Cruel fates are met. The Lannisters barely hold on to the throne after a savage naval onslaught from Stannis Baratheon, while stirrings in the North threaten the balance of power. Robb Stark, King in the North, faces calamity as he attempts to build on his victories over the Lannisters. Beyond the Wall, Mance Rayder and his army of wildlings continue to march south. Across the Narrow Sea, Daenerys with her three fast-maturing dragons attempts to raise an army to sail with her, in hopes of claiming the Iron Throne. The families of Westeros continue to clash as bonds are strained and loyalties are tested. Special Features Includes over an hour of bonus features
In this poignant and humorous love story nominated for four Academy Awards, Cary Grant and Deborah Kerr meet on an ocean liner and fall deeply in love. Though each is engaged to someone else, they agree to meet six months later at the Empire State Building if they still feel the same way about each other. But a tragic accident prevents their rendezvous and the lovers' future takes an emotional and uncertain turn.
The story of a boy who learns on his eleventh birthday that he is the orphaned son of two powerful wizards with unique magical powers of his own. At Hogwarts School of Witchcraft and Wizardry he finds the home and family he has never had.
Forest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative and at times absurd, it is just the kind of offbeat vision we have come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behaviour outlined in : Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honour, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war", remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-centre humour. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honour in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean Axmaker
The fifth season of Outlander sees a continuation of Claire and Jamie's fight to protect those they love, as they navigate the trials and tribulations of life in colonial America. Establishing a home in the New World is by no means an easy task, particularly in the wild backcountry of North Carolina and perhaps most significantly during a period of dramatic political upheaval. The Frasers strive to flourish within a society which, as Claire knows all too well, is unwittingly marching towards Revolution, as members of the elite ruling classes struggle to stifle an alarming undercurrent of unrest, trigged by the Regulator Movement, and to maintain order in the Province. Against this backdrop, which soon heralds the birth of the new American nation, Claire and Jamie have built a home together at Fraser's Ridge. Jamie must now defend this home established on land granted to him by the Crown despite the fact that this new mantle of responsibility sees him pitted against his godfather, Murtagh Fitzgibbons, a leader of the Regulator Rebellion. Jamie is forced to hide the true nature of his relationship with Murtagh from Governor Tryon, who has ordered Jamie to put an end to the unrest sweeping North Carolina. Claire, in turn, seeks to put her own skills and medical expertise to use in keeping her family together and safe from harm. Coupled with her knowledge of the future, she decides that she must be daring and have the courage to take risks, whatever the consequences may be Meanwhile, Brianna and Roger MacKenzie struggle to find their respective places in this world: striving to chase away the shadow cast over their lives by Stephen Bonnet, which continues to loom over them, as they raise their son in this brave new world. For the Frasers and their family, home is more than simply a site in which they live, it is the place in which they are laying the foundations for the rest of their lives.
Disaster movies used to work because there was little certainty as to who would survive. Not so in this film, really an amalgam of two original stories, about a group of well-to-do celebrants at the top floor of a skyscraper. Cheapo electrical wiring and bad construction management cause an enormous blaze at the lower floors, steadily rising to consume the revellers. Newman's an architect, McQueen a firefighter and Fred Astaire a kind old gentleman, for which he was Oscar-nominated. OJ Simpson plays a security guard who rescues a cat. Now that's a disaster. -- Keith Simanton, Amazon.com
The Carnival has come to town and it's a chance to see all sorts of exciting things! There is Mr. Bull's Jazz Band, Miss Rabbit as the Carnival Queen and even a very special appearance from Mr. Potato, showing off his very large balloon! Peppa and her family are also going on some exciting days out! They visit Tiny Land, where they see their favourite tiny landmarks, and go on a trip to the caves where Daddy pig braves the scary Ride of Doom'! Plus more fun stories
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
Deadly Pursuit is the polished chase thriller which marked Sidney Poitier's return to the big screen 11 years after A Piece of the Action (1977). Poitier, already 61 but not looking a day over 45, is an FBI agent hunting a killer who takes mountain guide Tom Berenger's girlfriend hostage and heads into the wilds of Washington State. Inevitably Poitier and Berenger reluctantly join forces, going through the usual mismatched buddy arguments with commendably straight faces and lending a quality of acting which elevates the movie above its routine screenplay. The girlfriend meanwhile is Kirstie Alley in one of her first major feature roles, providing little more than eye candy and enduring her ordeal with hardly a beautifully flowing tress out of place. Director Roger Spottiswoode maintains the suspense well and mounts the action set-pieces with a taut, lean style, though the film lacks the sharp edge of his Under Fire (1983) or the sheer scale of his Bond outing, Tomorrow Never Dies (1997). One major asset is Michael Chapman's gorgeous mountains-and-rivers cinematography, actually filmed in British Columbia. Without the star cast and strong production values Deadly Pursuit could be any of a thousand straight-to-video action flicks, but as it stands is a superior formula adventure. The film was also released with the title Shoot to Kill. On the DVD: Deadly Pursuit comes to disc with no extras bar numerous subtitle options and a choice of a Spanish dubbed version. The original Dolby SR soundtrack has been given a Dolby Digital 5.1 remix and is effectively atmospheric, clean and clear, if lacking the firepower of a more recent equivalent. The anamorphically enhanced picture is a little soft in places and somewhat grainy, but otherwise good. The film was presented theatrically at 2.35:1 and has been reformated for DVD at 1.78:1. As the movie was shot in Super-35, a format designed to allow widescreen theatrical films to be more easily recomposed for television and video, the result here is visually quite different to the cinema original, with some shots losing information to the sides while others gain additional material at the top and bottom of the frame. Mostly the compositions look fine, as if the film had been shot at 1.85:1, though the mountain landscapes inevitably lack the sheer visual sweep and majesty of the big screen original version.--Gary S Dalkin
When Harlem P.I John Shaft first appeared on the movie scene, he was a 'shut your mouth' detective to reckon with, a fact underscored by Isaac Hayes' Oscar - winning Best Original Song (1971). Richard Roundtree plays the hard-hitting, street- smart title role, hunting for a kidnap victim in Shaft (1971) and seeking a friend's murderer in Shaft's Big Score! - mixing it up with mob thugs each time. Finally, there's Shaft in Africa, with our hero bringing down a slavery cartel. Shaft's the name. Excitement's the game! Special Features: Behind The Scenes Documentary Soul In Cinema: Filming Shaft On Location Shaft: The Killing (1973 TV Episode) Theatrical Trailers
Richard Gere plays an enrollee at a Naval officers candidate school and Debra Winger is the woman who wants him.That's pretty much it, story-wise, in this romantic drama, which is more effective in a moment-to-moment, scene-by-scene way, where the two stars and Oscar-winner Louis Gossett Jr.--as Gere's tough-as-nails drill instructor--are fun to watch. Sexy, syrupy, with occasional pitches of high drama (Gere having a near-breakdown during training is pretty strong), An Officer and a Gentleman proves to be a no-brainer date movie. --Tom Keogh
This was the first James Bond adventure produced after the success of Star Wars, so it jumped on the sci-fi bandwagon by combining the suave appeal of Agent 007 (once again played by Roger Moore) with enough high-tech hardware and special effects to make Luke Skywalker want to join Her Majesty's Secret Service. After the razzle-dazzle of The Spy Who Loved Me, this attempt to latch onto a trend proved to be a case of overkill, even though it brought back the steel-toothed villain Jaws (Richard Kiel) and scored a major hit at the box office. This time Bond is up against Drax (Michel Lonsdale), a criminal industrialist who wants to control the world from his orbiting space station. In keeping with his well-groomed style, Bond thwarts this maniacal Neo-Hitler's scheme with the help of a beautiful, sleek-figured scientist (played by Lois Chiles with all the vitality of a department store mannequin). There's a grand-scale climax involving space shuttles and ray guns, but despite the film's popular success, this is one Bond adventure that never quite gets off the launching pad. It's as if the caretakers of the James Bond franchise had forgotten that it's Bond-and not a barrage of gizmos and gadgets (including a land-worthy Venetian gondola)--that fuels the series' success. Despite Moore's passive performance (which Pauline Kael described as "like an office manager who is turning into dead wood but hanging on to collect his pension"), there are even a few renegade Bond-philes who consider it one of their favourites. --Jeff Shannon]In the new "making of" featurette the enormous complexities of putting together a feature of this scope are talked about by all those involved, from genius production designer Ken Adam to special effects whiz and Thunderbirds alumnus Derek Meddings (Lois Chiles reveals that to this day she is delighted to have had the most obscene name of any Bond girl; the behind-the-scenes tale of the boat hanging over the waterfall is astonishing). Sensibly enough the supplementary documentary celebrates the work of the special effects men from John Stears to Derek Meddings and John Richardson. The audio commentary has executive producer Michael Wilson in conversation with director Lewis Gilbert, screenwriter Christopher Wood and associate producer William Cartlidge, who are all obviously having a good time watching the movie together again. Altogether, another handsome DVD presentation in this impeccable series. --Mark Walker
The Secret Garden, a Sky original, tells the story of Mary Lennox (Dixie Egerickx ), a 10 year old girl sent to live with her uncle Archibald Craven (Colin Firth), under the watchful eye of Mrs. Medlock (Julie Walters) with only the household maid, Martha for company. The film is set in 1940s England at Misselthwaite Manor, a remote country estate deep in the Yorkshire moors. Mary begins to uncover many family secrets, particularly after chancing upon her cousin Colin, who has been shut away unwell in a wing of the house. Whist exploring the grounds of the Misselthwaite Manor, Mary discovers a wondrous garden and meets a local boy Dickon, who helps her fix stray dog Hector's injured leg using the garden's restorative powers. The three children adventure deep into the mysteries of the garden a magical place that will change their lives forever. Your copy of the film will also come with some magic bonus features, including: Meet the characters Meet Mary Meet Fozzie Bringing The Secret Garden to life From page to screen: Adapting the book into a film
Winner of four Academy Awards, including best picture, director, supporting actor and best editing, Clint Eastwood's 1992 masterpiece stands as one of the greatest and most thematically compelling Westerns ever made. "The movie summarised everything I feel about the Western," said Eastwood at the time of the film's release. "The moral is the concern with gunplay." To illustrate that theme, Eastwood stars as a retired, once-ruthless killer-turned-gentle-widower and hog farmer. He accepts one last bounty-hunter mission--to find the men who brutalised a prostitute--to help support his two motherless children. Joined by his former partner (Morgan Freeman) and a cocky greenhorn (Jaimz Woolvett), he takes on a corrupt sheriff (Oscar winner Gene Hackman) in a showdown that makes the viewer feel the full impact of violence and its corruption of the soul. Dedicated to Eastwood's mentors Sergio Leone and Don Siegel and featuring a colourful role for Richard Harris, Unforgiven is arguably Eastwood's crowning directorial achievement. --Jeff Shannon
In Sister Act, Whoopi Goldberg plays a Reno lounge singer who hides out as a nun when her villainous boyfriend (Harvey Keitel) goes gunning for her. Maggie Smith is the mother superior who has to cope with Whoopi's unorthodox behaviour, but the cute script turns the tables and shows the latter energising the stodgy convent with song and attitude. A real crowd-pleaser and a perfect vehicle for Goldberg, this is a happy experience all around. --Tom Keogh, Amazon.com Whoopi Goldberg returns in Sister Act 2: Back in the Habit, a gratuitous, poorly written sequel that contrives a reason to get her character back into Maggie Smith's convent. The "socially conscious" plot finds Goldberg being asked to relate to a bunch of street kids and pull them together into a choir. Since a bad guy is needed, the script grabs that old chestnut about a rich guy (James Coburn) preparing to close down the convent's school, and runs with it. The film is slow and unconvincing from start to finish, although co-stars Mary Wickes and Kathy Najimy get some good laughs, and the music is pretty spirited. --Tom Keogh, Amazon.com
Recently widowed world-famous neurosurgeon Dr. Michael Hfuhruhurr (Steve Martin) falls for the charms of gold-digging Dolores Benedict (Kathleen Turner) after accidentally hitting her with his car. Following a life saving operation with his newly developed 'screw-top' brain surgery the pair are soon married but Michael finds himself trapped in a loveless marriage of convenience when he realises that Dolores is only after his money. However on a trip to Vienna to attend a medical
This zany, eye-popping, knee-slapping landmark in combining animation with live-action ingeniously makes that uneasy combination itself (and the history of Hollywood) its subject. Who Framed Roger Rabbit is based on classic Los Angeles private-eye movies (and, specifically, Chinatown), with detective Eddie Valiant (Bob Hoskins) investigating a case involving adultery, blackmail, murder, and a fiendish plot to replace LA's once-famous Red Car public transportation system with the automobiles and freeways that would later make it the nation's smog capital. Of course, his sleuthing takes him back to the place he dreads: Toontown, the ghetto for cartoons that abuts Hollywood and that was the site of a tragic incident in Eddie's past. In addition to intermingling cartoon characters with live actors and locations, Roger Rabbit also brings together the greatest array of cartoon stars in the history of motion pictures, from a variety of studios (Disney, Warner Bros, MGM, Fleischer, Universal, and elsewhere): Betty Boop, Bugs Bunny, Mickey Mouse, Woody Woodpecker, Droopy Dog, and more! And, of course, there's Maroon Cartoon's greatest star, Roger Rabbit (voice by Charles Fleischer), who suspects his ultra-curvaceous wife, Jessica Rabbit (voice by Kathleen Turner: "I'm not bad; I'm just drawn that way"), of infidelity. Directed by Robert Zemeckis (Back to the Future, Forrest Gump, Contact), not since the early Looney Tunes' "You Oughtta Be in Pictures" has there been anything like Roger Rabbit. --Jim Emerson
Elvira's back and she's fabulous! With her voluptuous figure, voluminous black hair and hilarious one-liners, the essence of camp oozes from her pores. Elvira's Haunted Hills culls its outrageousness from the classic Vincent Price / Edgar Allan Poe / Roger Corman films of the early '60s, along with a little Rocky Horror Picture Show and Fearless Vampire Killers. The tale begins in 1851, when Elvira and her maid Zou Zou are en route to perform in the Parisian Revue Yes I Can Can, but inadvertently end up at the sinister Lord Vladimere Hellsubus' medieval castle. Bearing an uncanny resemblance to Vladimere's long-dead wife, Elvira learns of the Hellsubus curse and finds her life in danger. Will she escape the family curse and the evil Vladimere? And can she keep her hands off the stable hand long enough to save the day. SPECIAL FEATURES: ¢ Introduction by Elvira, Mistress of the Dark ¢ Audio commentary with actors Cassandra Peterson, Mary Scheer, Mary Jo Smith, Scott Atkinson, and Director Sam Irvin ¢ Making-of featurette ¢ Transylvania Or Bust featurette ¢ Elvira in Romania featurette ¢ Interview with actor Richard O'Brien ¢ Outtakes ¢ Photo gallery
There was a rare magic on the big screen in 1995, when the people at Pixar came up with the first fully computer-animated film, Toy Story, and their second feature film, A Bug's Life, may miss the bull's-eye but Pixar's target is so lofty that it's hard to find the film anything less than irresistible. Brighter and more colourful than the other animated insect movie of 1998 (Antz), A Bug's Life is the sweetly told story of Flik (voiced by David Foley), an ant searching for better ways to be a bug. His colony unfortunately revolves around feeding and fearing the local grasshoppers (lead by Hopper, voiced with gleeful menace by Kevin Spacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). The ants, led by Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he finds help--a hearty bunch of bug warriors--and brings them back to the colony. Unfortunately they are just travelling performers, afraid of conflict. As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybird, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick insect and Michael McShane as a pair of unintelligible woodlice. The scene-stealer is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere), who has a big soft spot for Flik. More gentle and kid-friendly than Antz, A Bug Life's still has some good suspense and a wonderful demise in store for the villain. However, the film--a worldwide hit--will be remembered for its most creative touch: "outtakes" over the end credits à la many live-action comedy films. These dozen or so scenes (both "editions" of outtakes are contained here) are brilliant and deserve a special place in film history right along with 1998's other most talked-about sequence: the opening Normandy invasion in Saving Private Ryan. --Doug Thomas
The political and moral conflicts at the core of the Nuremberg trials are brought to the fore in Stanley Kramer's celebrated dramatization, In the aftermath of World War two, Judge Dan Haywood (Spencer Tracey) presides over the military tribunals of members of the Nazi regime. War crimes and atrocities have been committed but it is the guilt of the defendant's clear? Are the accused simply guilty of following the diktats of a superior authority? Are they pawns in a larger geo-political struggle? Featuring an all-star cast including Tracey, Burt Lancaster, Richard Widmark, Marlene Dietrich, Judy Garland, Maximillian Schell and Montgomery Clift, this court room classic is a tense and thought-provoking drama, now available on Blu-ray for the very first time in the UK. Special Features: Limited Edition 2-disc set (1 x Blu-ray + 1 x DVD for extras) Presented in High Definition In Conversation with Abby Mann and Maximillian Schell (20 mins): an enjoyable reminiscence by the pair The Value of a Single Human Being (6 mins): screenwriter Abby Mann discusses his Oscar®-winning screenplay A Tribute to Stanley Kramer (14 mins): an overview of aspects of director Stanley Kramer's life and career, including an interview with his widow Other extras TBC
Please wait. Loading...
This site uses cookies.
More details in our privacy policy