Diane (Diane Keaton) is recently widowed after 40 years of marriage. Vivian (Jane Fonda) enjoys her men with no strings attached. Sharon (Candice Bergen) is still working through a decades-old divorce. Carol's (Mary Steenburgen) marriage is in a slump after 35 years. Four lifelong friends' lives are turned upside down to hilarious ends when their book club tackles the infamous Fifty Shades of Grey. From discovering new romance to rekindling old flames, they inspire each other to make their next chapter the best chapter.
Set in 1899, this musical drama from director Baz Luhrmann ("Romeo + Juliet") stars Ewan McGregor as a young poet who begins a passionate but doomed affair with the most famous courtesan in Paris (Nicole Kidman).
Set in 1969, the year in which the hippy dreams of so many young Englishmen went sour, 1986's Bruce Robinson's Withnail and I is an enduring British cult. Fellow enthusiasts cry immortal phrases from the endlessly brilliant script to one another like mating calls; "Scrubbers!", "We want the finest wines known to humanity and we want them now!" Withnail is played by the emaciated but defiantly effete Richard E Grant, "I" (i.e., Marwood) by Paul McGann. Out-of-work actors living in desperate penury in a rancid London flat, their lives are a continual struggle to keep warm, alive and in Marwood's case sane, until the pubs open. A sojourn in the country cottage of Withnail's gay Uncle Monty only redoubles their privations--they have to kill a live chicken to eat. The arrival of Monty spells further misery for Marwood as he must fend off his attentions. This borderline homophobic interlude apart, Withnail and I is a delight, enhanced by an aimless but appallingly eventful plot. Popular among students, it strikes a chord with anyone who has undergone a period of debauchery and impoverished squalor prior to finding their way onto life's straight and narrow.--David Stubbs
Some called it a snooze-fest, while others tearfully clutched their Kleenex. In any case, Clint Eastwood was an unusual and (as it turned out) perceptive choice to direct and costar in this lush adaptation of Robert James Waller's phenomenally bestselling novel. Meryl Streep costars as Francesca, the lonely Iowa farmer's wife who is instantly attracted to Robert (Eastwood), the photographer from National Geographic who is in the area to photograph the bridges along Iowa's rural roadways. The two fall in love while Francesca's husband and children are away at a county fair, but the story's passion and lasting appeal derive from their decision to part forever after just a few brief days of intimate connection. Superbly acted with an emphasis on quiet, graceful moments of tender revelation, the film builds to a crescendo of powerful and conflicting emotions. Like David Lean's Brief Encounter (to which it bears marked similarities), The Bridges of Madison County is destined to become one of the classic film love stories. --Jeff Shannon
Sam Mendes, the Oscar®-winning director of Skyfall, Spectre and American Beauty, brings his singular vision to his World War I epic, 1917. At the height of the First World War, two young British soldiers, Schofield (George MacKay) and Blake (Dean-Charles Chapman) are given a seemingly impossible mission. In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiersBlake's own brother among them. Bonus Features The Weight Of The World: Sam Mendes Allied Forces: Making 1917 The Score Of 1917 Feature Commentaries
In the near future, a weary Logan cares for an ailing Professor X in a hide out on the Mexican border. But Logan's attempts to hide from the world and his legacy are up-ended when a young mutant arrives, being pursued by dark forces.
A brilliant ensemble stars in this enthralling film from Marvel Studios. ETERNALS follows a group of ancient heroes from beyond the stars who have protected humanity since the dawn of our existence. When Deviants monstrous creatures who were thought gone forever mysteriously reappear, the Eternals return, hoping to save humanity once again. Special Features Audio Commentary Immortalised Walks of Life Gag Reel Deleted Scenes
The internal political landscape of 1950's Soviet Russia takes on darkly comic form in a new film by Emmy award-winning and Oscar-nominated writer/director Armando Iannucci. In the days following Stalin's collapse, his core team of ministers tussle for control; some want positive change in the Soviet Union, others have more sinister motives. Their one common trait? They're all just desperately trying to remain alive. A film that combines comedy, drama, pathos and political manoeuvring, The Death of Stalin is a Quad and Main Journey production, directed by Armando Iannucci, and produced by Yann Zenou, Kevin Loader, Nicolas Duval Assakovsky, and Laurent Zeitoun. The script is written by Iannucci, David Schneider and Ian Martin, with additional material by Peter Fellows.
Kenneth Branagh's 1993 production of Shakespeare's Much Ado About Nothing is a vigorous and imaginative work, cheerful and accessible for everyone. Largely the story of Benedick (Branagh) and Beatrice (Emma Thompson)--adversaries who come to believe each is trying to woo the other--the film veers from arched wit to ironic romps, and the two leads don't mind looking a little silly at times. But the plot is also layered with darker matters that concern the ease with which men and women fall into mutual distrust. Branagh has rounded up a mixed cast of stage vets and Hollywood stars, among the latter Denzel Washington and Michael Keaton, the latter playing a rather seedy, Beetlejuice-like version of Dogberry, king of malapropisms.--Tom Keogh
All Clara wants is a key a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at godfather Drosselmeyer's annual holiday party, leads her to the coveted key - which promptly disappears into a strange and mysterious parallel world. It's there that Clara encounters a soldier named Phillip, a gang of mice and the regent who preside over the three Realms: Land of Snowflakes, Land of Flowers and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger, to retrieve Clara's key and hopefully return harmony to the unstable world.
The most widely seen movie produced by a Hollywood studio, The Sound of Music grows fresher with each viewing. Though it was planned meticulously in pre-production (save for the scene where Maria and the children take a dipping in an Austrian lake that nearly cost a life), on each viewing one is struck anew by the spontaneous almost improvisatory air of the acting, notably of Julie Andrews under Robert Wise's direction. There are also the little human touches he brings to, for instance, the scene where Maria leads the children to the hills, over bridges and along tow paths where the smallest boy trips up and momentarily gets left behind: it creates a feeling that most of us have encountered. From the opening pre-credit sequence of muted excitement as the camera roves over the Austrian Alps (photographed in magnificent colour), where little phrases from the wind instruments on the soundtrack are flung as if on the breeze, foreshadowing the title song to follow, the production never puts a foot wrong. On the DVD: On the first disc the film itself has never looked or sounded better since its original presentation in Todd AO (prints of which are said to have disappeared forever). The disc also contains a separate audio guide that takes the viewer through the film sequence by sequence, with director Robert Wise commenting on the weather, the production design by Boris Leven, the sequences filmed on location and in Hollywood (like the interiors of the Von Trapp villa), and the naming of other actors who were eager for the lead roles, notably Doris Day and Yul Brynner. On the second disc there are the documentaries. "Salzburg Sight and Sound" was Charmian Carr's own record of her time on location in the summer of 1964, playing Liesl, the eldest Von Trapp daughter. "From Fact to Fiction", running two hours, begins with the birth of Maria in 1905 who inspired the film, charts her subsequent marriage to Captain Von Trapp, their escape from Nazi Germany not across the Alps but via a train across the Italian boarder, their home in Vermont and thence to the German film of the family that was brought to the attention of Rodgers and Hammerstein as an ideal vehicle for a stage musical. A second group of documentaries covers previews, television and radio commercials and a 1973 interview with Wise and Andrews. Overall, this is a marathon package but in its way is as compelling as the film itself. --Adrian Edwards
If you were to argue Mel Brooks' Young Frankenstein ranks among the top-10 funniest movies of all time, nobody could reasonably dispute the claim. Spoofing classic horror in the way that Brooks' previous film Blazing Saddles sent up classic Westerns, the movie is both a loving tribute and a raucous, irreverent parody of Universal's classic horror films Frankenstein (1931) and Bride of Frankenstein (1935). Filming in glorious black and white, Brooks recreated the Frankenstein laboratory using the equipment from the original Frankenstein (courtesy of designer Kenneth Strickfaden), and this loving attention to physical and stylistic detail creates a solid foundation for non-stop comedy. The story, of course, involves Frederick Frankenstein (Gene Wilder) and his effort to resume experiments in re-animation pioneered by his late father. (He's got some help, since dad left behind a book titled How I Did It.) Assisting him is the hapless hunchback Igor (Marty Feldman) and the buxom but none-too-bright maiden Inga (Teri Garr), and when Frankenstein succeeds in creating his monster (Peter Boyle), the stage is set for an outrageous revision of the Frankenstein legend. With comedy highlights too numerous to mention, Brooks guides his brilliant cast (also including Cloris Leachman, Madeline Kahn, Kenneth Mars and Gene Hackman in a classic cameo role) through scene after scene of inspired hilarity. Indeed, Young Frankenstein is a charmed film, nothing less than a comedy classic, representing the finest work from everyone involved. Not one joke has lost its payoff, and none of the countless gags have lost their zany appeal. From a career that includes some of the best comedies ever made, this is the film for which Mel Brooks will be most fondly remembered. No video library should be without a copy of Young Frankenstein. And just remember--it's pronounced "Fronkensteen". --Jeff Shannon
It's A Story That Has Been Told For The Last 2000 Years. But Never Like This... Brought to you in state-of-the-art 3D animation The Miracle Maker offers rich detail and brilliant realism to this powerful adventure. The voices of an all-star cast bring an inspiring perspective to the greatest story ever told - the life of Jesus Christ. A family is seeking help for their daughter when they cross paths with an extraordinary carpenter named Jesus who is walking the coun
Based on the Highland novels by Compton Mackenzie, Monarch of The Glen follows the fortunes of Archie MacDonald (Alastair Mackenzie) who is carving out a life for himself as a restauranteur in London when he is summoned home to the Scottish Highlands after his father, The Laird of Glenbogle (Richard Briers), is injured in an accident..
Includes every episode from the TV series plus the movie! A genuine British comedy classic the popularity of Rising Damp remains unparalleled some 25 years after the first transmission. Detailing the day-to-day events at Rigsby's dingy boarding-house in which the landlord from hell Rupert Rigsby prowled around his dilapidated eyrie poking his nose into his lodgers' affairs. In the feature length movie Rigsby (Leonard Rossiter) is still intending to make Miss Jones (Frances De La Tour) his wife but she's far more interested in the intellectual and athletic Philip (Don Warrington)...
Richard Burton (Absolution) and Elizabeth Taylor (Secret Ceremony) star in The Taming of the Shrew, a vibrant and bawdy adaptation of Shakespeare's immortal romantic comedy from director Franco Zeffirelli (Romeo and Juliet). Nobleman Baptista (Michael Hordern, Girl Stroke Boy) seeks husbands for his two daughters. Bianca (Natasha Pyne, The Devil-Ship Pirates) has no trouble attracting suitors, but the headstrong and acerbic Kate (Taylor) drives men away... until the nobleman Petruchio (Burton) is inspired by a sizeable dowry to take on the challenge. This lavish production's all-star cast is rounded out by Cyril Cusack (Gideon's Day), Michael York (Cabaret), Alan Webb (The Third Secret), and Victor Spinetti (A Hard Day's Night), and features a lush soundtrack by the great Nino Rota (The Godfather, 8½). INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES High Definition remaster Original mono audio Audio commentary with film historians Alexandra Heller-Nicholas and Josh Nelson (2025) Matthew Sweet on The Taming of the Shrew' (2025): the broadcaster and writer examines the background behind the film's production Royal Film Performance screening (1967): newsreel footage capturing an audience of special guests, including Princess Margaret and a who's who of British cinema greats French premiere (1967): newsreel footage of Elizabeth Taylor and Richard Burton attending the film's Paris premiere Original theatrical trailer Teaser trailer Image gallery: promotional and publicity material New English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with new essay by Bethan Roberts, a contemporary on-set report by John Francis Taylor, an overview of critical responses, and film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK All features subject to change
The Godfather: (1972) Considered by many to be the greatest movie ever made Francis Ford Coppola's epic masterpiece features Oscar winner Marlon Brando as the head of the Corleone family. Coppola paints a chilling portrait of a Sicilian family's rise and near fall from power in America and the passage of rites from a father to a son who was previously uninvolved in the business. Godfather Part II: (1974) The Godfather Part II is one of the rare breed of cinematic sequels which is as good as and perhaps better than the original. Al Pacino heads the star cast as Michael Corleone heir to the criminal empire established by his Mafioso father the late Don Corleone. Michael is now in charge of all gambling activities in Nevada making certain that any and all political or mob enemies are quickly bought off compromised or disposed of. Throughout the film Michael's travails are paralleled with the early experiences of his father played in flashbacks by Robert DeNiro. The Godfather III: (1990) In the final instalment of the Godfather Trilogy an aging Don Michael Corleone seeks to legitimise his crime family's interests and remove himself from the violent underworld. Now in his sixties Michael is dominated by two passions: freeing his family from crime and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hopes of business legitimacy into an inferno of mob violence.
Based on Chris Ryan’s best-selling book STRIKE BACK is a compelling story of betrayal glory redemption and revenge. This explosive boxset tracks the elite British military unit – Section 20 – from its original incarnation with John Porter (Richard Armitage) being led by Hugh Collinson (Andrew Lincoln) through to the recruitment of Scott & Stonebridge (Sullivan Stapleton & Philip Winchester) and revamped units led respectively by Colonel Grant (Amanda Mealing) Major Dalton (Rhona Mitra) and Lieutenant Colonel Philip Locke (Robson Green). The team’s counterterrorism brief takes them to exotic locations across the globe as they embark on high-octane covert missions from Iraq to South Africa from Colombia to Russia and through to Thailand and the Swiss Alps.
A timeless classic comes alive in this enchanting movie based on the best-selling novel by Richard Adams. Nestled among the rolling hills and peaceful meadows of England lives a community of rabbits. When their warren is threatened a small group of brave rabbits escapes into the unknown countryside in search of a new home. Led by the visionary Fiver the courageous Bigwig the clever Blackberry and the honourable Hazel they face daunting challenges and use their strength and cunning to survive while pursuing their dreams. Along their trek they make an unlikely friend - a loony seagull named Kehaar - and battle the vicious General Woundwort the cruel leader of another warren. Film director Martin Rosen frames the tale largely from the viewpoint of the rabbits so that we identify with each one. Packed with excitement and adventure Watership Down is an engaging thrilling tale that celebrates traditional values of loyalty courage and spirit. Special Features: A Conversation with the Film Makers Defining the Style Documentary Storyboard Comparisons
“The Hobbit: The Battle of the Five Armies” brings to an epic conclusion the adventures of Bilbo Baggins (Martin Freeman) Thorin Oakenshield (Richard Armitage) and the Company of Dwarves. The Dwarves of Erebor have reclaimed the vast wealth of their homeland but now must face the consequences of having unleashed the terrifying Dragon Smaug upon the defenseless men women and children of Lake-town. As he succumbs to dragon-sickness the King Under the Mountain Thorin Oakenshield sacrifices friendship and honor in his search for the legendary Arkenstone. Unable to help Thorin see reason Bilbo is driven to make a desperate and dangerous choice not knowing that even greater perils lie ahead. An ancient enemy has returned to Middle-earth. Sauron the Dark Lord has sent forth legions of Orcs in a stealth attack upon the Lonely Mountain. As darkness converges on their escalating conflict the races of Dwarves Elves and Men must decide—unite or be destroyed. Bilbo finds himself fighting for his life and the lives of his friends as five great armies go to war.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy