanton
Why did Hollywood think it was a good idea to take Get Carter--Mike Hodges' classic 1971 study in gangster psychology--transplant the setting from decaying Tyneside to a present-day American metropolis, neuter the screenplay so that precious little of the original's acerbic humour and subtlety remain, and assign the lead role of Jack Carter, memorably taken by Michael Caine in the original, to Sylvester Stallone? No amount of Rocky-cum-Rambo routines can convince you that he's remotely inside the character, even though here Carter's psychotic side has been airbrushed out as he seeks revenge for the murder of his brother and rape of his niece. Miranda Richardson is a wearily sympathetic Gloria, and Rachel Leigh Cook a not-too-bratish Doreen (is this actually used as an American name?). Mickey Rourke looks suitably wasted as loutish businessman Cyrus; Alan Cumming is an annoyingly smug computer whizz Kinnear (wouldn't you have pulled the trigger?), while Michael Caine loses all credibility for his cameo appearance as Cliff Brumby. Did he really need the cash? On the DVD: Get Carter on disc is a classy but lifeless production. Extras include the theatrical trailer, cast and crew details, and six deleted scenes which are too brief to be more than off-cuts. Three spoken and nine subtitled languages are provided, and there's director Stephen Kay's pithy running commentary to enjoy. Even he, however, often sounds at a loss to explain just why the film was made. Thank goodness the original movie is also available on DVD. --Richard Whitehouse
United Kingdom released, PAL/Region 2 DVD: LANGUAGES: English ( Mono ), SPECIAL FEATURES: Interactive Menu, Remastered, Scene Access, SYNOPSIS: Classic Western from 1970 starring Richard Boone and Leslie Caron, directed by Jerry Hopper. Sister Mary is the only survivor of a brutal Apache attack. After burying the dead, she continues on her journey through the harsh desert to Santa Fe. Battling the lonely, fierce landscape, she eventually encounters gunslinger Madron. He reluctantly agrees to help the defenceless nun make it to her destination. But they are being shadowed by a gang of cut throat outlaws. And, the Apaches are returning... SCREENED/AWARDED AT: Golden Globes, Oscar Academy Awards, ...Madron
Marlon Brando (The Wild One), Richard Boone (Winter Kills), Rita Moreno (Carnal Knowledge), and Pamela Franklin (The Third Secret) head the all-star cast of The Night of the Following Day, a thrilling tale of kidnap, and cross and double-cross. An ingenious criminal gang captures an heiress as she disembarks a plane in Paris. However, whilst holed up in a seaside resort, the criminals become increasingly suspicious of one another, and their fool-proof plan soons begin to unravel... Based on a novel by Lionel White (The Killing, Pierrot le fou) and directed by Hubert Cornfield (Pressure Point), The Night of the Following Day is an eccentric and stylish crime drama, shot on location in France by cinematographer Willy Kurant (Masculin féminin) and featuring an evocative score by Stanley Myers (Otley, The Deer Hunter). Product Features High Definition remaster Original mono audio Audio commentary with director Hubert Cornfield (2004) Rita Moreno in Conversation (2013): archival video interview with the actor and singer, recorded at BFI Southbank, London Neil Sinyard on 'The Night of the Following Day' (2023): appreciation by the film historian Original theatrical trailer Joe Dante trailer commentary (2013): short critical appreciation Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing Limited edition booklet featuring a new essay by Jeff Billington, archival interviews with director Hubert Cornfield, and stars Marlon Brando and Rita Moreno, an overview of contemporary critical responses, and full film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK Extras subject to change
A huge shipment of rifles is stolen in Texas sometime shortly following the close of the Civil War. It turns out the rifles are going to Apaches who are being recruited by a disgruntled Rebel officer (Edmond O'Brian) who wishes to resurrect the war. Richard Boone and company are sent to reclaim the rifles and apprehend the scheming thieves. Extras: Trailer Subtitles
Titles Comprise: The Alamo:John Wayne produces directs and stars in this larger than life chronicle of one of the most remarkable events in American history. At the Alamo - a crumbling adobe mission - 185 exceptional men joined together in a sacred pact: they would stand firm against an army of 7 000 and willingly give their lives for freedom. Filmed entirely in Texas only a few miles from the site of the actual battle The Alamo is a visually stunning and historically accurate celebration of courage and honour. Co-starring Richard Widmark Laurence Harvey and Chill Wills and garnering seven Oscar nominations it is a truly memorable movie spectacle. Horse Soldiers: John Wayne teams with William Holden and eminent western director John Ford for this frontier actioner. Written by John Lee Mahin and Martin Rackin this faithful representation of one of the most daring cavalry exploits in history is both a moving tribute to the men who fought and died in that bloody war and a powerful action-packed drama. Based on an actual Civil War incident The Horse Soldiers tells the rousing tale of a troop of Union Soldiers who force their way deep into Southern territory to destroy a rebel stronghold at Newton Station. In command is hardbitten Colonel Marlowe (Wayne) a man who is strikingly contrasted by the company's gentle surgeon (Holden) and the beautiful but crafty Southern belle (Constance Towers) who's forced to accompany the Union raiders on perhaps the most harrowing mission in the war. Two great stars strike sparks from each other as Wayne's character is strikingly contrasted with Doc William Holden's pacifistic company surgeon. With its rousing musical score The Horse Soldiers is a moving tribute to those who fought in the brutal cavalry exploits of the US Civil War. Red River: John Wayne is Tom Dunson a cattle baron who built his ranch with hard work and a determination to kill any man who would dare try to take his land. But when plummeting livestock values endanger his beloved ranch Tom and his adopted son set out to get a fair price for their cattle by driving them through the treacherous Chisholm Trail from Texas to Kansas. Battling Indians stampedes and dissention among the ranch hands Tom proves that he'll stop at nothing to reach his destination. He'll risk danger hardship betrayal and perhaps even his own sanity...
The Robe was designed by 20th Century-Fox to show off the wonders of CinemaScope, and taken simply as a vehicle for widescreen photography the movie is undeniably a visual treat. Perhaps the clumsy early 'Scope cameras were partly to blame, but from any other perspective--plot, dialogue and acting--The Robe is a flat, overly reverential and turgid piece of film making. Richard Burton is the Roman Centurion on duty at Christ's crucifixion who bets on and wins Jesus' robe, then spends the rest of the movie agonising about becoming a Christian. Victor Mature is his sanctimonious slave Demetrius. So confident were the producers of box-office success that they commissioned the sequel, Demetrius and the Gladiators, even before The Robe had been released. --Mark Walker
Once again returning to the genre to which he was perhaps best-suited, director Lewis Milestone traces the fate of a Marine platoon during WWII. The film stars Richard Widmark as the no-nonsense Lt. Carl Anderson, an officer charged with the responibility of leading his unit on a scouting mission to capture prisoners from an experimental rocket-launching facility and bring them back for interrogation. Among his platoon are veterans Pidgeon Lane (Jack Palance), Doc (Karl Malden), and Sgt. Zelenko (Neville Brand), as well as raw recruits Coffman (Robert Wagner) and Cpl. Stuart Conroy (Richard Hylton). Anderson is skilled at subtly motivating the varied group of characters, while suffering himself from crushing headaches. The platoon attacks the island, taking losses on the heavily defended beach. When they try to take a strategic ridge, they're pinned down by rocket fire whose source is impossible to locate. In desperation, Anderson is ordered to take a hand-picked patrol behind enemy lines to bring back prisoners. After some painful losses, they finally return with prisoners. Despite occasional war movie cliches, this is a solid, exceptionally well acted effort, which gives full weight to the terrible human cost of war. The film is also notable for great performances by Malden, Palance, Widmark, Webb, and the very young Wagner.
Kerwin Matthews (5 Against the House) and J Lee Cobb (The Family Secret) star in a film noir exposé of murder and corruption in the fashion world. When a Korean war veteran takes a job at his father's fashion business, he finds they are paying the mob to shut out the union. When pro-union employees begin getting murdered, he decides to take on the gangsters. Based on true stories about mob involvement in the garment industry, The Garment Jungle stands as a pro-union response to On the Waterfront, and is no less tough and controversial than that film original director Robert Aldrich (Kiss Me Deadly) was fired for his refusal to compromise, with Vincent Sherman (Affair in Trinidad) stepping in to complete production. Extras: Indicator Standard Edition Special Features 2K restoration Original mono audio Audio commentary with film historian Kevin Lyons (2020) It's a Jungle Out There (2007, 20 mins): archival interview with actor Robert Loggia, conducted by Alan K Rode of the Film Noir Foundation following a screening of The Garment Jungle Law of the Jungle (2020, 15 mins): writer and film programmer Tony Rayns discusses Robert Aldrich and The Garment Jungle Rip, Sew and Stitch (1953, 17 mins): comedy starring the Three Stooges, in which the trio play tailors who find themselves caught up in criminal activities Original theatrical trailer Image gallery: publicity and promotional material New and improved English subtitles for the deaf and hard of hearing
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